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Red Mobile

Experience 'Red Mobile' by Alexander Calder – a dynamic 1930s kinetic sculpture! Explore its vibrant red triangles & biomorphic design. A unique, captivating art piece.

Александър Милен Кадер е шотландско-американски скулптор, известен с архитектурни шедьоври като зала "Филаделфия" и със своите кинетични инсталации - мобили и стабили. Неговият талант продължава да вдъхновява поколения артисти.

Жикле / Художествен принт

Giclée печат или принт върху платно с музейно качество, бързо производство и гъвкави опции за завършен вид.

P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8

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Доставка по целия свят () в рамките на 2 седмици вместо стандартните 4/5 седмици. (21 Юли)

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Безплатна експресна доставка по целия свят
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reproduction

Red Mobile

Жикле / Художествен принт

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Описание на колекционерския предмет

Between the 1920s and ‘30s, Calder regularly made long study and work trips to Paris, where he began to participate in the Abstraction-Création group. Finally, in 1932, at the Galleria Vignon – owned by Marie Cuttolì, an avant-garde collector – he exhibited for the first time, presenting thirty mobile works that were to pave the way for other mobiles to come. Fifteen of these were operated artificially by motors and others were composed of naturally oscillating parts. Later constructions often had supports or were suspended in the air, and were normally composed of painted metal sheets joined by a metal skeleton of slender veins and stems. Apparently it was Marcel Duchamp, on a visit to the exhibition by his American friend, who gave their name to these graceful, floating structures, which could catch the slightest change in the breeze, in stark contrast to the basic characteristics of traditional sculpture - gravity and stability. The Parisian context and close interest of the avant-guard led to the mechanical and biomorphic nature of these works being associated with the organic motifs of the surrealist painting and sculpture of Jean Mirò and Jean Arp. The Dadaist legacy of interest in movement, better still if unpredictable and casual in its effects and forms, which Calder combined with a preference for abstract and heavily stylised language, was stimulated by attention towards primitive cultures, which for the artist essentially meant the ethnic heritage of Native Americans, encountered while wandering around the United States in his youth. These influences spawned abstract anatomies, like this large Red Mobile, always in movement with a calculated balance, aimed at creating a visual equivalent of the harmonious yet unpredictable activity of nature.

Биография на художника

Introduction to Alexander Milne Calder

Alexander Milne Calder (MILL-nee) was a Scottish-American sculptor born in Aberdeen, Scotland, on August 23, 1846. He is best known for his monumental architectural sculpture of Philadelphia City Hall and as the father of renowned sculptor Alexander Stirling Calder, alongside whose grandson, Alexander ‘Sandy’ Calder, achieved considerable acclaim in the 20th century. His artistic journey began amidst the vibrant Arts and Crafts movement, nurtured by a formative education at the Royal Academy in Edinburgh and honed through studies with John Rhind. He subsequently established himself in London, immersing himself in the artistic milieu of his time and contributing to significant projects like the Albert Memorial. A pivotal moment arrived in 1868 when Calder emigrated to the United States and settled in Philadelphia, where he pursued further academic endeavors under the tutelage of Thomas Eakins at the Pennsylvania Academy of Fine Arts. This relocation marked the commencement of a prolific artistic career characterized by innovation and experimentation.

Early Life and Education

Calder’s upbringing instilled within him a profound appreciation for craftsmanship and artistic expression. Born to Nanette Lederer Calder, a painter, and Alexander Stirling Calder, a sculptor—who himself was a celebrated artist—he inherited a legacy of creative endeavor. His father's mastery of stone carving profoundly influenced his formative years, shaping his understanding of sculptural technique. Calder attended the Royal Academy in Edinburgh and studied with John Rhind, absorbing artistic principles that would inform his subsequent work. He honed his skills at the South Kensington School and collaborated closely with Thomas Eakins at the Pennsylvania Academy of Fine Arts, immersing himself in a stimulating environment conducive to artistic development. His father contracted tuberculosis during Calder’s youth, necessitating a relocation to Oracle, Arizona, where he resided alongside his wife, Louisa, fostering a familial bond that would endure throughout his life. Calder's formative years were enriched by friendships with Riley, an elderly resident of the ranch who imparted invaluable knowledge about sculpting and artistic vision.

Career Highlights

Calder’s professional trajectory commenced in 1872 when he accepted a commission from John McArthur Jr., to create sculptures adorning Philadelphia City Hall—a project that demanded meticulous planning and execution over two decades. This ambitious undertaking showcased Calder's dedication to craftmanship and his ability to translate conceptual ideas into tangible forms. Simultaneously, he undertook the prestigious role of artistic director for the Fairmount Park Art Association, crafting an equestrian statue honoring George Gordon Meade—a testament to his commitment to public art and historical commemoration. His groundbreaking contribution to kinetic art arrived in 1931 with the creation of his first mobile—a sculptural innovation that embraced chance and movement—inspired by Marcel Duchamp’s conceptual approach. Calder's work quickly gained recognition within the Parisian avant-garde, propelling him to prominence as one of America’s foremost contemporary sculptors. A landmark retrospective exhibition at the Museum of Modern Art in New York in 1953 solidified Calder’s artistic reputation and cemented his place among the titans of American art history. His monumental sculptures—including *Spirale* for UNESCO headquarters and *Flamingo* for Chicago's Federal Center Plaza—became enduring symbols of artistic ambition and innovation.

Legacy

Alexander Milne Calder’s influence extended far beyond his own creations, shaping the artistic landscape of subsequent generations. His son, Alexander Stirling Calder, followed in his father’s footsteps as a sculptor, perpetuating the Calder family tradition of artistic excellence. Similarly, Alexander ‘Sandy’ Calder—Calder's grandson—became a celebrated artist himself, carrying forward the legacy of innovation and experimentation established by his forefathers. Calder’s enduring contribution to art history continues to inspire artists worldwide, ensuring that his vision remains relevant for years to come.
Александър Милен Кадер

Александър Милен Кадер

1898 - 1976 , Великобритания

Бързи факти

  • Artistic Movement Or Style: Architectural sculpture
  • Artists Or Movements Influenced By This Artist: ['Kinetic art']
  • Artists Who Influenced This Artist: ['John Rhind']
  • Date Of Birth: August 23, 1846
  • Date Of Death: June 14, 1923
  • Full Name: Alexander Milne Calder
  • Nationality: Scottish-American
  • Notable Artworks:
    • Philadelphia City Hall
    • William Penn statue
  • Place Of Birth: Aberdeen, Scotland
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