Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 264 děl umělce Henri Harpignies v našem katalogu
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Z pohledu galerie je nejslavnějším dílem Henri Harpignies obraz Moonlight. Crémieu (1847) a Path through a Normandy Village (1877) doplňují trio, které každé oko okamžitě pozná. Z 264 děl umělce Henri Harpignies v našem katalogu představuje galerie níže 100 nejznámějších děl, z nichž každé je originálem s uvedením roku vzniku, muzea a toho, co jej činí jedinečným.
The nocturnal scene known as Moonlight emerges from the brush of Henri Harpignies. This landscape captures a quiet moment where the sky and earth meet under a soft, luminous glow. The artist, Henri Harpignies, brings this specific vision to life through a careful study of the natural world. He was born in Valenciennes, France, and his life spanned from 1819 to 1916. Through his eyes, the night becomes a place…
Henri-Joseph Harpignies’ “Crémieu” (1847) is more than just a landscape painting; it's an immersive experience, a carefully constructed tableau that invites contemplation on the relationship between humanity and the vastness of nature. The scene unfolds within the foothills of the French Alps, depicting a rugged, almost primordial terrain dominated by towering cliffs and a winding path that draws the eye relentlessly into the distance. The painting immediately establishes a sense…
A Glimpse of Rural Tranquility: Henri-Joseph Harpignies' "Path through a Normandy Village" This captivating landscape painting, “Path through a Normandy Village,” created in 1877 by French artist Henri-Joseph Harpignies, offers a serene glimpse into rural life. The artwork transports viewers to the heart of Normandy, France, depicting a picturesque village nestled amongst rolling hills under a cloudy sky. It’s a quintessential example of Impressionism, capturing not just what is seen…
There is a certain stillness that settles over this landscape, a moment caught in the soft, diffused light of a late afternoon. The scene unfolds through a river valley, where the eye is led from the rugged, textured bark of the foreground trees toward a distant, pale body of water. It is a composition of balance and organic movement, where the twisting branches of the trees on the right frame…
A heavy, dark rock formation anchors the left foreground, its jagged edges pressing against the viewer. This shadow-drenched cliff creates a sense of enclosure, a rocky threshold that directs the eye toward the center of the canvas. Beyond this immediate barrier, a winding path leads the gaze through a landscape of ochre and sienna. The river flows with a quiet, reflective surface, mirroring the cool blues of the sky. In…
In the quietude of 1869, Henri-Joseph Harpignies captured more than just a landscape; he bottled a moment of eternal peace. Avallon serves as a breathtaking window into a world where time seems to slow, inviting the viewer to step onto a sun-dappled dirt road that winds through a lush, verdant countryside. The composition is masterfully orchestrated, leading the eye from the textured foreground—where the roughness of the path and the…
Henri-Joseph Harpignies' "Fir Trees in Les Trembleaux, near Marlotte" is more than a landscape painting; it’s an invitation into a hushed sanctuary of the French countryside. Completed in 1854, this vertically oriented work captures a fleeting moment within the Forest of Fontainebleau, a region steeped in artistic tradition and profoundly influential on generations of painters. It's a piece that speaks to the Romantic ideal of nature as both sublime and…
Henri-Joseph Harpignies’ “The Lake,” painted in 1897, isn't merely a landscape; it’s an immersion into a profound sense of serenity. This evocative work, rendered with the meticulous detail characteristic of the Barbizon School, captures a fleeting moment on the shores of a still lake nestled within a dense, verdant forest. The scene unfolds beneath a diffuse, almost ethereal light – not the harsh glare of midday, but rather the soft,…
The oil painting titled Landscape of the Côte d'Azur (Eze, Cap d'Ail, the "Tête de chien"), seen from Saint-Jean-Cap-Ferrat. was executed by the artist Henri Harpignies in 1865. This work depicts a specific coastal vista located in the region of Eze and Cap d'Ail, specifically focusing on the area known as the "Tête de chien" as viewed from the vantage point of Saint-Jean-Cap-Ferrat.
In The Railroad Bridge at Briare, Henri Harpignies captures a quiet intersection of industry and the natural world. Painted about 1888, this work presents a grand bridge that spans across tranquil waters. It is a scene of steady, rhythmic movement, where a train glides beneath the massive iron structure, integrated into the landscape rather than disrupting it.
