Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 57 děl umělce Antoine Vestier v našem katalogu
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Portrait of a Woman (1750) je obraz autora Antoine Vestier, který přitahuje nejvíce pohledů; originál se nachází v Musée Cognacq-Jay, Paříž. Poté se zrak přesouvá k Portrait of a Young Woman (1750) a Portrait of Mademoiselle Roland, Daughter of the Sculptor (1750). Z 57 děl umělce Antoine Vestier v našem katalogu je těchto 55 těch nejznámějších; každé z nich je unikátním originálem s uvedením roku vzniku, muzea a důvodu jeho nesmrtelnosti.
This oil portrait of a young woman, titled Portrait of a Woman, was executed by the French artist Antoine Vestier. Dating to about 1750, the work captures a moment of quiet poise from the 18th century. It is an intimate study of character, presented in a bust-length composition that focuses the viewer's attention entirely on the subject's presence and the delicate details of her attire.
The young woman gazes out from the canvas with a calm, poised expression that seems to hold a secret just beneath the surface. She sits slightly off-center, her presence commanding the space through a soft, directional light that spills from the upper left. This illumination carves gentle shadows across the curve of her neck and the delicate contours of her face, granting her a palpable three-dimensional volume. Her attire speaks…
A young woman is presented in a bust-length composition, her presence defined by a soft, luminous quality that emerges from a dark, indistinct background. The sitter is positioned centrally, her gaze directed forward with a quiet, composed dignity. Her attire features a deep teal or dark blue garment, contrasted sharply by the creamy white of a ruffled collar that frames her neck. Her hair, rendered in warm, reddish-brown tones, is…
A formal 18th-century oil portrait captures a woman and her young son in a poised, intimate composition. The woman, identified as Mrs. G.G. Delamalle, gazes directly at the viewer with a calm, steady expression. Her dark, voluminous hair is styled with precision and secured by a teal ribbon. She wears a teal gown, layered with a translucent white shawl that drapes over her shoulders, revealing the delicate textures of lace-trimmed…
The portrait presents Adélaïde-Geneviève de la Croix, marquise d’Hozier, in a three-quarter length pose. She is positioned slightly off-center against a dark umber background that recedes into shadow. The subject wears a gown of dusty rose silk, trimmed with dark brown fur that rests against the fabric. Her skin appears pale and luminous, contrasted by the white of her powdered hair and the intricate lace of her sleeves. A piece…
The Marquis d'Hozier sits in a quiet, suspended moment of 1766, his presence commanding the space through a subtle, dignified composure. He is positioned in a three-quarter view, a choice that lends a sense of movement to his otherwise still and formal posture. A soft light descends from the upper left, washing over his pale skin and catching the intricate textures of his attire. This light creates a gentle chiaroscuro,…
In this 1766 oil portrait, we encounter Charles-Pierre d'Hozier through a lens of profound composure. The subject, likely a man of the clergy, is presented in a three-quarter length view, his body turned slightly away while his gaze meets ours with a steady, scholarly calm. There is a certain weight to his presence, anchored by the deep, somber tones of his black clerical garment and the stark, crisp white of…
A single, saturated red coat anchors the composition, a heavy block of color that commands the eye against a dark, indeterminate void. This is the garment of a man who occupies space with quiet authority. The fabric catches a directional light from the upper left, revealing the tactile reality of the weave and the meticulous gold embroidery tracing the edges of the lapel. Beneath the chin, a white cravat and…
Portrait of a Woman with a Guitar, called Louise D'Aumont, Mazarin, Duchesse d'Aumont by Antoine Vestier. Created about 1782, this work identifies the sitter as Louise d'Aumont, duchesse d'Aumont, duchesse Mazarin et de La Meilleraye. She was the daughter of Louis Marie Guy d'Aumont, Duke of Aumont, and Louise Jeanne de Durfort, duchesse Mazarin et de La Meilleraye.
