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Eftermiddag på Sankt Valentins Dag

Dimensioner
458.0 x 383.0 cm

Oplev 'Eftermiddag på Sankt Valentins Dag' af John Callcott Horsley – et romantisk oliemaleri præget af hjemlig intrige og velstand. Fantastiske detaljer, kølige farver og victoriansk charme mødes i dette ikoniske værk.

John Callcott Horsley (1817-1903): Victorian genre & historical painter, Royal Academician, and designer of the first Christmas card. Known for Dutch-influenced scenes & opposition to nude art.

Giclée / Kunsttryk

Giclée- eller lærredstryk i museumskvalitet med hurtig produktion og fleksible muligheder for finish. ( Køb håndmalet maleri Skift til digitalt billede)

Corner sample of the P118B picture frame: støbt polystyren, 5 cm wide and 3 cm thick
P118B Dkr10
Corner sample of the P118H picture frame: støbt polystyren, 5 cm wide and 3 cm thick
P118H Dkr10
Corner sample of the P118W picture frame: støbt polystyren, 5 cm wide and 3 cm thick
P118W Dkr10
Corner sample of the P438Z picture frame: støbt polystyren, 5.5 cm wide and 3.5 cm thick
P438Z Dkr10
Corner sample of the P508JH picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
P508JH Dkr12
Corner sample of the P508YH picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
P508YH Dkr12
Corner sample of the P805H picture frame: støbt polystyren, 5 cm wide and 3.5 cm thick
P805H Dkr10
Corner sample of the P805Z picture frame: støbt polystyren, 5 cm wide and 3.5 cm thick
P805Z Dkr10
Corner sample of the P919BZ picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
P919BZ Dkr10
Corner sample of the P919G picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
P919G Dkr10
Corner sample of the P919XJ picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
P919XJ Dkr10
Corner sample of the P959ZH picture frame: støbt polystyren, 5 cm wide and 3 cm thick
P959ZH Dkr10
Corner sample of the P968JZ picture frame: støbt polystyren, 6 cm wide and 4 cm thick
P968JZ Dkr12
Corner sample of the W106C picture frame: massivt træ, 5 cm wide and 3 cm thick
W106C Dkr8
Corner sample of the W218G picture frame: massivt træ, 5 cm wide and 3 cm thick
W218G Dkr10
Corner sample of the W218JH picture frame: massivt træ, 5 cm wide and 3 cm thick
W218JH Dkr8
Corner sample of the W218Y picture frame: massivt træ, 5 cm wide and 3 cm thick
W218Y Dkr10
Corner sample of the W307PJ picture frame: massivt træ, 6 cm wide and 3 cm thick
W307PJ Dkr10
Corner sample of the W316G picture frame: massivt træ, 6 cm wide and 3 cm thick
W316G Dkr10
Corner sample of the W316PJ picture frame: massivt træ, 6 cm wide and 3 cm thick
W316PJ Dkr8
Corner sample of the W316Y picture frame: massivt træ, 6 cm wide and 3 cm thick
W316Y Dkr10
Corner sample of the W398PJ picture frame: massivt træ, 5 cm wide and 3 cm thick
W398PJ Dkr8
Corner sample of the W4111J picture frame: massivt træ, 6.5 cm wide and 3.5 cm thick
W4111J Dkr10
Corner sample of the W500HY picture frame: massivt træ, 7 cm wide and 5 cm thick
W500HY Dkr15
Corner sample of the W500JH picture frame: massivt træ, 7 cm wide and 5 cm thick
W500JH Dkr15
Corner sample of the W692G picture frame: massivt træ, 8 cm wide and 4 cm thick
W692G Dkr12
Corner sample of the W849H picture frame: massivt træ, 5 cm wide and 3 cm thick
W849H Dkr8
Corner sample of the W940BG picture frame: massivt træ, 7.5 cm wide and 4.5 cm thick
W940BG Dkr15
Corner sample of the W953PJ picture frame: massivt træ, 6 cm wide and 3.5 cm thick
W953PJ Dkr8

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Samlet pris

Dkr 538

Eftermiddag på Sankt Valentins Dag

Giclée / Kunsttryk

Størrelse på reproduktion

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Samlet pris

Dkr 538

Hurtige fakta

  • Artist: John Callcott Horsley
  • Dimensions: 458 x 383 cm
  • Influences: Dutch art
  • Movement: Romanticism
  • Medium: Oil on canvas
  • Notable elements or techniques: Detailed realism; muted palette

Kunstquiz

Der er kun ét korrekt svar på hvert spørgsmål.

