17th station, Okitsu
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17th station, Okitsu
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Popis díla
A Glimpse of Edo-Era Japan: "17th Station, Okitsu" by Hiroshige
This exquisite Japanese woodblock print, titled "17th Station, Okitsu," offers a captivating window into 19th-century Japan. Created by the renowned artist Ando Hiroshige (1797-1858), this piece is part of his celebrated series depicting the Tōkaidō road – the vital artery connecting Edo (modern Tokyo) to Kyoto. More than just a scenic view, it's a snapshot of daily life interwoven with the beauty of the natural world, reflecting a profound harmony between humanity and its surroundings. The scene portrays Okitsu, one of the 53 post stations along this crucial route, showcasing a coastal landscape characterized by imposing rock formations, tranquil waters, and distant buildings nestled on the shoreline.Ukiyo-e Technique & Artistic Style
Hiroshige masterfully employs the traditional *ukiyo-e* technique – literally "pictures of the floating world." This style, flourishing from the 17th to 19th centuries, is defined by its vibrant colors, simplified forms, and emphasis on decorative patterns. The print’s creation involved a meticulous process: multiple woodblocks were carved, each dedicated to a specific color, before being carefully aligned and printed onto paper. Noticeable registration marks (small squares) are visible, testament to the precision required in this multi-layered printing method. Hiroshige's style is characterized by its atmospheric perspective – distant elements appear softer and less defined, creating a sense of depth and distance—and his use of flat planes of color rather than detailed shading, contributing to the print’s distinctive aesthetic appeal. The lines are primarily used to define shapes, with angular rocks contrasting against the fluid curves representing water.Historical Context & The Tōkaidō Road
"17th Station, Okitsu" is inextricably linked to the historical significance of the Tōkaidō road. During the Edo period, this route was not merely a transportation corridor; it was a symbol of centralized power and cultural exchange. Hiroshige’s series documenting its stations became immensely popular, capturing the essence of travel and showcasing the diverse landscapes encountered along the way. The print provides valuable insight into the social fabric of the time, depicting figures – seemingly children at play and an older observer—engaged in everyday activities within a picturesque setting. The Tōkaidō was also vital for trade and communication, and Hiroshige’s work immortalizes this important aspect of Japanese history.Symbolism & Emotional Resonance
Beyond its aesthetic beauty, "17th Station, Okitsu" carries a subtle yet powerful symbolism. The children's play evokes innocence and joy, while the older figure’s contemplative gaze suggests wisdom and observation. The landscape itself embodies tranquility and harmony—a core value in Japanese culture. The soft lighting and muted color palette contribute to an overall feeling of serenity and peace. This print isn't just a depiction of a place; it's an invitation to experience a moment of quiet contemplation, connecting with the beauty of nature and the rhythms of daily life in Edo-era Japan. It’s a testament to Hiroshige’s ability to capture not only visual details but also the emotional essence of a scene.Biografie umělce
A Poetic Vision of Edo Japan: The Life and Art of Ando Hiroshige
Ando Hiroshige, born Andō Tokutarō in 1797 within the bustling heart of Edo (modern Tokyo), wasn’t initially destined for a life steeped in artistic expression. His lineage traced back to samurai origins, yet fate took an unexpected turn with the untimely loss of his parents during his youth. This pivotal moment led to an apprenticeship under Utagawa Toyohiro, a respected figure within the *ukiyo-e* tradition – a world of woodblock prints capturing the ephemeral beauty of everyday life. While early works didn’t immediately garner acclaim, Hiroshige diligently honed his skills, patiently refining his technique and gradually forging a path toward artistic recognition. He even briefly fulfilled familial obligations as a fire warden, a stark contrast to the delicate landscapes that would ultimately define his legacy. This blend of duty and burgeoning artistry shaped a unique perspective, one deeply attuned to both the grandeur and the quiet moments of Edo society.Landscapes That Breathe: Hiroshige’s Artistic Development
Hiroshige's true breakthrough came with his dedication to landscape prints, a genre considered somewhat minor at the time. He transcended mere representation, imbuing his scenes with an emotional resonance that resonated deeply with audiences. His work wasn’t simply *about* places; it was about the feeling of being in those places – the gentle mist clinging to Mount Fuji, the bustling energy of the Tokaido Road, the serene beauty of a plum orchard in bloom. His series became windows into the soul of Japan. The iconic “Thirty-Six Views of Mount Fuji” stands as a testament to this mastery, presenting the sacred mountain from countless perspectives, each revealing a different facet of its symbolic power – from its imposing majesty to its veiled serenity under winter snows. Equally celebrated is "Fifty-Three Stations of the Tōkaidō," a meticulously detailed chronicle of the vital trade route connecting Edo and Kyoto. These weren’t just maps; they were vibrant snapshots of life in motion, capturing the travelers, merchants, and landscapes that defined this crucial artery of Japanese commerce. One Hundred Famous Views of Edo, his most ambitious undertaking, offered a panoramic vision of the capital city, showcasing its diverse neighborhoods, scenic vistas, and cultural landmarks with unparalleled detail and sensitivity. Hiroshige’s masterful use of color—often achieved through multiple printing impressions—created subtle gradations and atmospheric effects that were revolutionary for the time.The Influence of Japonisme: A Bridge to the West
By the late 19th century, Hiroshige’s art had embarked on an extraordinary journey westward, becoming a cornerstone of the *Japonisme* movement that swept through Europe. European artists, captivated by the unique aesthetic sensibilities of Japanese prints, eagerly absorbed Hiroshige's innovative techniques and compositional approaches. The impact was profound. Vincent van Gogh, deeply moved by Hiroshige’s use of color and perspective, created his own interpretations of several prints, demonstrating a clear admiration for the Japanese master. Claude Monet, another leading figure in Impressionism, also drew inspiration from Hiroshige's atmospheric effects and emphasis on capturing fleeting moments. The influence extended beyond painting; elements of Hiroshige’s designs can be seen in the flowing lines and natural motifs of Art Nouveau. His work wasn’t merely copied but served as a catalyst for artistic innovation, prompting Western artists to re-evaluate their own approaches to color, composition, and subject matter.A Lasting Legacy: Hiroshige's Historical Significance
Ando Hiroshige passed away in 1858, leaving behind a body of work that continues to captivate and inspire. He is often regarded as the last great master of *ukiyo-e*, marking a turning point in Japanese art history. His emphasis on landscape, his poetic sensibility, and his innovative use of color and composition set him apart from his contemporaries and paved the way for future generations of artists.- His prints offer invaluable insights into life in Edo-period Japan.
- He elevated landscape painting to new heights within the *ukiyo-e* tradition.
- His work played a crucial role in introducing Japanese art and aesthetics to the West.
Hiroshige
1797 - 1858 , Japonsko
Rychlé fakta
- Artistic Movement Or Style: *Ukiyo-e*
- Artists Or Movements Influenced By This Artist:
- Monet
- Van Gogh
- Artists Who Influenced This Artist:
- Toyohiro
- Hokusai
- Date Of Birth: 1797
- Full Name: Ando Hiroshige
- Nationality: Japonský
- Notable Artworks:
- 53 Station
- Fuji 36 View
- 100 Edo View
- Place Of Birth: Tokio, Japonsko


Skleněná varianta je dostupná pouze u rozměrů menších než 110 cm
