Портрет на Per Krafft the Elder

Картини на Per Krafft the Elder: 52-те най-известни, през погледа на галерията

Обновено Октомври 2026 · класирано според нашия индекс на популярност (търсения, посещения и поръчки за всяко произведение) · 52 творби на Per Krafft the Elder в нашия каталог

Накратко

Според избора на галерията най-известната картина на Per Krafft the Elder е Portrait of Alois Friedrich von Brühl (1739-1793). (1767), чийто оригинал се намира в Национален музей във Варшава, Варшава. Portrait of Natalia Alexandrovna Repnina (1767) и Portrait of Stanisław August Poniatowski (1767) допълват трио, което всяко око разпознава. От 52 произведения на Per Krafft the Elder в нашия каталог, галерията представя 52 най-известните по-долу – всяко от тях е оригинал с посочен година, музей и това, което го прави уникално.

1724 – 1793, Arboga Rococo Най-много творби: Национален музей

Топ 10 карти на Per Krafft the Elder в галерията

1
Portrait of Alois Friedrich von Brühl (1739-1793). (1767) на Per Krafft the Elder

Portrait of Alois Friedrich von Brühl (1739-1793).

1767 · Oil On Canvas · Национален музей във Варшава, Варшава

In this 1767 portrait, we encounter Alois Friedrich von Brühl in a moment of quiet, dignified repose. He is captured in a three-quarter length view, his body turned slightly toward the right while his gaze drifts off-camera, suggesting a man preoccupied with matters beyond the immediate room. The composition relies on a careful balance of light and shadow, a technique that sculpts his features and the heavy textures of his…

2
Portrait of Natalia Alexandrovna Repnina (1767) на Per Krafft the Elder

Portrait of Natalia Alexandrovna Repnina

1767 · Oil On Canvas · Държавен музей „Ермитаж“, Санкт Петербург

To gaze upon this portrait is to step directly into the gilded salons of 18th-century Sweden, where life was lived with an exquisite, almost breathless elegance. This depiction of Natalia Alexandrovna Repnina captures not merely a likeness, but an entire atmosphere—one steeped in the delicate ornamentation and sophisticated leisure characteristic of the Rococo period. The sitter possesses an air of serene composure; her gaze seems to hold the quiet confidence…

4
Portrait of a Man (1775) на Per Krafft the Elder

Portrait of a Man

1775 · Oil On Canvas · Национален музей в Краков, Краков

Per Krafft the Elder presents a close-up study of a middle-aged man in this 1775 oil portrait. The subject is positioned in a three-quarter view, facing slightly toward the viewer's left. Despite this orientation, his eyes maintain direct contact with the observer, establishing an immediate, intimate connection. He emerges from an indistinct, dark void, a choice that strips away environmental context to focus entirely on the individual's presence.

5
Gustav III (1746–1792), King of Sweden (1791) на Per Krafft the Elder

Gustav III (1746–1792), King of Sweden

1791 · Oil On Canvas · Национален музей, Стокхолм

The portrait depicts Gustav III, King of Sweden, in a three-quarter view against a dark, atmospheric background. He is shown from the torso up, wearing a military-style uniform of deep crimson and gold. A cerulean blue sash crosses his chest, and the intricate white lace of a cravat is visible at his neck. His hair is styled in a white, powdered wig that contrasts with the darker tones of his…

6
Portrait of Ignacy Krasicki (1767) на Per Krafft the Elder

Portrait of Ignacy Krasicki

1767 · Oil On Canvas · Национален музей във Варшава, Варшава

This work is the Portrait of Ignacy Krasicki, a significant oil on canvas executed by the Swedish portraitist Per Krafft the Elder. Painted about 1767, the portrait captures the subject in a moment of quiet authority. The sitter is presented in formal clerical attire, a choice that underscores his ecclesiastical standing and religious devotion. A pectoral cross is visible upon his vestments, providing a specific detail of his high-ranking status…

