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DiasshowSpringtime
1909
63.0 x 76.0 cm
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Giclée / Kunsttryk
Giclée- eller lærredstryk i museumskvalitet med hurtig produktion og fleksible muligheder for finish. (
Skift til håndmalet maleri Skift til billede)
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Du kan indtaste dine egne mål for at passe til en specifik ramme eller et bestemt område. Hvis den valgte størrelse ikke stemmer overens med det originale billedes proportioner, vil vi enten beskære kunstværket eller udvide billedet med en spejlet eller ensfarvet kant. En digital mockup vil blive sendt til din godkendelse, før produktionen påbegyndes.
Bemærk venligst, at forhåndsvisningen på skærmen ikke afspejler den faktiske beskæring eller udvidelse. Kun mockuppen vil nøjagtigt vise den endelige komposition.
Selvom specialmål er tilgængelige, anbefaler vi at vælge et mål fra den foruddefinerede liste for at bevare de originale proportioner.
Verdensomspændende levering () på 2 uger i stedet for de sædvanlige 4/5 uger. (6 august)
Gratis ekspresforsendelse til hele verden
Lærred af linned i høj kvalitet
Fuld transportforsikring
Garanti for refusion af told og importafgifter
Garanti for præcis farvegengivelse
60 dages returret (kun ved fabrikationsfejl)
100% Tilfredshedsgaranti
Mængderabat tilgængelig
Glasmulighed er kun tilgængelig i størrelser under 110 cm
Springtime
Giclée / Kunsttryk
Størrelse på reproduktion
-
Samlet pris
$ 81
Kunstnerens biografi
Edward Atkinson Hornel: A Scottish Impressionist Embracing Japonisme
Edward Atkinson Hornel (1864 – 1933) stands as a prominent figure in late Victorian and early twentieth-century Scottish art, inextricably linked to the Glasgow Boys movement and profoundly impacted by Japanese aesthetics. Born in Bacchus Marsh, Victoria, Australia—a testament to his Scottish heritage—Hornel’s formative years instilled within him an appreciation for both landscape painting and meticulous botanical detail. Following his family's relocation back to Kirkcudbright in 1866, he pursued formal artistic training at Edinburgh Art School and Antwerp under Professor Verlat, honing skills that would define his distinctive style. Returning to Scotland in 1885, Hornel found kinship with George Henry and established a collaborative partnership that yielded masterpieces like “Druids Bringing In The Mistletoe” (1890), an ambitious depiction of druidic ritual imbued with vibrant color palettes and textural experimentation. This collaboration cemented Hornel’s reputation for bold artistic vision—specifically his masterful manipulation of paint surfaces through layering, scraping, roughening, smoothing, and staining techniques—a method that prioritized expressive effect over photographic realism. The year 1893–94 witnessed Hornel and Henry embarking on a transformative journey to Japan, where they absorbed the principles of decorative design and spatial arrangement championed by Japanese artists. This immersion profoundly influenced Hornel’s artistic sensibilities, propelling him toward a more atmospheric approach characterized by refined color harmonies and nuanced drawing—elements that combined sensual appeal with poetic contemplation. By 1901, he politely declined membership to the Royal Scottish Academy, prioritizing his dedication to Glasgow Art Club where he continued to exhibit annually. Hornel's home became Broughton House in Kirkcudbright, a Victorian townhouse meticulously designed alongside Elizabeth Hornel—his sister—incorporating elements inspired by Japanese garden design. This residence served as a crucible for artistic innovation and fostered an environment conducive to experimentation with color and texture. Notably, he commissioned the construction of a gallery specifically for showcasing his paintings, ensuring their preservation and accessibility for future generations. His legacy extends beyond individual artworks; Broughton House itself is now cared for by the National Trust for Scotland, safeguarding Hornel’s artistic vision and providing insight into his creative process. Hornel's oeuvre includes celebrated pieces housed in museums across Britain—Aberdeen, Buffalo, Bradford, St. Louis—demonstrating the enduring resonance of his distinctive style within the broader context of British art history. His paintings exemplify the Glasgow Boys' commitment to Impressionistic principles while simultaneously reflecting the influence of Japonisme and Pre-Raphaelitism, securing his place as a pivotal figure in shaping the aesthetic landscape of the Edwardian era.
Edward Atkinson Hornel
1864 - 1933 , Australia
Kort om kunstneren
- Artistic Movement Or Style: Glasgow Boys
- Artists Or Movements Influenced By This Artist:
- Impressionism
- Japonisme
- Artists Who Influenced This Artist:
- James Hornell
- George Henry
- Date Of Birth: 1864
- Full Name: Edward Atkinson Hornel
- Nationality: Scottish
- Notable Artworks:
- Japanese Figures in a Garden
- Dancing Geisha
- Place Of Birth: Kirkcudbright, Scotland
