تحديث نوفمبر 2026 · مُرتبة حسب مؤشر شعبيتنا (عمليات البحث، والزيارات، والطلبات لكل عمل فني) · 87 أعمال لـ توماس بولوك أنشوتز في كتالوجنا
باختصار
من بين جميع الأعمال الأصلية التي تركها توماس بولوك أنشوتز، تُعد a passing glance هي الأكثر شهرة. تأتي بعدهما مباشرة كل من Boy in Brown, study for The Ironworkers' Noontime (1880) و The Farmer and His Son at Harvesting (1879). يضم كتالوجنا 87 من أعمال توماس بولوك أنشوتز؛ حيث احتفظ المعرض بـ 65 من أكثر الأعمال التي يعجب بها العالم، مع عرض كل منها مع تاريخها ومتحفها وقصتها.
Thomas Pollock Anshutz, a central figure in American realism, presents a quiet moment of introspection in a passing glance. The work focuses on a woman positioned in profile, her attention directed toward a mirror. This arrangement creates a dual presence, capturing a fleeting instance of self-reflection through the mirrored image.
We are looking at Boy in Brown, study for The Ironworkers' Noontime, a work by Thomas Pollock Anshutz. Created in 1880, this oil study focuses on a single male figure. It offers a glimpse into the artist's process during a period of significant development in his approach to realism.
The painting titled The Farmer and His Son at Harvesting was created by the American artist Thomas Pollock Anshutz. This specific work is dated about 1879. The canvas captures a scene of agricultural labor involving two figures within a rural landscape.
Thomas Pollock Anshutz painted The Chore about 1888. The work focuses on the quiet realities of everyday domestic life, centering on a woman engaged in household tasks. Through this subject, Anshutz moves away from romanticized imagery to capture a moment of routine labor.
In the 1894 painting Sand Burr, Thomas Pollock Anshutz presents an impressionistic landscape. The scene focuses on a shoreline where two young boys are positioned near a boat. The large, white hull of the vessel occupies the left side of the frame, creating a structural presence that directs the viewer toward the two figures on the right. The subjects are situated on a coast characterized by earthy greens and pale…
The scene unfolds in "Two Boys by a Boat - Near Cape May," a work painted by Thomas Pollock Anshutz. Created about 1894, the image captures a quiet moment of childhood near the shoreline. The artist, who lived from 1851 to 1912, brings a sense of stillness to this specific coastal setting. One can almost feel the salt air and the weight of the afternoon sun as the boys occupy…
Two Boys by a Boat by Thomas Pollock Anshutz depicts a quiet scene on a shoreline or beach. The composition centers on two young figures positioned near a small boat. One boy stands beside the vessel, appearing to examine its structure, while the second boy sits on the ground nearby in a relaxed posture. The horizon line is placed high within the frame, which emphasizes the foreground elements of the…
In this watercolor, titled The Harpist, Thomas Pollock Anshutz presents a serene study of a female figure. Created about 1897, the work captures a quiet moment of musical contemplation. The subject is depicted in profile, her attention focused entirely upon the harp she holds. There is a sense of stillness in her posture, suggesting a private moment of artistic inspiration.
In the Portrait of Emily Fairchild Pollock by Thomas Pollock Anshutz, the composition centers upon the sitter’s face and upper body. She sits facing forward, her hands clasped quietly in her lap. This formal pose, combined with her attire, suggests a sense of dignity and status. The perspective remains relatively shallow, offering minimal depth beyond the slight recession of the figure into a dark, muted background. A soft, diffused light…
The room is anchored by a large, dark sofa, a heavy weight of fabric and shadow. Two children sit close, their bodies leaning into the stillness. They are motionless, caught in the gravity of a voice. A young woman holds a book, her gaze fixed upon the pages, her expression a study in focused intent. The light descends from an unseen height, washing over the scene in muted tones of…
Steamboat on the Ohio1900 · متحف كارنيجي للفنون
12
Woman in Red1907 · Reading Public Museum
13
Portrait of Rebecca H. Whelan1910
14
Portrait of Margaret Perot1908 · Hirshhorn Museum and Sculpture Garden
15
St. Cloud near Paris1893
16
Lumber Boat1897
17
Cast Study with Students
18
Man In Boat
19
Portrait of Marthe Hientz
20
Advertisement For Ivory Soap
21
The Ironworkers' Noontime
22
The Visit Of The Beggar And Her Child Steamboat On The Ohio
23
the ironworker-s noontime
24
Boy Reading - Ned Anshutz
25
Woman In An Interior, Reading
26
The Farmer And His Son At Harvesting
27
Iron Workers at Noontime
28
Woman Writting On A Table
29
Aunt Hannahمعهد ديترويت للفنون
30
Boys by a Fire
31
Woman in a Rocking Chair
32
Mrs. Anshutz and Her Son Edward
33
Lady with Bonnet
34
Edwardian Woman On The Beach
35
Boys with a Boat, Ohio River, near Wheeling, West Virginia
36
Portrait of Mrs. Anschutz
37
A Challenge
38
Woman in a Rocking Chair
39
Woman Writing at a Table
40
Boys Playing with Crabs
41
a rose
42
Indian On The Ohio
43
North East Weather
44
Checker Playersمتحف سميثسونيان للفن الأمريكي
45
a flowered gown
46
Portrait of Katherine Rice1908
47
Figure Piece1909
48
Self Portrait1909
49
The Way They Live1879 · متحف المتروبوليتان للفنون
50
Tanker in Dock, Port RichmondReading Public Museum
51
Sunset Glow -
52
New Jersey Shore
53
Pennsylvania Scene
54
On the Delaware at Tacony
55
the summer house
56
Landscape with Grey Sky
57
Two Male Figures Wrestling
58
the lumber boat
59
Morning Mist
60
Garden
61
Landscape with Grey Sky
62
Rooftops, St. Cloud
63
A Rose -متحف المتروبوليتان للفنون
64
The Ironworker's Noontimeمتاحف الفنون الجميلة في سان فرانسيسكو
65
The Way They Liveمتحف المتروبوليتان للفنون
المواضيع الأربعة التي تتكرر باستمرار في هذه الأعمال الأصلية، مع تقديم أروع مثال لكل منها.
