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Ex libris Werner Daniel

Ex libris Werner Daniel by John William Kuznetov (1979). A stunning miniature bookplate showcasing Kuznetov's intricate style. Acquire a unique, hand-painted reproduction.

John William Kuznetov (1948-2019) was an American woodcut print artist known for bold lines, abstract shapes & color. Explore his unique style in US & European collections.

Kunstværket vist på denne side er beskyttet af ophavsretsloven, hvilket betyder, at vi ikke lovligt kan skabe eller sælge en identisk reproduktion. Denne beskyttelse håndhæves i henhold til internationale aftaler som f.eks. den Bernerkonventionen og af nationale love, herunder de bestemmelser, der er fastlagt i Amerikansk ophavsretslov - Titel 17.

Denne metode overholder fuldt ud ophavsretsreglerne, da den ikke indebærer kopiering eller duplikering af det beskyttede kunstværk. I stedet er der tale om en kreativ nytolkning – et nyt maleri, som er inspireret af det oprindelige, men ikke identisk med det.

Giclée / Kunsttryk

Giclée- eller lærredstryk i museumskvalitet med hurtig produktion og fleksible muligheder for finish. ( Køb håndmalet maleri Skift til digitalt billede)

Corner sample of the P118B picture frame: støbt polystyren, 5 cm wide and 3 cm thick
P118B Dkr10
Corner sample of the P118H picture frame: støbt polystyren, 5 cm wide and 3 cm thick
P118H Dkr10
Corner sample of the P118W picture frame: støbt polystyren, 5 cm wide and 3 cm thick
P118W Dkr10
Corner sample of the P438Z picture frame: støbt polystyren, 5.5 cm wide and 3.5 cm thick
P438Z Dkr10
Corner sample of the P508JH picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
P508JH Dkr12
Corner sample of the P508YH picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
P508YH Dkr12
Corner sample of the P805H picture frame: støbt polystyren, 5 cm wide and 3.5 cm thick
P805H Dkr10
Corner sample of the P805Z picture frame: støbt polystyren, 5 cm wide and 3.5 cm thick
P805Z Dkr10
Corner sample of the P919BZ picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
P919BZ Dkr10
Corner sample of the P919G picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
P919G Dkr10
Corner sample of the P919XJ picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
P919XJ Dkr10
Corner sample of the P959ZH picture frame: støbt polystyren, 5 cm wide and 3 cm thick
P959ZH Dkr10
Corner sample of the P968JZ picture frame: støbt polystyren, 6 cm wide and 4 cm thick
P968JZ Dkr12
Corner sample of the W106C picture frame: massivt træ, 5 cm wide and 3 cm thick
W106C Dkr8
Corner sample of the W218G picture frame: massivt træ, 5 cm wide and 3 cm thick
W218G Dkr10
Corner sample of the W218JH picture frame: massivt træ, 5 cm wide and 3 cm thick
W218JH Dkr8
Corner sample of the W218Y picture frame: massivt træ, 5 cm wide and 3 cm thick
W218Y Dkr10
Corner sample of the W307PJ picture frame: massivt træ, 6 cm wide and 3 cm thick
W307PJ Dkr10
Corner sample of the W316G picture frame: massivt træ, 6 cm wide and 3 cm thick
W316G Dkr10
Corner sample of the W316PJ picture frame: massivt træ, 6 cm wide and 3 cm thick
W316PJ Dkr8
Corner sample of the W316Y picture frame: massivt træ, 6 cm wide and 3 cm thick
W316Y Dkr10
Corner sample of the W398PJ picture frame: massivt træ, 5 cm wide and 3 cm thick
W398PJ Dkr8
Corner sample of the W4111J picture frame: massivt træ, 6.5 cm wide and 3.5 cm thick
W4111J Dkr10
Corner sample of the W500HY picture frame: massivt træ, 7 cm wide and 5 cm thick
W500HY Dkr15
Corner sample of the W500JH picture frame: massivt træ, 7 cm wide and 5 cm thick
W500JH Dkr15
Corner sample of the W692G picture frame: massivt træ, 8 cm wide and 4 cm thick
W692G Dkr12
Corner sample of the W849H picture frame: massivt træ, 5 cm wide and 3 cm thick
W849H Dkr8
Corner sample of the W940BG picture frame: massivt træ, 7.5 cm wide and 4.5 cm thick
W940BG Dkr15
Corner sample of the W953PJ picture frame: massivt træ, 6 cm wide and 3.5 cm thick
W953PJ Dkr8

Standardstørrelse
speciallavet
CM
INCH

Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.

bredde
højde

Indtast den bredde og højde, du har brug for, så det passer til din ramme eller din væg. Et print kan kun beskæres, aldrig gøres større end selve billedet, så en størrelse med et andet format vil medføre, at dele af motivet går tabt. Vi sender dig en digital mockup til godkendelse, før vi printer noget. Billedet vist på denne side viser ikke den faktiske beskæring — det er kun mockuppen, der gør.