River Landscape with Train of Barges1870 · Staatliche Kunsthalle Karlsruhe
12
Cliffs Near Cremieu1847 · Scottish National Gallery
13
View from Capri1853 · Nationalmuseum
14
Entrée d'un bois1851 · University of Dundee
15
Landscape near Rome1851
16
View of the Isle of Capri, Gulf of Naples1853
17
View of the Island of Capri1853
18
Fir Trees in Les Trembleaux, near Marlotte (Sapins aux Trembleaux à Marlotte)1854
19
A River Scene1850 · National Gallery
20
Landscape of Hills1858 · Petit Palais
21
Duck Shooting on the Banks of the River Allier1861
22
River Banks, Auvergne1860
23
The Estate of Saulce (Dept. Gonne)1869
24
Open Clearing in the Forest, with Pond1870 · Museum Gouda
25
Forest Clearing, Fontainebleau1866 · Petit Palais
26
Bay of Naples1866
27
View of the Pont Neuf and of the Western Point of the Île de la Cité from the Banks of the Seine1870
28
View of the Louvre, with the Grande Galerie and the Pavillon de Flore1870
29
Landscape in Auvergne1870 · National Gallery of Art
30
The Rocky Path in the Morvan (Chemin des roches dans le Morvan)1869
31
Rome, View of the Palatine Hill1865
32
Farmhouses, St Aubin, Jersey1865
33
Rome, View of the Colosseum from the Basilica of Domitian1864 · Staatliche Kunsthalle Karlsruhe
34
The Colosseum in Rome1878 · Petit Palais
35
Morning in the Nievre1877 · Art Gallery of New South Wales
36
Landscape with two figures1875 · Museum Boijmans Van Beuningen
37
A Meadow in the Bourbonnais, Morning1876 · Brooklyn Museum
38
View at Hérisson, Allier1875 · Walters Art Museum
39
Untitled (ARD3EV)1875 · Norton Simon Museum
40
Farmhouse1875 · Norton Simon Museum of Art
41
Evening Landscape1880 · Museum Gouda
42
Landscape1880 · Museum Gouda
43
Landscape with an Old Dam1882 · Muzeum umění v Bostonu
44
Landscape1880 · Musée d'Orsay
45
Landscape1884
46
Moonrise1885 · Metropolitan Museum of Art
47
View of a Village1882
48
The Winding River1882 · Manchester Art Gallery
49
Landscape with an Old Dam1882
50
A Quay in Nice, Les Ponchettes1887 · Petit Palais
51
Two Trees at the Edge of a Forest1887 · Petit Palais
52
Sketch for the Galerie des Tourelles of the Hôtel de Ville de Paris: Le Jardin du Luxembourg1890 · Petit Palais
53
The Village Church1891 · Saint Louis Art Museum
54
A River Scene1887 · National Gallery of Ireland
55
Landscape By Moonlight1891 · Museum Boijmans Van Beuningen
56
Trees to the Left of a Stream1890 · Minneapolis Institute of Art
57
Sunset Landscape1887 · Los Angeles County Museum of Art
58
Hilly landscape with birches1890 · Museum Boijmans Van Beuningen
59
Landscape with a River1892
60
Landscape with a Church1891
61
View of the Avenue Victoria1891
62
Landscape near St. Prive1891
63
The Painter's Garden at Saint-Prive1886
64
Meadow, Sunlight Effect1889
65
Moonrise1892
66
Landscape at Dusk1890
67
Environs de Saint Pierre, Yonne1886
68
Evening at Saint Privé1890 · Muzeum umění v Bostonu
69
The Painter's Garden at Saint Privé1886 · National Gallery
70
Evening at Saint Privé1890
71
Windmill in Valenciennes1895 · Museum of Fine Arts Ghent (MSK)
72
View of a Stream1895 · Minneapolis Institute of Art
73
Willows on the Banks of the Loire1893 · Brooklyn Museum
74
A Large Tree - Path in the Countryside1898
75
Landscape with Lake1895
76
The Lake1897
77
Le pont de Nevers1893 · Birmingham Museum and Art Gallery
78
Le Pont de Nevers1893 · Birmingham Museums And Art Gallery
79
The Castle of Clisson1895
80
Landscape with Two Boys Carrying Firewood1894
81
Autumn Evening1894 · National Gallery
82
Oak1895
83
The Bay of Mentone1905 · Bavarské státní sbírky malby
84
The Côte d'Azur, Bay on the Mediterranean1902 · Petit Palais
85
The oaks1905 · Národní muzeum krásných umění v Haváně, Kuba
86
La Rigole à St. Privé, Yonne (Rivulet at St. Privé, Yonne)1902 · Buffalo AKG Art Museum
87
Landscape at Dusk1902 · Yale University Art Gallery
88
The Rocky Path in the Morvan (Chemin des roches dans le Morvan)1869 · Metropolitan Museum of Art
89
Landscape with a Pond1899
90
Moonlight on a Lake1902 · Leeds Art Gallery
91
Sunshine on the Riviera1899 · Aberdeen Art Gallery
92
A Hilly Landscape1903 · Perth Art Gallery
93
The Banks of the Loire1900 · Scottish National Gallery
94
The Stream1906 · Petit Palais
95
The Bench1906 · Petit Palais
96
A Landscape1909 · National Gallery of Ireland
97
View around Menton
98
Menton
99
the banks of the Seine
100
View from the Luxembourg Gardens, Paris
Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.
