Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 207 děl umělce Pierre-Paul Prud’hon v našem katalogu
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Portrait of the Empress Josephine (1805) je obraz autora Pierre-Paul Prud’hon, který přitahuje nejvíce pohledů. Poté se zrak přesouvá k Venus Bathing (1810) a Untitled (D2X835) (1817). Z 207 děl umělce Pierre-Paul Prud’hon v našem katalogu je těchto 100 těch nejznámějších; každé z nich je unikátním originálem s uvedením roku vzniku, muzea a důvodu jeho nesmrtelnosti.
The Portrait of the Empress Josephine by Pierre-Paul Prud'hon presents a quiet, intimate moment captured in 1805. The subject of this work is Josephine Bonaparte, the first wife of Napoleon Bonaparte. Rather than appearing in the rigid splendor of the imperial court, she is seen here in a more private, natural setting. She sits upon the mossy rocks of the gardens at Malmaison, a place deeply connected to her own…
Pierre-Paul Prud’hon's “Venus Bathing” stands as a cornerstone of Neoclassical art, embodying the era’s pursuit of idealized beauty and rational order. Painted in 1810 during a period marked by significant artistic upheaval—the waning influence of Rococo giving way to Romantic fervor—this monumental oil on canvas (134 x 103 cm) resides within the hallowed halls of the Musée du Louvre, Paris, ensuring its enduring legacy.
Pierre-Paul Prud’hon’s “Untitled (D2X835),” painted in 1817, offers a captivating glimpse into the world of Parisian society during the early 19th century. More than just a simple portrait, it's a carefully constructed tableau vivant—a staged scene brimming with subtle social commentary and an exquisite mastery of chiaroscuro, a technique that defines Prud’hon’s distinctive style. The painting depicts a gentleman in formal attire – a dark suit, top hat, and crisp…
The air in the room feels warm and still, filled with the soft scent of oil paint and the gentle breathing of young life. A seated child, draped in a luminous yellow dress that catches the light from an unseen window to the upper right, leans into a moment of pure connection. Beside them, another child stands, arms cradling a cluster of puppies. The scene is intimate, a private fragment…
The heavens open in a dramatic display of divine authority, casting a celestial light upon the earthly realm below. High above the clouds, angels descend through a luminous sky, their forms caught in a moment of eternal motion. Some of these heavenly beings carry swords and shields, their presence signaling a power that transcends the mortal plane. Amidst this swirling movement, small cherubs drift through the air, adding a sense…
A single figure occupies the space, a woman caught in a moment of quiet contemplation. She sits with her hand pressed against her head, her gaze turned upward toward an unseen source of light. The charcoal and chalk trace the soft contours of her skin, building a body through the delicate interplay of shadow and highlight. There is a stillness here, a pause in breath that feels heavy and intimate.…
The Zephyr is an oil sketch by Pierre-Paul Prud'hon, a work that captures a sense of mythological grace through its delicate handling of form. Created around 1814, this piece reflects the artist's ability to navigate the transition between Neoclassicism and Romanticism. The subject, often interpreted as a personification of the wind, is rendered with a lightness that suggests movement even within the stillness of the oil medium.
In the turbulent landscape of 1793, amidst the fervor and shadows of the French Revolution, Pierre-Paul Prud'hon captured more than just a likeness; he captured an era. His portrait of Louis Antoine de Saint Just serves as a profound window into a moment of intense political and personal transformation. The subject, a man whose name was synonymous with the radical shifts of the Reign of Terror, is presented not through…
In the painting Abundance, Pierre-Paul Prud'hon presents two human figures positioned in a close, intimate arrangement. Created about 1823, the work focuses on the interaction between these two subjects against a dark, indistinct background. The figures appear to be engaged in either a shared task or an embrace, though their exact movements remain partially obscured by the shadows. The composition centers on this physical proximity, placing the viewer in immediate…
In this 1821 oil on canvas, we find ourselves drawn into a quiet, heavy moment of human suffering. The composition centers on a family bound together by a profound sense of loss, their bodies slumped in a way that speaks of exhaustion and despair. A man and a woman sit at the heart of the group, surrounded by children, creating an intimate, tight arrangement that emphasizes their collective grief. The…
Dr. Thomas Dagoumer (1762-1833/1835)1819 · Fogg Museum
12
Innocence Choosing Between Love and Riches1804 · Art Institute of Chicago
13