Spørgsmål 1:
Hvad er hovedtemaet i maleriet "The Morning of St Valentine"?
Spørgsmål 2:
Hvilken kunstner er John Callcott Horsley?
Spørgsmål 3:
Hvordan beskrives atmosfæren i billedet?
Spørgsmål 4:
Hvad er betydningen af den lille Pekinese hund i scenen?
Spørgsmål 5:
Hvilken kunstteknik anvendes primært i maleriet?

Et Portræt af Romantikken: ”Den Morgengudstjeneste til Sankt Valentin” af John Callcott Horsley

Denne betagende oliepastel af John Callcott Horsley, udført i 1865, er mere end blot et smukt billede; det er en nøgle til forståelsen af den viktorianske æra og romantikkens kunstneriske ånd. Maleriet præsenterer en ung kvinde siddende ved et bord, hvor hun holder et valentinsbrev i hånden – et symbol på kærlighed og længsel, der perfekt fanger essensen af tiden. Hendes hoved er hævet mod baggrunden af en imponerende lokke af hår, hvilket fremhæver hendes ungdommelige skønhed og selvfølelse. Et lille Pekinese kat ligger sødt i hendes favn og nyder et tidligere kastet valentinskort adresseret til Celia – detaljer der bidrager til scenens atmosfære af intimitet og komfort. I døren til venstre træder en ung postbud frem og præsenterer flere breve til den elegante kvinde, hvilket understreger temaet om kommunikation og forbindelser i det viktorianske samfund. Horsleys kunstneriske valg er særligt bemærkelsesværdige. Han anvender en delikat palet af nuancer – primært varme toner som brun og gul – hvilket skaber en følelse af varme og atmosfære. Teknikken er præget af ekstrem detaljegrad, hvor hver eneste hårstrå og tekstur på møblerne er nøje gengivet. Dette viser Horsleys dygtighed til at fange lys og skygge på en måde, der fremhæver objektets tredimensionalitet og skaber en følelse af realisme. Maleriet udtrykker ikke blot fysisk skønhed, men også psykologisk kompleksitet. Kvinden er ikke blot et objekt for kærlighedens øjne; hun er en individuel person med tanker og følelser – hvilket Horsley formår at kommunikere gennem sit præcise komposition og brug af perspektiv. Horsleys kunst var meget populær blandt viktorianske publikum, hvor romantikken blomstrede frem. Han blev hyldet for sin evne til at skildre menneskelige følelser på en ærlig og autentisk måde, hvilket resonerede dybt hos mange mennesker i hans tid. ”Den Morgengudstjeneste til Sankt Valentin” er et eksempel på denne kunstneriske stil – hvor fokus ligger på atmosfære og følelsesmæssig udtryk snarere end blot tekniske færdigheder. Maleriet inviterer betragteren til at træde ind i en verden af romantik og længsel, hvilket gør det til et værk, der fortsat fascinerer kunstnere og kunstelskere i dag. Det er en perfekt gengivelse af den tid og følelser, hvor kunst var et middel til at udtrykke menneskelighedens dybeste ønsker og drømme. Horsley formår at fange essensen af romantikken på en måde, der både er teknisk imponerende og følelsesmæssigt berørende.

Spørgsmål og svar

Hvilken farve træder mest frem i "Eftermiddag på Sankt Valentins Dag"?

Sort (#150c18) er den dominerende farve i "Eftermiddag på Sankt Valentins Dag" af John Callcott Horsley.

Er "Eftermiddag på Sankt Valentins Dag" en god gaveidé?

Som gave foreslås "Eftermiddag på Sankt Valentins Dag" af John Callcott Horsley til Valentinsdag. Det kan også være en passende gave til andre lejligheder.

Hvem har skabt "Eftermiddag på Sankt Valentins Dag", og hvilken stilart er det?

