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StatistikyTurning Form
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Umělecké dílo zobrazené na této stránce je chráněno autorským zákonem, což znamená, že nemůžeme legálně vytvářet ani prodávat jeho identickou reprodukci. Tato ochrana je vymáhána na základě mezinárodních dohod, jako například Berberská úmluva a národními zákony, včetně těch stanovených v Americký autorský zákon – Díl 17. Všechna práva vyhrazena.
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Turning Form
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Celková cena
Kč 1697
Turning Form: A Meditation on Geometry and Emotion
Barbara Hepworth’s *Turning Form*, created in 1946 during her formative years in St Ives, represents more than just a sculptural exploration of geometric principles; it embodies a profound engagement with the landscape and a deeply felt response to its rhythms. This piece—a striking bronze sculpture featuring a circle intersected by a vertical line—immediately draws the eye with its simplicity and elegance, yet upon closer observation reveals layers of complexity that speak to Hepworth’s artistic vision. The genesis of *Turning Form* lies in Hepworth's fascination with natural forms, particularly those found along Cornwall’s coastline. As she herself eloquently described, “the main sources of my inspiration are the human figure and the landscape; also the one in relation to the other.” The circle, a symbol of wholeness and unity—a recurring motif throughout Hepworth’s oeuvre—represents the enduring presence of nature within the artist's consciousness. Simultaneously, the vertical line embodies dynamism and movement, mirroring the ceaseless flow of the sea and wind that characterize St Ives’ environment. This juxtaposition creates tension and balance, reflecting Hepworth’s belief that art should capture both stillness and energy simultaneously. Hepworth’s masterful technique—characterized by meticulous carving and casting—is evident in every detail of *Turning Form*. The bronze was painstakingly shaped using a combination of hammering and polishing to achieve a surface finish that is remarkably smooth and luminous, capturing the subtle nuances of light and shadow. Hepworth's approach to material was deeply rooted in her conviction about truth to material; she sought to express the essence of form itself through the manipulation of bronze—a medium she considered particularly responsive to conveying texture and volume. The sculpture’s form is deliberately ambiguous, inviting viewers to contemplate its relationship to both geometric abstraction and organic inspiration. The sculpture's placement within Hepworth's studio garden—a space meticulously designed to foster contemplation and connection with nature—further underscores its significance. Situated amidst rolling hills and windswept grasses, *Turning Form* serves as a visual anchor, grounding the viewer in the landscape while simultaneously elevating their gaze toward the heavens. It is a testament to Hepworth’s ability to transform raw materials into objects of beauty and intellectual stimulation—a legacy that continues to inspire artists and collectors alike.- Material: Bronze
- Dimensions: Unknown
- Location: Hepworth Wakefield Sculpture Garden
Otázky a odpovědi
Které muzeum uchovává originál díla "Turning Form"?
Originál díla „Turning Form“ si můžete prohlédnout v instituci The Hepworth Wakefield, Wakefield, Spojené království.
Jaký je formát díla „Turning Form"?
Dílo „Turning Form“ od Barbara Hepworthová má formát Portrétní orientace. Formát určuje poměry kompozice.
Jaká technika byla použita pro dílo „Turning Form“ od Barbara Hepworthová?
Technikou díla „Turning Form“ od Barbara Hepworthová je Akryl na plátně. Reprodukce mají za cíl věrně zachytit vzhled této techniky.
Biografie umělce
Barbara Hepworth: Pioneer of Organic Abstraction
Barbara Hepworth (1903–1975) stands as one of the most influential figures in British modern sculpture, a sculptor whose groundbreaking approach fundamentally reshaped artistic expression during the interwar years and beyond. Born Jocelyn Barbara Hepworth in Wakefield, Yorkshire, her formative years were marked by an early fascination with natural forms—particularly the rugged landscapes of her native Yorkshire—which would become central to her artistic vision. Her father, Herbert Hepworth, was a civil engineer for the West Riding County Council, fostering a practical sensibility alongside an appreciation for geometric precision.- Early Education & Influences: Hepworth’s education at Wakefield Girls' High School instilled in her a belief in the importance of intellectual curiosity and artistic exploration. Notably, she befriended Henry Moore during her studies at Leeds School of Art, forging a collaborative relationship that would endure throughout their careers. This connection to Moore—a fellow devotee of exploring natural forms through abstraction—proved pivotal in shaping Hepworth’s aesthetic sensibilities.
- Royal College of Art & Formal Experimentation: Hepworth's enrollment at the Royal College of Art in 1921 represented a decisive step toward establishing herself as an artist. There, she honed her sculptural skills and embraced the burgeoning modernist movement, experimenting with techniques like direct carving—a method championed by Skeaping—that prioritized working directly with raw materials to achieve organic forms.
Marriage & Artistic Partnership with Ben Nicholson
Her marriage to sculptor John Skeaping in 1925 solidified her artistic life, providing a supportive environment for collaborative endeavors and fostering a shared commitment to exploring the expressive potential of abstraction. The couple moved into Hampstead’s Mall studio in 1926, where Hepworth and Nicholson cultivated an intense creative dialogue that would define their artistic output for decades. Their relationship was marked by both intellectual stimulation and personal challenges, culminating in divorce in 1933. However, Hepworth continued her partnership with Nicholson until 1951, producing some of her most celebrated works during this period—including the monumental *Pierced Hemisphere I* and *Two Forms*, which embody the core principles of their artistic vision.The St Ives Period & Monumental Sculpture
Following World War II, Hepworth relocated to St Ives, Cornwall, where she established herself as a leading figure in the burgeoning St Ives School of Artists—a collective dedicated to capturing the essence of Cornish landscape and exploring the interplay between form and space. This period witnessed Hepworth’s artistic evolution toward larger-scale sculptures that responded directly to the environment, reflecting her profound connection with nature. Her masterpiece, *Winged Figure*, commissioned by John Lewis for Oxford Street, London, stands as a testament to her ambition and technical prowess—a towering aluminum sculpture that embodies the spirit of modernist abstraction while simultaneously honoring the beauty of the Cornish coastline.Legacy & Recognition
Barbara Hepworth’s contribution to modern art is undeniable. Her pioneering exploration of organic abstraction challenged conventional artistic norms, establishing a new aesthetic language characterized by sensual materiality and geometric precision. She received numerous accolades throughout her life—including Commander of the Order of the British Empire (CBE) in 1958—and was honored as Dame in 1965 for her enduring influence on art history. Today, Hepworth’s sculptures reside in prominent museums worldwide—most notably The Hepworth Wakefield—where they continue to inspire viewers and scholars alike, cementing her place as one of Britain's most revered artists."
Barbara Hepworthová
1903 - 1975 , Spojené království
Rychlé informace
- Artistic Movement Or Style: Modernisme
- Artists Or Movements Influenced By This Artist: ['Abstraction Création']
- Artists Who Influenced This Artist: ['Henry Moore']
- Date Of Birth: 10 janvier 1903
- Full Name: Jocelyn Barbara Hepworth
- Nationality: Britannique
- Notable Artworks:
- Oval Form
- Deux formes
- Place Of Birth: Wakefield, Angleterre
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