Armchair
Acrylic On Canvas
WallArt
Modernism
1932
61.0 x 65.0 cm
The Museum of Arts and Crafts
Giclée / Kunsttryk
Giclée- eller lærredstryk i museumskvalitet med hurtig produktion og fleksible muligheder for finish.
P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Du kan indtaste dine egne mål for at passe til en specifik ramme eller et bestemt område. Hvis den valgte størrelse ikke stemmer overens med det originale billedes proportioner, vil vi enten beskære kunstværket eller udvide billedet med en spejlet eller ensfarvet kant. En digital mockup vil blive sendt til din godkendelse, før produktionen påbegyndes.
Bemærk venligst, at forhåndsvisningen på skærmen ikke afspejler den faktiske beskæring eller udvidelse. Kun mockuppen vil nøjagtigt vise den endelige komposition.
Selvom specialmål er tilgængelige, anbefaler vi at vælge et mål fra den foruddefinerede liste for at bevare de originale proportioner.
Verdensomspændende levering () på 2 uger i stedet for de sædvanlige 4/5 uger. (23 juli)
Gratis ekspresforsendelse til hele verden
Lærred af linned i høj kvalitet
Fuld transportforsikring
Garanti for refusion af told og importafgifter
Garanti for præcis farvegengivelse
60 dages returret (kun ved fabrikationsfejl)
100% Tilfredshedsgaranti
Mængderabat tilgængelig
Armchair
Giclée / Kunsttryk
Størrelse på reproduktion
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Samlet pris
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Beskrivelse af samlerobjektet
The LC2 Armchair: A Testament to Minimalist Elegance
The Le Corbusier LC2 Armchairs stand as an enduring emblem of mid-century modern design, embodying principles of functionality and sculptural form that continue to resonate with contemporary aesthetics. Created in 1931 by Ludwig Mies van der Rohe and Pierre Jeanneret for the Maison Citroën showroom in Paris, these chairs represent a pivotal moment in architectural history—a deliberate rejection of ornate decoration in favor of clean lines and geometric precision. Their influence extends far beyond the design world, shaping countless interiors and inspiring generations of designers to prioritize simplicity and beauty.- Design Philosophy: Mies van der Rohe’s unwavering commitment to “less is more” drove the LC2's conceptual framework. Rejecting superfluous ornamentation, the duo sought to distill furniture into its essential elements—structure, material, and form—creating a piece that speaks volumes without resorting to visual clutter.
- Materials: The LC2’s construction utilizes three primary materials: bent plywood for the frame, chrome steel tubing for structural support, and cowhide leather upholstery for comfort and textural contrast. This careful selection reflects the modernist ethos of utilizing industrial processes to achieve refined results.
- Geometric Precision: The chair's design is characterized by impeccable geometric accuracy—tubular frames intersecting at precise angles, creating a stable yet visually arresting structure. The plywood panels are bent into elegant curves that complement the straight lines of the frame, resulting in an harmonious balance between form and function.
Historical Context: Bauhaus Influence & Citroën’s Vision
The LC2 Armchairs emerged during the Bauhaus movement—a German art school founded in Weimar in 1919 that championed functionalist ideals and challenged traditional artistic conventions. Mies van der Rohe, a former Bauhaus instructor, absorbed these principles into his architectural practice and subsequently applied them to furniture design. Simultaneously, Citroën’s desire for a showroom space that reflected the company's innovative spirit fueled the project—a bold statement against prevailing decorative trends. The LC2 Armchairs became synonymous with Citroën’s commitment to modernity and technological advancement.- Bauhaus Legacy: Mies van der Rohe’s Bauhaus training instilled in him a profound understanding of industrial design, emphasizing efficiency and aesthetic harmony. This influence is palpable in the LC2's meticulous construction and restrained materiality.
- Citroën Showcase: The showroom was conceived as an experimental space—a deliberate departure from conventional retail environments. The LC2 Armchairs served as a focal point for this vision of understated elegance, demonstrating how simplicity could convey sophistication.

Glasmulighed er kun tilgængelig i størrelser under 110 cm
