Romulus and Remus
Жикле / Художествен принт
Giclée печат или принт върху платно с музейно качество, бързо производство и гъвкави опции за завършен вид.
P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8
Изберете от предварително зададените размери, които съответстват на оригиналните пропорции на произведението.
Можете да въведете собствени размери, за да паснат на конкретна рамка или пространство. Ако избраният от Вас размер не съвпада с пропорциите на оригиналното изображение, ние ще изрежем произведението или ще разширим изображението с огледален или едноцветен ръб. Дигитален макет ще бъде изпратен за Ваше одобрение преди започването на производството.
Моля, имайте предвид, че предпрегледът на екрана не отразява реалното изрязване или разширяване. Само макетът ще покаже точно финалната композиция.
Въпреки че са налични персонализирани размери, препоръчваме да изберете размер от предварително дефинирания списък, за да запазите оригиналните пропорции.
Доставка по целия свят () в рамките на 2 седмици вместо стандартните 4/5 седмици. (25 Юли)
Безплатна експресна доставка по целия свят
Висококачествено ленено платно
Пълно застраховане при доставка
Гаранция за възстановяване на митнически такси
Гаранция за цветова точност
60-Дневен период за връщане (Само при дефекти)
100% Гаранция за връщане на парите
Предложение за отстъпка при поръчка на едро
Romulus and Remus
Жикле / Художествен принт
Размер на репродукцията
-
Обща цена
-
Описание на колекционерския предмет
A Moment Frozen in Steel: Exploring Calder’s “Romulus and Remus”
Alexander Milne Calder's "Romulus and Remus," crafted in 1928, isn’t merely a sculpture; it’s a distilled essence of myth rendered in delicate wire. This piece, a testament to the artist’s pioneering approach to three-dimensional form, transcends its subject matter – the legendary founders of Rome – to become a profound meditation on beginnings, brotherhood, and the very act of creation itself. Calder, deeply influenced by Constructivism and early Modernism, sought to liberate sculpture from the constraints of traditional materials, embracing the inherent qualities of industrial wire as both medium and metaphor.
The sculpture’s stark simplicity is its most arresting feature. Two figures, rendered with astonishing grace despite their skeletal construction, stand beneath a subtly arching structure that evokes a horizon line or perhaps a stylized landscape. The color palette – a resolute black and white punctuated by subtle grays – amplifies the work's austerity, forcing the viewer to focus entirely on form and movement. The lines themselves are paramount; thin, almost impossibly delicate wires define every contour, creating an illusion of both fragility and strength. This deliberate reductionist approach mirrors Calder’s broader philosophy: to strip away the superfluous and reveal the fundamental elements of a subject.
The Poetics of Chance and Kinetic Form
Calder's work in this period – particularly his “Cirque Calder” series – exemplifies his fascination with chance and spontaneity. He didn’t meticulously plan every curve or angle; instead, he allowed the wire to guide him, embracing the unpredictable nature of the material. This process is vividly captured in "Romulus and Remus," where the figures appear to be caught mid-action, poised on the precipice of a narrative yet undefined. The slight wobble inherent in the sculpture’s construction – a subtle consequence of its wire composition – hints at a kinetic energy, suggesting that even stillness can hold a dynamic potential.
The technique itself is deceptively complex. Calder skillfully bent and assembled hundreds of individual wires, creating a surprisingly robust structure despite its delicate appearance. The varying thicknesses of the wire contribute to the sculpture’s textural richness, offering subtle shifts in sheen as light catches the metal. This careful manipulation of material speaks to Calder's mastery of his chosen medium – a testament to his ability to transform industrial components into objects of profound beauty and intellectual resonance.
Myth, Brotherhood, and the Dawn of Rome
The subject matter—the story of Romulus and Remus—is deeply rooted in Roman mythology. The legend of the twins suckled by a she-wolf is an enduring symbol of resilience, survival, and the founding of civilization. Calder’s sculpture doesn't simply depict this narrative; it captures its essence – the primal struggle for existence, the bond between brothers, and the birth of a new order. The wire itself can be interpreted as representing the threads that connect us to our past, shaping our present and influencing our future.
Created in 1928, “Romulus and Remus” stands as a pivotal work in Calder’s oeuvre, marking a significant shift towards abstraction while retaining a powerful connection to his artistic roots. It's a sculpture that invites contemplation, prompting viewers to consider the interplay of form, material, and narrative – a timeless meditation on the foundations of human experience.
