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St Jerome

Marinus van Reymerswaele (c. 1490 – c. 1546) was a Dutch Renaissance painter renowned for his genre scenes and religious compositions. Born in Reimerswaal, Netherlands, he received his early training at the University of Leuven and later apprenticed

A master of Northern Renaissance genre scenes, Marinus van Reymerswaele captured the tension of greed and devotion in iconic works like The Tax Collectors, inviting you to discover the shadows of his satirical world.

Giclée / Umělecký tisk

Giclée nebo plátěný tisk muzeální kvality s rychlou výrobou a širokou nabídkou povrchových úprav. ( Koupit ručně malovaný obraz Přepnout na digitální obraz)

Corner sample of the P118B picture frame: tvarovaný polystyren, 5 cm wide and 3 cm thick
P118B Kč10
Corner sample of the P118H picture frame: tvarovaný polystyren, 5 cm wide and 3 cm thick
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Corner sample of the P118W picture frame: tvarovaný polystyren, 5 cm wide and 3 cm thick
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Corner sample of the P438Z picture frame: tvarovaný polystyren, 5.5 cm wide and 3.5 cm thick
P438Z Kč10
Corner sample of the P508JH picture frame: tvarovaný polystyren, 7 cm wide and 3.5 cm thick
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Corner sample of the P508YH picture frame: tvarovaný polystyren, 7 cm wide and 3.5 cm thick
P508YH Kč12
Corner sample of the P805H picture frame: tvarovaný polystyren, 5 cm wide and 3.5 cm thick
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Corner sample of the P805Z picture frame: tvarovaný polystyren, 5 cm wide and 3.5 cm thick
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Corner sample of the P919BZ picture frame: tvarovaný polystyren, 7 cm wide and 3.5 cm thick
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Corner sample of the P919G picture frame: tvarovaný polystyren, 7 cm wide and 3.5 cm thick
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Corner sample of the P919XJ picture frame: tvarovaný polystyren, 7 cm wide and 3.5 cm thick
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Corner sample of the P959ZH picture frame: tvarovaný polystyren, 5 cm wide and 3 cm thick
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Corner sample of the P968JZ picture frame: tvarovaný polystyren, 6 cm wide and 4 cm thick
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Corner sample of the W106C picture frame: masivní dřevo, 5 cm wide and 3 cm thick
W106C Kč8
Corner sample of the W218G picture frame: masivní dřevo, 5 cm wide and 3 cm thick
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Corner sample of the W218JH picture frame: masivní dřevo, 5 cm wide and 3 cm thick
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Corner sample of the W218Y picture frame: masivní dřevo, 5 cm wide and 3 cm thick
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Corner sample of the W307PJ picture frame: masivní dřevo, 6 cm wide and 3 cm thick
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Corner sample of the W316G picture frame: masivní dřevo, 6 cm wide and 3 cm thick
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Corner sample of the W316PJ picture frame: masivní dřevo, 6 cm wide and 3 cm thick
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Corner sample of the W316Y picture frame: masivní dřevo, 6 cm wide and 3 cm thick
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Corner sample of the W398PJ picture frame: masivní dřevo, 5 cm wide and 3 cm thick
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Corner sample of the W4111J picture frame: masivní dřevo, 6.5 cm wide and 3.5 cm thick
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Corner sample of the W500HY picture frame: masivní dřevo, 7 cm wide and 5 cm thick
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Corner sample of the W500JH picture frame: masivní dřevo, 7 cm wide and 5 cm thick
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Corner sample of the W692G picture frame: masivní dřevo, 8 cm wide and 4 cm thick
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Corner sample of the W849H picture frame: masivní dřevo, 5 cm wide and 3 cm thick
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Corner sample of the W940BG picture frame: masivní dřevo, 7.5 cm wide and 4.5 cm thick
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Corner sample of the W953PJ picture frame: masivní dřevo, 6 cm wide and 3.5 cm thick
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šířka
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Zadejte šířku a výšku, které potřebujete pro váš rám nebo stěnu. Tisk lze pouze oříznout, nikdy však nelze zvětšit obraz nad jeho původní rozměr, proto při výběru jiného formátu dochází ke ztrátě části obrazu. Před samotným tiskem vám zašleme digitální náhled k schválení. Obraz zobrazený na této stránce nenabízí skutečný výřez — ten uvidíte pouze v náhledu.

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Celková cena

Kč 1724

St Jerome

Giclée / Umělecký tisk

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Kč 1724

Rychlé informace

  • Subject or theme: Religious composition
  • Artistic style: Detailed, realistic
  • Title: St Jerome
  • Location: Rijksmuseum, Amsterdam
  • Influences: Titian

Artový kvíz

U každé otázky je pouze jedna správná odpověď.

