Portrét Charles de Steuben

19 nejslavnějších obrazů autora Charles de Steuben, výběr z galerie

Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 19 děl umělce Charles de Steuben v našem katalogu

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Z všech originálů, které Charles de Steuben zanechal, je nejslavnější Portrait of Anna Benardaki (1844), který se nachází ve sbírce Státní Ermitáž, Sankt-Petěrburg. Hned za ním následují Portrait of Baron Alexander Stieglitz (1844) a Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850). Náš katalog obsahuje 19 děl umělce Charles de Steuben; galerie si zachovala 19 děl, která obdivuje celý svět, přičemž každé je znázorněno s datem vzniku, názevem muzea a jeho příběhem.

1788 – 1856, Bauerbach Romanticism Nejvíce děl: Státní Ermitáž

10 nejlepších obrazů umělce Charles de Steuben: výběr galerie

1
Portrait of Anna Benardaki (1844) od Charles de Steuben

Portrait of Anna Benardaki

1844 · Oil · Státní Ermitáž, Sankt-Petěrburg

The Portrait of Anna Benardaki is a formal mid-19th-century oil portrait that captures a woman seated upon a luxurious red velvet sofa. The composition is centered on the subject, presenting a medium shot that establishes an intimate yet formal connection with the viewer. Her attire consists of a luminous white and silver gown, detailed with intricate lace sleeves and flowing satin folds. This bright palette stands in sharp contrast to…

2
Portrait of Baron Alexander Stieglitz (1844) od Charles de Steuben

Portrait of Baron Alexander Stieglitz

1844 · Oil On Canvas · Státní Ermitáž, Sankt-Petěrburg

The Portrait of Baron Alexander Stieglitz is a significant oil painting by the artist Charles Auguste Guillaume Steuben. Created in Russia around 1844, this work captures the likeness of Baron Alexander von Stieglitz, a man known for his influence as a Russian banker and philanthropist. The portrait offers a quiet study of a figure central to the social and economic fabric of the era.

3
Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850) od Charles de Steuben

Portrait of Alexander P. von Benckendorff (1819 – 1851)

1850 · Oil On Canvas · Státní Ermitáž, Sankt-Petěrburg

The subject, Alexander P. von Benckendorff, is rendered in a three-quarter length pose, his gaze directed toward the viewer's left. He is dressed in a formal military uniform, a garment defined by sharp lines and heavy textures. The dark blues and blacks of his attire recede into a somber, atmospheric background, while the metallic sheen of buttons and braided cords catches the light. A draped cloak adds a sense of…

4
Portrait of a Young Woman (1843) od Charles de Steuben

Portrait of a Young Woman

1843 · Oil On Canvas · Státní Ermitáž, Sankt-Petěrburg

A young woman leans against a cool stone balustrade, her presence filling the space with a quiet, luminous grace. She is caught in a moment of stillness, her body angled slightly away as she gazes out toward a horizon we cannot quite reach. A bright orange-red shawl drapes over her shoulders, providing a sharp, warm contrast to the crisp white lace of her gown. The light catches the delicate textures…

5
Portrait of D.E. Benardaki (1844) od Charles de Steuben

Portrait of D.E. Benardaki

1844 · Oil On Canvas · Státní Ermitáž, Sankt-Petěrburg

In this 1844 oil portrait, we find ourselves in the presence of D.E. Benardaki, a man whose seated posture suggests a life of intellect and quiet authority. The composition is a formal, three-quarter length view, placing the subject slightly off-center to create a sense of balanced movement. He is positioned within a scholarly environment, seated beside a desk where writing implements rest, hinting at a mind preoccupied with thought or…

6
Portrait of Countess Yulia Stroganova (1848) od Charles de Steuben

Portrait of Countess Yulia Stroganova

1848 · Oil On Canvas · Státní Ermitáž, Sankt-Petěrburg

The Portrait of Countess Yulia Stroganova is an oil on canvas painted by Charles de Steuben in 1848. The subject, also identified as Julia Stroganova, is presented in a three-quarter length pose. She sits slightly off-center, her presence defined by the quiet weight of her station. She is a lady and a bride, captured in a moment of poised stillness.

Výběr umělce Charles de Steuben pokračuje, od 11 do 19

Motivy, které zaujaly Charles de Steuben

Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.

Muzea, v nichž jsou vystavena originálna umělce Charles de Steuben

8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Charles de Steuben Obrazy z tohoto seznamu
Státní Ermitáž, Sankt-PetěrburgStátní Ermitáž Sankt-Petěrburg 7 Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz, Portrait of Alexander P. von Benckendorff (1819 – 1851)
Palais des Beaux-Arts de Lille, LillePalais des Beaux-Arts de Lille Lille 2 Joan the Mad Waiting for the Resurrection of Philip the Handsome Her Husband, Marquise de Béthisy as an Orientalist
Musée Carnavalet, PařížMusée Carnavalet Paříž 1 Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist
Musée Victor Hugo, PařížMusée Victor Hugo Paříž 1 Sketch for the painting "La Esmeralda and her goat"
Opera House, VersaillesOpera House Versailles 1 Anne d'Autriche, reine de France
Château de Versailles, VersaillesChâteau de Versailles Versailles 1 Louis IV, King of France
Napoleon museum ArenenbergNapoleon museum Arenenberg 1 The Death of Napoleon
Clevelandské muzeum umění, ClevelandClevelandské muzeum umění Cleveland 1 Battle of Poitiers, 25 October 732

Charles de Steuben dekáda po dekádě: originální díla, která definují každou z nich

Díla podle dekád

Vyberte si dekádu a prohlédněte si originál, který ji definuje.

