What topics does Genesis III explore?

circles, geometric shapes, minimalism, abstraction, canvas art, color palette, organic forms

What is the thematic context of Genesis III?

modern sculpture, organic forms, geometric shapes, minimalism, abstraction

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Barbara Hepworthová
Genesis III

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Genesis III

Acrylic On Canvas
WallArt
Surrealism
1966
The Hepworth Wakefield

Genesis III by Barbara Hepworth (1966), from The Hepworth Wakefield. This piece showcases Hepworth’s masterful use of form and texture, exploring themes of balance and repetition through its circular composition.

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Barbara Hepworthová (1903–1975) byla průkopnicí moderního britského sochařství. Její díla – včetně 'Oval Form' & 'Two Forms' – kombinují surrealismus a abstrakci. Objevte její dědictví na Muzeu Hepworth Wakefield.

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Giclée / Umělecký tisk

Giclée nebo plátěný tisk muzeální kvality s rychlou výrobou a flexibilními možnostmi povrchové úpravy.

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Technika a materiál
Rozměry
Rámování
Možnosti

Tisk na lesklém bavlněném plátně

Tisk na matném bavlněném plátně

Tisk na matném papíře

Tisk na papíře s rámem a sklem

Více informací

Plátno srolované v tubusu V ceně zdarma

Napnutý

V rámu

Rámováno s patinou starého dřeva a štuku

White $1

Blurside $1

Extended $1

P118B $10

P118H $10

P118W $10

P438Z $10

P508JH $12

P508YH $12

P805H $10

P805Z $10

P919BZ $10

P919G $10

P919XJ $10

P959ZH $10

P968JZ $12

W106C $8

W218G $10

W218JH $8

W218Y $10

W307PJ $10

W316G $10

W316PJ $8

W316Y $10

W398PJ $8

W4111J $10

W500HY $15

W500JH $15

W692G $12

W849H $8

W940BG $15

W953PJ $8

H24-GOLD $40

H24-SILVER $40

H36-GOLD $60

H36-SILVER $60

Framed

Description from JS

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Standardní velikost na míru

Standard

custom

CM INCH

INCH

Vyberte si z našich přednastavených velikostí, které odpovídají původním proporcím díla.

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šířka

výška

Můžete zadat vlastní rozměry tak, aby výtvor odpovídal konkrétnímu rámu nebo prostoru. Pokud zvolená velikost nebude odpovídat poměru stran původního obrazu, dílo buď ořížeme, nebo obraz rozšíříme pomocí zrcadlového efektu či jednobarevného okraje. Před zahájením výroby vám bude zaslán digitální náhled k schválení.
Mějte prosím na paměti, že náhled na obrazovce neodráží skutečné oříznutí nebo rozšíření. Pouze digitální náhled přesně zobrazí finální kompozici.
Ačkoliv jsou k dispozici i vlastní rozměry, pro zachování původních proporcí doporučujeme vybrat si rozměr z předdefinovaného seznamu.

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Bez lesku

Přidejte lesklý lak (zvýrazní barvy, chrání před světlem a vlhkostí) + $15

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Bez jmenovky k dílu

Gravovaná bronzová destička se jménem umělce a přeloženým názvem obrazu. Velikost: 9x2 cm. + $10

Průhledná akrylátová cedulka s informacemi o díle a QR kódem, opatřená černým UV gravírováním. Rozměr: 10 × 15 cm. + $30

Černá akrylátová cedulka s bíle gravírovaným textem, informacemi o díle a QR kódem. Rozměr: 10 × 15 cm. + $30

Detaily bronzové ryté plakety

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

Detaily průhledné akrylové desky

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

Detaily černé akrylové destičky

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

Více informací

Potřebujete expresní doručení? + $30

Celosvětové doručení () do 2 týdnů namísto standardních 4/5 týdnů. (23 červenec)

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Zdarma celosvětová expresní doprava

Vysoce kvalitní lněné plátno

Kompletní přepravní pojištění

Záruka vrácení celního poplatku

Záruka přesného barevného shodu

60denní lhůta pro vrácení zboží (pouze při vadách výroby)

100% garance vrácení peněz

Sleva při hromadné objednávce

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Celková cena

-

ExclamationCircle Skleněná varianta je dostupná pouze u rozměrů menších než 110 cm

Genesis III

Giclée / Umělecký tisk

Rozměry reprodukce

-

Možnosti rámování reprodukcí

-

ExclamationCircle Pro umělecká díla nebo reprodukce, jejichž jakákoliv strana měří více než 105 cm (přibližně 41 palců), bude rám zaslán jako montážní sada. Tento způsob zajišťuje bezpečnou dopravu a minimalizuje riziko poškození během přepravy.

