Dvě tvary
Giclée / Umělecký tisk
Giclée nebo plátěný tisk muzeální kvality s rychlou výrobou a flexibilními možnostmi povrchové úpravy.
Vyberte si z našich přednastavených velikostí, které odpovídají původním proporcím díla.
Můžete zadat vlastní rozměry tak, aby výtvor odpovídal konkrétnímu rámu nebo prostoru. Pokud zvolená velikost nebude odpovídat poměru stran původního obrazu, dílo buď ořížeme, nebo obraz rozšíříme pomocí zrcadlového efektu či jednobarevného okraje. Před zahájením výroby vám bude zaslán digitální náhled k schválení.
Mějte prosím na paměti, že náhled na obrazovce neodráží skutečné oříznutí nebo rozšíření. Pouze digitální náhled přesně zobrazí finální kompozici.
Ačkoliv jsou k dispozici i vlastní rozměry, pro zachování původních proporcí doporučujeme vybrat si rozměr z předdefinovaného seznamu.
Celosvětové doručení () do 2 týdnů namísto standardních 4/5 týdnů. (21 červenec)
Zdarma celosvětová expresní doprava
Vysoce kvalitní lněné plátno
Kompletní přepravní pojištění
Záruka vrácení celního poplatku
Záruka přesného barevného shodu
60denní lhůta pro vrácení zboží (pouze při vadách výroby)
100% garance vrácení peněz
Sleva při hromadné objednávce
Dvě tvary
Giclée / Umělecký tisk
Rozměry reprodukce
-
Celková cena za výběr
-
Popis sběratelského kousku
Barbara Hepworth: Two Forms – A Testament to Organic Minimalism
Barbara Hepworth (1903–1975), arguably Britain’s most celebrated sculptor of the mid-20th century, continues to fascinate audiences with her uncompromising vision of form and space. “Two Forms,” created in 1937 during a pivotal period of artistic experimentation, embodies the core tenets of Hepworth's distinctive style – an elegant fusion of geometric precision and deeply rooted organic inspiration.
The sculpture itself is deceptively simple at first glance. Constructed from concrete, it presents two interlocking forms that ascend vertically, separated by a shallow concave curve. These shapes aren’t smooth or polished; rather, they possess a textured surface reminiscent of weathered stone – a deliberate choice reflecting Hepworth's fascination with geological formations and the rhythms of natural processes.
Hepworth’s artistic journey began in Wakefield, Yorkshire, where she attended Leeds School of Art before securing a prestigious scholarship to the Royal College of Art. This formative experience instilled within her a belief that sculpture should strive for an intuitive understanding of the world around it – mirroring the underlying principles of abstraction-création, the movement Hepworth co-founded alongside Ben Nicholson and Paul Nash.
The influence of Surrealism is palpable in “Two Forms,” albeit subtly integrated into Hepworth’s aesthetic. Like many artists of her time, she sought to liberate art from representational constraints, prioritizing instead the exploration of psychological states and emotional resonance. The sculpture's upward trajectory speaks to aspirations for transcendence, while its textured surface evokes a sense of permanence and connection to the earth.
“Two Forms” stands as a cornerstone of Hepworth’s oeuvre and exemplifies her unwavering commitment to distilling form into its purest essence. Its enduring appeal lies not merely in its visual beauty but also in its ability to provoke contemplation about the relationship between human perception and natural order – qualities that resonate powerfully with collectors and interior designers alike who appreciate art that transcends mere decoration.
- Material: Concrete
- Dimensions: Unknown
- Location: Currently housed in a private collection (details unavailable)
Biografie umělce
Barbara Hepworth: Pioneer of Organic Abstraction
Barbara Hepworth (1903–1975) stands as one of the most influential figures in British modern sculpture, a sculptor whose groundbreaking approach fundamentally reshaped artistic expression during the interwar years and beyond. Born Jocelyn Barbara Hepworth in Wakefield, Yorkshire, her formative years were marked by an early fascination with natural forms—particularly the rugged landscapes of her native Yorkshire—which would become central to her artistic vision. Her father, Herbert Hepworth, was a civil engineer for the West Riding County Council, fostering a practical sensibility alongside an appreciation for geometric precision.- Early Education & Influences: Hepworth’s education at Wakefield Girls' High School instilled in her a belief in the importance of intellectual curiosity and artistic exploration. Notably, she befriended Henry Moore during her studies at Leeds School of Art, forging a collaborative relationship that would endure throughout their careers. This connection to Moore—a fellow devotee of exploring natural forms through abstraction—proved pivotal in shaping Hepworth’s aesthetic sensibilities.
- Royal College of Art & Formal Experimentation: Hepworth's enrollment at the Royal College of Art in 1921 represented a decisive step toward establishing herself as an artist. There, she honed her sculptural skills and embraced the burgeoning modernist movement, experimenting with techniques like direct carving—a method championed by Skeaping—that prioritized working directly with raw materials to achieve organic forms.
Marriage & Artistic Partnership with Ben Nicholson
Her marriage to sculptor John Skeaping in 1925 solidified her artistic life, providing a supportive environment for collaborative endeavors and fostering a shared commitment to exploring the expressive potential of abstraction. The couple moved into Hampstead’s Mall studio in 1926, where Hepworth and Nicholson cultivated an intense creative dialogue that would define their artistic output for decades. Their relationship was marked by both intellectual stimulation and personal challenges, culminating in divorce in 1933. However, Hepworth continued her partnership with Nicholson until 1951, producing some of her most celebrated works during this period—including the monumental *Pierced Hemisphere I* and *Two Forms*, which embody the core principles of their artistic vision.The St Ives Period & Monumental Sculpture
Following World War II, Hepworth relocated to St Ives, Cornwall, where she established herself as a leading figure in the burgeoning St Ives School of Artists—a collective dedicated to capturing the essence of Cornish landscape and exploring the interplay between form and space. This period witnessed Hepworth’s artistic evolution toward larger-scale sculptures that responded directly to the environment, reflecting her profound connection with nature. Her masterpiece, *Winged Figure*, commissioned by John Lewis for Oxford Street, London, stands as a testament to her ambition and technical prowess—a towering aluminum sculpture that embodies the spirit of modernist abstraction while simultaneously honoring the beauty of the Cornish coastline.Legacy & Recognition
Barbara Hepworth’s contribution to modern art is undeniable. Her pioneering exploration of organic abstraction challenged conventional artistic norms, establishing a new aesthetic language characterized by sensual materiality and geometric precision. She received numerous accolades throughout her life—including Commander of the Order of the British Empire (CBE) in 1958—and was honored as Dame in 1965 for her enduring influence on art history. Today, Hepworth’s sculptures reside in prominent museums worldwide—most notably The Hepworth Wakefield—where they continue to inspire viewers and scholars alike, cementing her place as one of Britain's most revered artists."Barbara Hepworthová
1903 - 1975 , Spojené království
Rychlé fakta
- Artistic Movement Or Style: Modernisme
- Artists Or Movements Influenced By This Artist: ['Abstraction Création']
- Artists Who Influenced This Artist: ['Henry Moore']
- Date Of Birth: 10 janvier 1903
- Full Name: Jocelyn Barbara Hepworth
- Nationality: Britannique
- Notable Artworks:
- Oval Form
- Deux formes
- Place Of Birth: Wakefield, Angleterre




Skleněná varianta je dostupná pouze u rozměrů menších než 110 cm