7
Reading Boy (1758) на Per Krafft the Elder

Reading Boy

1758 · Oil On Canvas · Национален музей, Стокхолм

The oil on canvas painting titled Reading Boy was executed by the Swedish portraitist Per Krafft the Elder in 1758. This work depicts a young boy positioned in a moment of quiet study. The subject is shown with his head resting against his hand, appearing absorbed in the pages of an open book. The composition focuses on the individual and his immediate activity, presenting a singular figure engaged in the…

Картини на Per Krafft the Elder, класирани от 11 до 52

11Portrait by Carl von Fersen (1750) на Per Krafft the ElderPortrait by Carl von Fersen1750 · Национална портретна галерия на Швеция 12Birgethe Dorthe and Kirstne Margarethe Colstrup (1754) на Per Krafft the ElderBirgethe Dorthe and Kirstne Margarethe Colstrup1754 · Национален музей 13Portrait of Stanisław Augustus Poniatowski (1760) на Per Krafft the ElderPortrait of Stanisław Augustus Poniatowski1760 · Национален музей във Варшава 14A Boy Reading (1758) на Per Krafft the ElderA Boy Reading1758 · Национален музей 15Portrait of a Boy (1762) на Per Krafft the ElderPortrait of a Boy1762 · Национален музей 16Elisabeth Frederike Sophie (1732–1780), Duchess of Württemberg (1762) на Per Krafft the ElderElisabeth Frederike Sophie (1732–1780), Duchess of Württemberg1762 · Национален музей 17Countess Teresa Kinska Poniatowska (1765) на Per Krafft the ElderCountess Teresa Kinska Poniatowska1765 18Karl XIII, 1748-1818, kung av Sverige och Norge (1772) на Per Krafft the ElderKarl XIII, 1748-1818, kung av Sverige och Norge1772 · Национален музей 19Anna Charlotta von Stapelmohr (1754-1791), married to State Secretary Elis Schröderheim (1775) на Per Krafft the ElderAnna Charlotta von Stapelmohr (1754-1791), married to State Secretary Elis Schröderheim1775 · Национален музей 20Portrait of Izabela Lubomirska née Czartoryska (1767) на Per Krafft the ElderPortrait of Izabela Lubomirska née Czartoryska1767 · Национален музей във Варшава 21Portrait of a Boy (1773) на Per Krafft the ElderPortrait of a Boy1773 · Finnish National Gallery 22Girl with Bullfinch in a Cage (1766) на Per Krafft the ElderGirl with Bullfinch in a Cage1766 · Национален музей 23Emanuel Swedenborg, 1688-1772, ämbetsman (1766) на Per Krafft the ElderEmanuel Swedenborg, 1688-1772, ämbetsman1766 · Национална портретна галерия на Швеция 24Old Woman (1768) на Per Krafft the ElderOld Woman1768 · Национален музей 25Portrait of Teresa Poniatowska (1767) на Per Krafft the ElderPortrait of Teresa Poniatowska1767 · Национален музей в Краков 26Portrait of Izabela Branicka née Poniatowska (1767) на Per Krafft the ElderPortrait of Izabela Branicka née Poniatowska1767 · Национален музей в Краков 27Portrait of Konstancja Poniatowska née Czartoryska (1768) на Per Krafft the ElderPortrait of Konstancja Poniatowska née Czartoryska1768 · Национален музей в Краков 28Gustav IV Adolf, 1778-1837, kung av Sverige (1785) на Per Krafft the ElderGustav IV Adolf, 1778-1837, kung av Sverige1785 · Национален музей 29Portrait of Gustaf IV Adolf of Sweden (1778-1837) (1785) на Per Krafft the ElderPortrait of Gustaf IV Adolf of Sweden (1778-1837)1785 · Национална портретна галерия на Швеция 30Portrait of Anders Mattsson (1778) на Per Krafft the ElderPortrait of Anders Mattsson1778 · Национална портретна галерия на Швеция 31Portrait of Carl Michael Bellman, 