Обновено Ноември 2026 · класирано според нашия индекс на популярност (търсения, посещения и поръчки за всяко произведение) · 85 творби на Маертен Де Вос в нашия каталог
Накратко
За галерията най-известната картина на Маертен Де Вос е Allegory of the Seven Liberal Arts (1590). Nativity (1577) и The Rapture of Europe (1590) допълват трио, което всяко око разпознава. От 85 произведения на Маертен Де Вос в нашия каталог, галерията представя 82 най-известните по-долу – всяко от тях е оригинал с посочен година, музей и това, което го прави уникално.
The Allegory of the Seven Liberal Arts is an oil on panel painting by Maerten De Vos. Created in 1590, this work offers a structured look at the fundamental pillars of Renaissance education. De Vos, a significant figure in the Southern Netherlands, brings a specific clarity to this assembly of figures. The scale of the piece is substantial, measuring 147 x 200 cm.
In this 1577 composition, we find ourselves drawn into a sacred space where the atmosphere is heavy with reverence. The scene centers on the intimate moment of the Nativity, focusing on Mary as she cradles the infant Jesus. She is surrounded by a gathering of figures, at least twelve in total, including Joseph and various onlookers who have come to witness the event. The setting, which carries the architectural weight…
The Rapture of Europe emerges from the brush of Maerten De Vos as a profound mythological painting. This work, also known by the title The Rape of Europa, captures a moment of profound transformation and movement. It exists as a vivid window into the legends of antiquity, where the boundaries between the divine and the mortal blur under a heavy, dramatic sky.
Maerten De Vos, born in Antwerp, Belgium, in 1532, produced The Resurrection of Christ around 1564. A significant figure in the transition from the High Renaissance to Mannerism, De Vos was a member of the Guild of Saint Luke in Antwerp. His career spanned the religious and political shifts of the Southern Netherlands until his death in 1603.
This Renaissance-era oil painting, dating to 1557, presents a complex and multi-layered religious narrative. The composition utilizes a deep landscape perspective to establish a sense of vastness, guiding the viewer's eye from the immediate foreground toward a distant horizon. In the foreground on the left, a central figure, likely Saint Benedict, is depicted in a white robe, gesturing toward a partially constructed stone building or church. Surrounding this structure, several…
In this religious work, Christ on the Cross, Maerten De Vos presents a profound scene of the Crucifixion of Jesus Christ. Created about 1567, the painting captures a moment of intense spiritual gravity. The central figure of Christ is positioned on the cross, flanked by the two thieves, a traditional arrangement that anchors the biblical narrative. This composition focuses the viewer's attention on the central event of the Passion through…
In the Raising of Lazarus, Maerten De Vos captures a moment of profound divine intervention. The scene unfolds around the miraculous event where Jesus calls Lazarus forth from the tomb. This biblical miracle, depicted in this work from about 1570, pulses with the tension of life returning to a body once claimed by death. The air feels heavy with the weight of the supernatural as the command of Christ meets…
In 1575, Maerten De Vos captures a moment of profound tragedy in his work, The death of Adonis. The scene freezes the exact instant of a mythological catastrophe, where the mortal hunter Adonis meets his end. A heavy sense of loss hangs over the landscape as the life drains from his pale form. The air feels thick with the weight of this sudden, violent transition from life to stillness.
In this large-scale oil painting, Gathering of manna by Maerten De Vos, the artist presents a densely packed scene that demands close observation. The composition is organized through a multi-layered landscape, creating a sense of immense scale. In the foreground, the space is occupied by women and children focused on the task of collecting food. This immediate layer of activity leads the eye toward a distant horizon where hazy mountains…
Maerten De Vos captures the biblical moment of physical verification of Christ's resurrection in Incredulity of Saint Thomas. Created about 1574, the work centers on the tension between human doubt and divine revelation. The scene focuses on the precise instant when Thomas reaches toward the wounds of the resurrected Christ to confirm the truth of the event.
