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DiasshowThe bait
100.0 x 140.0 cm
MAGA - Museo Arte Gallarate
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Giclée / Kunsttryk
Giclée- eller lærredstryk i museumskvalitet med hurtig produktion og fleksible muligheder for finish. (
Skift til håndmalet maleri Skift til billede)
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Du kan indtaste dine egne mål for at passe til en specifik ramme eller et bestemt område. Hvis den valgte størrelse ikke stemmer overens med det originale billedes proportioner, vil vi enten beskære kunstværket eller udvide billedet med en spejlet eller ensfarvet kant. En digital mockup vil blive sendt til din godkendelse, før produktionen påbegyndes.
Bemærk venligst, at forhåndsvisningen på skærmen ikke afspejler den faktiske beskæring eller udvidelse. Kun mockuppen vil nøjagtigt vise den endelige komposition.
Selvom specialmål er tilgængelige, anbefaler vi at vælge et mål fra den foruddefinerede liste for at bevare de originale proportioner.
Verdensomspændende levering () på 2 uger i stedet for de sædvanlige 4/5 uger. (9 august)
Gratis ekspresforsendelse til hele verden
Lærred af linned i høj kvalitet
Fuld transportforsikring
Garanti for refusion af told og importafgifter
Garanti for præcis farvegengivelse
60 dages returret (kun ved fabrikationsfejl)
100% Tilfredshedsgaranti
Mængderabat tilgængelig
Glasmulighed er kun tilgængelig i størrelser under 110 cm
The bait
Giclée / Kunsttryk
Størrelse på reproduktion
-
Samlet pris
$ 81
Kunstnerens biografi
Innocente Fraccaroli: A Sculptor Bridging Neoclassicism and Expression
Innocente Fraccaroli (1805-1882) stands as a pivotal figure in Italian sculpture of the mid-nineteenth century, embodying the transition from the rigid formalism of neoclassical tradition to burgeoning expressive tendencies. Born in Castelrotto di Valpolicella, Italy, he embarked on his artistic journey under the tutelage of the Venice Academy of Fine Arts, where he honed his skills and garnered recognition for his talent. A decisive breakthrough arrived in 1829 when he secured the prestigious Brera Academy prize – a victory that propelled him towards further scholarly pursuits culminating in studies at Rome between 1830 and 1835. This formative period proved instrumental in shaping Fraccaroli’s artistic sensibilities, fostering connections with luminaries like Thorvaldsen and Pietro Tenerani who championed the ideals of classical sculpture. Upon returning to Milan in 1836, he decisively adopted a stylistic approach rooted in neoclassical ancestry yet infused with an unprecedented level of emotional depth. He became a steadfast participant in Brera exhibitions, cementing his reputation as a respected artist within the artistic milieu of his time and achieving considerable acclaim through involvement in landmark events such as the Great Exhibition of London (1851) and the Universal Exposition of Paris (1855). During these years, Fraccaroli’s work reflected a fervent patriotism, demonstrating his engagement with contemporary social and political concerns. However, Fraccaroli's artistic trajectory encountered obstacles in subsequent decades. Competition for public commissions proved challenging, and he failed to secure the chair in sculpture at the Brera Academy – setbacks that curtailed his prolific output. Despite these difficulties, his mature years witnessed a particular dedication to religious iconography and monumental sculptures commemorating significant historical figures. Notably, Fraccaroli bequeathed the plaster models of his most celebrated creations to Verona’s Museo Civico, ensuring their preservation for posterity. He passed away peacefully in Milan in 1882, leaving behind an enduring legacy as a sculptor who skillfully blended classical ideals with emotive artistry. His oeuvre encompasses a diverse range of subjects—primarily mythological narratives and portraits—characterized by meticulous craftsmanship and a profound understanding of sculptural technique. Fraccaroli’s style distinguishes itself through its careful attention to detail and anatomical accuracy, reflecting the influence of Thorvaldsen's sculptural mastery. Simultaneously, he injected palpable emotion into his figures, conveying psychological complexity and capturing fleeting expressions of human experience – an element that foreshadowed developments in artistic expression during the Impressionist movement. Fraccaroli’s sculptures continue to resonate with audiences today due to their ability to evoke contemplation and convey timeless themes of beauty, heroism, and spirituality. Works such as “Eve Before Sin,” “Wounded Achilles,” and “Clizia in love with the Sun” exemplify his distinctive artistic vision—a harmonious blend of classical precision and expressive dynamism that secures his place among the most significant sculptors of his era.
innocente fraccaroli
1805 - 1882 , Italy
Kort om kunstneren
- Artistic Movement Or Style: Neoclassical & expressive sculpture
- Artists Or Movements Influenced By This Artist:
- Renaissance
- Post-impressionist
- Artists Who Influenced This Artist:
- Thorvaldsen
- Pietro Tenerani
- Date Of Birth: December 28, 1805
- Date Of Death: 1882
- Full Name: innocente fraccaroli
- Nationality: Italian
- Notable Artworks:
- Eve Before Sin
- Wounded Achilles
- Clizia in love with the Sun
- Place Of Birth: Castelrotto di Valpolicella, Italy