Wisdom and Truth Descending to Earth1758 · Bavarské státní sbírky malby
14
The Preparations of War or The Preparations of Love1790 · Musée Cognacq-Jay
15
The Cruel Laughs at the Tears He Makes Fall1794
16
Monument to Pope Clement XIV by Canova1787
17
Portrait of sculptor Nicolas Bornier1788 · Musée des Beaux-Arts de Dijon
18
Minerva Illuminating the Genii of the Arts and Sciences1800
19
The Genius of Peace1800
20
Young Naiad Ravished by Loves1800
21
Diana Imploring Jupiter Not to Subject Her to the Laws of Hymen1802
22
Minerva1797
23
Apollo1797
24
Plutus1797
25
Pan1797
26
Time1797
27
Old Age1797
28
Two Winged Horses1797
29
Mnemosyne1797
30
The Folly1797
31
Mercury1797
32
Bacchus1797
33
Portrait of an Unknown Person1800 · Musée Carnavalet
34
Diana begs Jupiter not to subject her to the hymen1803
35
Portrait of Marguerite Duffour, wife of sculptor Nicolas Bornier1796
36
Male Nude Grasping his Wrists1800
37
Seated Male Nude1800
38
Female Nude from Behind1800
39
Standing Female Nude1800
40
Male Nude Raising his Arm1800
41
Seated Female Nude by a Fountain1800
42
Female Nude Reclining1800
43
Female Nude Leaning1800
44
Daphnis and Chloe1802
45
Female Nude Bound1800
46
Male Nude Turning1800
47
Male Nude Pointing1800
48
Female Nude Raising her Arm1800
49
The Source1801
50
Drawing of Female Nude with charcoal and chalk1800
51
Portrait of Georges Anthony1796 · Musée des Beaux-Arts de Dijon
52
Drawing of Female Nude with charcoal and chalk1800
53
Drawing of Female Nude with charcoal and chalk1800
54
Arts, Wealth, Pleasure and Philosophy: Wealth1800
55
Drawing of Female Nude with charcoal and chalk1800
56
Arts, Wealth, Pleasure and Philosophy: Philosophy1800
57
Monsieur Vallet1812
58
Minerva Leading the Genius of the Arts to Immortality1812
59
Meeting of Napoleon I and Francis II of Austria, December 4, 18051809 · Opera House
60
Victory and Peace1807 · Musée Carnavalet
61
The Empress Josephine1807 · Wallace Collection
62
Seated Woman Plucking a Flower1810 · Rhode Island School of Design Museum of Art
63
Love Seduces Innocence, Pleasure Entraps, and Remorse Follows1809 · Národní galerie Kanady
64
Charles Maurice de Talleyrand Périgord (1754–1838), Prince de Bénévent1807 · Musée Carnavalet
65
Study for 'Minerva leading the Genius of the Arts into Immortality'1813 · Fitzwilliam Museum
66
Young Zephyrus balancing above water1814 · Musée des Beaux-Arts de Dijon
67
Abundance1812 · Muzeum umění v Bostonu
68
Venus Bathing1814 · Fine Arts Museums of San Francisco
69
Josephine Bonaparte (study)1805
70
Madame Jarre1821
71
The Dream of Happiness (sketch)1818
72
The Assumption of the Virgin1817 · Wallace Collection
73
Flora and Zephyr1820 · National Museum in Wrocław
74
Gian Battista Sommariva1815
75
Arnauld de Beaufort1818 · Saint Louis Art Museum
76
The Happy Mother1810 · Wallace Collection
77
Portrait of a Young Man1874
78
Crucifixion1822 · Louvre
79
Marquis de Lafayette1820 · National Portrait Gallery
80
Homage to Beauty1808 · Musée Condé
81
The King of Rome in the form of sleeping Cupid1811 · Museo Glauco Lombardi
82
Arts, Wealth, Pleasure and Philosophy1800 · Musée Fabre
83
Portrait of Charles Maurice de Talleyrand-Perigord
84
Rutger Jan Schimmelpenninck with his Wife and Children1801 · Rijksmuseum
85
Venus and Cupid asleep, caressed and awakened by the Zephyrs1806 · Musée Condé
86
David Johnston1808 · National Gallery of Art
87
French, prudhon)1758
88
The First Kiss of Love1795
89
Madame Copia1792
90
The union of love and friendship1793
91
Nicolas Perchet1795
92
Etienne Renon de Franois1795
93
Christ on the Cross. Mary Magdalene and the Virgin are at His feet1800
94
Seated Female Nude1800
95
Female Nude Raising her Arm1800
96
Drawing of Female Nude with charcoal and chalk1800
97
Portrait of Constance Mayer1804
98
Arts, Wealth, Pleasure and Philosophy: Pleasure1800
99
Arts, Wealth, Pleasure and Philosophy: Arts1800
100
The wisdom and truth1799
Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.
8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Pierre-Paul Prud’hon | Obrazy z tohoto seznamu |
|---|---|---|---|
 Wallace Collection |
Londýn | 6 | Puppies, The Zephyr, The Empress Josephine |
 Musée Condé |
Chantilly | 3 | Abundance, Homage to Beauty, Venus and Cupid asleep, caressed and awakened by the Zephyrs |
 Musée des Beaux-Arts de Dijon |
Dijon | 3 | Portrait of sculptor Nicolas Bornier, Portrait of Georges Anthony, Young Zephyrus balancing above water |
 Musée Carnavalet |
Paříž | 3 | Portrait of an Unknown Person, Victory and Peace, Charles Maurice de Talleyrand Périgord (1754–1838), Prince de Bénévent |
 Louvre |
Paříž | 5 | Venus Bathing, Crucifixion |
 Metropolitan Museum of Art |
New York | 2 | Untitled (D2X835) |
 Rhode Island School of Design Museum of Art |
Providence | 2 | Seated Woman Plucking a Flower |
 Rijksmuseum |
Amsterdam | 2 | Rutger Jan Schimmelpenninck with his Wife and Children |
Vyberte si dekádu a prohlédněte si originál, který ji definuje.