Биография на художника
Introduction to Alexander Milne Calder
Alexander Milne Calder (MILL-nee) was a Scottish-American sculptor born in Aberdeen, Scotland, on August 23, 1846. He is best known for his monumental architectural sculpture of Philadelphia City Hall and as the father of renowned sculptor Alexander Stirling Calder, alongside whose grandson, Alexander ‘Sandy’ Calder, achieved considerable acclaim in the 20th century. His artistic journey began amidst the vibrant Arts and Crafts movement, nurtured by a formative education at the Royal Academy in Edinburgh and honed through studies with John Rhind. He subsequently established himself in London, immersing himself in the artistic milieu of his time and contributing to significant projects like the Albert Memorial. A pivotal moment arrived in 1868 when Calder emigrated to the United States and settled in Philadelphia, where he pursued further academic endeavors under the tutelage of Thomas Eakins at the Pennsylvania Academy of Fine Arts. This relocation marked the commencement of a prolific artistic career characterized by innovation and experimentation.Early Life and Education
Calder’s upbringing instilled within him a profound appreciation for craftsmanship and artistic expression. Born to Nanette Lederer Calder, a painter, and Alexander Stirling Calder, a sculptor—who himself was a celebrated artist—he inherited a legacy of creative endeavor. His father's mastery of stone carving profoundly influenced his formative years, shaping his understanding of sculptural technique. Calder attended the Royal Academy in Edinburgh and studied with John Rhind, absorbing artistic principles that would inform his subsequent work. He honed his skills at the South Kensington School and collaborated closely with Thomas Eakins at the Pennsylvania Academy of Fine Arts, immersing himself in a stimulating environment conducive to artistic development. His father contracted tuberculosis during Calder’s youth, necessitating a relocation to Oracle, Arizona, where he resided alongside his wife, Louisa, fostering a familial bond that would endure throughout his life. Calder's formative years were enriched by friendships with Riley, an elderly resident of the ranch who imparted invaluable knowledge about sculpting and artistic vision.Career Highlights
Calder’s professional trajectory commenced in 1872 when he accepted a commission from John McArthur Jr., to create sculptures adorning Philadelphia City Hall—a project that demanded meticulous planning and execution over two decades. This ambitious undertaking showcased Calder's dedication to craftmanship and his ability to translate conceptual ideas into tangible forms. Simultaneously, he undertook the prestigious role of artistic director for the Fairmount Park Art Association, crafting an equestrian statue honoring George Gordon Meade—a testament to his commitment to public art and historical commemoration. His groundbreaking contribution to kinetic art arrived in 1931 with the creation of his first mobile—a sculptural innovation that embraced chance and movement—inspired by Marcel Duchamp’s conceptual approach. Calder's work quickly gained recognition within the Parisian avant-garde, propelling him to prominence as one of America’s foremost contemporary sculptors. A landmark retrospective exhibition at the Museum of Modern Art in New York in 1953 solidified Calder’s artistic reputation and cemented his place among the titans of American art history. His monumental sculptures—including *Spirale* for UNESCO headquarters and *Flamingo* for Chicago's Federal Center Plaza—became enduring symbols of artistic ambition and innovation.Legacy
Alexander Milne Calder’s influence extended far beyond his own creations, shaping the artistic landscape of subsequent generations. His son, Alexander Stirling Calder, followed in his father’s footsteps as a sculptor, perpetuating the Calder family tradition of artistic excellence. Similarly, Alexander ‘Sandy’ Calder—Calder's grandson—became a celebrated artist himself, carrying forward the legacy of innovation and experimentation established by his forefathers. Calder’s enduring contribution to art history continues to inspire artists worldwide, ensuring that his vision remains relevant for years to come.Александър Милен Кадер
1898 - 1976 , Великобритания
Бързи факти
- Artistic Movement Or Style: Architectural sculpture
- Artists Or Movements Influenced By This Artist: ['Kinetic art']
- Artists Who Influenced This Artist: ['John Rhind']
- Date Of Birth: August 23, 1846
- Date Of Death: June 14, 1923
- Full Name: Alexander Milne Calder
- Nationality: Scottish-American
- Notable Artworks:
- Philadelphia City Hall
- William Penn statue
- Place Of Birth: Aberdeen, Scotland




Стъклото е налично само в размери под 110 см
