تحديث نوفمبر 2026 · مُرتبة حسب مؤشر شعبيتنا (عمليات البحث، والزيارات، والطلبات لكل عمل فني) · 23 أعمال لـ Alessandro Longhi في كتالوجنا
باختصار
من وجهة نظر المعرض، تُعد Portrait of a Musician (1747) أشهر لوحات Alessandro Longhi، والتي تُعرض لوحتها الأصلية في معهد شيكاغو للفنون، شيكاغو. Portrait of a girl with a dog (1740) و Portrait of a Young Woman (1760) يكملان الثلاثية التي تدركها كل عين. من بين 23 من أعمال Alessandro Longhi في كتالوجنا، يعرض المعرض أدناه 22 من أشهرها، كل منها عمل أصلي مع سنة إنتاجه، والمتحف الذي يضمها، وما يجعلها فريدة من نوعها.
A gentleman is positioned in a three-quarter length portrait, seated slightly off-center against a background of warm, earthy browns. He wears a voluminous cloak of teal or seafoam green, which contrasts with the white of his lace cravat and cuffs. His face is framed by a powdered wig, and his expression carries a slight smirk. In the foreground, several musical objects are arranged near the subject, including a violin, a…
In a soft, luminous space, a young girl gazes directly at us, her expression serene and steady. She sits in a three-quarter view, her presence anchored by the weight of dark, velvet-like fabric that gathers in structured folds around her. A small, spaniel-type dog rests near her, its fluffy fur a tactile contrast to the smooth, pale skin of the child. The light descends from the upper left, catching the…
In Alessandro Longhi's Portrait of a Young Woman, a quiet elegance settles over the scene. This bust-length portrait captures a young woman positioned slightly off-center, her body turned toward the right while her gaze meets the viewer directly. The composition relies on a sense of poised stillness, set against a dark, indistinct, and monochromatic background that pushes her figure forward. The light enters from the upper left, washing over her…
In the quiet, shadowed corners of 18th-century Venice, where the glow of candlelight met the profound stillness of scholarly pursuit, Alessandro Longhi captured a moment of timeless devotion. His 1761 masterpiece, Painting and Merit, is far more than a mere portrait; it is an evocative window into the Venetian Rococo soul. The scene unfolds within a space defined by dramatic chiaroscuro, where deep, velvety shadows retreat to allow a brilliant,…
The work before us is titled Portrait of a Venetian lady, a piece that captures a specific moment of elegance from the mid-eighteenth century. It was painted by Alessandro Longhi, a figure deeply rooted in the artistic traditions of his home. This particular oil painting is dated 1758, a period when the Venetian Republic was navigating a significant era of social transition.
A heavy silence fills the room as the subject meets the viewer's gaze. This middle-aged man sits with a quiet, commanding presence, his body angled slightly toward the left while his eyes remain fixed forward. He is draped in the dark, substantial fabric of a judicial robe, a garment that seems to absorb the surrounding shadows. At his neck, the crisp white of clerical-style bands provides a sharp, bright contrast…
The oil on canvas titled Portrait of the Prefect of Brescia, Giovanni Grassi in a Red Robe was painted by Alessandro Longhi in 1783. The work captures the presence of Giovanni Grassi, who held the position of the Prefect of Brescia. He is presented in a formal manner, his figure anchored by the weight of his ceremonial attire.
