Portræt af Andrea Schiavone

De 44 mest berømte Andrea Schiavone-malerier, hver og en unik

Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 45 værker af Andrea Schiavone i vores katalog

Kort sagt

Apollo and Daphne (1544) er det maleri af Andrea Schiavone, der vækker mest opsigt; originalen findes på Kunsthistorisches Museum, Wien. Derefter falder blikket på Kneeling Woman with Child (1562) og Jupiter nurtured by Amalthea (1544). Blandt de 45 værker af Andrea Schiavone i vores katalog er disse 44 de mest berømte, hver især et unikt originalværk præsenteret med sit årstal, sit museum og årsagen til dets tidløse betydning.

1522 – 1563, Zadar Mannerism Flest værker: Kunsthistorisches Museum

Top 10 malerier af Andrea Schiavone, set gennem galleriets øjne

1
Apollo and Daphne (1544) af Andrea Schiavone

Apollo and Daphne

1544 · Oil · Kunsthistorisches Museum, Wien

A sudden, violent movement defines this mid-16th century Venetian composition. Apollo lunges from the left, his muscular frame captured in mid-stride as he pursues the fleeing nymph. At the center, the narrative reaches its climax: Daphne’s body undergoes a frantic transformation. Her hands grasp at a tree branch, her limbs beginning to merge with the wood and foliage. The scene is set within a dense, wooded environment where the shadows…

2
Kneeling Woman with Child (1562) af Andrea Schiavone

Kneeling Woman with Child

1562 · Oil On Canvas · Kunsthistorisches Museum, Wien

The air in the room feels heavy, thick with the scent of old oil and the weight of a sudden, divine encounter. A woman kneels, her body twisting in a graceful, upward spiral that defies the stillness of the moment. Her right arm reaches toward a light that seems to emanate from an unseen source in the upper corner, creating a diagonal line that pulls the eye through the composition.…

4
Dead Christ supported by Angels (1550) af Andrea Schiavone

Dead Christ supported by Angels

1550 · Oil On Canvas · Staatliche Kunstsammlungen Dresden, Dresden

A somber, pyramidal composition centers on the pale, muscular torso of Christ, whose alabaster skin provides a sharp contrast to the deep ochre and burnt sienna tones of the background. The scene captures a moment of profound grief, where the physical reality of death meets the celestial. Figures press inward, their bodies forming a tight, organic structure that directs the eye toward the central figure. Light strikes the highlights of…

6
Apollo and Eros (1543) af Andrea Schiavone

Apollo and Eros

1543 · Oil · Kunsthistorisches Museum, Wien

The air feels heavy with the scent of damp earth and ancient wood as Apollo moves through the landscape. He is a figure of sculpted muscle and golden light, stepping purposefully toward the right of the frame. His left hand points the way, a gesture that directs the eye across the composition, while his other hand holds a bow, the curve of which echoes the fluid lines of his body.…

7
Cain and Abel (1555) af Andrea Schiavone

Cain and Abel

1555 · Oil On Canvas · Kunsthistorisches Museum, Wien

The painting Cain and Abel by Andrea Schiavone captures a moment of profound biblical tragedy. Created in 1555, this work of religious art focuses on the violent fracture between two brothers. The canvas depicts the heavy, singular act of Cain murdering Abel, a scene rooted in ancient scripture. It is a study of human aggression frozen in oil.

8
Scipio Africanus (?) (1558) af Andrea Schiavone

Scipio Africanus (?)

1558 · Oil On Canvas · Kunsthistorisches Museum, Wien

This history painting, titled Scipio Africanus (?), was executed by the artist Andrea Schiavone. The work depicts the Roman general Scipio Africanus, a figure noted for his victory at the Battle of Zama. Schiavone, who was born in Zadar, Croatia, in 1522 and died in 1563, brought a distinct perspective to the Venetian school through his unique heritage. He spent much of his career in Venice, Italy, where this specific…