1740-1795 (1779) на Per Krafft the ElderPortrait of Carl Michael Bellman, 1740-17951779 · Национална портретна галерия на Швеция 32Anna Charlotta Stapelmohr, 1754-1791, g Schröderheim (1778) на Per Krafft the ElderAnna Charlotta Stapelmohr, 1754-1791, g Schröderheim1778 · Национална портретна галерия на Швеция 33The Artist's Daughter Wilhelmina (1783) на Per Krafft the ElderThe Artist's Daughter Wilhelmina1783 · Национален музей 34Gustav IV Adolf, 1778 - 1837, kung av Sverige (1793) на Per Krafft the ElderGustav IV Adolf, 1778 - 1837, kung av Sverige1793 · Национален музей 35Manufacturer Erik Westén the younger (1787) на Per Krafft the ElderManufacturer Erik Westén the younger1787 · Finnish National Gallery 36Secretary Konrad Arvid Johan Mandorf (1793) на Per Krafft the ElderSecretary Konrad Arvid Johan Mandorf1793 · Finnish National Gallery 37Johan August Meijerfeldt, 1725 - 1800. Greve, fältmarskalk (1792) на Per Krafft the ElderJohan August Meijerfeldt, 1725 - 1800. Greve, fältmarskalk1792 · Национална портретна галерия на Швеция 38Gustav IV Adolf, 1778-1837, konung av Sverige (1793) на Per Krafft the ElderGustav IV Adolf, 1778-1837, konung av Sverige1793 · Национална портретна галерия на Швеция 39Elis Schröderheim, 1747-1795, ämbetsman (1787) на Per Krafft the ElderElis Schröderheim, 1747-1795, ämbetsman1787 · Национална портретна галерия на Швеция 40Portrait of a Lady (1788) на Per Krafft the ElderPortrait of a Lady1788 · Национален музей 41Portrait of Bishop Ignacy Krasicki на Per Krafft the ElderPortrait of Bishop Ignacy KrasickiНационален музей в Краков 42Carl Funck, 1708-1783 на Per Krafft the ElderCarl Funck, 1708-1783Национален музей 43Thomas von Plomgren, 1702-1754, grosshandlare на Per Krafft the ElderThomas von Plomgren, 1702-1754, grosshandlareНационален музей 44Mrs Dorotea Westén на Per Krafft the ElderMrs Dorotea WesténFinnish National Gallery 45The Artist's Wife Maria Wilhelmina на Per Krafft the ElderThe Artist's Wife Maria WilhelminaНационален музей 46Sofia Albertina, 1753-1829, prinsessa av Sverige на Per Krafft the ElderSofia Albertina, 1753-1829, prinsessa av SverigeНационална портретна галерия на Швеция 47David Anckarloo (1687-1765), admiral, married to 1. Ingeborg Bering, 2. Eva Catharina Humble на Per Krafft the ElderDavid Anckarloo (1687-1765), admiral, married to 1. Ingeborg Bering, 2. Eva Catharina HumbleНационална портретна галерия на Швеция 48Henrik af Trolle, 1730-1784 на Per Krafft the ElderHenrik af Trolle, 1730-1784Национална портретна галерия на Швеция 49Brita Christina Sparre, 1720-1776, g. Törnflycht на Per Krafft the ElderBrita Christina Sparre, 1720-1776, g. TörnflychtНационална портретна галерия на Швеция 50Anders Johan von Höpken, 1712-1789, greve на Per Krafft the ElderAnders Johan von Höpken, 1712-1789, greveНационална портретна галерия на Швеция 51Augustin Ehrensvärd, 1710-1772, militär, greve на Per Krafft the ElderAugustin Ehrensvärd, 1710-1772, militär, greveНационална портретна галерия на Швеция 52Izabela Lubomirska née Czartoryska на Per Krafft the ElderIzabela Lubomirska née CzartoryskaRoyal Łazienki Museum

Темите, които привличат погледа на Per Krafft the Elder

Четирите найчесто срещани теми в тези оригинални творби, всяка с най-добрия си пример.

Музеите, в които се съхраняват оригиналите на Per Krafft the Elder

7 музея, които притежават най-голям брой от картините на тази страница.

