The mocking of Christ
The light fades into the dark.
Stručně řečeno
The mocking of Christ (1699) je obraz autora Anthoni Schoonjans, který přitahuje nejvíce pohledů; originál se nachází v Kunsthistorisches Museum, Vídeň. Poté se zrak přesouvá k The Apple of Eris (1690) a Portrait of an unknown lady (1690). Z 15 děl umělce Anthoni Schoonjans v našem katalogu je těchto 15 těch nejznámějších; každé z nich je unikátním originálem s uvedením roku vzniku, muzea a důvodu jeho nesmrtelnosti.
3 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Anthoni Schoonjans | Obrazy z tohoto seznamu |
|---|---|---|---|
| Mnichov | 11 | The Apple of Eris, Portrait of an unknown lady, Jacob blames Laban of his deception with Lea (Genesis 29:25-27) | |
| Vídeň | 2 | The mocking of Christ, Vestal virgins | |
| Berlín | 1 | Portrait of crown prince Frederick William as David with a sling |
Vyberte si dekádu a prohlédněte si originál, který ji definuje.
The mocking of Christ (1699), Kunsthistorisches Museum, Vídeň. Následují The Apple of Eris (1690) a Portrait of an unknown lady (1690).
44 let: dílo The mocking of Christ pochází z roku 1699 a Anthoni Schoonjans se narodil/a v roce 1655.
The mocking of Christ, The Apple of Eris, Portrait of an unknown lady, Jacob blames Laban of his deception with Lea (Genesis 29:25-27), Girl with a bird, Self-portrait of Anthon Schoonjans (1655-1726), Narcissus admires his reflection in the water, Joseph and Potiphar's Wife, allegory on the dew a Elector Johann Wilhelm on Horseback. Hodnocení výše uvádí rok a muzeum pro každé z nich.
Náš katalog obsahuje 15 děl umělce Anthoni Schoonjans z let 1690 až 1716.
Většinou v Bavarské státní sbírky malby (Mnichov), Kunsthistorisches Museum (Vídeň) a Charlottenburg Palace (Berlín). V tabulce muzeí výše jsou vypsány všechny.
V období 1690s: 10 z celkem 15 děl na této stránce vzniklo právě tehdy, z toho The mocking of Christ z nich.
Na této stránce je nejstarší dílo z The Apple of Eris (1690) a nejnovější z Saint Elizabeth of Hungary Distributing Alms to the Poor (1716).
Oil, u 2 z 15 děl na této stránce.
The Apple of Eris, Portrait of an unknown lady a Jacob blames Laban of his deception with Lea (Genesis 29:25-27): muzeum Bavarské státní sbírky malby, Mnichov má v obsluze 11 děl z této stránky.
Anthoni Schoonjans, also known by the nickname Parrhasius, was a Flemish painter born in Ninove. After receiving his training in Antwerp under Erasmus Quellinus II and Jan-Erasmus Quellinus, his career took him across much of Europe. His journey included stays in France, specifically Reims and Paris, and a significant period in Rome, where he resided with the flower painter Carel de Vogelaer. During his time in Rome, he joined the Bentvueghels, a society for Flemish and Dutch artists.
His international presence saw him serve as a court painter in several locations, including Copenhagen, Berlin, and Düsseldorf. In Vienna, he became a court painter to Emperor Leopold I and married the opera singer Maria Regina Schweizer. His travels also led him to Frankfurt am Main, Kassel, Hamburg, The Hague, Amsterdam, and England, where he painted the stairwell in Montagu House. He eventually returned to Vienna, spending his final years in Perchtoldsdorf before passing away in 1726.
The works of Anthoni Schoonjans encompassed a variety of genres, including:
His religious commissions included an altarpiece of the Martyrdom of St. Sebastian for St. Roch's Church and a Visitation of Mary for St. Stephen's Cathedral in Vienna. In Denmark, he was invited by the court to paint portraits of the royal family. While in Berlin, he was commissioned by Queen Sophie Charlotte to paint the ceiling, rooms, and galleries of Charlottenburg Palace. His portraiture also extended to figures such as the composer Giovanni Bononcini and Attilio Ariosti. In Düsseldorf, he painted the portrait of the Elector Johann Wilhelm and his wife.