9
Christ before Pilate (1558) af Andrea Schiavone

Christ before Pilate

1558 · Oil On Canvas · Kunsthistorisches Museum, Wien

In this oil on canvas, we find ourselves drawn into a tightly cropped, claustrophobic circle of figures. The scene captures a heavy, introspective moment from the biblical narrative, placing the viewer directly within the immediate presence of Christ before Pilate. There is a profound sense of gravity here, a weight that seems to press in from the dark, indistinct background. The composition avoids the expansive openness of many Renaissance works,…

10
Portrait of an Old Man (1560) af Andrea Schiavone

Portrait of an Old Man

1560 · Oil On Canvas · Kunsthistorisches Museum, Wien

A single light source strikes the subject from the upper left, carving deep shadows into the topography of a weathered face. The man’s gaze is directed toward the viewer's left, yet his presence feels anchored in a quiet, internal stillness. His beard, a voluminous mass of texture, transitions from a bright, silvery-white to deep, shadowed greys, catching the light in fine, individual strokes. A crisp white lace collar provides a…

Andrea Schiavones berømte malerier, nummer 11 til 44

11The Adoration of the Shepherds (1549) af Andrea SchiavoneThe Adoration of the Shepherds1549 12The Judgement of Midas (1549) af Andrea SchiavoneThe Judgement of Midas1549 · Royal Collection 13The Meeting of Jacob and Rachel (1545) af Andrea SchiavoneThe Meeting of Jacob and Rachel1545 · Royal Collection 14Jacob Tending to his Flocks of Sheep (1545) af Andrea SchiavoneJacob Tending to his Flocks of Sheep1545 · Royal Collection 15Isaac Blessing Jacob (1546) af Andrea SchiavoneIsaac Blessing Jacob1546 · Royal Collection 16The Holy Family with Saints John and Catherine (1542) af Andrea SchiavoneThe Holy Family with Saints John and Catherine1542 · Royal Collection 17The Abduction of Dinah (1547) af Andrea SchiavoneThe Abduction of Dinah1547 · Royal Collection 18Diane découvrant la grossesse de Callisto (1549) af Andrea SchiavoneDiane découvrant la grossesse de Callisto1549 · Musée de Picardie 19The Execution of St John the Baptist (1551) af Andrea SchiavoneThe Execution of St John the Baptist1551 · Birmingham Museum and Art Gallery 20The Adoration of the Kings (1550) af Andrea SchiavoneThe Adoration of the Kings1550 · Royal Collection 21Christ before Pilate (1556) af Andrea SchiavoneChrist before Pilate1556 · Royal Collection 22Marius Curius Dentatus (1560) af Andrea SchiavoneMarius Curius Dentatus1560 · Kunsthistorisches Museum 23Aeneas called away from Dido (1555) af Andrea SchiavoneAeneas called away from Dido1555 · Kunsthistorisches Museum 24Aeneas Takes Leave of Dido (1555) af Andrea SchiavoneAeneas Takes Leave of Dido1555 · Kunsthistorisches Museum 25The parable of the Lord's vineyard (1555) af Andrea SchiavoneThe parable of the Lord's vineyard1555 · Gemäldegalerie 26The parable of the unjust steward (1555) af Andrea SchiavoneThe parable of the unjust steward1555 · Gemäldegalerie 27The Young Abel (1555) af Andrea SchiavoneThe Young Abel1555 · Kunsthistorisches Museum 28Reading Hermit (1545) af Andrea SchiavoneReading Hermit1545 · Kunsthistorisches Museum 29Birth of Jupiter (1543) af Andrea SchiavoneBirth of Jupiter1543 · Kunsthistorisches Museum 30Conversion of Saul (1540) af Andrea SchiavoneConversion of Saul1540 · Fondazione Querini Stampalia 31Adoration of the Shepherds (1560) af Andrea SchiavoneAdoration of the Shepherds1560 · Kunsthistorisches Museum 32Jacob Receives God's Blessing (1548) af Andrea SchiavoneJacob Receives God's Blessing1548 · Royal Collection 33The Meeting of Jacob and Esau (1545) af Andrea SchiavoneThe Meeting of Jacob and Esau1545 · Royal Collection 34The Infancy of Jupiter (1560) af Andrea SchiavoneThe Infancy of Jupiter1560 35Parnassus af Andrea SchiavoneParnassusBavarian State Painting Collections 36Christ before Pilate af Andrea SchiavoneChrist before PilateNationalmuseum 37Presentation in the Temple af Andrea SchiavonePresentation in the Temple 38Daniel in the Lion’s Den af Andrea SchiavoneDaniel in the Lion’s Den 39Holy Family with St Catherine af Andrea SchiavoneHoly Family with St CatherineKunsthistorisches Museum 40The Adoration of the Magi (1547) af Andrea SchiavoneThe Adoration of the Magi1547 41David Teniers il Giovane af Andrea SchiavoneDavid Teniers il Giovane 42The Marriage of Cupid and Psyche af Andrea SchiavoneThe Marriage of Cupid and PsycheMetropolitan Museum of Art 43Arcas hunting af Andrea SchiavoneArcas huntingNational Gallery 44Jupiter seducing Callisto af Andrea SchiavoneJupiter seducing CallistoNational Gallery