المتاحف الـ 7 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال توماس بولوك أنشوتز | لوحات من هذه القائمة |
|---|---|---|---|
 متحف المتروبوليتان للفنون |
نيويورك | 3 | The Way They Live, A Rose -, The Way They Live |
 متحف سميثسونيان للفن الأمريكي |
واشنطن العاصمة | 2 | Sand Burr, Checker Players |
 Reading Public Museum |
ريدينغ | 2 | Woman in Red, Tanker in Dock, Port Richmond |
 متحف كارنيجي للفنون |
بيتسبرغ | 1 | Steamboat on the Ohio |
 Hirshhorn Museum and Sculpture Garden |
واشنطن دي سي | 1 | Portrait of Margaret Perot |
 معهد ديترويت للفنون |
ديترويت | 1 | Aunt Hannah |
 متاحف الفنون الجميلة في سان فرانسيسكو |
سان فرانسيسكو | 1 | The Ironworker's Noontime |
اختر عقداً لتشاهد العمل الأصلي الذي يجسده.
The painting titled The Farmer and His Son at Harvesting was created by the American artist Thomas Pollock Anshutz. This specific work is dated about 1879. The canvas captures a scene of agricultural labor involving two figures within a rural landscape.
We are looking at Boy in Brown, study for The Ironworkers' Noontime, a work by Thomas Pollock Anshutz. Created in 1880, this oil study focuses on a single male figure. It offers a glimpse into the artist's process during a period of significant development in his approach to realism.
In the 1894 painting Sand Burr, Thomas Pollock Anshutz presents an impressionistic landscape. The scene focuses on a shoreline where two young boys are positioned near a boat. The large, white hull of the vessel occupies the left side of the frame, creating a structural presence that directs the viewer toward the two figures on the right. The subjects are situated on a coast characterized by earthy greens and pale…
In the Portrait of Emily Fairchild Pollock by Thomas Pollock Anshutz, the composition centers upon the sitter’s face and upper body. She sits facing forward, her hands clasped quietly in her lap. This formal pose, combined with her attire, suggests a sense of dignity and status. The perspective remains relatively shallow, offering minimal depth beyond the slight recession of the figure into a dark, muted background. A soft, diffused light…
Rebecca H. Whelan sits within the quiet geometry of an ornate chair. She is angled slightly, her gaze drifting toward the left of the frame. A patterned rug anchors her feet, while the vertical lines of wall paneling provide a rigid structure to her soft presence. The light falls from above and to the left, catching the curve of her face and the heavy folds of her dress. It is…
a passing glance. يليه Boy in Brown, study for The Ironworkers' Noontime (1880) و The Farmer and His Son at Harvesting (1879).
a passing glance, Boy in Brown, study for The Ironworkers' Noontime, The Farmer and His Son at Harvesting, The Chore, Sand Burr, Two Boys by a Boat - Near Cape May, Two Boys by a Boat, The Harpist, Portrait of Emily Fairchild Pollock و The Fairy Tale. يوضح التصنيف أعلاه سنة كل لوحة والمتحف التابعة له.
يضم كتالوجنا 87 من أعمال توماس بولوك أنشوتز، التي يعود تاريخها من 1879 إلى 1910.
توجد غالبيتها في متحف المتروبوليتان للفنون (نيويورك), متحف سميثسونيان للفن الأمريكي (واشنطن العاصمة) و Reading Public Museum (ريدينغ). يدرج جدول المتاحف أعلاه جميعها.
في 1900s: تم إنجاز 8 من أصل 65 من الأعمال في هذه الصفحة خلال تلك الفترة، من بينها Portrait of Emily Fairchild Pollock.
في هذه الصفحة، أقدم الأعمال يعود إلى The Farmer and His Son at Harvesting (1879) وأحدثها يعود إلى Portrait of Rebecca H. Whelan (1910).
Woman (7), Women (7) و Boys (6)، عبر 65 من الأعمال في هذه الصفحة.
Oil On Canvas، لـ 12 من أصل 65 من الأعمال في هذه الصفحة.
Contemporary realism و Impressionism، بناءً على الأعمال الأصلية في هذه الصفحة.
The Way They Live, A Rose - و The Way They Live: يضم متحف المتروبوليتان للفنون, نيويورك 3 من الأعمال المعروضة في هذه الصفحة.