Jsou zahrnuty všechny lišty z masivního dřeva, přesně na míru nařezané.
Snadná montáž pomocí přiložených šroubků – není potřeba žádné lepidlo.
Návod k montáži je součástí; sestavení zabere méně než 10 minut pomocí běžného šroubováku.

Důležité:
Pro dotáhnutí plátna na sestaveném rámu mohou být potřeba kleště pro natahování plátna, která nejsou součástí této sady. Tento nástroj pomáhá zajistit správné napětí a profesionální výsledek.

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Popisek díla

-

Ochranný lak

Lesklý lak (zvýrazňuje barvy, chrání před světlem a vlhkostí)

-

Prioritní doručení

Dodání do méně než 3 týdnů namísto standardních 4–5 týdnů. Bez kompromisů v kvalitě.

-

Expresní doručení

Celosvětová doprava () do 4–5 týdnů. (30 červenec).

V ceně

Celková cena za výběr

-

Základní informace

Location: Wakefield Council Permanent Art Collection
Influences: Surrealism
Artist: Barbara Hepworth
Subject or theme: Geometric patterns
Movement: Modernism
Artistic style: Abstraction
Medium: Oil and pencil on board

Kvíz o umění

U každé otázky je pouze jedna správná odpověď.

Otázka 1:

What is the artist of Genesis III?

Claude Monet

Pablo Picasso

Barbara Hepworth

Otázka 2:

In what year was Genesis III created?

1900

1924

1966

Otázka 3:

What artistic movement is Genesis III primarily associated with?

Impressionism

Cubism

Modernism

Otázka 4:

The image depicts a composition featuring what prominent visual elements?

Geometric shapes

Realistic landscapes

Portraiture

Otázka 5:

Genesis III exemplifies Hepworth's exploration of which artistic concept?

Perspective

Color theory

Abstraction

Popis sběratelského kousku

Genesis III by Barbara Hepworth

Barbara Hepworth’s Genesis III is more than just a sculpture; it's an embodiment of stillness, contemplation, and the profound connection between form and space—a testament to Hepworth’s pioneering approach to modern sculpture. Created in 1966, this piece exemplifies Hepworth’s signature style – characterized by smooth, polished surfaces that convey an ethereal quality while simultaneously grounding the artwork in geometric precision. The sculpture itself is composed of two interlocking circles crafted from alabaster, a creamy white stone known for its translucency and ability to absorb light beautifully. These circles aren't merely shapes; they represent opposing forces—perhaps representing duality or balance—and their subtle curves invite viewers to consider the interplay between movement and stability.

Material: Alabaster
Dimensions: Unknown
Date Created: 1966

Hepworth’s technique involved meticulous carving, utilizing specialized tools to sculpt away material until the desired form emerged. The surface finish achieved is remarkably smooth—almost luminous—thanks to a process of grinding and polishing that brings out the stone's inherent radiance. This painstaking attention to detail speaks volumes about Hepworth’s dedication to her craft and underscores her belief in the transformative power of sculptural form. It’s remarkable how Hepworth manages to convey such depth of emotion through seemingly simple geometric shapes. Historical Context: Genesis III was produced during a period of significant artistic experimentation, as Hepworth navigated the evolving landscape of postwar British sculpture. She was part of a cohort of artists who sought to break away from traditional representational art and explore new avenues for expressing ideas and emotions through abstraction. The influence of Surrealism can be discerned in Hepworth’s work—particularly her fascination with organic forms and her exploration of subconscious imagery—though she consistently maintained a disciplined aesthetic rooted in geometric principles. Symbolism: While Hepworth herself resisted interpretations of her sculptures as overtly symbolic, Genesis III undeniably evokes feelings of serenity and contemplation. The circles represent wholeness and unity, suggesting an aspiration to transcend duality and achieve harmony. Furthermore, the alabaster stone—known for its purity and luminosity—symbolizes enlightenment and spiritual illumination. It’s a piece that invites viewers to pause, observe, and consider the fundamental questions of existence. Emotional Impact: Viewing Genesis III is akin to entering a meditative space. The sculpture's stillness encourages introspection and prompts us to appreciate the beauty of understated elegance. Its luminous surface captures and diffuses light, creating an atmosphere of calm and tranquility—a reflection of Hepworth’s artistic vision and her profound understanding of how art can nourish the soul. It remains a powerful reminder that true artistry lies in conveying emotion without resorting to explicit imagery, allowing viewers to engage with the artwork on a deeply personal level.