In this three-quarter length portrait, Alessandro Longhi presents Francesco Maria Preti with a quiet, dignified presence. The subject is positioned slightly off-center, a choice that lends a sense of natural poise to the composition. He is dressed in a dark teal or navy blue coat, which anchors the figure against a background of earthy browns and ochres. This deep, muted color palette creates a somber, scholarly atmosphere, allowing the lighter…
In the quiet, contemplative depths of Alessandro Longhi’s Portrait of Carlo Lodoli, one finds much more than a mere likeness of a Franciscan friar; one encounters a profound dialogue between the fading grandeur of the Baroque and the rising intellect of the Enlightenment. Painted in 1761, this masterpiece serves as a poignant window into the soul of Venice during its Golden Age. Longhi, a master of the Venetian Rococo, captures…
To gaze upon Alessandro Longhi's Portrait of a Lady is to step directly into the luminous, sophisticated atmosphere of late eighteenth-century Venice. This painting, executed in 1770, transcends a mere likeness; it is a carefully composed study in aristocratic grace and quiet confidence. The subject, captured mid-pose, radiates an almost palpable warmth, suggested by the gentle curve of her smile. Longhi masterfully directs our attention to this central figure against…
Portrait of a Gentleman1780
12
Portrait of Jacopo Gradenigo1778 · Музей Чівіко
13
Portrait of a Lady Holding a FanNational Gallery of Ireland
14
Portrait of a Man in a Brown Cloakمتحف الفنون الجميلة
15
Caterina penzaالمعرض الوطني
16
An austrian prince
17
Portrait of Goldoni
18
Playwright carlo goldoni
19
Empress Maria Luisa (1745–1792), Grand Duchess of Tuscany and Empress of Austria
20
Herrenbild
21
Portrait of Gentleman
22
Portrait of a Woman
المواضيع الأربعة التي تتكرر باستمرار في هذه الأعمال الأصلية، مع تقديم أروع مثال لكل منها.
المتاحف الـ 7 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال Alessandro Longhi | لوحات من هذه القائمة |
|---|---|---|---|
 معهد شيكاغو للفنون |
شيكاغو | 3 | Portrait of a Musician, Portrait of a girl with a dog, Portrait of a Young Woman |
 Gallerie dell'Accademia di Venezia |
البندقية | 2 | Painting and Merit, Portrait of Carlo Lodoli |
 معرض أوفيزي |
فلورنسا | 1 | Portrait of a Lady |
 Музей Чівіко |
بادوفا | 1 | Portrait of Jacopo Gradenigo |
 National Gallery of Ireland |
مدينة دبلن | 1 | Portrait of a Lady Holding a Fan |
 متحف الفنون الجميلة |
بوسطن | 1 | Portrait of a Man in a Brown Cloak |
 المعرض الوطني |
لندن | 1 | Caterina penza |
اختر عقداً لتشاهد العمل الأصلي الذي يجسده.
A gentleman is positioned in a three-quarter length portrait, seated slightly off-center against a background of warm, earthy browns. He wears a voluminous cloak of teal or seafoam green, which contrasts with the white of his lace cravat and cuffs. His face is framed by a powdered wig, and his expression carries a slight smirk. In the foreground, several musical objects are arranged near the subject, including a violin, a…
The work before us is titled Portrait of a Venetian lady, a piece that captures a specific moment of elegance from the mid-eighteenth century. It was painted by Alessandro Longhi, a figure deeply rooted in the artistic traditions of his home. This particular oil painting is dated 1758, a period when the Venetian Republic was navigating a significant era of social transition.
In Alessandro Longhi's Portrait of a Young Woman, a quiet elegance settles over the scene. This bust-length portrait captures a young woman positioned slightly off-center, her body turned toward the right while her gaze meets the viewer directly. The composition relies on a sense of poised stillness, set against a dark, indistinct, and monochromatic background that pushes her figure forward. The light enters from the upper left, washing over her…
To gaze upon Alessandro Longhi's Portrait of a Lady is to step directly into the luminous, sophisticated atmosphere of late eighteenth-century Venice. This painting, executed in 1770, transcends a mere likeness; it is a carefully composed study in aristocratic grace and quiet confidence. The subject, captured mid-pose, radiates an almost palpable warmth, suggested by the gentle curve of her smile. Longhi masterfully directs our attention to this central figure against…
The oil on canvas titled Portrait of the Prefect of Brescia, Giovanni Grassi in a Red Robe was painted by Alessandro Longhi in 1783. The work captures the presence of Giovanni Grassi, who held the position of the Prefect of Brescia. He is presented in a formal manner, his figure anchored by the weight of his ceremonial attire.