Otázka 1:
What is the primary subject depicted in Marinus van Reymerswaele’s ‘St Jerome in His Study’?
Otázka 2:
The skull present in the painting symbolizes which concept commonly found in religious art?
Otázka 3:
In what artistic period does ‘St Jerome in His Study’ primarily belong?
Otázka 4:
What medium was most commonly used by artists during the Renaissance for paintings like this?
Otázka 5:
The painting’s background features a window with curtains drawn back, allowing natural light into the room. What effect does this lighting primarily create?

The Scholar’s Sanctuary: Marinus van Reymerswaele's St. Jerome

Marinus van Reymerswaele’s “St. Jerome in His Study,” housed within the venerable halls of the Museo Nacional del Prado, is more than a mere depiction of a biblical figure; it’s a meticulously crafted window into the mind and world of a 16th-century Dutch artist grappling with faith, scholarship, and mortality. Painted around 1545, this oil-on-panel masterpiece offers a profound glimpse into the contemplative life of the saint, revealing a complex interplay of religious devotion, humanist learning, and the ever-present awareness of human frailty.

The scene unfolds within a modestly appointed study—a space deliberately devoid of ostentation. Jerome, rendered with remarkable realism for his time, is seated at a sturdy wooden desk, its surface laden with the paraphernalia of intellectual pursuit: open books, scattered parchment, and a meticulously crafted quill pen. His posture suggests both diligence and weariness, reflecting the arduous task of translating scripture and engaging in theological reflection. The artist’s choice to portray Jerome not as an ascetic hermit but as a learned scholar subtly shifts the focus from monastic seclusion to the intellectual life of faith – a prevalent theme within Northern Renaissance art.

A Symphony of Detail: Technique and Materials

Reymerswaele's mastery lies in his ability to imbue this seemingly simple scene with an astonishing level of detail. The artist’s meticulous observation is evident in the textures of the fabrics, the worn wood of the desk, and the subtle nuances of Jerome’s face—the furrowed brow, the deep-set eyes, and the carefully rendered lines of his beard. The use of oil paint allowed for a remarkable degree of luminosity and depth, capturing the play of light across the surfaces and creating a sense of tangible reality within the painted space.

Notably, the panel itself—oak wood treated with multiple layers of gesso and primer—contributes to the painting’s rich texture and durability. The artist skillfully employed glazing techniques to build up layers of color, achieving a remarkable depth and richness of tone. The careful attention to detail extends even to the background, where a partially drawn curtain reveals a glimpse of daylight filtering through a window, suggesting both the natural world and the potential for divine illumination.

Symbolism and Mortality

Beyond its technical brilliance, “St. Jerome in His Study” is laden with symbolic meaning. The prominent skull positioned beside the quill—a direct reference to mortality—serves as a constant reminder of the fleeting nature of earthly existence. It’s a stark contrast to the saint's intellectual pursuits, highlighting the tension between worldly concerns and spiritual aspirations. The inclusion of spectacles further emphasizes Jerome’s role as a scholar, while the open book suggests his dedication to biblical study.

Furthermore, the statue of Christ on the cross visible in the background—a deliberate inclusion by Reymerswaele—underscores the saint's devotion and his connection to the broader Christian narrative. It elevates the scene beyond a mere portrait of an individual, transforming it into a meditation on faith, knowledge, and redemption. The placement of the statue is carefully considered, drawing the viewer’s eye towards the central theme of sacrifice and salvation.

A Window into a Renaissance Mind

“St. Jerome in His Study” offers a compelling glimpse into the intellectual and spiritual landscape of 16th-century Europe. It reflects the burgeoning interest in classical learning, the rise of humanism, and the ongoing debate between faith and reason. Reymerswaele’s masterful execution—his meticulous attention to detail, his skillful use of color and light, and his profound understanding of symbolism—elevates this painting beyond a simple depiction of a biblical figure; it becomes a timeless meditation on the complexities of the human condition.

Reproductions of this captivating artwork capture much of its original power. Consider commissioning a high-quality hand-painted reproduction to bring this evocative scene into your home or office—a testament to the enduring legacy of Marinus van Reymerswaele and his profound exploration of faith, knowledge, and mortality.

Otázky a odpovědi

Do které období tvorby Marinus Van Reymerswaele patří dílo „St Jerome“?

Dílo „St Jerome“ pochází z období Mature Period v tvorbě umělce Marinus Van Reymerswaele. Tato klasifikace dílo zasazuje do kontextu vývoje jeho tvůrčí dráhy.

Využívá „St Jerome“ od Marinus Van Reymerswaele výrazné kontrasty, nebo jemné harmonie?

Barevná analýza díla „St Jerome“ od Marinus Van Reymerswaele zachycuje Bold kontrast a Balanced Harmony harmonii.

Je k dispozici vysokorozlišená verze ke stažení díla "St Jerome"?

Digitální kopii díla „St Jerome“ od Marinus Van Reymerswaele si můžete objednat jako stažení digitálního obrazu ve vysokém rozlišení na jeho stránce Digitální snímek.