Saint Stephen1574 · Кралски музей за изящни изкуства Антверпен
12
The Beheading of Saint John-Baptist1574 · Кралски музей за изящни изкуства Антверпен
13
Saint Thomas the Apostle1574 · Кралски музей за изящни изкуства Антверпен
14
The Baptism of Christ1574 · Кралски музей за изящни изкуства Антверпен
15
The Soldiers Fighting over Christ's Cloak1575 · Statens Museum for Kunst
16
The Adoration of the Kings1575 · Statens Museum for Kunst
17
the Annunciation1578
18
The Parable of the Labourers in the Vineyard1575 · Национален музей
19
Portrait of Antonius Anselmus, His Wife and Their Children1577 · Musées Royaux des Beaux-Arts
20
Saint Luke Appearing at the Curch of Our Lady in Tripoli1588 · Кралски музей за изящни изкуства Антверпен
21
Saint Didacus Brings the Stillborn Girl to Life1591 · Кралски музей за изящни изкуства Антверпен
22
Saint Didacus Finds a Miraculous Meal1591 · Кралски музей за изящни изкуства Антверпен
23
Saint Didacus of Alcalà at Prayers1591 · Кралски музей за изящни изкуства Антверпен
24
The Life of Saint Didacus of Alcalá1590 · Кралски музей за изящни изкуства Антверпен
25
The Nativity1588 · Кралски музей за изящни изкуства Антверпен
26
Saint Georges delivering Saint Margaret1590 · Кралски музей за изящни изкуства Антверпен
27
Saint Georges delivering Saint Margaret1590 · Кралски музей за изящни изкуства Антверпен
28
The Emperor Constantine erecting a church dedicated to Saint George1590 · Кралски музей за изящни изкуства Антверпен
29
Baptism of the King of Silene1590 · Кралски музей за изящни изкуства Антверпен
30
Christ Triumphant1590 · Кралски музей за изящни изкуства Антверпен
31
Henry IV of Castile and his daughter find healing at the tomb of Saint Didacus1595 · Кралски музей за изящни изкуства Антверпен
32
Adoration of the Kings1599 · Musée des Beaux-Arts de Valenciennes
33
The Temptations of Antony Abbot of Egypt1594 · Кралски музей за изящни изкуства Антверпен
34
Abraham in Hebron1602 · Кралски музей за изящни изкуства Антверпен
35
The Burial of Sarah1602 · Кралски музей за изящни изкуства Антверпен
36
The Widow's Offering1602 · Кралски музей за изящни изкуства Антверпен
37
The Temple Tax1602 · Кралски музей за изящни изкуства Антверпен
38
Then give to Caesar what is Caesar's1602 · Кралски музей за изящни изкуства Антверпен
39
Crucifixion1600 · Кралски музей за изящни изкуства Антверпен
40
The Tribunal of the Brabant Mint in Antwerp1594 · Rockox House
41
The Marriage at Cana1596 · Onze
42
Saint Luke Appears in the Church of Our Lady of Tripoli1620 · Кралски музей за изящни изкуства Антверпен
43
Riverlandscape with cattle herders1616 · Музей Прадо
44
Mountain Landscape with a Castle (Christ on the Road to Emmaus)1616 · Национален музей
45
Landscape with a Farm1627 · Държавен музей „Ермитаж“
46
Moses Showing the Tablets of the Law to the Israelites, with Portraits of Members of the Panhuys Family, their Relatives and Friends1575 · Mauritshuis
47
Portrait of Antonius Anselmus at the Age of Forty-Six, with a Spaniel1571 · Музеят на Израел
48
The Ephesians burn the exorcists' books in public Acts 19:19)1568 · Кралските музеи на изкуствата в Белгия
49
Portrait of an unicorn1572 · Staatliches Museum Schwerin
50
Portrait of an Old Woman1569 · Национална галерия на изкуствата
51
St Paul Bitten by a Viper on the Island of Malta1567 · Лувър
52
Saint Luke Giving three Pilgrims Alms1588 · Кралски музей за изящни изкуства Антверпен
53
Allegory of the Choleric Temperament1583 · Cantor Arts Center at Stanford University
54
The Temptation of St Antony1591 · Koninklijk Museum voor Schone Kunsten
55
The Family of St Anne (detail)1585 · Museum voor Schone Kunsten
56
The Family of Saint Anne1585 · Museum of Fine Arts Ghent (MSK)
57
Scene from the Life of the Virgin1600 · Катедрала
58
The Emperor's Toil1601 · Кралски музей за изящни изкуства Антверпен
