Portrét Timoteo Viti

4 nejslavnějších obrazů autora Timoteo Viti, výběr z galerie

Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 4 děl umělce Timoteo Viti v našem katalogu

Stručně řečeno

Z všech originálů, které Timoteo Viti zanechal, je nejslavnější Madonna and Child (1488), který se nachází ve sbírce Státní Ermitáž, Sankt-Petěrburg. Hned za ním následují Madonna and Child with the Infant St John the Baptist (1500) a The Holy Trinity with Saint John the Baptist and Saint Sebastian. Náš katalog obsahuje 4 děl umělce Timoteo Viti; galerie si zachovala 4 děl, která obdivuje celý svět, přičemž každé je znázorněno s datem vzniku, názevem muzea a jeho příběhem.

1469 – 1523, Urbino Nejvíce děl: Státní Ermitáž

10 nejlepších obrazů umělce Timoteo Viti: výběr galerie

1
Madonna and Child (1488) od Timoteo Viti

Madonna and Child

1488 · Oil On Panel · Státní Ermitáž, Sankt-Petěrburg

This intimate portrait, titled Madonna and Child, was painted by Timoteo Viti. Created in Italy, the work offers a quiet moment of maternal connection. It is a piece that reflects the specific artistic sensibilities of the late fifteenth century.

Muzea, v nichž jsou vystavena originálna umělce Timoteo Viti

3 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Timoteo Viti Obrazy z tohoto seznamu
Státní Ermitáž, Sankt-PetěrburgStátní Ermitáž Sankt-Petěrburg 1 Madonna and Child
Minneapolis Institute of Art, MinneapolisMinneapolis Institute of Art Minneapolis 1 The Holy Trinity with Saint John the Baptist and Saint Sebastian
Worcester Art Museum, WorcesterWorcester Art Museum Worcester 1 Northbrook Madonna

Timoteo Viti rok po roce: originální díla, která definují každou éru

Od 1488 do 1505, Timoteo Viti tvořil po dobu 18 let: tato výběrová kolekce sleduje tuto dlouhou kariéru rok po roce prostřednictvím jeho nejlepších originálů.

Díla podle roku

Vyberte rok a prohlédněte si originály.

Otázky sběratelů o obrazech umělce Timoteo Viti

Kterým dílem je Timoteo Viti nejznámější?Odhalit odpověď

Madonna and Child (1488), Státní Ermitáž, Sankt-Petěrburg. Následují Madonna and Child with the Infant St John the Baptist (1500) a The Holy Trinity with Saint John the Baptist and Saint Sebastian.

Kolik let bylo Timoteo Viti, když bylo vytvořeno dílo Madonna and Child?Odhalit odpověď

19 let: dílo Madonna and Child pochází z roku 1488 a Timoteo Viti se narodil/a v roce 1469.

Kolik obrazů zanechal(a) Timoteo Viti?Odhalit odpověď

Náš katalog obsahuje 4 děl umělce Timoteo Viti z let 1488 až 1505.

Ve kterých muzeích jsou vystavena díla mistrovská umělce Timoteo Viti?Odhalit odpověď

Většinou v Státní Ermitáž (Sankt-Petěrburg), Minneapolis Institute of Art (Minneapolis) a Worcester Art Museum (Worcester). V tabulce muzeí výše jsou vypsány všechny.

Jaká jsou první a poslední slavná originální díla umělce Timoteo Viti?Odhalit odpověď

Na této stránce je nejstarší dílo z Madonna and Child (1488) a nejnovější z Northbrook Madonna (1505).

Timoteo Viti: život a dílo

The Painter of Urbino: The Life and Legacy of Timoteo Viti

Timoteo Viti, a name often whispered in the shadow of giants, remains one of the most compelling figures of the Italian Renaissance. Born in the vibrant intellectual hub of Urbino around 1469, Viti was not merely a witness to the golden age of the Quattrocento but a vital participant in its unfolding drama. As the grandson of the painter Antonio Alberti and the son of a fellow artist, his destiny was woven into the very fabric of the Florentine and Marches traditions from birth. His early years were defined by a profound connection to the local court, eventually leading him to step into the monumental role of successor to Giovanni Santi, the deceased father of the legendary Raphael. In doing so, Viti became more than just a painter; he became a custodian of the artistic soul of Urbino, completing unfinished masterpieces like the Muses in the Ducal Palace and ensuring that the lineage of local excellence remained unbroken.

A Journey Through Light and Line: Influences and Evolution

The aesthetic journey of Viti was shaped by a masterful blend of apprenticeship and companionship. His formative years were spent under the tutelage of Francesco Francia in Bologna, an experience that infused his work with a distinctive clarity and a luminous color palette. From Francia, Viti inherited a devotion to disegno—the meticulous observation of natural form—and a delicate touch that allowed him to imbally his subjects with a serene, almost ethereal grace. However, the most transformative chapter of his career was undoubtedly his relationship with Raphael. Though Raphael was fourteen years his junior, the two shared an intellectual and artistic bond that transcended age. Viti did not merely follow the rising star; he engaged in a profound dialogue with the High Renaissance style. While some scholars point to his later works as a conscious departure from Raphael’s increasingly complex aesthetic, it is more accurate to view Viti as an artist who navigated the tension between the graceful simplicity of his youth and the monumental grandeur of the Roman school.

Mastery in Motion: Achievements and Historical Significance

Viti's career was marked by a remarkable versatility that saw him moving seamlessly between delicate altarpieces and grand-scale fresco cycles. His ability to navigate the turbulent political waters of the era—working under the banners of Cesare Borgia one moment and decorating the sacred spaces of the Montefeltro court the next—speaks to his standing as a respected master of his craft. One of his most significant contributions lies in his collaborative spirit, notably his work alongside Girolamo Genga in the decoration of the Arrivabene Chapel and his participation in the massive team assembled by Raphael for the Chigi Chapel in Santa Maria della Pace. His works, such as the evocative Madonna and Child with the Infant St John the Baptist, demonstrate a profound ability to marry religious devotion with human emotion. Beyond the canvas, Viti’s historical significance is cemented by his role as a bridge between eras. He carried the meticulous traditions of the late 15th century into the transformative landscape of the 16th century, providing a sense of continuity in an age of rapid artistic upheaval. His legacy is found not only in the surviving pigments on plaster and wood but in the very way he helped define the visual identity of Urbino. Through his hands, the spiritual and the classical were harmonized, leaving behind a body of work that continues to resonate with the quiet dignity and enduring beauty of the Renaissance spirit.