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Madonna and Child in a Niche (1524) je obraz autora Antonio del Ceraiolo, který přitahuje nejvíce pohledů; originál se nachází v Clevelandské muzeum umění, Cleveland. Poté se zrak přesouvá k Madonna and Child with Infant St. John the Baptist (1520) a Mary with Child, Adored by the Boy John (1520). Z 4 děl umělce Antonio del Ceraiolo v našem katalogu je těchto 4 těch nejznámějších; každé z nich je unikátním originálem s uvedením roku vzniku, muzea a důvodu jeho nesmrtelnosti.
Top 10 obrazů autora Antonio del Ceraiolo podle výběru galerie
Muzea, v nichž jsou vystavena originálna umělce Antonio del Ceraiolo
4 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Antonio del Ceraiolo | Obrazy z tohoto seznamu |
|---|---|---|---|
| Cleveland | 1 | Madonna and Child in a Niche | |
| Cincinnati | 1 | Madonna and Child with Infant St. John the Baptist | |
| Berlín | 1 | Mary with Child, Adored by the Boy John | |
| Sankt-Petěrburg | 1 | Crusifixion with the Virgin Mary and Sts Dominic, Jerome and Francis |
Antonio del Ceraiolo v průběhu let: unikátní originály každého díla
Originální díla s datováním Antonio del Ceraiolo, která jsou zde zobrazena, pokrývají období zhruba deseti let, od 1520 do 1529: oko je sleduje rok po roce.
Díla podle roku
Vyberte rok a prohlédněte si originály.
Crusifixion with the Virgin Mary and Sts Dominic, Jerome and Francis
Obrazy umělce Antonio del Ceraiolo: dotazy pro galerii
Kterým nejznámějším dílem je Antonio del Ceraiolo?Odhalit odpověď
Madonna and Child in a Niche (1524), Clevelandské muzeum umění, Cleveland. Následují Madonna and Child with Infant St. John the Baptist (1520) a Mary with Child, Adored by the Boy John (1520).
V jakém věku vytvořil(a) Antonio del Ceraiolo dílo Madonna and Child in a Niche?Odhalit odpověď
19 let: dílo Madonna and Child in a Niche pochází z roku 1524 a Antonio del Ceraiolo se narodil/a v roce 1505.
Kolik známých děl má autor Antonio del Ceraiolo?Odhalit odpověď
Náš katalog obsahuje 4 děl umělce Antonio del Ceraiolo z let 1520 až 1529.
Kde lze vidět nejznámější originály umělce Antonio del Ceraiolo?Odhalit odpověď
Většinou v Clevelandské muzeum umění (Cleveland), Cincinnati Art Museum (Cincinnati) a Gemäldegalerie (Berlín). V tabulce muzeí výše jsou vypsány všechny.
V jakém období vytvořil(a) Antonio del Ceraiolo svá nejznámější obrazy?Odhalit odpověď
V období 1520: 2 z celkem 4 děl na této stránce vzniklo právě tehdy, z toho Madonna and Child with Infant St. John the Baptist z nich.
Který slavný obraz od Antonio del Ceraiolo je nejstarší a který nejnovější?Odhalit odpověď
Na této stránce je nejstarší dílo z Madonna and Child with Infant St. John the Baptist (1520) a nejnovější z Crusifixion with the Virgin Mary and Sts Dominic, Jerome and Francis (1529).
Antonio del Ceraiolo: portrét umělce
The Florentine Painter of Devotion
Born in Florence in 1505, Antonio del Ceraiolo lived a life deeply rooted in the traditions of his native city. His very name suggests a connection to the practicalities of Florentine life; the nickname "Ceraiolo" was a nod to his father’s trade as a candle maker. This connection to the material world of wax and light perhaps informed the quiet, steady presence found in his religious compositions. He was active in Florence between 1518 and 1538, a period when the city was a crucible of artistic evolution.
His training followed the established paths of the Renaissance, shaped by the hands of established masters. He first studied under Lorenzo di Credi before moving to the studio of Ridolfo Ghirlandaio. These lineages provided him with a foundation in the formal language of the era, allowing him to develop a specific sensitivity to the human form and the nuances of portraiture. His work often focused on the intimate, half-length depictions of the Madonna and Child, frequently accompanied by the young Saint John the Baptist, the patron saint of Florence.
Artistic Focus and Notable Works
Ceraiolo’s output was characterized by a devotion to sacred subjects that required both technical precision and a sense of spiritual gravity. His ability to capture the likeness of his subjects earned him recognition for his skill as a portraitist. His surviving altarpieces offer a glimpse into the scale and intent of his religious commissions:
- A Crucifixion with Saints Francis and Mary Magdalen, originally intended for the church of San Jacopo tra' i fossi.
- A Saint Michael, created for the basilica of the Santissima Annunziata.
These works, now held at the Museo del Cenacolo di San Salvi, demonstrate his capacity to handle complex theological scenes with a sense of order and clarity. He moved between the grand scale of altarpieces and the more personal, smaller-scale devotional images that populated the private chapels of Florence.
A Life in the Florentine Tradition
The career of Antonio del Ceraiolo reflects the steady, disciplined movement of a painter working within a highly structured artistic environment. He did not seek to disrupt the established styles of his mentors but rather to refine them through his own hand. His presence in the Florentine art scene was marked by a consistent adherence to the themes of his time, focusing on the intersection of the divine and the human through the faces of saints and mothers. He remains a figure of the High Renaissance, a painter whose work was woven into the fabric of the city's religious life.