8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Henri Harpignies | Obrazy z tohoto seznamu |
|---|---|---|---|
 Petit Palais |
Paříž | 11 | Landscape of Hills, Forest Clearing, Fontainebleau, The Colosseum in Rome |
 National Gallery |
Londýn | 5 | River and Hills, A River Scene, The Painter's Garden at Saint Privé |
 Metropolitan Museum of Art |
New York | 3 | Fir Trees in Les Trembleaux, near Marlotte (Sapins aux Trembleaux à Marlotte), Moonrise, The Rocky Path in the Morvan (Chemin des roches dans le Morvan) |
 Museum Gouda |
Gouda | 3 | Open Clearing in the Forest, with Pond, Evening Landscape, Landscape |
 Museum Boijmans Van Beuningen |
Rotterdam | 3 | Landscape with two figures, Landscape By Moonlight, Hilly landscape with birches |
 Fitzwilliamovo muzeum |
Cambridge | 4 | Crémieu, The Lake |
 National Gallery of Ireland |
Dublin | 3 | A River Scene, A Landscape |
 National Gallery of Art |
Washington | 2 | Landscape, Landscape in Auvergne |
Vyberte si dekádu a prohlédněte si originál, který ji definuje.
Henri-Joseph Harpignies’ “Crémieu” (1847) is more than just a landscape painting; it's an immersive experience, a carefully constructed tableau that invites contemplation on the relationship between humanity and the vastness of nature. The scene unfolds within the foothills of the French Alps, depicting a rugged, almost primordial terrain dominated by towering cliffs and a winding path that draws the eye relentlessly into the distance. The painting immediately establishes a sense…
A heavy, dark rock formation anchors the left foreground, its jagged edges pressing against the viewer. This shadow-drenched cliff creates a sense of enclosure, a rocky threshold that directs the eye toward the center of the canvas. Beyond this immediate barrier, a winding path leads the gaze through a landscape of ochre and sienna. The river flows with a quiet, reflective surface, mirroring the cool blues of the sky. In…
In the quietude of 1869, Henri-Joseph Harpignies captured more than just a landscape; he bottled a moment of eternal peace. Avallon serves as a breathtaking window into a world where time seems to slow, inviting the viewer to step onto a sun-dappled dirt road that winds through a lush, verdant countryside. The composition is masterfully orchestrated, leading the eye from the textured foreground—where the roughness of the path and the…
A Glimpse of Rural Tranquility: Henri-Joseph Harpignies' "Path through a Normandy Village" This captivating landscape painting, “Path through a Normandy Village,” created in 1877 by French artist Henri-Joseph Harpignies, offers a serene glimpse into rural life. The artwork transports viewers to the heart of Normandy, France, depicting a picturesque village nestled amongst rolling hills under a cloudy sky. It’s a quintessential example of Impressionism, capturing not just what is seen…
In The Railroad Bridge at Briare, Henri Harpignies captures a quiet intersection of industry and the natural world. Painted about 1888, this work presents a grand bridge that spans across tranquil waters. It is a scene of steady, rhythmic movement, where a train glides beneath the massive iron structure, integrated into the landscape rather than disrupting it.
There is a certain stillness that settles over this landscape, a moment caught in the soft, diffused light of a late afternoon. The scene unfolds through a river valley, where the eye is led from the rugged, textured bark of the foreground trees toward a distant, pale body of water. It is a composition of balance and organic movement, where the twisting branches of the trees on the right frame…
Moonlight. Následují Crémieu (1847) a Path through a Normandy Village (1877).