Verdensomspændende levering () på 2 uger i stedet for de sædvanlige 4/5 uger. (16 november)

Gratis ekspresforsendelse til hele verden
Lærred af linned i høj kvalitet
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100 dages returret ved fabrikationsfejl
100% fuld returret
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Samlet pris

Dkr 539

Ex libris Werner Daniel

Giclée / Kunsttryk

Størrelse på reproduktion

-

Samlet pris

Dkr 539


Kunstnerbiografi

Early Life and Artistic Foundation

John William Kuznetov, born in New York City in 1948, embarked on a creative journey that would firmly establish him as a significant figure in American woodcut printmaking. His formative years were steeped in the vibrant artistic atmosphere of his native city, an environment that undoubtedly fueled his early passion for visual expression. He pursued formal training at the prestigious Pratt Institute, dedicating himself to honing his skills and developing a unique aesthetic voice. Graduating with a Bachelor of Fine Arts degree in 1970, Kuznetov laid the groundwork for a career defined by bold experimentation and a distinctive approach to color and form. The influence of New York’s dynamic art scene during this period – encompassing Pop Art, Minimalism, and Abstract Expressionism – can be subtly detected in his later work, though he would carve out a path distinctly his own.

The Rise of an Abstract Woodcut Artist

Kuznetov's artistic practice centered almost entirely around the challenging medium of woodcut printing. While often associated with traditional illustrative techniques, Kuznetov liberated the woodcut from its conventional constraints, transforming it into a vehicle for abstract exploration. His prints are characterized by striking geometric shapes and powerfully defined lines – elements that coalesce to create dynamic compositions brimming with energy. He wasn’t interested in replicating reality; instead, he sought to evoke emotion and intellectual response through pure form and color. This dedication to abstraction set him apart, allowing him to explore the inherent qualities of the woodcut process itself: the texture of the wood grain, the contrast between light and shadow, and the unique character imparted by hand-carving each block.

Technique and Artistic Process

The creation of a Kuznetov print was a labor-intensive undertaking, demanding both technical mastery and artistic vision. He meticulously carved his designs into blocks of wood, often employing multiple blocks to achieve complex layering and vibrant color palettes. This multi-block technique allowed for nuanced gradations and unexpected juxtapositions, adding depth and visual richness to his compositions. Unlike many printmakers who favored a limited range of tones, Kuznetov embraced bold, saturated colors, injecting a sense of vitality into his abstract forms. His process wasn’t simply about reproducing an image; it was about building up layers of color and texture, creating a unique tactile experience for the viewer. The physicality of the medium – the resistance of the wood, the precision required for carving, and the unpredictable nature of the printing press – all contributed to the distinctive character of his work.

Exhibition History and Critical Reception

Throughout his career, John William Kuznetov actively exhibited his work in galleries and museums across both the United States and Europe. These exhibitions provided a platform for showcasing his unique style to a wider audience and fostered critical dialogue around his artistic contributions. While not necessarily achieving mainstream fame, he garnered respect within printmaking circles and among collectors who appreciated his dedication to craftsmanship and innovative approach to abstraction. His work found its way into numerous private and public collections, attesting to its enduring appeal and artistic merit. The consistent presence of his prints in gallery settings demonstrates a sustained commitment to sharing his vision with the world, solidifying his position as a respected voice within the contemporary art landscape.

Legacy and Historical Significance

John William Kuznetov’s passing in 2019 marked the end of a prolific career dedicated to the exploration of woodcut printmaking. His legacy lies in his ability to elevate this traditional medium into a powerful tool for abstract expression, challenging conventional notions of what a print could be. He demonstrated that woodcuts weren't limited to illustrative purposes but could stand alone as compelling works of art, capable of evoking complex emotions and intellectual responses. Kuznetov’s work serves as an important reminder of the enduring power of craftsmanship, experimentation, and artistic vision. His prints continue to captivate viewers with their bold lines, abstract shapes, and vibrant colors, offering a unique glimpse into the mind of a dedicated artist who pushed the boundaries of his chosen medium.
John William Kuznetov

John William Kuznetov

1948 - 2019 , United States of America

Kort om kunstneren

  • Full Name: John William Kuznetov
  • Nationality: American
  • Date Of Birth: 1948
  • Date Of Death: 2019
  • Place Of Birth: New York City, United States of America
  • Artistic Movement Or Style: Abstract Art, Woodcut Prints