59
Landscape with a Lake1616 · Държавен музей „Ермитаж“
60
Mining Operations along a River1620 · Walters Art Museum
61
Landscape with travellers1616 · Museum der bildenden Künste
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Landscape with Satyrs1626 · Национална галерия
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Landscape with Windmill and Wayside Chapel1628 · Harvard Art Museums
64
The Last SupperНационален музей на западното изкуство
65
St Luke Painting the Virgin Mary1602 · Koninklijk Museum voor Schone Kunsten
66
Triumph of DavidMusée des Beaux-Arts
67
The airМузей Прадо
68
The earthМузей Прадо
69
Landscape with Pan and Syrinx, after Paul BrilFitzwilliam Museum
70
Dijon St Benigne cathedral, The Annunciation by Martin de Vos
71
Saint Didacus Helps with a Difficult BirthКралски музей за изящни изкуства Антверпен
72
The Spanish Crown Prince Don Carlos Heals After Touching the Corpse of Saint DidacusКралски музей за изящни изкуства Антверпен
73
Death of Saint DidacusКралски музей за изящни изкуства Антверпен
74
Saint Didacus Heals the SickКралски музей за изящни изкуства Антверпен
75
Saint Didacus Saves a Boy From the OvenКралски музей за изящни изкуства Антверпен
76
The Story of Saint Didacus of AlcalàКралски музей за изящни изкуства Антверпен
77
Saint Francis of Assisi and Saint Didacus of AlcaláКралски музей за изящни изкуства Антверпен
78
Portrait of Gillis Hooftman, Shipowner, and his Wife Margaretha van Nispen (Gilles van Eichelenberg, called Hoffman), Maerten de Vos, 15701570 · Rijksmuseum
79
Return from the Flight to Egypt
80
FeelingHammer Museum
81
Altarpiece of the Guild of the Old Arbalest1590 · Кралски музей за изящни изкуства Антверпен
82
Saint George and the dragon1590
Четирите найчесто срещани теми в тези оригинални творби, всяка с най-добрия си пример.
8 музея, които притежават най-голям брой от картините на тази страница.
| Музеи | Град | Творения на Маертен Де Вос | Картини от този списък |
|---|---|---|---|
 Кралски музей за изящни изкуства Антверпен |
Антверпен | 35 | Incredulity of Saint Thomas, Saint Stephen, The Beheading of Saint John-Baptist |
 Баварски държавни списъци с произведения на изкуството |
Мюнхен | 3 | Christ on the Cross, Raising of Lazarus, Gathering of manna |
 Музей Прадо |
Мадрид | 3 | Riverlandscape with cattle herders, The air, The earth |
 Statens Museum for Kunst |
Копенхаген | 2 | The Soldiers Fighting over Christ's Cloak, The Adoration of the Kings |
 Национален музей |
Стокхолм | 2 | The Parable of the Labourers in the Vineyard, Mountain Landscape with a Castle (Christ on the Road to Emmaus) |
 Държавен музей „Ермитаж“ |
Санкт Петербург | 2 | Landscape with a Farm, Landscape with a Lake |
 Koninklijk Museum voor Schone Kunsten |
Антверпен | 2 | The Temptation of St Antony, St Luke Painting the Virgin Mary |
 Катедралата „Света Богородица“ (Onze-Lieve Vrouwekathedraal) |
Антверпен | 1 | Nativity |
Изберете десетилетие, за да видите оригиналната творба, която го определя.
This Renaissance-era oil painting, dating to 1557, presents a complex and multi-layered religious narrative. The composition utilizes a deep landscape perspective to establish a sense of vastness, guiding the viewer's eye from the immediate foreground toward a distant horizon. In the foreground on the left, a central figure, likely Saint Benedict, is depicted in a white robe, gesturing toward a partially constructed stone building or church. Surrounding this structure, several…
Maerten De Vos, born in Antwerp, Belgium, in 1532, produced The Resurrection of Christ around 1564. A significant figure in the transition from the High Renaissance to Mannerism, De Vos was a member of the Guild of Saint Luke in Antwerp. His career spanned the religious and political shifts of the Southern Netherlands until his death in 1603.