The air in the portrait feels soft, almost as if a gentle breeze from a Parisian salon has just passed through the room. Charlotte de Montesson, Marquess, gazes out from her oval frame with a poise that speaks of high status and quiet grace. She sits slightly off-center, her presence commanding yet delicate. Her gown, a pale sky blue, catches a light that seems to emanate from within the very…
Dam i rosa klänning1778 · Nationalmuseum
12
Portrait of Dr Jean-Louis Baudelocque1785 · Musée de Picardie
13
Portrait of a Young Man1788
14
Portrait of a Woman (P607)1792 · Musée Carnavalet
15
Portrait of John Moore (1729-1802), Novelist and Physician1795 · Musée Carnavalet
16
A Cellist1788 · Phoenix Art Museum
17
Jean-Henri Masers, chevalier of Latude (1725-1805), points to the Bastille1789 · Musée Carnavalet
18
Portrait of Melle Larmoyer as a Harpist1804 · Musées de Sens
19
Portrait of Madame Larmoyer, three-quarter lenght, with a lyre-guitar1804
20
Portrait of the Marquess de Chabert-Cogolin1800
21
MADAME VESTIERLouvre
22
Portrait Of A Lady With A Book
23
GABRIEL FRANCOIS DOYENLouvre
24
Portrait Of Charlotte Marie De GasvilleCarnegie Museum of Art
25
Portrait Of Louis Xvii As A Child1785
26
Eugène Joseph Stanislas Foullon d'Écotier (1753 1821)1785 · Metropolitan Museum of Art
27
Portrait of a Young Boy1790
28
Portrait of an artist showing his work in front of a moorish manNationalmuseum
29
Head Of A Young Girl Wearing A Pink Ribbon
30
Portrait Of Catherine-noële Grand
31
Portrait Of A Lady
32
Madame De Montesson
33
ANTOINE OMER TALON (1760 1811)
34
Portrait d'homme
35
NICOLAS GUY BRENET (1728 1792)Opera House
36
Portrait présumé de Louis XVII (1785 1795)
37
Portrait Of Jean Thurel
38
JEAN HENRI RIESENER (1734 1806)Opera House
39
Portrait de Mlle Roland, fille du sculpteur
40
Ministre Etienne-louis-hector De Joly
41
BacchanteMusée Carnavalet
42
Portrait Of Mademoiselle Rouillé
43
Portrait Of A Lady -
44
Femme Au Petit Chien
45
Portrait Of Jean-baptiste Symon De Solémy
46
Portrait Of A Young Lady
47
The Artist's Daughter, Marie-nicole VestierScottish National Gallery
48
The Wife Of The Composer Christoph Willibald Glück
49
Ignaz Pleyel
50
Portrait of a young lady, half-length, holding a feather hatMuzeum umění v Bostonu
51
Portrait de Jean RenÉ Vestier
52
Portrait of a man wearing a blue coat
53
Portrait of a Woman on a Terrace, a landscape beyond
54
The Comtesse D'EstradesNorton Simon Museum of Art
55
Portrait d'un chevalier de Malte tenant le portrait du bailli de Hautefeuille, commandeur de l'Ordre
Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.
8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Antoine Vestier | Obrazy z tohoto seznamu |
|---|---|---|---|
 Musée Carnavalet |
Paříž | 4 | Portrait of a Woman (P607), Portrait of John Moore (1729-1802), Novelist and Physician, Jean-Henri Masers, chevalier of Latude (1725-1805), points to the Bastille |
 Nationalmuseum |
Stockholm | 3 | Charlotte de Montesson, Marquess, Dam i rosa klänning, Portrait of an artist showing his work in front of a moorish man |
 Louvre |
Paříž | 2 | MADAME VESTIER, GABRIEL FRANCOIS DOYEN |
 Opera House |
Versailles | 2 | NICOLAS GUY BRENET (1728 1792), JEAN HENRI RIESENER (1734 1806) |
 Musée Cognacq-Jay |
Paříž | 1 | Portrait of a Woman |
 Clevelandské muzeum umění |
Cleveland | 1 | Portrait of a Woman with a Guitar, called Louise D'Aumont, Mazarin, Duchesse d'Aumont |
 Musée de Picardie |
Amiens | 1 | Portrait of Dr Jean-Louis Baudelocque |
 Phoenix Art Museum |
Phoenix | 1 | A Cellist |
Vyberte si dekádu a prohlédněte si originál, který ji definuje.
