بورتريه لـ Per Krafft the Elder

لوحات Per Krafft the Elder: أشهر 52 لوحة، بعيون معرض فني

تحديث نوفمبر 2026 · مُرتبة حسب مؤشر شعبيتنا (عمليات البحث، والزيارات، والطلبات لكل عمل فني) · 52 أعمال لـ Per Krafft the Elder في كتالوجنا

باختصار

من وجهة نظر المعرض، تُعد Portrait of Alois Friedrich von Brühl (1739-1793). (1767) أشهر لوحات Per Krafft the Elder، والتي تُعرض لوحتها الأصلية في المتحف الوطني في وارسو، وارسو. Portrait of Natalia Alexandrovna Repnina (1767) و Portrait of Stanisław August Poniatowski (1767) يكملان الثلاثية التي تدركها كل عين. من بين 52 من أعمال Per Krafft the Elder في كتالوجنا، يعرض المعرض أدناه 52 من أشهرها، كل منها عمل أصلي مع سنة إنتاجه، والمتحف الذي يضمها، وما يجعلها فريدة من نوعها.

1724 – 1793, Arboga Rococo أكبر مجموعة أعمال: المتحف الوطني

أفضل 10 لوحات لـ Per Krafft the Elder في المعرض

1
Portrait of Alois Friedrich von Brühl (1739-1793). (1767) للفنان Per Krafft the Elder

Portrait of Alois Friedrich von Brühl (1739-1793).

1767 · Oil On Canvas · المتحف الوطني في وارسو, وارسو

In this 1767 portrait, we encounter Alois Friedrich von Brühl in a moment of quiet, dignified repose. He is captured in a three-quarter length view, his body turned slightly toward the right while his gaze drifts off-camera, suggesting a man preoccupied with matters beyond the immediate room. The composition relies on a careful balance of light and shadow, a technique that sculpts his features and the heavy textures of his…

2
Portrait of Natalia Alexandrovna Repnina (1767) للفنان Per Krafft the Elder

Portrait of Natalia Alexandrovna Repnina

1767 · Oil On Canvas · متحف الإرميتاج, سانت بطرسبرغ

To gaze upon this portrait is to step directly into the gilded salons of 18th-century Sweden, where life was lived with an exquisite, almost breathless elegance. This depiction of Natalia Alexandrovna Repnina captures not merely a likeness, but an entire atmosphere—one steeped in the delicate ornamentation and sophisticated leisure characteristic of the Rococo period. The sitter possesses an air of serene composure; her gaze seems to hold the quiet confidence…

4
Portrait of a Man (1775) للفنان Per Krafft the Elder

Portrait of a Man

1775 · Oil On Canvas · المتحف الوطني في كراكوف, كراكوف

Per Krafft the Elder presents a close-up study of a middle-aged man in this 1775 oil portrait. The subject is positioned in a three-quarter view, facing slightly toward the viewer's left. Despite this orientation, his eyes maintain direct contact with the observer, establishing an immediate, intimate connection. He emerges from an indistinct, dark void, a choice that strips away environmental context to focus entirely on the individual's presence.

5
Gustav III (1746–1792), King of Sweden (1791) للفنان Per Krafft the Elder

Gustav III (1746–1792), King of Sweden

1791 · Oil On Canvas · المتحف الوطني, ستوكهولم

The portrait depicts Gustav III, King of Sweden, in a three-quarter view against a dark, atmospheric background. He is shown from the torso up, wearing a military-style uniform of deep crimson and gold. A cerulean blue sash crosses his chest, and the intricate white lace of a cravat is visible at his neck. His hair is styled in a white, powdered wig that contrasts with the darker tones of his…

6
Portrait of Ignacy Krasicki (1767) للفنان Per Krafft the Elder

Portrait of Ignacy Krasicki

1767 · Oil On Canvas · المتحف الوطني في وارسو, وارسو

This work is the Portrait of Ignacy Krasicki, a significant oil on canvas executed by the Swedish portraitist Per Krafft the Elder. Painted about 1767, the portrait captures the subject in a moment of quiet authority. The sitter is presented in formal clerical attire, a choice that underscores his ecclesiastical standing and religious devotion. A pectoral cross is visible upon his vestments, providing a specific detail of his high-ranking status…

7
Reading Boy (1758) للفنان Per Krafft the Elder

Reading Boy

1758 · Oil On Canvas · المتحف الوطني, ستوكهولم

The oil on canvas painting titled Reading Boy was executed by the Swedish portraitist Per Krafft the Elder in 1758. This work depicts a young boy positioned in a moment of quiet study. The subject is shown with his head resting against his hand, appearing absorbed in the pages of an open book. The composition focuses on the individual and his immediate activity, presenting a singular figure engaged in the…

