Aktualizováno říjen 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 33 děl umělce Amico Aspertini v našem katalogu
Stručně řečeno
Female Portrait (1502) je obraz autora Amico Aspertini, který přitahuje nejvíce pohledů; originál se nachází v Kunsthistorisches Museum, Vídeň. Poté se zrak přesouvá k Portrait of a Man (1505) a View of the Oratory (1504). Z 33 děl umělce Amico Aspertini v našem katalogu je těchto 32 těch nejznámějších; každé z nich je unikátním originálem s uvedením roku vzniku, muzea a důvodu jeho nesmrtelnosti.
A single woman faces left, her silhouette carved against a soft, atmospheric landscape. She is a study in profile, a quiet geometry of chin, nose, and brow. Her head is draped in a white veil that falls in precise, delicate folds, contrasting with the patterned bodice of her garment. The light arrives from the front left, casting gentle shadows across the curve of her neck and the smooth plane of…
The Portrait of a Man by Amico Aspertini presents a quiet encounter with a young man. Created around 1505, the work captures a singular moment of stillness. The subject is framed in a medium close-up, a view that begins at the chest and rises to the head. He sits centrally, a steady presence against the distant world behind him.
The creation of View of the Oratory by Amico Aspertini marks a significant moment in the artistic development of Bologna. Around 1504, the artist joined Francesco Francia and Lorenzo Costa to undertake the decoration of the Oratory of Santa Cecilia. This collaborative effort was commissioned by Giovanni II Bentivoglio, the ruler of Bologna at the time. The project brought together several prominent figures of the Bolognese School to transform the…
Amico Aspertini’s “Adoration of the Shepherds,” painted in 1515, isn't merely a depiction of a biblical scene; it’s a vibrant, emotionally charged window into the heart of early Mannerism – a period poised between the High Renaissance and the radical innovations to come. This oil on wood panel, now residing within the Uffizi Gallery in Florence, immediately captivates with its dramatic use of light and shadow, a hallmark of Aspertini’s…
The nucleus of portraits hanging today at the Pinacoteca civica consists of 39 paintings, depicting illustrious men of history, which Paolo Giovio collected probably from before 1521, the only certain date for the beginning of the collection, until his death in 1552. They were intended to be exhibited in the destroyed Villa Museo in Borgovico. These original paintings came into the civic collections in the second half of the last…
Portrait of Tommaso Raimondi1500 · Thyssen-Bornemisza Museum
12
Ercole e il cinghiale di ErimantoGalleria degli Uffizi
13
Venere con Amore nella fucina di VulcanoGalleria degli Uffizi
14
Statua di Pan/Leone che azzanna un cavalloGalleria degli Uffizi
15
Nereidi, Tritoni e putti alati sopra delfiniGalleria degli Uffizi
16
San Cristoforo con Gesù BambinoGalleria degli Uffizi
17
the flight to Egypt
18
The Beheading of Saint John the BaptistFitzwilliam Museum
19
The Adoration of the Shepherds
20
Female Saint Holding a BookWalters Art Museum
21
Virgin and Child between Saint Helena and Saint FrancisNational Museum Cardiff
22
The Adoration of the ShepherdsGemäldegalerie
23
A baptismal ceremonyVanderbilt Museum of Art
24
Trionfo militare allGalleria degli Uffizi
25
Fregio con tritoni, cicogne e due coppie di animali mostruosiGalleria degli Uffizi
26
CentauromachiaGalleria degli Uffizi
27
Tre guerrieri che si mettono in salvo, raggiungendo la riva di un fiumeGalleria degli Uffizi
28
Euridice uccisa dal serpente alla presenza di AristeoGalleria degli Uffizi
29
Busto di giovane uomo (Ritratto di Giovanni Achillini detto il Filotèo )Galleria degli Uffizi
30
Figura maschile nudaGalleria degli Uffizi
31
Incredulità di San TommasoGalleria degli Uffizi
32
St CassianoPinacoteca di Brera
Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.
8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Amico Aspertini | Obrazy z tohoto seznamu |
|---|---|---|---|
 Galleria degli Uffizi |
Florencie | 14 | Adoration of the Shepherds, Ercole e il cinghiale di Erimanto, Venere con Amore nella fucina di Vulcano |
 Kunsthistorisches Museum |
Vídeň | 1 | Female Portrait |
 Städel Museum |
Frankfurt nad Mohanem | 1 | Portrait of a Man |
 Christian Museum |
Eger | 1 | Heroic Head |
 National Gallery of Art |
Washington | 1 | Saint Sebastian |
 Pinacoteca Civica di Palazzo Volpi |
Comasco | 1 | Portrait of Albertus Magnus and Duns Scotus |
 Thyssen-Bornemisza Museum |
Madrid | 1 | Portrait of Tommaso Raimondi |
 Fitzwilliam Museum |
1 | The Beheading of Saint John the Baptist |
Vyberte si dekádu a prohlédněte si originál, který ji definuje.
A single woman faces left, her silhouette carved against a soft, atmospheric landscape. She is a study in profile, a quiet geometry of chin, nose, and brow. Her head is draped in a white veil that falls in precise, delicate folds, contrasting with the patterned bodice of her garment. The light arrives from the front left, casting gentle shadows across the curve of her neck and the smooth plane of…
Amico Aspertini’s “Adoration of the Shepherds,” painted in 1515, isn't merely a depiction of a biblical scene; it’s a vibrant, emotionally charged window into the heart of early Mannerism – a period poised between the High Renaissance and the radical innovations to come. This oil on wood panel, now residing within the Uffizi Gallery in Florence, immediately captivates with its dramatic use of light and shadow, a hallmark of Aspertini’s…
The nucleus of portraits hanging today at the Pinacoteca civica consists of 39 paintings, depicting illustrious men of history, which Paolo Giovio collected probably from before 1521, the only certain date for the beginning of the collection, until his death in 1552. They were intended to be exhibited in the destroyed Villa Museo in Borgovico. These original paintings came into the civic collections in the second half of the last…
Female Portrait (1502), Kunsthistorisches Museum, Vídeň. Následují Portrait of a Man (1505) a View of the Oratory (1504).
27 let: dílo Female Portrait pochází z roku 1502 a Amico Aspertini se narodil/a v roce 1475.
Female Portrait, Portrait of a Man, View of the Oratory, Adoration of the Shepherds, Heroic Head, Saint Sebastian, Legend of Sts Cecilia and Valerian, Scene 6, Legend of Sts Cecilia and Valerian, Scene 5, Portrait of Albertus Magnus and Duns Scotus a Adoration. Hodnocení výše uvádí rok a muzeum pro každé z nich.
Náš katalog obsahuje 33 děl umělce Amico Aspertini z let 1496 až 1545.
Většinou v Galleria degli Uffizi (Florencie), Kunsthistorisches Museum (Vídeň) a Städel Museum (Frankfurt nad Mohanem). V tabulce muzeí výše jsou vypsány všechny.
V období 1500s: 7 z celkem 32 děl na této stránce vzniklo právě tehdy, z toho Female Portrait z nich.
Na této stránce je nejstarší dílo z Heroic Head (1496) a nejnovější z Portrait of Albertus Magnus and Duns Scotus (1545).
Religious (6), Man (3) a Bird (3) napříč 32 díly na této stránce.
Acrylic On Canvas, u 4 z 32 děl na této stránce.
Mannerism a Renaissance, podle originálů na této stránce.
Adoration of the Shepherds, Ercole e il cinghiale di Erimanto a Venere con Amore nella fucina di Vulcano: muzeum Galleria degli Uffizi, Florencie má v obsluze 14 děl z této stránky.
