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Riding Habit

Richard Creed: Britský současný malíř, který se věnuje zachycování atmosféry městských a venkovských prostor pomocí pečlivého pozorování a expresivní kresby. Jeho díla jsou inspirována impresionistickou estetiku a filozofiemi William Trost Richardsa – prohlédněte si jeho ikonické výtvarné dílo nyní!

Giclée / Umělecký tisk

Giclée nebo plátěný tisk muzeální kvality s rychlou výrobou a flexibilními možnostmi povrchové úpravy. (Koupit ručně malovaný obraz Koupit ručně malovaný obrazKoupit obrázek Koupit obrázek)

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Celková cena

$ 80

reproduction

Riding Habit

Giclée / Umělecký tisk

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Celková cena za výběr

$ 80

Popis sběratelského kousku

Riding habit by Creed, which had been famous for the quality of its tailored suits. This habit which mixes the tailored jacket and jodhpurs that provided functional riding wear for men with feminine elements such as the long skirt, was the formal standard for women riders until the 1930s. The quality tailoring and careful hand stitching combine with dignified, thick fabrics to create a refined silhouette characterized by functional beauty.Horse riding was traditionally a privilege of the upper classes, and enjoyed by women as well as men. In France, the riding habit worn by women called “amazone,” after the mounted female warriors of Greek legend. The riding habits incorporated elements from men’s riding wear, but women were not permitted to straddle a horse, and had to ride sidesaddle wearing a skirt. In the second half of the 19th century, riding began to gain popularity among the general public, but sidesaddles and skirts remained the norm for women.For the sake of safety and functionality, women actually wore similar breeches as men, but they were inevitably hidden by a skirt. Other than exceptions, such as Gabrielle Chanel, who was already wearing jodhpurs and riding together with men around the time of World War I, it was not until the end of the 1930s that sidesaddle largely disappeared.

Biografie umělce

Richard Creed: Exploring Suburban Landscapes Through Contemporary Painting

Richard Creed is a British contemporary artist currently residing in London, whose work focuses on capturing the essence of urban and semi-rural environments through meticulous observation and expressive markmaking. Driven by a fascination with the interplay between nature and architecture—particularly within the context of suburban Britain—Creed’s artistic practice embodies a commitment to conveying nuanced emotional responses to everyday experiences. Early Life & Education: Details about Creed's formative years are scarce, however he pursued formal art training at Chelsea School of Art in London, honing his skills in drawing and painting techniques. This foundational grounding instilled in him a profound respect for craftsmanship and a dedication to mastering the subtleties of visual representation—values that would permeate throughout his subsequent artistic endeavors. Style & Technique: Creed’s distinctive style is characterized by a deliberate blending of realism and abstraction. He employs oil paints on canvas to create textured surfaces that capture subtle shifts in light and colour—a technique rooted in Luminism, an artistic movement originating in the mid-19th century that prioritizes atmospheric perspective and spiritual contemplation. Luminism championed the belief that art could elevate viewers beyond mere sensory perception, fostering a deeper connection with the natural world and prompting introspection about human existence. Creed’s meticulous brushwork—often employing impasto—creates palpable depth and luminosity, mirroring the very qualities he seeks to convey in his landscapes. Influences: Creed cites William Trost Richards as a significant inspiration, recognizing Richards’ masterful depiction of American landscapes imbued with profound emotional resonance. Richards' canvases pulsate with an almost palpable sense of serenity—a stylistic ambition that Creed consciously strives to emulate. Furthermore, he acknowledges the influence of British Pre-Raphaelites, whose emphasis on detailed observation and symbolic imagery aligns with his own artistic sensibilities. Artists like John Everett Millais and Dante Gabriel Rossetti championed a return to medieval art traditions, prioritizing accuracy in depiction alongside moral and spiritual contemplation—principles that resonate deeply within Creed’s artistic worldview. Notable Exhibitions & Recognition: Creed's artwork has garnered acclaim through participation in prestigious exhibitions such as The Hampstead Art Society Summer Exhibition and The John Moores Painting Prize at the Walker Art Gallery. These accolades underscore his standing within the British art community and attest to the enduring appeal of his contemplative landscapes. His pieces have been showcased in UK venues like Pitshanger Gallery in London, and internationally in China, Turkey, Singapore, Belgium, and Sweden—demonstrating a global reach for his artistic vision. The ‘Morning, Noon and Night’ Series: A Reflection on Urban Rhythm Creed's most celebrated body of work revolves around the 'Morning, Noon and Night' series—a collection of paintings depicting scenes from suburban London during different times of day. These canvases are notable for their careful consideration of composition, colour palettes, and textural surfaces. The artist’s aim is not merely to reproduce visual impressions but rather to distill the emotional atmosphere of each moment—the quiet solitude of dawn, the bustling energy of midday, and the contemplative stillness of dusk. Through his meticulous brushwork and subtle tonal variations, Creed succeeds in conveying a palpable sense of place and capturing the psychological impact of urban life on the human spirit. He meticulously renders architectural structures against expansive skies, utilizing muted hues to evoke feelings of tranquility and understated beauty—a stylistic choice that speaks to Luminism’s core tenets. Legacy & Continuing Artistic Practice: Richard Creed's contribution to contemporary British art is marked by his distinctive stylistic approach and unwavering commitment to exploring themes of observation and spiritual connection. His work stands as a testament to the enduring power of Luminism—a movement that prioritizes atmospheric perspective and emotional depth—while simultaneously engaging with the complexities of modern urban life. Continuing to refine his technique and deepen his artistic vision, Creed remains active in exhibiting his paintings and furthering his exploration of the relationship between art and experience. He continues to honor the legacy of Richards and Millais, striving to capture the sublime beauty of the everyday world through a lens informed by centuries of artistic tradition.

Rychlé fakta

  • Artistic Movement Or Style: Současné umění
  • Artists Or Movements Influenced By This Artist: ['Britské Pré-rafaelitství']
  • Artists Who Influenced This Artist: ['William Trost Richards']
  • Full Name: Richard Creed
  • Nationality: Británie
  • Notable Artworks: ['Harbour I, Série Ranní, Polední a večerní']