10
Johan Gustaf Lund, född 1712, kommissarie (1748) للفنان Per Krafft the Elder

Johan Gustaf Lund, född 1712, kommissarie

1748 · Oil · National Portrait Gallery of Sweden, سترينغنيس

In the portrait of Johan Gustaf Lund, född 1712, kommissarie by Per Krafft the Elder, the subject is presented in a three-quarter view. The composition focuses on the man from the waist up and is positioned slightly off-center. He is depicted with wavy, shoulder-length hair, a style characteristic of the mid-1700s. The figure is set against a dark, flat, and undifferentiated background that provides no environmental context, ensuring the viewer's…

لوحات Per Krafft the Elder، مرتبة من 11 إلى 52

11Portrait by Carl von Fersen (1750) للفنان Per Krafft the ElderPortrait by Carl von Fersen1750 · National Portrait Gallery of Sweden 12Birgethe Dorthe and Kirstne Margarethe Colstrup (1754) للفنان Per Krafft the ElderBirgethe Dorthe and Kirstne Margarethe Colstrup1754 · المتحف الوطني 13Portrait of Stanisław Augustus Poniatowski (1760) للفنان Per Krafft the ElderPortrait of Stanisław Augustus Poniatowski1760 · المتحف الوطني في وارسو 14A Boy Reading (1758) للفنان Per Krafft the ElderA Boy Reading1758 · المتحف الوطني 15Portrait of a Boy (1762) للفنان Per Krafft the ElderPortrait of a Boy1762 · المتحف الوطني 16Elisabeth Frederike Sophie (1732–1780), Duchess of Württemberg (1762) للفنان Per Krafft the ElderElisabeth Frederike Sophie (1732–1780), Duchess of Württemberg1762 · المتحف الوطني 17Countess Teresa Kinska Poniatowska (1765) للفنان Per Krafft the ElderCountess Teresa Kinska Poniatowska1765 18Karl XIII, 1748-1818, kung av Sverige och Norge (1772) للفنان Per Krafft the ElderKarl XIII, 1748-1818, kung av Sverige och Norge1772 · المتحف الوطني 19Anna Charlotta von Stapelmohr (1754-1791), married to State Secretary Elis Schröderheim (1775) للفنان Per Krafft the ElderAnna Charlotta von Stapelmohr (1754-1791), married to State Secretary Elis Schröderheim1775 · المتحف الوطني 20Portrait of Izabela Lubomirska née Czartoryska (1767) للفنان Per Krafft the ElderPortrait of Izabela Lubomirska née Czartoryska1767 · المتحف الوطني في وارسو 21Portrait of a Boy (1773) للفنان Per Krafft the ElderPortrait of a Boy1773 · Finnish National Gallery 22Girl with Bullfinch in a Cage (1766) للفنان Per Krafft the ElderGirl with Bullfinch in a Cage1766 · المتحف الوطني 23Emanuel Swedenborg, 1688-1772, ämbetsman (1766) للفنان Per Krafft the ElderEmanuel Swedenborg, 1688-1772, ämbetsman1766 · National Portrait Gallery of Sweden 24Old Woman (1768) للفنان Per Krafft the ElderOld Woman1768 · المتحف الوطني 25Portrait of Teresa Poniatowska (1767) للفنان Per Krafft the ElderPortrait of Teresa Poniatowska1767 · المتحف الوطني في كراكوف 26Portrait of Izabela Branicka née Poniatowska (1767) للفنان Per Krafft the ElderPortrait of Izabela Branicka née Poniatowska1767 · المتحف الوطني في كراكوف 27Portrait of Konstancja Poniatowska née Czartoryska (1768) للفنان Per Krafft the ElderPortrait of Konstancja Poniatowska née Czartoryska1768 · المتحف الوطني في كراكوف 28Gustav IV Adolf, 1778-1837, kung av Sverige (1785) للفنان Per Krafft the ElderGustav IV Adolf, 1778-1837, kung av Sverige1785 · المتحف الوطني 29Portrait of Gustaf IV Adolf of Sweden (1778-1837) (1785) للفنان Per Krafft the ElderPortrait of Gustaf IV Adolf of Sweden (1778-1837)1785 · National Portrait Gallery of Sweden 30Portrait of Anders Mattsson (1778) للفنان Per Krafft the ElderPortrait of