John Callcott Horsley skabte "Eftermiddag på Sankt Valentins Dag" inden for Romanticisme Tidlig-bevægelsen.


Kunstnerbiografi

The Life and Legacy of John Callcott Horsley

Born in the vibrant heart of London in 1817, John Callcott Horsley emerged as a distinguished figure within the prestigious ranks of the Royal Academy. His life was a tapestry woven with both immense professional triumph and profound personal tragedy. The early years of his marriage to Elvira Walter were marked by the joys of fatherhood, yet they were shadowed by the devastating loss of his first three sons—Edward, Frank, and Harry—to scarlet fever in quick succession during the 1850s. This period of mourning eventually gave way to a second chapter of life when he married Rosamund Haden, daughter of the esteemed surgeon Charles Haden. Through this union, Horsley expanded his family once more, raising children who would go on to achieve their own greatness, including the renowned surgeon and neuropathologist Sir Victor Horsley.

Horsley’s professional journey was characterized by a relentless pursuit of excellence and a keen eye for social connection. Following his second marriage, he embarked on an ambitious tour of the English Midlands, spending months cultivating relationships with wealthy industrialists. This strategic movement allowed him to secure significant portrait commissions, cementing his status among the Victorian elite. In 1861, seeking a more tranquil environment for his creative endeavors, he moved into 'Willesley' in Cranbrook. This move placed him within the influential Cranbrook Colony, where he could balance his London obligations with a serene domestic life amidst the Jacobean charm of his new home.

Mastery of Genre and Historical Narrative

The artistry of Horsley is deeply rooted in the tradition of the Dutch Masters. He drew profound inspiration from the luminous light and intimate domesticity found in the works of Pieter de Hooch and Johannes Vermeer. This influence is palpable in his ability to transform ordinary scenes into extraordinary narratives, where every shadow and glint of light serves a storytelling purpose. His repertoire was largely focused on historical subjects, often set within the evocative atmospheres of the seventeenth and eighteenth centuries. Through these works, he breathed life into bygone eras, capturing the elegance, costume, and social nuances of the past.

His technical prowess allowed him to navigate various thematic landscapes with ease:

  • Literary Interpretations: He famously brought characters from classic literature to life, such as his evocative depictions in "Malvolio" and "A Scene from Don Quixote."
  • Royal Commendations: His talent earned him the highest levels of patronage, notably producing "L'Allegro and Il Penseroso" specifically for the Prince Consort.
  • Atmospheric Genre Scenes: Works like "Le Jour des Morts" demonstrate his ability to handle somber, reflective themes with great sensitivity.
  • Early Recognition: His burgeoning talent was recognized early by the collector John Sheepshanks, who acquired significant pieces such as "The Rival Performers" and "Youth and Age" in 1839.

Historical Significance and Cultural Impact

Beyond the canvas, John Callcott Horsley holds a unique place in the cultural history of Britain. While he is celebrated for his academic rigor and historical accuracy, he also holds a charming distinction in the annals of graphic design: he is credited with designing the very first Christmas card. This small but enduring contribution speaks to his versatility as an artist and his ability to touch the lives of the public through accessible, beautiful imagery.

Throughout his long career, which spanned until his death in 1903, Horsley remained a steadfast member of the Royal Academy. His work stood as a bulwark for traditional values during a period of rapid Victorian change. While he was known to hold firm stances against certain contemporary trends, such as the rise of nude art in academic circles, his commitment to narrative clarity and technical perfection ensured that his legacy would endure. Today, his paintings remain vital windows into the Victorian soul, reflecting a period of immense transition, refined taste, and an enduring reverence for the masters of the past.

John Callcott Horsley

John Callcott Horsley

1817 - 1903 , United Kingdom

Kort om kunstneren

  • Artistic Movement Or Style: Victorian genre and historical painting
  • Artists Who Influenced This Artist:
    • Pieter de Hooch
    • Johannes Vermeer
  • Date Of Birth: 1817
  • Date Of Death: 1903
  • Full Name: John Callcott Horsley
  • Notable Artworks:
    • Malvolio
    • L'allegro and Il Penseroso
    • Le Jour des Morts
    • A Scene from Don Quixote
    • The Rival Performers
    • Youth and Age
  • Place Of Birth: London, United Kingdom
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