1939
Two Violinists (David Park, 1939)
David Park (1911–1960) har skabt Two Violinists. Det er fra 1939. Målene er 90 × 97 cm.
- 1939
- 90 × 97 cm
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StatistikkerTwo Violinists kort fortalt
- Titel
- Two Violinists
- Kunstner
- David Park (1911–1960)
- Kunstner født i
- Boston, United States
- Dato
- 1939
- Dimensioner
- 90 × 97 cm
Højopløselige billeder af Two Violinists
Protected by copyright: these files are for personal reference, not a licence to republish.
David Park, Two Violinists (1939).
Spørgsmål om Two Violinists besvaret
Hvornår er "Two Violinists" af David Park skabt?
"Two Violinists" af David Park er dateret til 1939.
Hvad er målene på det originale værk "Two Violinists"?
Det originale værk "Two Violinists" af David Park måler 90 x 97 cm.
Er billedet af "Two Violinists" af David Park frit tilgængeligt i det offentlige domæne?
Ophavsretsstatus for "Two Violinists" af David Park: værket er stadig beskyttet af ophavsret. Dette afgør, om der frit må foretages reproduktioner af billedet.
Hvem er kunstneren bag "Two Violinists"?
"Two Violinists" tilskrives David Park.
Hvor gammel var David Park, da "Two Violinists" blev skabt?
David Park skabte "Two Violinists" i en alder af 28. Kunstneren blev født i 1911, og værket er dateret 1939.
Er "Two Violinists" af David Park i det offentlige domæne, og hvorfor?
Ophavsretsstatus for "Two Violinists" – stadig beskyttet af ophavsret – følger af kunstnerens død i 1960.
Om kunstneren, David Park
1911–1960, United States
David Park
The Genesis of a VisionaryBorn in the historic atmosphere of Boston in 1911, David Park’s artistic journey was anchored by a profound respect for the structural essence of life. His early years at Boston University, studying under the legendary George Bridgman, instilled in him an unparalleled understanding of anatomy and the rhythmic power of gesture. This foundational discipline provided the skeletal strength upon which he would later drape his most vibrant explorations of color. As he moved westward to the Otis Art Institute in Los Angeles, Park began to absorb the expansive light and energy of the American West, setting the stage for a transformation that would eventually challenge the very foundations of contemporary painting.The Great Stylistic RevolutionFor much of his early career, Park navigated the complex territories of abstraction, yet the year 1949 marked a seismic turning point in both his practice and his soul.
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