Otázky sběratelů o obrazech umělce Charles de Steuben

Kterým dílem je Charles de Steuben nejznámější?Odhalit odpověď

Portrait of Anna Benardaki (1844), Státní Ermitáž, Sankt-Petěrburg. Následují Portrait of Baron Alexander Stieglitz (1844) a Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850).

Kolik let bylo Charles de Steuben, když bylo vytvořeno dílo Portrait of Anna Benardaki?Odhalit odpověď

56 let: dílo Portrait of Anna Benardaki pochází z roku 1844 a Charles de Steuben se narodil/a v roce 1788.

Kterých deset nejslavnějších obrazů má Charles de Steuben?Odhalit odpověď

Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz, Portrait of Alexander P. von Benckendorff (1819 – 1851), Portrait of a Young Woman, Portrait of D.E. Benardaki, Portrait of Countess Yulia Stroganova, Mercury Putting Argus to Sleep, Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist, Sketch for the painting "La Esmeralda and her goat" a Joan the Mad Waiting for the Resurrection of Philip the Handsome Her Husband. Hodnocení výše uvádí rok a muzeum pro každé z nich.

Kolik obrazů zanechal(a) Charles de Steuben?Odhalit odpověď

Náš katalog obsahuje 19 děl umělce Charles de Steuben z let 1800 až 1850.

Ve kterých muzeích jsou vystavena díla mistrovská umělce Charles de Steuben?Odhalit odpověď

Většinou v Státní Ermitáž (Sankt-Petěrburg), Palais des Beaux-Arts de Lille (Lille) a Musée Carnavalet (Paříž). V tabulce muzeí výše jsou vypsány všechny.

V jakých letech namaloval Charles de Steuben svá nejznámější díla?Odhalit odpověď

V období 1830s: 9 z celkem 19 děl na této stránce vzniklo právě tehdy, z toho Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist z nich.

Jaká jsou první a poslední slavná originální díla umělce Charles de Steuben?Odhalit odpověď

Na této stránce je nejstarší dílo z The Death of Napoleon (1800) a nejnovější z Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850).

Jaká témata si Charles de Steuben vybíral nejčastěji?Odhalit odpověď

Woman (3), Man (3) a Lace (2) napříč 19 díly na této stránce.

Kterou techniku používal(a) Charles de Steuben nejčastěji?Odhalit odpověď

Oil On Canvas, u 5 z 19 děl na této stránce.

K kterému uměleckému směru patří Charles de Steuben?Odhalit odpověď

Romanticism, podle originálů na této stránce.

Která díla umělce Charles de Steuben jsou vystavena v Státní Ermitáž?Odhalit odpověď

Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz a Portrait of Alexander P. von Benckendorff (1819 – 1851): muzeum Státní Ermitáž, Sankt-Petěrburg má v obsluze 7 děl z této stránky.

Charles de Steuben: život a dílo

A Life Forged in the Shadows of Empires

Born into the nobility of the German Duchy of Württemberg, the life of Charles Auguste Guillaume Steuben was never destined for a quiet existence. His early years were defined by movement and the grandeur of shifting borders, moving from his birthplace to the imperial splendor of Saint Petersburg at the tender age of twelve. It was within the hallowed halls of the Imperial Academy of Arts that the young student first began to grasp the language of light and shadow, studying drawing under the watchful eyes of Russian masters. This formative period in Russia, shaped by the social connections of his father—a captain in Russian service—provided a unique cosmopolitan foundation. As he transitioned from the Russian court to the artistic epicenter of Paris, Steuben carried with him a perspective that was both deeply European and profoundly observant, preparing him for a career that would bridge the gap between the Napoleonic era and the Second Empire.

The Echo of Schiller and the Romantic Flame

Steuben’s artistic identity was not merely a product of formal training at the École des Beaux-Arts under luminaries like Jacques-Louis David and Pierre-Paul Prud'hon; it was ignited by the literary fire of Friedrich Schiller. The poet's ideals of individual liberty and free self-determination became the heartbeat of Steuben’s Romantic sensibility, instilling in him a belief that art should reflect the internal struggle for freedom. His style emerged as a dramatic interplay of expressive brushstrokes and a vivid, emotive palette, designed to capture the turbulent spirit of an age defined by revolution and restoration. He mastered the ability to blend meticulous observation with an imaginative, almost theatrical interpretation of history.

  • Philosophical Roots: The profound influence of Friedrich Schiller’s political ideals on his Romantic vision.
  • Academic Pedigree: Refined training under the masters of French Neoclassicism and lithography.
  • Thematic Depth: A focus on historical narratives that emphasized psychological insight and emotional fervor.

Chronicles in Color and Chiaroscuro

The true mastery of Steuben lay in his ability to weave meticulous historical detail with a cinematic sense of drama. He was a storyteller who utilized the technique of chiaroscuro to pull figures from the darkness, lending them a monumental presence that commanded the viewer's attention. In his celebrated work, The Death of Napoleon, one finds a hauntingly intimate glimpse into the twilight of a legend, where the grandeur of empire meets the stark reality of mortality on Saint Helena. Similarly, his Battle of Poitiers serves as a powerful testament to historical resilience, utilizing vibrant color and dynamic composition to depict the decisive clash between Charles Martel and Abd al-Rahman III. Through both painting and lithography, Steuben left behind a legacy that remains a vital window into the soul of nineteenth-century Europe, capturing the very essence of the Romantic era.