Anders Mattsson1778 · National Portrait Gallery of Sweden 31Portrait of Carl Michael Bellman, 1740-1795 (1779) للفنان Per Krafft the ElderPortrait of Carl Michael Bellman, 1740-17951779 · National Portrait Gallery of Sweden 32Anna Charlotta Stapelmohr, 1754-1791, g Schröderheim (1778) للفنان Per Krafft the ElderAnna Charlotta Stapelmohr, 1754-1791, g Schröderheim1778 · National Portrait Gallery of Sweden 33The Artist's Daughter Wilhelmina (1783) للفنان Per Krafft the ElderThe Artist's Daughter Wilhelmina1783 · المتحف الوطني 34Gustav IV Adolf, 1778 - 1837, kung av Sverige (1793) للفنان Per Krafft the ElderGustav IV Adolf, 1778 - 1837, kung av Sverige1793 · المتحف الوطني 35Manufacturer Erik Westén the younger (1787) للفنان Per Krafft the ElderManufacturer Erik Westén the younger1787 · Finnish National Gallery 36Secretary Konrad Arvid Johan Mandorf (1793) للفنان Per Krafft the ElderSecretary Konrad Arvid Johan Mandorf1793 · Finnish National Gallery 37Johan August Meijerfeldt, 1725 - 1800. Greve, fältmarskalk (1792) للفنان Per Krafft the ElderJohan August Meijerfeldt, 1725 - 1800. Greve, fältmarskalk1792 · National Portrait Gallery of Sweden 38Gustav IV Adolf, 1778-1837, konung av Sverige (1793) للفنان Per Krafft the ElderGustav IV Adolf, 1778-1837, konung av Sverige1793 · National Portrait Gallery of Sweden 39Elis Schröderheim, 1747-1795, ämbetsman (1787) للفنان Per Krafft the ElderElis Schröderheim, 1747-1795, ämbetsman1787 · National Portrait Gallery of Sweden 40Portrait of a Lady (1788) للفنان Per Krafft the ElderPortrait of a Lady1788 · المتحف الوطني 41Portrait of Bishop Ignacy Krasicki للفنان Per Krafft the ElderPortrait of Bishop Ignacy Krasickiالمتحف الوطني في كراكوف 42Carl Funck, 1708-1783 للفنان Per Krafft the ElderCarl Funck, 1708-1783المتحف الوطني 43Thomas von Plomgren, 1702-1754, grosshandlare للفنان Per Krafft the ElderThomas von Plomgren, 1702-1754, grosshandlareالمتحف الوطني 44Mrs Dorotea Westén للفنان Per Krafft the ElderMrs Dorotea WesténFinnish National Gallery 45The Artist's Wife Maria Wilhelmina للفنان Per Krafft the ElderThe Artist's Wife Maria Wilhelminaالمتحف الوطني 46Sofia Albertina, 1753-1829, prinsessa av Sverige للفنان Per Krafft the ElderSofia Albertina, 1753-1829, prinsessa av SverigeNational Portrait Gallery of Sweden 47David Anckarloo (1687-1765), admiral, married to 1. Ingeborg Bering, 2. Eva Catharina Humble للفنان Per Krafft the ElderDavid Anckarloo (1687-1765), admiral, married to 1. Ingeborg Bering, 2. Eva Catharina HumbleNational Portrait Gallery of Sweden 48Henrik af Trolle, 1730-1784 للفنان Per Krafft the ElderHenrik af Trolle, 1730-1784National Portrait Gallery of Sweden 49Brita Christina Sparre, 1720-1776, g. Törnflycht للفنان Per Krafft the ElderBrita Christina Sparre, 1720-1776, g. TörnflychtNational Portrait Gallery of Sweden 50Anders Johan von Höpken, 1712-1789, greve للفنان Per Krafft the ElderAnders Johan von Höpken, 1712-1789, greveNational Portrait Gallery of Sweden 51Augustin Ehrensvärd, 1710-1772, militär, greve للفنان Per Krafft the ElderAugustin Ehrensvärd, 1710-1772, militär, greveNational Portrait Gallery of Sweden 52Izabela Lubomirska née Czartoryska للفنان Per Krafft the ElderIzabela Lubomirska née CzartoryskaRoyal Łazienki Museum

لوحات Per Krafft the Elder الشهيرة، حسب الفترات الزمنية

المواضيع التي استأثرت باهتمام Per Krafft the Elder

المواضيع الأربعة التي تتكرر باستمرار في هذه الأعمال الأصلية، مع تقديم أروع مثال لكل منها.