Motiverne, der fangede Andrea Schiavones blik

De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.

De museer, der udstiller Andrea Schiavones originalværker

De 8 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Andrea Schiavone Malerier fra denne liste
Kunsthistorisches Museum, WienKunsthistorisches Museum Wien 17 Apollo and Daphne, Kneeling Woman with Child, Jupiter nurtured by Amalthea
Royal Collection, LondonRoyal Collection London 10 The Judgement of Midas, The Meeting of Jacob and Rachel, Jacob Tending to his Flocks of Sheep
Gemäldegalerie, BerlinGemäldegalerie Berlin 2 The parable of the Lord's vineyard, The parable of the unjust steward
National Gallery, LondonNational Gallery London 2 Arcas hunting, Jupiter seducing Callisto
Staatliche Kunstsammlungen Dresden, DresdenStaatliche Kunstsammlungen Dresden Dresden 1 Dead Christ supported by Angels
Musée de Picardie, AmiensMusée de Picardie Amiens 1 Diane découvrant la grossesse de Callisto
Birmingham Museum and Art Gallery, BirminghamBirmingham Museum and Art Gallery Birmingham 1 The Execution of St John the Baptist
Fondazione Querini Stampalia, VenedigFondazione Querini Stampalia Venedig 1 Conversion of Saul

Andrea Schiavone gennem årtierne: ét unikt originalværk til hver

Værker per årti

Vælg et årti for at se det originale værk, der definerer det.

Andrea Schiavones malerier: spørgsmål til galleriet

Hvad er det mest berømte værk af Andrea Schiavone?Vis svaret

Apollo and Daphne (1544), Kunsthistorisches Museum, Wien. Derefter følger Kneeling Woman with Child (1562) og Jupiter nurtured by Amalthea (1544).

Hvilken alder havde Andrea Schiavone, da Apollo and Daphne blev skabt?Vis svaret

22 år gammel: Apollo and Daphne er fra 1544, og Andrea Schiavone blev født i 1522.

Hvilke ti malerier af Andrea Schiavone er de mest berømte?Vis svaret

Apollo and Daphne, Kneeling Woman with Child, Jupiter nurtured by Amalthea, Dead Christ supported by Angels, Diana and Actaeon, Apollo and Eros, Cain and Abel, Scipio Africanus (?), Christ before Pilate og Portrait of an Old Man. Ranglisten ovenfor viser det enkelte værks årstal og museum.

Hvor mange værker af Andrea Schiavone er kendt?Vis svaret

Vores katalog indeholder 45 værker af Andrea Schiavone, dateret fra 1540 til 1562.

Hvor kan de mest berømte originaler af Andrea Schiavone ses?Vis svaret

Primært i Kunsthistorisches Museum (Wien), Royal Collection (London) og Gemäldegalerie (Berlin). Museumslisten ovenfor viser dem alle.

I hvilken periode skabte Andrea Schiavone sine mest kendte malerier?Vis svaret

I 1540s: 17 af de 44 værker på denne side blev skabt dengang, herunder Apollo and Daphne.

Hvilket berømt maleri af Andrea Schiavone er det tidligste, og hvilket er det seneste?Vis svaret

På denne side er det tidligste Conversion of Saul (1540) og det seneste Kneeling Woman with Child (1562).