In this 1577 composition, we find ourselves drawn into a sacred space where the atmosphere is heavy with reverence. The scene centers on the intimate moment of the Nativity, focusing on Mary as she cradles the infant Jesus. She is surrounded by a gathering of figures, at least twelve in total, including Joseph and various onlookers who have come to witness the event. The setting, which carries the architectural weight…
The painting titled Saint Luke Appearing at the Curch of Our Lady in Tripoli is a work by the artist Maerten De Vos. This specific piece dates to 1588. The composition focuses on a religious apparition within an architectural setting, depicting a miraculous event involving Saint Luke and a group of onlookers.
The Allegory of the Seven Liberal Arts is an oil on panel painting by Maerten De Vos. Created in 1590, this work offers a structured look at the fundamental pillars of Renaissance education. De Vos, a significant figure in the Southern Netherlands, brings a specific clarity to this assembly of figures. The scale of the piece is substantial, measuring 147 x 200 cm.
In this work, titled Abraham in Hebron, Maerten De Vos explores a significant narrative from the Book of Genesis. The painting, which dates to about 1602, captures a moment of profound hospitality and divine encounter. It focuses on the patriarch Abraham as he receives visitors, a scene rooted in the ancient traditions of the Levant.
Allegory of the Seven Liberal Arts (1590). Следващите са Nativity (1577) и The Rapture of Europe (1590).
58 години: Allegory of the Seven Liberal Arts е от 1590 г., а Маертен Де Вос е роден/а в 1532.
Allegory of the Seven Liberal Arts, Nativity, The Rapture of Europe, The Resurrection of Christ, Scene of the legend of S. Benedict (building of a church), Christ on the Cross, Raising of Lazarus, The death of Adonis, Gathering of manna и Incredulity of Saint Thomas. Класацията по-горе показва годината и музея за всяко от тях.
В нашия каталог са представени 85 произведения на Маертен Де Вос, датирани от 1557 до 1602.
Предимно в Кралски музей за изящни изкуства Антверпен (Антверпен), Баварски държавни списъци с произведения на изкуството (Мюнхен) и Музей Прадо (Мадрид). В горната таблица с музеи са изброени всички тях.
В 1590s: 19 от 82 произведенията на тази страница са създадени тогава, като Allegory of the Seven Liberal Arts са сред тях.
На тази страница най-старата е Scene of the legend of S. Benedict (building of a church) (1557), а най-новата е Abraham in Hebron (1602).
People (17), Man (16) и Drapery (16), разпределени в 82 произведения на тази страница.
Oil, за 29 от 82 произведения на тази страница.
Mannerism, судейки по оригиналите на тази страница.
Incredulity of Saint Thomas, Saint Stephen и The Beheading of Saint John-Baptist: Кралски музей за изящни изкуства Антверпен, Антверпен притежава 35 от произведенията на тази страница.
Формалното обучение на Маертен Де Вос остава донякъде обновено в мистерия, но се вярва широко, че той е бил ученик на Питер Бройгел Старши – една от най-величествените фигури на Северния ренесанс. Влиянието на Бройгел е отчетливо проследимо в ранните пейзажи и жанрови сцени на Де Вос, които се отличават с детайлното наблюдение на ежедневието и фин подтекст на социален коментар. Въпреки това, Де Вос бързо надгражда над рустикалистичния реализъм на своя ментор, привличан от по-изтънчената елеганция и сложните композиции, предпочитани от италианския маньелизъм. Той поглъща тези влияния чрез гравюри и печатни произведения, широко разпространявани в Антверпен, особено тези, които представят творчеството на художници като Пармиджанино и Бронзино. Тази мания по италианския стил бележи повратна точка в неговата артистична кариера, водеща го към приемането на удължени фигури, грациозни пози и повишено чувство за артистична изкуственост. Ранните му творби показват също така и влиянието на Ян ван Скоррел – друг значим творец, който донесе италианските мотиви в Северна Европа.