In this three-quarter length portrait, Alessandro Longhi presents Francesco Maria Preti with a quiet, dignified presence. The subject is positioned slightly off-center, a choice that lends a sense of natural poise to the composition. He is dressed in a dark teal or navy blue coat, which anchors the figure against a background of earthy browns and ochres. This deep, muted color palette creates a somber, scholarly atmosphere, allowing the lighter…
Portrait of a Musician (1747)، معهد شيكاغو للفنون, شيكاغو. ويليها Portrait of a girl with a dog (1740) وPortrait of a Young Woman (1760).
عمر 14 عاماً: يعود تاريخ Portrait of a Musician إلى 1747، وقد وُلد Alessandro Longhi في 1733.
Portrait of a Musician, Portrait of a girl with a dog, Portrait of a Young Woman, Painting and Merit, Portrait of a Venetian lady, portrait of a judge, Portrait of the Prefect of Brescia, Giovanni Grassi in a Red Robe, Portrait of Francesco Maria Preti, Portrait of Carlo Lodoli و Portrait of a Lady. يوضح التصنيف أعلاه سنة كل لوحة والمتحف التابعة له.
يضم كتالوجنا 23 من أعمال Alessandro Longhi، التي يعود تاريخها من 1747 إلى 1800.
توجد غالبيتها في معهد شيكاغو للفنون (شيكاغو), Gallerie dell'Accademia di Venezia (البندقية) و معرض أوفيزي (فلورنسا). يدرج جدول المتاحف أعلاه جميعها.
في 1760s: تم إنجاز 3 من أصل 22 من الأعمال في هذه الصفحة خلال تلك الفترة، من بينها Portrait of a Young Woman.
في هذه الصفحة، أقدم الأعمال يعود إلى Portrait of a Musician (1747) وأحدثها يعود إلى Portrait of Francesco Maria Preti (1800).
Man (5), Lace (4) و Portrait (4)، عبر 22 من الأعمال في هذه الصفحة.
Oil On Canvas، لـ 8 من أصل 22 من الأعمال في هذه الصفحة.
Rococo، بناءً على الأعمال الأصلية في هذه الصفحة.
Portrait of a Musician, Portrait of a girl with a dog و Portrait of a Young Woman: يضم معهد شيكاغو للفنون, شيكاغو 3 من الأعمال المعروضة في هذه الصفحة.
Alessandro Longhi (born Venice, Italy, 1733 – died 1813) was a prominent Venetian portrait painter and printmaker. He came from an artistic family; his father was the celebrated genre painter Pietro Longhi. Alessandro received his initial training under his father’s guidance, developing a foundation in observation and detail. He further honed his skills studying with Giuseppe Nogari (1699–1763), another respected Venetian artist.
Longhi specialized in portraiture, particularly depictions of Venetian nobles and prominent figures. He excelled in capturing the elegance and status of his sitters through meticulous detail and a refined Rococo style. Unlike some contemporaries who focused on grand historical or mythological scenes, Longhi concentrated on portraying individuals within their social context. His portraits often feature elaborate robes and emblems of office, reflecting his subjects’ positions and power – a characteristic noted in comparison to artists like Sebastiano Bombelli.
While deeply influenced by his father's realistic approach, Alessandro Longhi also demonstrated an appreciation for other masters. His etching technique, in particular, reveals a clear understanding and admiration of Rembrandt van Rijn’s work. This is evident in the “tumultuous and unusual” quality of his etchings, as described by Olimpia Theodoli, showcasing a first-hand knowledge of Rembrandt's techniques.
Alessandro Longhi’s work provides valuable insight into the social and political landscape of 18th-century Venice. His portraits serve as historical records, preserving the likenesses and status symbols of a fading aristocratic class. He captured a period of transition – the elegance and refinement of the Rococo era alongside the beginnings of decline for the Venetian Republic. While not as widely celebrated as his father, Alessandro Longhi’s contributions to Venetian portraiture are significant, offering a unique perspective on the lives and times of his subjects.