المتاحف التي تحتفظ بالأعمال الأصلية لـ Per Krafft the Elder

المتاحف الـ 7 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.

المتحف المدينة أعمال Per Krafft the Elder لوحات من هذه القائمة
المتحف الوطني, ستوكهولمالمتحف الوطني ستوكهولم 18 Gustav III (1746–1792), King of Sweden, Reading Boy, The Artist's Daughter Wilhelmina
National Portrait Gallery of Sweden, سترينغنيسNational Portrait Gallery of Sweden سترينغنيس 17 Ivan Andrejevitj Osterman, 1725-1811, Johan Gustaf Lund, född 1712, kommissarie, Portrait by Carl von Fersen
المتحف الوطني في وارسو, وارسوالمتحف الوطني في وارسو وارسو 5 Portrait of Alois Friedrich von Brühl (1739-1793)., Portrait of Stanisław August Poniatowski, Portrait of Ignacy Krasicki
المتحف الوطني في كراكوف, كراكوفالمتحف الوطني في كراكوف كراكوف 5 Portrait of a Man, Portrait of Teresa Poniatowska, Portrait of Izabela Branicka née Poniatowska
Finnish National Gallery, هلسنكيFinnish National Gallery هلسنكي 4 Portrait of a Boy, Manufacturer Erik Westén the younger, Secretary Konrad Arvid Johan Mandorf
متحف الإرميتاج, سانت بطرسبرغمتحف الإرميتاج سانت بطرسبرغ 1 Portrait of Natalia Alexandrovna Repnina
Royal Łazienki Museum, وارسوRoyal Łazienki Museum وارسو 1 Izabela Lubomirska née Czartoryska

Per Krafft the Elder، لوحة أيقونية واحدة لكل عقد

الأعمال حسب العقد

اختر عقداً لتشاهد العمل الأصلي الذي يجسده.

لوحات Per Krafft the Elder: إجابات المعرض

ما هي اللوحة الأكثر شهرة لـ Per Krafft the Elder على الإطلاق؟اكتشف الإجابة

Portrait of Alois Friedrich von Brühl (1739-1793). (1767)، المتحف الوطني في وارسو, وارسو. ويليها Portrait of Natalia Alexandrovna Repnina (1767) وPortrait of Stanisław August Poniatowski (1767).

كم كان عمر Per Krafft the Elder عند إكمال Portrait of Alois Friedrich von Brühl (1739-1793).؟اكتشف الإجابة

عمر 43 عاماً: يعود تاريخ Portrait of Alois Friedrich von Brühl (1739-1793). إلى 1767، وقد وُلد Per Krafft the Elder في 1724.

ما هي أفضل 10 لوحات لـ Per Krafft the Elder؟اكتشف الإجابة

Portrait of Alois Friedrich von Brühl (1739-1793)., Portrait of Natalia Alexandrovna Repnina, Portrait of Stanisław August Poniatowski, Portrait of a Man, Gustav III (1746–1792), King of Sweden, Portrait of Ignacy Krasicki, Reading Boy, The Artist's Daughter Wilhelmina, Ivan Andrejevitj Osterman, 1725-1811 و Johan Gustaf Lund, född 1712, kommissarie. يوضح التصنيف أعلاه سنة كل لوحة والمتحف التابعة له.

كم عدد الأعمال التي أبدعها Per Krafft the Elder؟اكتشف الإجابة

يضم كتالوجنا 52 من أعمال Per Krafft the Elder، التي يعود تاريخها من 1748 إلى 1793.

أين تُعرض أشهر الأعمال الأصلية لـ Per Krafft the Elder؟اكتشف الإجابة

توجد غالبيتها في المتحف الوطني (ستوكهولم), National Portrait Gallery of Sweden (سترينغنيس) و المتحف الوطني في وارسو (وارسو). يدرج جدول المتاحف أعلاه جميعها.

متى أبدع Per Krafft the Elder أشهر لوحاته؟اكتشف الإجابة

في 1760s: تم إنجاز 15 من أصل 52 من الأعمال في هذه الصفحة خلال تلك الفترة، من بينها Portrait of Alois Friedrich von Brühl (1739-1793)..

ما هي أشهر أعمال Per Krafft the Elder المبكرة والأخيرة؟اكتشف الإجابة

في هذه الصفحة، أقدم الأعمال يعود إلى Johan Gustaf Lund, född 1712, kommissarie (1748) وأحدثها يعود إلى Gustav IV Adolf, 1778 - 1837, kung av Sverige (1793).

