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Self Portrait

A contemplative blue-toned self portrait by John Andreas Savio captures a man's intense gaze through masterful brushwork, offering a profound piece of Norwegian art history to add to your private collection.

Renowned for his expressive woodcuts and profound Sami identity, John Andreas Savio captured the essence of reindeer herding and nature through powerful imagery that invites you to discover his unique artistic legacy.

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Håndmalet olie på lærred i din valgte størrelse og ramme, udført efter bestilling af vores kunstnere. ( Skift til printversion Skift til digitalt billede)

Corner sample of the P118B picture frame: støbt polystyren, 5 cm wide and 3 cm thick
P118B Dkr10
Corner sample of the P118H picture frame: støbt polystyren, 5 cm wide and 3 cm thick
P118H Dkr10
Corner sample of the P118W picture frame: støbt polystyren, 5 cm wide and 3 cm thick
P118W Dkr10
Corner sample of the P438Z picture frame: støbt polystyren, 5.5 cm wide and 3.5 cm thick
P438Z Dkr10
Corner sample of the P508JH picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
P508JH Dkr12
Corner sample of the P508YH picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
P508YH Dkr12
Corner sample of the P805H picture frame: støbt polystyren, 5 cm wide and 3.5 cm thick
P805H Dkr10
Corner sample of the P805Z picture frame: støbt polystyren, 5 cm wide and 3.5 cm thick
P805Z Dkr10
Corner sample of the P919BZ picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
P919BZ Dkr10
Corner sample of the P919G picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
P919G Dkr10
Corner sample of the P919XJ picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
P919XJ Dkr10
Corner sample of the P959ZH picture frame: støbt polystyren, 5 cm wide and 3 cm thick
P959ZH Dkr10
Corner sample of the P968JZ picture frame: støbt polystyren, 6 cm wide and 4 cm thick
P968JZ Dkr12
Corner sample of the W106C picture frame: massivt træ, 5 cm wide and 3 cm thick
W106C Dkr8
Corner sample of the W218G picture frame: massivt træ, 5 cm wide and 3 cm thick
W218G Dkr10
Corner sample of the W218JH picture frame: massivt træ, 5 cm wide and 3 cm thick
W218JH Dkr8
Corner sample of the W218Y picture frame: massivt træ, 5 cm wide and 3 cm thick
W218Y Dkr10
Corner sample of the W307PJ picture frame: massivt træ, 6 cm wide and 3 cm thick
W307PJ Dkr10
Corner sample of the W316G picture frame: massivt træ, 6 cm wide and 3 cm thick
W316G Dkr10
Corner sample of the W316PJ picture frame: massivt træ, 6 cm wide and 3 cm thick
W316PJ Dkr8
Corner sample of the W316Y picture frame: massivt træ, 6 cm wide and 3 cm thick
W316Y Dkr10
Corner sample of the W398PJ picture frame: massivt træ, 5 cm wide and 3 cm thick
W398PJ Dkr8
Corner sample of the W4111J picture frame: massivt træ, 6.5 cm wide and 3.5 cm thick
W4111J Dkr10
Corner sample of the W500HY picture frame: massivt træ, 7 cm wide and 5 cm thick
W500HY Dkr15
Corner sample of the W500JH picture frame: massivt træ, 7 cm wide and 5 cm thick
W500JH Dkr15
Corner sample of the W692G picture frame: massivt træ, 8 cm wide and 4 cm thick
W692G Dkr12
Corner sample of the W849H picture frame: massivt træ, 5 cm wide and 3 cm thick
W849H Dkr8
Corner sample of the W940BG picture frame: massivt træ, 7.5 cm wide and 4.5 cm thick
W940BG Dkr15
Corner sample of the W953PJ picture frame: massivt træ, 6 cm wide and 3.5 cm thick
W953PJ Dkr8

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Samlet pris

Dkr 1957

Self Portrait

Reproduktionsmateriale

Reproduktionsstørrelse

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Samlet pris

Dkr 1957


Om kunstneren

A Voice from the North

John Andreas Savio was a profound Sami artist from Norway whose work served as a vital bridge between a traditional way of life and the encroaching modern world. Born in Bugøyfjord, within the Sør-Varanger Municipality of Finnmark, his early years were shaped by the rugged beauty and the cultural rhythms of the North. Though he is often remembered for his mastery of woodcuts, his art was far more than a technical achievement; it was a deeply personal mission to document the Sami identity, language, and the delicate balance of existence within the Arctic landscape. His life, marked by both great talent and significant hardship, was inextricably linked to the land he sought to portray.

The trajectory of Savio's life was touched by tragedy from a very young age. Following the loss of his parents in his infancy, he was raised by his maternal grandparents, whose wealth provided him with an education that would eventually allow him to pursue formal training. This path led him to Oslo, where he studied at the Norwegian National Academy of Craft and Art Industry. Despite being a pioneer—the first Sami artist to receive such a formal arts education—his journey was frequently interrupted by illness. A battle with tuberculosis necessitated the removal of a lung, leaving him with a fragile health that would persist throughout his remaining years.

The Soul of the Woodcut

Savio’s artistic development was rooted in the observations of his youth. His early sketches and doodles, often found in schoolbooks, were filled with motifs drawn from the daily realities of Sami life and the seasonal movements of reindeer herding. As he matured, these simple observations evolved into a sophisticated visual language characterized by pure expression. He possessed a unique ability to capture not only the external actions of his people—such as the struggle against natural forces and predators—but also the internal, spiritual connection between the individual and the environment.

His work often reflects the eight Sami seasons, tracing the life course of the reindeer and the human activities tied to each cycle. Through his masterful use of line and texture, particularly in his woodcuts, he conveyed a sense of both the magnificent nature of the North and the vulnerability of those who inhabit it. There is an intense, contemplative quality to his pieces, such as his self-portraits, which utilize masterful brushwork to capture a piercing gaze that seems to look through time itself.

Legacy and Identity

The historical significance of John Andreas Savio lies in his role as a cultural custodian. At a time when industrialization and globalization threatened to overshadow the unique traditions of the Sami people, Savio used his art to assert their presence and dignity. He made it his life's task to tell the world about a way of life that was often unappreciated by the broader society. His ability to translate the struggle for survival into a universal aesthetic makes his work a priceless treasure.

Today, his legacy is preserved through significant collections, including works held at the National Museum and the British Museum. He remains a powerful symbol of identity for the Sami people, representing a strength that persists despite the pressures of change. His art stands as a testament to the enduring bond between humanity and the natural world, ensuring that the stories of the North are never truly lost.

John Andreas Savio

John Andreas Savio

1902 - 1938 , Norway

Hurtige fakta

  • Artistic Movement Or Style: Woodcuts
  • Artists Who Influenced This Artist: ['Isak Saba']
  • Full Name: John Andreas Savio
  • Nationality: Sami
  • Notable Artworks: ['Self Portrait']
  • Place Of Birth: Bugøyfjorden, Norway
  • Date Of Birth: 1902
  • Date Of Death: 1938