The heavens open in a dramatic display of divine authority, casting a celestial light upon the earthly realm below. High above the clouds, angels descend through a luminous sky, their forms caught in a moment of eternal motion. Some of these heavenly beings carry swords and shields, their presence signaling a power that transcends the mortal plane. Amidst this swirling movement, small cherubs drift through the air, adding a sense…
The air in the room feels warm and still, filled with the soft scent of oil paint and the gentle breathing of young life. A seated child, draped in a luminous yellow dress that catches the light from an unseen window to the upper right, leans into a moment of pure connection. Beside them, another child stands, arms cradling a cluster of puppies. The scene is intimate, a private fragment…
The Portrait of the Empress Josephine by Pierre-Paul Prud'hon presents a quiet, intimate moment captured in 1805. The subject of this work is Josephine Bonaparte, the first wife of Napoleon Bonaparte. Rather than appearing in the rigid splendor of the imperial court, she is seen here in a more private, natural setting. She sits upon the mossy rocks of the gardens at Malmaison, a place deeply connected to her own…
Pierre-Paul Prud’hon's “Venus Bathing” stands as a cornerstone of Neoclassical art, embodying the era’s pursuit of idealized beauty and rational order. Painted in 1810 during a period marked by significant artistic upheaval—the waning influence of Rococo giving way to Romantic fervor—this monumental oil on canvas (134 x 103 cm) resides within the hallowed halls of the Musée du Louvre, Paris, ensuring its enduring legacy.
In the painting Abundance, Pierre-Paul Prud'hon presents two human figures positioned in a close, intimate arrangement. Created about 1823, the work focuses on the interaction between these two subjects against a dark, indistinct background. The figures appear to be engaged in either a shared task or an embrace, though their exact movements remain partially obscured by the shadows. The composition centers on this physical proximity, placing the viewer in immediate…
Portrait of the Empress Josephine (1805). Následují Venus Bathing (1810) a Untitled (D2X835) (1817).
47 let: dílo Portrait of the Empress Josephine pochází z roku 1805 a Pierre-Paul Prud’hon se narodil/a v roce 1758.
Portrait of the Empress Josephine, Venus Bathing, Untitled (D2X835), Puppies, The Glorification of the government of Burgundy, Drawing of Female Nude with charcoal and chalk, The Zephyr, Louis Antoine de Saint Just, Abundance a Une Famille dans la désolation (A Grief-Stricken Family). Hodnocení výše uvádí rok a muzeum pro každé z nich.
Náš katalog obsahuje 207 děl umělce Pierre-Paul Prud’hon z let 1786 až 1823.
Většinou v Wallace Collection (Londýn), Musée Condé (Chantilly) a Musée des Beaux-Arts de Dijon (Dijon). V tabulce muzeí výše jsou vypsány všechny.
V období 1800s: 47 z celkem 100 děl na této stránce vzniklo právě tehdy, z toho Portrait of the Empress Josephine z nich.
Na této stránce je nejstarší dílo z The Glorification of the government of Burgundy (1786) a nejnovější z Abundance (1823).
Woman (36), Man (30) a Nude (18) napříč 100 díly na této stránce.
Oil On Canvas, u 26 z 100 děl na této stránce.
Neo-classicism a Romantic neoclassicism, podle originálů na této stránce.
Puppies, The Zephyr a The Empress Josephine: muzeum Wallace Collection, Londýn má v obsluze 5 děl z této stránky.
Pierre-Paul Prud’hon byl klíčovou postavou francouzského umění, která zvládla náročné období přechodu od neoklasicismu k romantismu. Jeho umělecká cesta, která začala v Cluny v departementu Saône-et-Loire, zrcadlí proměnlivou estetickou krajinu Evropy na přelomu 18. a 19. století. Je oslavován pro své alegorické malby i portréty, v nichž projevil mistrovství v technice chiaroscuro a realismu, jež okčarovalo tehdejší publikum i pozdější generace umělců.
Prud'hon měl značný vliv na následující generace francouzských umělců. Jeho mistrovství v technice světla a stínu, schopnost vdechnout portrétům psychologickou hloubku a syntéza neklasického a romantického stylu z něj učinily vysoce váženou postavu uměleckého světa. Umělci jako Théodore Géricault a Eugène Delacroix uznali jeho dopad a čerpali inspiraci z jeho dramatických kompozic a emocionální výraznosti. I spisovatelé jako Stendhal, Millet či Baudelaire uznávali Prud'honovu uměleckou hodnotu, čímž dále upevnili jeho místo v historii francouzské kultury.