Музеи Град Творения на Per Krafft the Elder Картини от този списък
Национален музей, СтокхолмНационален музей Стокхолм 18 Gustav III (1746–1792), King of Sweden, Reading Boy, The Artist's Daughter Wilhelmina
Национална портретна галерия на Швеция, ЩренгенесНационална портретна галерия на Швеция Щренгенес 17 Ivan Andrejevitj Osterman, 1725-1811, Johan Gustaf Lund, född 1712, kommissarie, Portrait by Carl von Fersen
Национален музей във Варшава, ВаршаваНационален музей във Варшава Варшава 5 Portrait of Alois Friedrich von Brühl (1739-1793)., Portrait of Stanisław August Poniatowski, Portrait of Ignacy Krasicki
Национален музей в Краков, КраковНационален музей в Краков Краков 5 Portrait of a Man, Portrait of Teresa Poniatowska, Portrait of Izabela Branicka née Poniatowska
Finnish National Gallery, ХелзинкиFinnish National Gallery Хелзинки 4 Portrait of a Boy, Manufacturer Erik Westén the younger, Secretary Konrad Arvid Johan Mandorf
Държавен музей „Ермитаж“, Санкт ПетербургДържавен музей „Ермитаж“ Санкт Петербург 1 Portrait of Natalia Alexandrovna Repnina
Royal Łazienki Museum, ВаршаваRoyal Łazienki Museum Варшава 1 Izabela Lubomirska née Czartoryska

Per Krafft the Elder, по една емблематична картина на десетилетие

Произведения по десетилетия

Изберете десетилетие, за да видите оригиналната творба, която го определя.

Картините на Per Krafft the Elder: отговорите на галерията

Коя картина на Per Krafft the Elder е най-известната от всички?Разкрийте отговора

Portrait of Alois Friedrich von Brühl (1739-1793). (1767), Национален музей във Варшава, Варшава. Следват Portrait of Natalia Alexandrovna Repnina (1767) и Portrait of Stanisław August Poniatowski (1767).

На каква възраст беше Per Krafft the Elder, когато завърши Portrait of Alois Friedrich von Brühl (1739-1793).?Разкрийте отговора

43 години: Portrait of Alois Friedrich von Brühl (1739-1793). е от 1767 г., а Per Krafft the Elder е роден/а в 1724.

Кои са 10-те най-добри картини на Per Krafft the Elder?Разкрийте отговора

Portrait of Alois Friedrich von Brühl (1739-1793)., Portrait of Natalia Alexandrovna Repnina, Portrait of Stanisław August Poniatowski, Portrait of a Man, Gustav III (1746–1792), King of Sweden, Portrait of Ignacy Krasicki, Reading Boy, The Artist's Daughter Wilhelmina, Ivan Andrejevitj Osterman, 1725-1811 и Johan Gustaf Lund, född 1712, kommissarie. Класацията по-горе показва годината и музея за всяко от тях.

Колко произведения е създал Per Krafft the Elder?Разкрийте отговора

В нашия каталог са представени 52 произведения на Per Krafft the Elder, датирани от 1748 до 1793.

Къде са изложени най-известните оригинали на Per Krafft the Elder?Разкрийте отговора

Предимно в Национален музей (Стокхолм), Национална портретна галерия на Швеция (Щренгенес) и Национален музей във Варшава (Варшава). В горната таблица с музеи са изброени всички тях.

Кога Per Krafft the Elder създава най-известните си картини?Разкрийте отговора

В 1760s: 15 от 52 произведенията на тази страница са създадени тогава, като Portrait of Alois Friedrich von Brühl (1739-1793). са сред тях.

Кои са най-ранните и най-късните известни творби на Per Krafft the Elder?Разкрийте отговора

На тази страница най-старата е Johan Gustaf Lund, född 1712, kommissarie (1748), а най-новата е Gustav IV Adolf, 1778 - 1837, kung av Sverige (1793).

Към кои сюжети Per Krafft the Elder се връща най-често?Разкрийте отговора

Man (6), Lace (3) и Dark background (3), разпределени в 52 произведения на тази страница.

