Er Bal des Pendus beskyttet af ophavsret?

Ja, dette kunstværk er stadig beskyttet af ophavsret.

Køb en reproduktion af Bal des Pendus

In numbers

1937the year it was painted
29frames to choose from
standard sizes, in its own proportions
5weeks to paint and deliver it

About the original

1937
155.0 x 114.0 cm

Dette kunstværk er ophavsretsbeskyttet

Kunstværket vist på denne side er beskyttet af ophavsretsloven, hvilket betyder, at vi ikke lovligt kan skabe eller sælge en identisk reproduktion. Denne beskyttelse håndhæves i henhold til internationale aftaler som f.eks. den Bernerkonventionen og af nationale love, herunder de bestemmelser, der er fastlagt i Amerikansk ophavsretslov - Titel 17.

Som et respektfuldt og lovligt alternativ tilbyder vi skræddersyede, håndmalede kunstværker inspireret af originalen. Vores dygtige og professionelle kunstnere studerer omhyggeligt originalens stil, stemning og kunstneriske essens for at skabe et nyt, unikt værk, der fremkalder den samme følelse – samtidig med at det forbliver en original skabelse i egen ret.

Denne metode overholder fuldt ud ophavsretsreglerne, da den ikke indebærer kopiering eller duplikering af det beskyttede kunstværk. I stedet er der tale om en kreativ nytolkning – et nyt maleri, som er inspireret af det oprindelige, men ikke identisk med det.

Læs mere

Edward Burra

1905 - 1976, United Kingdom

Kort om kunstneren

Name: Edward Burra
Movement:
- Surrealism
- Dadaism
Birth Date: 1905
Death Date: 1976
Birth Place: South Kensington, United Kingdom
Nationality: British
Date Of Birth: 1905
Date Of Death: 1976
Influenced By: Paul Nash, George Grosz
Notable Works:
- The Jungle
- Dancing Skeletons
- The Snack Bar
- Soldiers at Rye
Place Of Birth: South Kensington, United Kingdom

Kunstnerbiografi

Edward Burra: A Life in Surreal Visions

Early Life and Education

Born: South Kensington, United Kingdom, 1905.
Edward Burra demonstrated artistic talent early on, particularly as a draughtsman.
He received his formal training at the Royal College of Art from 1923 to 1925, honing his skills in drawing and painting.

Early Travels and Influences (1920s)

During the latter half of the 1920s, Burra travelled extensively throughout France.
He focused on depicting detailed urban scenes, often portraying the harsh realities of life in cities like Toulon and Marseille.
These early works reveal a keen observational eye and a sensitivity to social conditions.
A pivotal moment came in 1927 when he met Paul Nash, who introduced him to avant-garde periodicals.
Exposure to artists like George Grosz through these publications profoundly influenced Burra, inspiring him to experiment with collage and drawing within a Dadaist spirit.

Artistic Development & Key Themes (1930s-1940s)

The Jungle (1931) exemplifies Burra’s fascination with the exotic and forbidden. The painting depicts a lavish dinner party set in a fantastical tropical world, blending sensuality with premonitions of death.
Burra was among the first British artists to embrace Surrealism, creating a distinctive universe populated by extravagantly dressed women, workers, sailors, and soldiers—often situated in imaginary locales.
His physical health, compromised from childhood, led him to favor watercolor as his primary medium due to its relative ease of use compared to oil paints.
He held his first solo exhibition at the Leicester Galleries in 1930.
The impact of Picasso’s Guernica was significant, prompting a shift in Burra's artistic style.

World War II and Later Life (1940s-1976)

During World War II, travel restrictions led Burra to work as a stage designer for theatrical productions and ballets, achieving some recognition in this field.
He declined an invitation to become a Royal Academician in 1963 but accepted the Order of the British Empire in 1971.
A major retrospective of his work was organized by the Tate Gallery in 1973, solidifying his place within British art history.
He died in Hastings on March 22, 1976, as a result of complications from a fractured iliac bone.

Artistic Style and Historical Significance

Burra’s style is characterized by its unsettling atmosphere, vivid colors, and distorted figures.
He masterfully blended elements of Dadaism and Surrealism with a uniquely British sensibility.
His work offers a critical commentary on social issues, exploring themes of alienation, decadence, and the darker aspects of human nature.
Though not always widely recognized during his lifetime, Edward Burra is now considered a pioneering figure in 20th-century British art, influencing subsequent generations of artists with his distinctive vision.