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Windermere, Cumbria

Rozměry
122.0 x 198.0 cm

Admire "Windermere, Cumbria" by Samuel Lawson Booth – a stunning 1900 landscape painting in the Hudson River School style. Hand-painted reproduction available.

Discover Samuel Lawson Booth (1836-1928), a notable American artist known for his landscape paintings, particularly those depicting the Hudson River School style and scenes of rural life in New Jersey. Explore his contributions to 19th-century Americ

Giclée / Umělecký tisk

Giclée nebo plátěný tisk muzeální kvality s rychlou výrobou a širokou nabídkou povrchových úprav. ( Koupit ručně malovaný obraz Přepnout na digitální obraz)

Corner sample of the P118B picture frame: tvarovaný polystyren, 5 cm wide and 3 cm thick
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Corner sample of the P118H picture frame: tvarovaný polystyren, 5 cm wide and 3 cm thick
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Corner sample of the P118W picture frame: tvarovaný polystyren, 5 cm wide and 3 cm thick
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Corner sample of the P438Z picture frame: tvarovaný polystyren, 5.5 cm wide and 3.5 cm thick
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Corner sample of the P508JH picture frame: tvarovaný polystyren, 7 cm wide and 3.5 cm thick
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Corner sample of the P508YH picture frame: tvarovaný polystyren, 7 cm wide and 3.5 cm thick
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Corner sample of the P805H picture frame: tvarovaný polystyren, 5 cm wide and 3.5 cm thick
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Corner sample of the P805Z picture frame: tvarovaný polystyren, 5 cm wide and 3.5 cm thick
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Corner sample of the P919G picture frame: tvarovaný polystyren, 7 cm wide and 3.5 cm thick
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Corner sample of the P968JZ picture frame: tvarovaný polystyren, 6 cm wide and 4 cm thick
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Corner sample of the W106C picture frame: masivní dřevo, 5 cm wide and 3 cm thick
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Corner sample of the W316PJ picture frame: masivní dřevo, 6 cm wide and 3 cm thick
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Corner sample of the W316Y picture frame: masivní dřevo, 6 cm wide and 3 cm thick
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Corner sample of the W398PJ picture frame: masivní dřevo, 5 cm wide and 3 cm thick
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Corner sample of the W4111J picture frame: masivní dřevo, 6.5 cm wide and 3.5 cm thick
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Corner sample of the W500HY picture frame: masivní dřevo, 7 cm wide and 5 cm thick
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Corner sample of the W500JH picture frame: masivní dřevo, 7 cm wide and 5 cm thick
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Corner sample of the W692G picture frame: masivní dřevo, 8 cm wide and 4 cm thick
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Corner sample of the W849H picture frame: masivní dřevo, 5 cm wide and 3 cm thick
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Corner sample of the W940BG picture frame: masivní dřevo, 7.5 cm wide and 4.5 cm thick
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Corner sample of the W953PJ picture frame: masivní dřevo, 6 cm wide and 3.5 cm thick
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Celková cena

Kč 1738

Windermere, Cumbria

Giclée / Umělecký tisk

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Celková cena za vybrané možnosti reprodukcí

Kč 1738


Biografie umělce

Samuel Lawson Booth: A Master of Hudson River Light

Samuel Lawson Booth (1836-1928) stands as a significant, yet often understated, figure in the landscape painting tradition of late 19th-century America. Born in Leeds, Yorkshire, and trained initially in England, Booth’s artistic journey ultimately led him to establish himself as a respected artist working primarily within the evocative style of the Hudson River School. His career spanned several decades, marked by a dedication to capturing the subtle nuances of light and atmosphere, particularly in scenes of rural New Jersey – a region he came to deeply admire and depict with remarkable fidelity.

Booth’s early life provided a grounding in artistic principles, though not necessarily within the established academic framework. He began his career as an art teacher, first at the Leeds School of Art and later as an Art Master at Bradford Technical College. This role instilled in him a practical understanding of technique and a commitment to educating others about the visual arts. However, it was his travels and subsequent artistic pursuits that truly defined his legacy. A pivotal moment arrived in 1902 when he received a commission from King Edward VII to travel to Egypt and Israel, undertaking a series of expeditions dedicated to documenting the landscapes and light of those regions. These journeys profoundly influenced his style, introducing him to new color palettes and techniques for rendering atmospheric effects – skills he subsequently applied to his depictions of American scenery.

The Influence of the Hudson River School

Booth’s artistic development is inextricably linked to the broader context of the Hudson River School. This influential movement, which flourished throughout the mid-19th century, championed a romanticized vision of America's natural landscapes. Artists like Thomas Cole, Frederic Church, and Albert Bierstadt sought to capture the sublime beauty of the American wilderness, often imbuing their works with moral and spiritual significance. While Booth’s style diverged slightly from the grand scale and overtly didactic themes associated with some of his contemporaries, he shared a fundamental commitment to portraying nature with accuracy, sensitivity, and an appreciation for its inherent grandeur.

Booth's paintings are characterized by a meticulous attention to detail—the way light filters through trees, the textures of rocks and foliage, the subtle shifts in color across the sky. He eschewed dramatic compositions and theatrical lighting effects, instead favoring a more restrained approach that allowed the natural beauty of his subjects to speak for themselves. His palette was generally muted, dominated by earthy tones and soft blues and greens—a deliberate choice designed to evoke a sense of tranquility and harmony.

Key Works and Artistic Techniques

Several of Booth’s paintings stand out as particularly noteworthy examples of his artistic skill and vision. “Windermere, Cumbria” (available for reproduction) exemplifies his mastery of capturing the atmospheric effects of a misty lake scene—the way light diffuses through the fog, creating an ethereal sense of depth and distance. Similarly, "Resurrection" showcases his ability to render the rugged beauty of the New Jersey countryside, with its rolling hills, dense forests, and dramatic skies. These works demonstrate Booth’s meticulous observation skills and his talent for translating visual impressions onto canvas.

Booth's technique involved a layered approach, building up color gradually through multiple thin glazes. He employed a dry brush technique to create subtle variations in texture and tone, adding depth and realism to his landscapes. His use of light was particularly innovative—he sought not merely to depict the appearance of light but also its effect on the surrounding environment, capturing the way it transformed colors and shapes.

Legacy and Historical Significance

Despite often operating outside the mainstream spotlight, Samuel Lawson Booth’s contribution to American landscape painting is considerable. His work reflects a deep appreciation for the natural world and a commitment to portraying its beauty with honesty and sensitivity. He represents a quieter, more contemplative voice within the Hudson River School tradition—an artist who prioritized observation and craftsmanship over grand gestures and overt symbolism.

Booth’s paintings continue to be appreciated today for their technical skill, atmospheric effects, and evocative sense of place. They offer a valuable glimpse into the artistic sensibilities of late 19th-century America and serve as a reminder of the enduring power of landscape painting to inspire awe and wonder.

Rychlé informace o umělci

  • Artistic Movement Or Style: Hudson River School
  • Artists Or Movements Influenced By This Artist: ['Alonzo Chappel']
  • Artists Who Influenced This Artist:
    • Friedrich
    • Monet
  • Date Of Birth: 1836
  • Date Of Death: 1928
  • Full Name: Samuel Lawson Booth
  • Nationality: British
  • Notable Artworks:
    • Windermere, Cumbria
    • Resurrection
  • Place Of Birth: Leeds, Yorkshire