Er Virgen de la Oscuridad beskyttet af ophavsret?

Ja, dette kunstværk er stadig beskyttet af ophavsret.

Køb en reproduktion af Virgen de la Oscuridad

In numbers

29frames to choose from
standard sizes, in its own proportions
5weeks to paint and deliver it

About the original

Museo Eduardo Carrillo

Dette kunstværk er ophavsretsbeskyttet

Kunstværket vist på denne side er beskyttet af ophavsretsloven, hvilket betyder, at vi ikke lovligt kan skabe eller sælge en identisk reproduktion. Denne beskyttelse håndhæves i henhold til internationale aftaler som f.eks. den Bernerkonventionen og af nationale love, herunder de bestemmelser, der er fastlagt i Amerikansk ophavsretslov - Titel 17.

Som et respektfuldt og lovligt alternativ tilbyder vi skræddersyede, håndmalede kunstværker inspireret af originalen. Vores dygtige og professionelle kunstnere studerer omhyggeligt originalens stil, stemning og kunstneriske essens for at skabe et nyt, unikt værk, der fremkalder den samme følelse – samtidig med at det forbliver en original skabelse i egen ret.

Denne metode overholder fuldt ud ophavsretsreglerne, da den ikke indebærer kopiering eller duplikering af det beskyttede kunstværk. I stedet er der tale om en kreativ nytolkning – et nyt maleri, som er inspireret af det oprindelige, men ikke identisk med det.

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Judithe Hernández

1948 - , United States of America

Kort om kunstneren

Name: Judithe Hernández
Movement: Chicano art
Birth Date: 1948
Birth Place: Los Angeles, United States of America
Nationality: American
Date Of Birth: 1948
Notable Works:
- Summer
- Maidens of Spring
- Virgen de la Oscuridad
- Winter Returns
- Autumn Reigns
Place Of Birth: Los Angeles, United States of America

Kunstnerbiografi

Judithe Hernández: A Life in Art

Early Life and Education

Born in Los Angeles, California, in 1948, Judithe Hernández emerged as a significant voice within the Chicano art movement.
Her early life experiences deeply influenced her artistic trajectory, fostering a commitment to representing marginalized communities and challenging societal norms.
Hernández’s formal education provided a foundation for her artistic explorations, though much of her development occurred through self-study and engagement with the vibrant art scene in Los Angeles.

Artistic Development and Influences

Early Mural Work: Hernández first gained recognition in the 1970s for her powerful murals, which addressed social and political issues relevant to the Chicano community.
Influences: Her work reflects influences from Mexican folk art, pre-Columbian imagery, and feminist perspectives. She draws inspiration from indigenous cultures and their storytelling traditions.
A shift in her practice led her to explore pastels on paper, allowing for more intimate and nuanced explorations of themes like gender roles and cultural identity.

Los Four and Collaborative Spirit

Founding Member: In 1974, Hernández became the fifth – and only female – member of Los Four, a groundbreaking collective of Chicano artists alongside Carlos Almaraz, Frank Romero, Robert de la Rocha, and Gilbert Luján.
Collective Impact: Los Four played a pivotal role in bringing Chicano art to wider audiences, challenging the mainstream art world and advocating for greater representation.
Hernández also briefly participated with Centro de Arte Público, further demonstrating her commitment to collaborative artistic endeavors.

Themes and Artistic Style

Key Themes: Hernández’s work consistently engages with themes of identity, gender, social justice, and the complexities of cultural heritage.
Indigenist Imagery: She frequently incorporates pre-Columbian symbols and narratives into her art, reclaiming indigenous traditions and challenging colonial perspectives.
Artistic Style: Her style is characterized by vibrant colors, dynamic compositions, and a blend of realism and symbolism. Her pastel works are particularly noted for their delicate textures and expressive power.

Major Achievements and Historical Significance

Pioneering Role: Hernández is recognized as a pioneering figure in Chicano art, breaking barriers for women artists within the movement.
Legacy of Activism: Her work continues to inspire dialogue about social and political issues, advocating for equality and cultural understanding.
Exhibitions & Recognition: Hernández’s art has been exhibited in numerous galleries and museums across the United States, solidifying her reputation as a significant contemporary artist. She remains an active educator and mentor to emerging artists.