This oil portrait of a young woman, titled Portrait of a Woman, was executed by the French artist Antoine Vestier. Dating to about 1750, the work captures a moment of quiet poise from the 18th century. It is an intimate study of character, presented in a bust-length composition that focuses the viewer's attention entirely on the subject's presence and the delicate details of her attire.
The Marquis d'Hozier sits in a quiet, suspended moment of 1766, his presence commanding the space through a subtle, dignified composure. He is positioned in a three-quarter view, a choice that lends a sense of movement to his otherwise still and formal posture. A soft light descends from the upper left, washing over his pale skin and catching the intricate textures of his attire. This light creates a gentle chiaroscuro,…
The portrait presents Adélaïde-Geneviève de la Croix, marquise d’Hozier, in a three-quarter length pose. She is positioned slightly off-center against a dark umber background that recedes into shadow. The subject wears a gown of dusty rose silk, trimmed with dark brown fur that rests against the fabric. Her skin appears pale and luminous, contrasted by the white of her powdered hair and the intricate lace of her sleeves. A piece…
Portrait of a Woman with a Guitar, called Louise D'Aumont, Mazarin, Duchesse d'Aumont by Antoine Vestier. Created about 1782, this work identifies the sitter as Louise d'Aumont, duchesse d'Aumont, duchesse Mazarin et de La Meilleraye. She was the daughter of Louis Marie Guy d'Aumont, Duke of Aumont, and Louise Jeanne de Durfort, duchesse Mazarin et de La Meilleraye.
In this oval-shaped portrait from 1792, we encounter a woman captured in a moment of serene composure. She is positioned in a three-quarter view, her gaze meeting the viewer with a gentle, steady expression that suggests a calm, internal life. The composition is intimate, framed by the warmth of an ornate gold border that focuses all attention on her face and the delicate textures of her attire. Her hair, styled…
In this 1804 portrait, we encounter Melle Larmoyer, a young woman captured in a moment of quiet dignity. She is positioned in a three-quarter length view, her form leaning slightly toward a harp that anchors the composition. There is a certain stillness here, a sense of poised grace that defines the Neoclassical approach to portraiture. The lighting, descending softly from the upper left, carves out the contours of her face…
Portrait of a Woman (1750), Musée Cognacq-Jay, Paříž. Následují Portrait of a Young Woman (1750) a Portrait of Mademoiselle Roland, Daughter of the Sculptor (1750).
10 let: dílo Portrait of a Woman pochází z roku 1750 a Antoine Vestier se narodil/a v roce 1740.
Portrait of a Woman, Portrait of a Young Woman, Portrait of Mademoiselle Roland, Daughter of the Sculptor, Portrait of Mrs G.G. Delamalle born A. G. L. Sarraire and her son Jean-François, Portrait of Adélaïde-Geneviève de la Croix, marquise d’Hozier, Portrait of Denis-Louis, marquis d'Hozier, Portrait of Charles-Pierre d'Hozier, Portrait of Antoine-Marie d'Hozier de Sérigny, Portrait of a Woman with a Guitar, called Louise D'Aumont, Mazarin, Duchesse d'Aumont a Charlotte de Montesson, Marquess. Hodnocení výše uvádí rok a muzeum pro každé z nich.
Náš katalog obsahuje 57 děl umělce Antoine Vestier z let 1750 až 1804.
Většinou v Musée Carnavalet (Paříž), Nationalmuseum (Stockholm) a Louvre (Paříž). V tabulce muzeí výše jsou vypsány všechny.
V období 1780s: 8 z celkem 55 děl na této stránce vzniklo právě tehdy, z toho Portrait of a Woman with a Guitar, called Louise D'Aumont, Mazarin, Duchesse d'Aumont z nich.
Na této stránce je nejstarší dílo z Portrait of a Woman (1750) a nejnovější z Portrait of Melle Larmoyer as a Harpist (1804).
Woman (14), Portrait (11) a Man (10) napříč 55 díly na této stránce.
Oil, u 14 z 55 děl na této stránce.
Portrait of a Woman (P607), Portrait of John Moore (1729-1802), Novelist and Physician a Jean-Henri Masers, chevalier of Latude (1725-1805), points to the Bastille: muzeum Musée Carnavalet, Paříž má v obsluze 4 děl z této stránky.