Moonlight, Crémieu, Path through a Normandy Village, Landscape, River and Hills, Avallon, Fir Trees in Les Trembleaux, near Marlotte (Sapins aux Trembleaux à Marlotte), The Lake, Landscape of the Côte d'Azur (Eze, Cap d'Ail, the "Tête de chien"), seen from Saint-Jean-Cap-Ferrat. a The Railroad Bridge at Briare. Hodnocení výše uvádí rok a muzeum pro každé z nich.
Náš katalog obsahuje 264 děl umělce Henri Harpignies z let 1847 až 1909.
Většinou v Petit Palais (Paříž), National Gallery (Londýn) a Metropolitan Museum of Art (New York). V tabulce muzeí výše jsou vypsány všechny.
V období 1890s: 29 z celkem 100 děl na této stránce vzniklo právě tehdy, z toho Landscape z nich.
Na této stránce je nejstarší dílo z Crémieu (1847) a nejnovější z A Landscape (1909).
Landscape (29), Trees (19) a Sky (17) napříč 100 díly na této stránce.
Oil On Canvas, u 22 z 100 děl na této stránce.
Barbizon school a Impressionism, podle originálů na této stránce.
Landscape of Hills, Forest Clearing, Fontainebleau a The Colosseum in Rome: muzeum Petit Palais, Paříž má v obsluze 9 děl z této stránky.
Narodili se 28. června 1819 ve Valenciennes ve Francii, Henri-Joseph Harpignies se zpočátku musel vypořádat s rodičovskými očekáváními, která směřovala k obchodní kariéře. Jeho vášeň pro umění však byla však příliš silná na to, aby ji bylo možné ignorovat. Jako muž belgského původu musel odložit původní plány své rodiny, když se plně zasvětil cestě umělce. Ve věku dvaadvaceti sedmi let zahájil svou formální uměleckou výchovu v Paříži, kdy vstoupil do atelieru Jeana Acharda. Toto zakladatelské období se zaměřovalo na rozvoj precizních dovedností v kresbě – klíčového prvku, který zůstal pro Harpigniesovo dílo naprosto zásadní.
Po dvou letech pod Achardovou péčí se Harpignies v roce 1848 vydal na zásadnou cestu do Itálie. Tato zkušenost hluboce utvářela jeho uměleckou vizi. Po svém návratu v roce 1850 se setkal s předními představiteli Barbizonské školy, včetně Jean-Baptiste-Camille Corota. Důraz barbizonských malířů na přímé pozorování přírody a jejich realistické zobrazení venkovského života hluboce rezonoval s Harpigniesovou duší. V roce 1860 dále upevnil své umělecké pouto s Corotem prostřednictvím společné společné cesty zpět do Itálie.
Harpigniesův styl je charakteristický svými klidnými a idylickými vyobrazeními francouzského venkova. Mistrovsky zachytil jemné nuance světla a atmosféry, čímž vytvářel krajiny, které vyvolávají pocit klidu a harmonie. Jeho technika zahrnovala pečlivé pozorování v kombinaci s vytříbeným pochopením kompozice. Ačkoliv byl ovlivněn realismem Barbizonské školy, Harpignies si vyvinul svůj vlastní, nezaměnitelný hlas, do něhož často vplýval poetický cit.
Umělecký odkaz Harpigniese sahá daleko za hranice jeho vlastních obrazů. Byl oddaným učitelem, který předával své znalosti a dovednosti mnoha studentům, mezi něž patřili Émile Appay (1876–1935) a James Wilson Morrice (1865–1924). Jeho vliv je patrný v rozvoji francouzského krajinářského malby po celou druhou polovinu 19. a začátek 20. století. Pomohl upevnit dopad Barbizonské školy na následující generace umělců.
Henri-Joseph Harpignies si v historii francouzského krajinářského malby vybudoval důležité místo. Jeho dílo odráží hlubokou úctu k přírodě a oddanost zachycování její krásy s upřímností a citlivostí. Zemřel v roce 1916 a zanechal po sobě bohatý umělecký odkaz, který i dnes neustále inspiruje a fascinuje diváky. Jeho obrazy jsou zastoupeny v významných sbírkách muzeí, včetně Musée des Beaux-Arts Valence, což zajišťuje jeho trvalé uznání jako mistra krajinářského umění.
