1989
Untitled (Graeme Todd, 1989)
Graeme Todd (1962–2022) har skabt Untitled. Det er fra 1989. Målene er 59 × 75 cm.
- 1989
- 59 × 75 cm
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StatistikkerUntitled kort fortalt
- Titel
- Untitled
- Kunstner
- Graeme Todd (1962–2022)
- Dato
- 1989
- Dimensioner
- 59 × 75 cm
Højopløselige billeder af Untitled
Protected by copyright: these files are for personal reference, not a licence to republish.
Graeme Todd, Untitled (1989).
Spørgsmål om Untitled besvaret
I hvilket år blev "Untitled" af Graeme Todd skabt?
"Untitled" af Graeme Todd er dateret til 1989.
Hvad er målene på det originale værk "Untitled"?
"Untitled" måler 59 x 75 cm i sin oprindelige form. De originale dimensioner er en nyttig reference, når du skal vælge størrelsen på en reproduktion.
Er "Untitled" fri for ophavsret?
"Untitled" af Graeme Todd er stadig beskyttet af ophavsret. Denne status bestemmer, hvordan billedet af værket må reproduceres.
Hvem er kunstneren bag "Untitled"?
Kunstneren bag "Untitled" er Graeme Todd. Værket er katalogiseret under Graeme Todds navn.
Hvor gammel var Graeme Todd, da "Untitled" blev skabt?
Da "Untitled" blev skabt i 1989, var Graeme Todd – født i 1962 – 27 år gammel.
Hvorfor er ophavsretsstatus for "Untitled" som den er?
Ophavsretsstatus for "Untitled" – stadig beskyttet af ophavsret – følger af kunstnerens død i 2022.
Om kunstneren, Graeme Todd
1962–2022
Graeme Todd
The Painter of Islands and Dreams Graeme Todd, a name synonymous with the evocative power of the Scottish landscape, possessed a singular ability to bridge the gap between the tangible world and the ethereal realm of dreams. Born in Glasgow in 1962, his artistic journey began amidst the vibrant, textured energy of his home city, but it was through his formal training at the Duncan of Jordanstone College of Art between 1979 and 1985 that his technical foundation was truly forged. Under the guidance of influential mentors, Todd developed a profound dedication to the art of observation, learning to see beyond the surface of objects to capture their underlying essence. This period of rigorous study instilled in him a lifelong fascination with the formal qualities of painting—the weight of a brushstroke, the tension of a line, and the transformative potential of light.
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