Biografie umělce

Barbara Hepworth: Pioneer of Organic Abstraction

Barbara Hepworth (1903–1975) stands as one of the most influential figures in British modern sculpture, a sculptor whose groundbreaking approach fundamentally reshaped artistic expression during the interwar years and beyond. Born Jocelyn Barbara Hepworth in Wakefield, Yorkshire, her formative years were marked by an early fascination with natural forms—particularly the rugged landscapes of her native Yorkshire—which would become central to her artistic vision. Her father, Herbert Hepworth, was a civil engineer for the West Riding County Council, fostering a practical sensibility alongside an appreciation for geometric precision.

Early Education & Influences: Hepworth’s education at Wakefield Girls' High School instilled in her a belief in the importance of intellectual curiosity and artistic exploration. Notably, she befriended Henry Moore during her studies at Leeds School of Art, forging a collaborative relationship that would endure throughout their careers. This connection to Moore—a fellow devotee of exploring natural forms through abstraction—proved pivotal in shaping Hepworth’s aesthetic sensibilities.
Royal College of Art & Formal Experimentation: Hepworth's enrollment at the Royal College of Art in 1921 represented a decisive step toward establishing herself as an artist. There, she honed her sculptural skills and embraced the burgeoning modernist movement, experimenting with techniques like direct carving—a method championed by Skeaping—that prioritized working directly with raw materials to achieve organic forms.

Marriage & Artistic Partnership with Ben Nicholson

Her marriage to sculptor John Skeaping in 1925 solidified her artistic life, providing a supportive environment for collaborative endeavors and fostering a shared commitment to exploring the expressive potential of abstraction. The couple moved into Hampstead’s Mall studio in 1926, where Hepworth and Nicholson cultivated an intense creative dialogue that would define their artistic output for decades. Their relationship was marked by both intellectual stimulation and personal challenges, culminating in divorce in 1933. However, Hepworth continued her partnership with Nicholson until 1951, producing some of her most celebrated works during this period—including the monumental *Pierced Hemisphere I* and *Two Forms*, which embody the core principles of their artistic vision.

The St Ives Period & Monumental Sculpture

Following World War II, Hepworth relocated to St Ives, Cornwall, where she established herself as a leading figure in the burgeoning St Ives School of Artists—a collective dedicated to capturing the essence of Cornish landscape and exploring the interplay between form and space. This period witnessed Hepworth’s artistic evolution toward larger-scale sculptures that responded directly to the environment, reflecting her profound connection with nature. Her masterpiece, *Winged Figure*, commissioned by John Lewis for Oxford Street, London, stands as a testament to her ambition and technical prowess—a towering aluminum sculpture that embodies the spirit of modernist abstraction while simultaneously honoring the beauty of the Cornish coastline.

Legacy & Recognition

Barbara Hepworth’s contribution to modern art is undeniable. Her pioneering exploration of organic abstraction challenged conventional artistic norms, establishing a new aesthetic language characterized by sensual materiality and geometric precision. She received numerous accolades throughout her life—including Commander of the Order of the British Empire (CBE) in 1958—and was honored as Dame in 1965 for her enduring influence on art history. Today, Hepworth’s sculptures reside in prominent museums worldwide—most notably The Hepworth Wakefield—where they continue to inspire viewers and scholars alike, cementing her place as one of Britain's most revered artists."