Aktualizováno říjen 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 4 děl umělce Petr Parléř v našem katalogu
Stručně řečeno
Z pohledu galerie je nejslavnějším dílem Petr Parléř obrazem Self-portrait (1379), jehož originál je vystaven v Katedrála v obci Praha. Head of Charles IV (1375) a Sebeportrét (1379) doplňují trio, které každé oko okamžitě pozná. Z 4 děl umělce Petr Parléř v našem katalogu představuje galerie níže 4 nejznámějších děl, z nichž každé je originálem s uvedením roku vzniku, muzea a toho, co jej činí jedinečným.
To look upon this relief is to encounter a man caught in a moment of quiet contemplation. Carved from stone around 1379, this bust offers a rare, intimate glimpse into the identity of Peter Parler. He presents himself not as a distant figure of authority, but as a man of flesh and bone, rendered with a startling degree of naturalism. The head is slightly tilted, a subtle movement that breaks…
A heavy silence resides in the gray stone of this bust. The face of Charles IV emerges from the material, a study in rigid dignity and the weight of a crown. Light falls across the brow, catching the deep-set eyes and the sharp, carved lines of a beard that seems to hold the dust of centuries. It is a portrait of a man who shaped a kingdom, rendered in the…
Portrét Petra Parlera – Výrazné dílo pozdní gotiky Peter Parler, architekt a sochař významného původu, dokázal vyjádřit svou osobnost způsobem dosud unikátním v historii portrétu. Jeho dílo „Portrét Petra Parlera“ je monumentální ukázkou estetiky pozdní gotiky, která oslňuje svou komplexností a důrazem na detail. Tento obraz zachycený ve St. Vitusově katedrále v Praze představuje osobní prohlášení umělce o jeho filozofických úvahách a intelektuálnímu zájmu. Původní Kontext Historický: Dílo vzniklo roku…
Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.
2 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzea | Město | Díla autora Petr Parléř | Obrazy z tohoto seznamu |
|---|---|---|---|
 Katedrála |
Praha | 3 | Self-portrait, Head of Charles IV, Sebeportrét |
 Katedrála svatého Víta |
Praha | 1 | Tomb of Ottokar II |
5 let, od 1375 do 1379, zachycuje na této stránce celou časopisevnou tvorbu umělce Petr Parléř: krátký přehled, který zde uvidíte rok po roce prostřednictvím jeho nejslavnějších originálů.
Vyberte rok a prohlédněte si originály.
A heavy silence resides in the gray stone of this bust. The face of Charles IV emerges from the material, a study in rigid dignity and the weight of a crown. Light falls across the brow, catching the deep-set eyes and the sharp, carved lines of a beard that seems to hold the dust of centuries. It is a portrait of a man who shaped a kingdom, rendered in the…
To look upon this relief is to encounter a man caught in a moment of quiet contemplation. Carved from stone around 1379, this bust offers a rare, intimate glimpse into the identity of Peter Parler. He presents himself not as a distant figure of authority, but as a man of flesh and bone, rendered with a startling degree of naturalism. The head is slightly tilted, a subtle movement that breaks…
Více od 1379
Self-portrait (1379), Katedrála, Praha. Následují Head of Charles IV (1375) a Sebeportrét (1379).
49 let: dílo Self-portrait pochází z roku 1379 a Petr Parléř se narodil/a v roce 1330.
Náš katalog obsahuje 4 děl umělce Petr Parléř z let 1375 až 1379.
Většinou v Katedrála (Praha) a Katedrála svatého Víta (Praha). V tabulce muzeí výše jsou vypsány všechny.
V období 1379: 2 z celkem 4 děl na této stránce vzniklo právě tehdy, z toho Self-portrait z nich.
Na této stránce je nejstarší dílo z Head of Charles IV (1375) a nejnovější z Self-portrait (1379).
Stone, u 2 z 4 děl na této stránce.
Self-portrait, Head of Charles IV a Sebeportrét: muzeum Katedrála, Praha má v obsluze 3 děl z této stránky.
Ano, jako reprodukce: originál zůstává ve svém muzeu, ale jakýkoli obraz na této stránce může být pro vás ručně namalován na zakázku z jeho vlastní stránky.
In the heart of the Late Middle Ages, a period defined by soaring spires and profound devotion, Peter Parler emerged as one of the most influential architects and sculptors of his era. Born into a distinguished dynasty of master builders, he carried the weight of tradition while simultaneously forging a new, expressive language for European architecture. Known variously as Peter von Gemünd or Petr Parléř, his identity was inextricably linked to the Parler family, a lineage of craftsmen whose influence stretched across much of Central Europe. His journey began in the town of Schwäbisch Gmünd, Germany, where he received his early training, eventually leading him to work at significant medieval building sites including Strasbourg, Cologne, and Nuremberg.
The trajectory of Parler’s career reached its zenith when he moved to Prague, the capital of the Kingdom of Bohemia. Here, under the patronage of the Holy Roman Empire, he was able to realize a vision of architectural grandeur that would define the skyline of the city for centuries. His work at St. Vitus Cathedral stands as his most enduring legacy, a monumental achievement where he utilized complex networks of ribbed vaults to create an interior that seems to defy gravity. Through his engineering brilliance, the heavy stone walls appear light and ethereal, allowing for expansive windows that transform the cathedral into a vessel for celestial light.
Parler was not merely a builder of structures but a sculptor of profound emotional depth. His ability to breathe life into cold stone allowed him to bridge the gap between the rigid forms of earlier Gothic traditions and a more naturalistic, human-centric approach. This mastery is perhaps most intimately captured in his Self-Portrait, an evocative piece that offers a rare glimpse into the artist's own contemplative soul. In this work, one can observe the meticulous craftsmanship required to render the subtle textures of hair and the serene expression of a man deeply engaged with both his faith and his craft.
His sculptural contributions often complemented his architectural feats, creating a unified aesthetic experience within the sacred spaces he designed. Notable works such as the Head of Charles IV demonstrate his ability to capture individual character and royal dignity through the Late Gothic style. His achievements were not isolated incidents but part of a broader movement of artistic innovation that saw:
Through his hands, the stone became a chronicle of history, an enduring testament to the skill of the Parler family. His life's work remains etched in the very fabric of Europe, serving as a bridge between the medieval world and the burgeoning complexities of the later centuries.