С коя техника е работил най-често Per Krafft the Elder?Разкрийте отговора

Oil On Canvas, за 8 от 52 произведения на тази страница.

С кое художествено направление е свързан(а) Per Krafft the Elder?Разкрийте отговора

Rococo, судейки по оригиналите на тази страница.

Кои оригинални творби на Per Krafft the Elder притежава Национален музей?Разкрийте отговора

Gustav III (1746–1792), King of Sweden, Reading Boy и The Artist's Daughter Wilhelmina: Национален музей, Стокхолм притежава 18 от произведенията на тази страница.

Per Krafft the Elder: художникът

Per the Elder Krafft: A Swedish Portraitist Embodied in Rococo Elegance

To step into the world of Per the Elder Krafft is to enter a realm of gilded salons and breathless elegance, where the light of the Enlightenment meets the delicate ornamentation of the Rococo. Born in 1724 in Arboga, Sweden, Krafft emerged as a pivotal figure in Swedish art history, a master whose brush captured not merely the physical likenesses of his era, and but the very soul of the eighteenth-century aristocratic elite. His life and work serve as a window into a period defined by a fascinating juxtaposition of grace and burgeoning neoclassical structure, reflecting a society caught between the playful whimsy of the past and the disciplined ideals of a new age.

Krafft’s artistic evolution was shaped by a lineage of profound influence. His early training began in Uppsala, where his interest in the arts first took root, but it was through his studies under established masters that his technical virtuosity truly blossomed. In Stockholm, he became a dedicated pupil of the court painter Johan Henrik Scheffel, whose influence is clearly visible in Krafft’s early self-portraits and intimate family depictions. This foundation of precision was further enriched when Krafft traveled to Copenhagen, where he encountered the works of Carl Gustaf Pilo. From these mentors, Krafft inherited a meticulous attention to detail and an unparalleled ability to manipulate light, learning how to use chiaroscuro to sculpt form and imbue his subjects with a palpable, breathing presence.

The Art of the Aristocratic Narrative

The essence of Krafft’s oeuvre lies in its ability to weave complex narratives through the medium of portraiture. His canvases were far more than simple records of identity; they were carefully constructed tapestries of status, lineage, and moral virtue. Utilizing the soft, pastel palettes characteristic of the Rococo movement, Krafft breathed life into shimmering fabrics, intricate lacework, and the subtle sheen of silk. He possessed a rare technical ability to render the ephemeral softness of human skin alongside the tangible weight of luxurious textiles, creating an illusion of depth that draws the viewer into a close, intimate encounter with the sitter.

His subject matter often centered on the most prominent figures of European nobility, documenting the splendor of dynasties such as the Czartoryski. In his portrait of Izabela Lubomirska née Czartoryska, one can observe his mastery in conveying a sense of refined dignity and serene composure. Similarly, his depiction of the celebrated Russian ballerina, Natalia Alexandrovna Repnina, serves as a breathtaking testament to his skill. In this work, the artist captures an entire atmosphere of sophisticated leisure, where every fold of fabric and every glint of light whispers tales of wealth and societal expectation. Through these works, Krafft did not just paint people; he painted the very concept of nobility.

Legacy and Artistic Lineage

Beyond his individual achievements, Per the Elder Krafft’s historical significance is cemented by the artistic legacy he left within his own family. He was a patriarch of Swedish painting, father to artists who would continue to shape the nation's aesthetic landscape. His children, Per Krafft the Younger and the miniaturist Wilhelmina Krafft, both studied at the Royal Swedish Academy of Fine Arts, carrying forward the technical excellence and emotive depth instilled by their father. This familial continuity ensured that the refined sensibilities of his era would resonate well into the next century.

Ultimately, the work of Per the Elder Krafft remains a vital touchstone for understanding the cultural heartbeat of eighteenth-century Sweden. His ability to balance the playful asymmetry and organic curves of the Rococo with a profound psychological depth allows his portraits to transcend their historical moment. Even today, when we gaze upon his meticulously rendered subjects, we are reminded of a time when art was a grand celebration of beauty, grace, and the enduring allure of the human spirit.