Self-portrait
Håndlavet oliereproduktion
Håndmalet olie på lærred i din valgte størrelse og ramme, udført efter bestilling af vores kunstnere. ( Skift til print
Skift til digitalt billede)
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Du kan indtaste dine egne mål for at passe til en bestemt ramme eller plads. Hvis den valgte størrelse ikke stemmer overens med det originale billedes proportioner, vil vi enten beskære kunstværket eller udvide maleriet med yderligere håndmalede elementer. En digital skitse sendes til din godkendelse, før produktionen påbegyndes.
Bemærk venligst, at forhåndsvisningen på skærmen ikke afspejler den faktiske beskæring eller udvidelse. Kun skitsen vil nøjagtigt vise den endelige komposition.
Selvom specialmål er mulige, anbefaler vi at vælge en dimension fra den foruddefinerede liste for at bevare de originale proportioner.
Efter bestilling vil OriginalUniqueArt.com team sende en e-mail til kunden for at få instruktioner og levere et udkast til en skitse.
Levering i hele verden () på 3/4 uger i stedet for de standard 5 uger. (16 september). Ingen kompromiser med kvaliteten.
Gratis ekspresforsendelse til hele verden
Lærred af linned i høj kvalitet
Fuld transportforsikring
Garanti for refusion af told og importafgifter
Garanti for præcis farvegengivelse
100 dages returret (kun ved fejl og mangler)
100% Tilfredshedsgaranti
Mængderabat tilgængelig
Self-portrait
Reproduktionsmetode
Størrelse på reproduktion
-
Samlet pris
$ 300
Kunstnerens biografi
Aristarkh Lentulov: A Pioneer of Russian Modernism
Aristarkh Vasilyevich Lentulov, born in 1882 in a small village near Penza, Russia, was not merely a painter; he was a vital architect of the Russian avant-garde. His life’s work represents a fascinating confluence of influences – from traditional folk art and religious iconography to the radical experimentation of Cubism and Futurism – resulting in a uniquely vibrant and emotionally charged style that continues to captivate viewers today. Lentulov's journey, marked by both artistic breakthroughs and periods of political alignment, offers a compelling glimpse into the turbulent era of early 20th-century Russia.
Early influences shaped Lentulov’s formative years. Initially drawn to realism, he honed his skills at various art schools in Penza, Kiev, and St. Petersburg, absorbing techniques from masters like Ilya Repin and Dmitry Kardovsky. However, it was his encounter with the Parisian avant-garde in 1911 that proved transformative. Immersed in the circles of Cubists such as Robert Delaunay, he embraced fragmentation, geometric abstraction, and a bold use of color – elements that would become cornerstones of his distinctive style. This period wasn’t simply an imitation of Western trends; Lentulov skillfully integrated these influences with his own deeply rooted Russian sensibility.
The Jack of Diamonds and the Rise of Cubo-Futurism
Lentulov's artistic trajectory gained momentum through his involvement in the “Jack of Diamonds” group, a notoriously rebellious collective that emerged in Moscow during 1910. This association was far more than just a social circle; it represented a deliberate challenge to established artistic norms and a fervent embrace of innovation. The Jack of Diamonds, known for their provocative exhibitions and outspoken critiques, sought to shock the public and force a re-evaluation of art’s role in society. Lentulov's participation solidified his position within this dynamic movement, pushing him towards increasingly experimental forms.
His work during this period – exemplified by paintings like “Moscow” (1916) and “Church. New Jerusalem” (1917) – is characterized by a remarkable dynamism. Planes are fractured and reassembled, colors clash and harmonize in unexpected ways, and the familiar world is rendered with an almost hallucinatory intensity. Lentulov’s use of color wasn't merely decorative; it conveyed emotion, energy, and a sense of underlying chaos. He drew inspiration from Russian folklore, incorporating elements of traditional patterns and imagery into his abstract compositions, creating a visual language that was both modern and deeply rooted in the nation’s cultural heritage.
From Cubo-Futurism to Social Realism
Following the 1917 Revolution, Lentulov navigated the shifting political landscape of Soviet Russia. While initially aligned with the avant-garde, he gradually adapted his style to align with the prevailing artistic directives. He continued to work as a stage designer for prominent theaters, contributing significantly to the visual identity of numerous productions. This period saw a shift towards more tonal and representational works, often depicting landscapes and portraits imbued with a sense of warmth and vitality.
Despite these changes, Lentulov never abandoned his core artistic principles. His paintings from the 1920s and 30s – such as “Dawn at Volga” (1928) and “Sun over the Roofs. Sunrise” (1928) – retain a remarkable energy and emotional depth. He continued to experiment with color and composition, exploring themes of everyday life and the beauty of the Russian countryside. His later work, particularly his stage designs for productions like "Spanish Priest" (1934), demonstrated his enduring creativity and versatility.
Legacy and Significance
Aristarkh Lentulov’s legacy extends far beyond his individual works. He was a pivotal figure in the development of Russian modernism, bridging the gap between European avant-garde movements and the unique cultural traditions of Russia. His innovative use of color, fragmented forms, and symbolic imagery profoundly influenced generations of artists. Lentulov's art serves as a testament to the power of artistic experimentation and the enduring spirit of creativity in the face of political and social upheaval. He remains an important voice in Russian art history, celebrated for his bold vision and unwavering commitment to pushing the boundaries of artistic expression.
aristarkh vasilevich lentulov
1882 - 1943
Kort om kunstneren
- Artistic Movement Or Style:
- Cubism
- Cubo-Futurism
- Orphism
- Fauvism
- Artists Or Movements Influenced By This Artist:
- Wassily Kandinsky
- Kazimir Malevich
- Artists Who Influenced This Artist:
- Robert Delaunay
- Henri Le Fauconnier
- J. Metzenge
- Dmitry Kardovsky
- Date Of Birth: January 16, 1882
- Date Of Death: April 15, 1943
- Full Name: Aristarkh Vasilyevich Lentulov
- Nationality: Russian
- Notable Artworks:
- Moscow
- Portrait of N. Svendonskaya
- Street, Moscow
- Churches, New Jerusalem
- Place Of Birth: Penza Oblast, Russia

Glasmulighed er kun tilgængelig i størrelser under 110 cm