ما هي المواضيع التي عاد إليها Per Krafft the Elder أكثر من غيرها؟اكتشف الإجابة

Man (20), Lace (15) و Woman (10)، عبر 52 من الأعمال في هذه الصفحة.

ما هو الوسيط الفني الذي استخدمه Per Krafft the Elder بشكل أكبر؟اكتشف الإجابة

Oil On Canvas، لـ 30 من أصل 52 من الأعمال في هذه الصفحة.

ما هي المدرسة الفنية التي ينتمي إليها Per Krafft the Elder؟اكتشف الإجابة

Rococo، بناءً على الأعمال الأصلية في هذه الصفحة.

ما هي الأعمال الأصلية لـ Per Krafft the Elder التي تمتلكها المتحف الوطني؟اكتشف الإجابة

Gustav III (1746–1792), King of Sweden, Reading Boy و The Artist's Daughter Wilhelmina: يضم المتحف الوطني, ستوكهولم 18 من الأعمال المعروضة في هذه الصفحة.

Per Krafft the Elder: الفنان

Per the Elder Krafft: A Swedish Portraitist Embodied in Rococo Elegance

To step into the world of Per the Elder Krafft is to enter a realm of gilded salons and breathless elegance, where the light of the Enlightenment meets the delicate ornamentation of the Rococo. Born in 1724 in Arboga, Sweden, Krafft emerged as a pivotal figure in Swedish art history, a master whose brush captured not merely the physical likenesses of his era, and but the very soul of the eighteenth-century aristocratic elite. His life and work serve as a window into a period defined by a fascinating juxtaposition of grace and burgeoning neoclassical structure, reflecting a society caught between the playful whimsy of the past and the disciplined ideals of a new age.

Krafft’s artistic evolution was shaped by a lineage of profound influence. His early training began in Uppsala, where his interest in the arts first took root, but it was through his studies under established masters that his technical virtuosity truly blossomed. In Stockholm, he became a dedicated pupil of the court painter Johan Henrik Scheffel, whose influence is clearly visible in Krafft’s early self-portraits and intimate family depictions. This foundation of precision was further enriched when Krafft traveled to Copenhagen, where he encountered the works of Carl Gustaf Pilo. From these mentors, Krafft inherited a meticulous attention to detail and an unparalleled ability to manipulate light, learning how to use chiaroscuro to sculpt form and imbue his subjects with a palpable, breathing presence.

The Art of the Aristocratic Narrative

The essence of Krafft’s oeuvre lies in its ability to weave complex narratives through the medium of portraiture. His canvases were far more than simple records of identity; they were carefully constructed tapestries of status, lineage, and moral virtue. Utilizing the soft, pastel palettes characteristic of the Rococo movement, Krafft breathed life into shimmering fabrics, intricate lacework, and the subtle sheen of silk. He possessed a rare technical ability to render the ephemeral softness of human skin alongside the tangible weight of luxurious textiles, creating an illusion of depth that draws the viewer into a close, intimate encounter with the sitter.

His subject matter often centered on the most prominent figures of European nobility, documenting the splendor of dynasties such as the Czartoryski. In his portrait of Izabela Lubomirska née Czartoryska, one can observe his mastery in conveying a sense of refined dignity and serene composure. Similarly, his depiction of the celebrated Russian ballerina, Natalia Alexandrovna Repnina, serves as a breathtaking testament to his skill. In this work, the artist captures an entire atmosphere of sophisticated leisure, where every fold of fabric and every glint of light whispers tales of wealth and societal expectation. Through these works, Krafft did not just paint people; he painted the very concept of nobility.

Legacy and Artistic Lineage

Beyond his individual achievements, Per the Elder Krafft’s historical significance is cemented by the artistic legacy he left within his own family. He was a patriarch of Swedish painting, father to artists who would continue to shape the nation's aesthetic landscape. His children, Per Krafft the Younger and the miniaturist Wilhelmina Krafft, both studied at the Royal Swedish Academy of Fine Arts, carrying forward the technical excellence and emotive depth instilled by their father. This familial continuity ensured that the refined sensibilities of his era would resonate well into the next century.

Ultimately, the work of Per the Elder Krafft remains a vital touchstone for understanding the cultural heartbeat of eighteenth-century Sweden. His ability to balance the playful asymmetry and organic curves of the Rococo with a profound psychological depth allows his portraits to transcend their historical moment. Even today, when we gaze upon his meticulously rendered subjects, we are reminded of a time when art was a grand celebration of beauty, grace, and the enduring allure of the human spirit.