Hvilke motiver foretrak Andrea Schiavone?Vis svaret

Man (9), Drapery (7) og Woman (5), fordelt på de 44 værker på denne side.

Hvilke materialer brugte Andrea Schiavone mest til sine malerier?Vis svaret

Oil On Canvas, for 9 af de 44 værker på denne side.

Hvilken stilart tilhører værkerne fra Andrea Schiavone?Vis svaret

Mannerism, baseret på originalerne på denne side.

Hvilke originalværker af Andrea Schiavone kan jeg se på Kunsthistorisches Museum?Vis svaret

Apollo and Daphne, Kneeling Woman with Child og Jupiter nurtured by Amalthea: Kunsthistorisches Museum, Wien har 17 af værkerne på denne side.

Andrea Schiavone: et portræt af kunstneren

The Venetian Soul of a Dalmatian Master

In the vibrant, sun-drenched tapestry of the sixteenth-century Venetian Republic, few names evoke as much intrigue and stylistic complexity as Andrea Schiavone. Born Andrea Meldolla, his very moniker—meaning "Andrew the Slav"—serves as a poetic testament to his dual identity. Though his roots lay in the Dalmatian city of Zara, now Zadar, Croatia, his artistic spirit was forged in the heart of Venice. This unique heritage allowed him to bridge the gap between the rugged landscapes of his birth and the sophisticated, luminous traditions of the Venetian school. As a painter and etcher, Schiav_avone emerged as a vital force during the transition from the High Renaissance to the more stylized, intellectually charged era of Mannerism.

The early life of Meldolla was marked by a profound connection to the shifting tides of Italian and Adriatic culture. Descended from families in Emilia-Romagna, he arrived in Venice around 1530, bringing with him a fresh perspective that would soon captivate the city's most prestigious patrons. His formative years were deeply influenced by the giants of his era; while he drew heavily from the atmospheric color and light perfected by Titian, he also looked toward the elegant, often distorted grace of Parmigianino. This synthesis of influences allowed him to create works that felt both grounded in Venetian tradition and daringly modern for his time.

A Mastery of Mannerist Grace and Motion

Schiavone’s artistic development is best understood through his embrace of Mannerism, a movement that sought to move beyond the balanced harmony of the Renaissance toward something more dynamic and emotive. He became a master of the figura serpentinata—the spiral pose—where figures appear to twist and flow with an almost supernatural energy. This technique is nowhere more evident than in his religious compositions, such as The Adoration of the Magi, where the arrangement of bodies creates a sense of rhythmic movement and spiritual intensity that draws the viewer into a state of contemplation.

His ability to manipulate light and shadow, much like his contemporaries, was tempered by a specific interest in the intellectual abstraction of form. While many Venetian painters focused on the sensory richness of oil paint, Schiavone utilized it to explore more complex psychological depths. His works often feature:

  • Dynamic Compositions: A deliberate use of exaggerated poses and crowded, energetic scenes that challenge the eye.
  • Luminous Color Palettes: A lingering devotion to the Venetian tradition of using color to define space and atmosphere.
  • Emotional Depth: An ability to imbue even mythological or biblical subjects with a palpable sense of human vulnerability and spiritual longing.

Legacy and Historical Significance

The career of Andrea Schiavone was one of prolific achievement, leaving behind a body of work that includes everything from intimate etchings to monumental religious narratives. His patronage by influential Venetian families, such as the Mocenigo and Grimani, ensured that his influence permeated the very fabric of the city's cultural life. Through his mastery of both painting and printmaking, he helped define a specific subset of Venetian art that was less about static perfection and more about the beautiful, restless energy of the human condition.

Today, Schiavone is remembered not merely as a follower of Titian, but as an innovator who dared to inject Mannerist tension into the Venetian landscape. His legacy lives on in the museums of the world, where his ability to blend the classical with the experimental continues to inspire awe. He remains a pivotal figure whose work captures the precise moment when the stability of the Renaissance began to dissolve into the dramatic, emotive splendor of the approaching Baroque era.