تحديث أكتوبر 2026 · مُرتبة حسب مؤشر شعبيتنا (عمليات البحث، والزيارات، والطلبات لكل عمل فني) · 201 أعمال لـ إميل برنارد في كتالوجنا
باختصار
من بين جميع الأعمال الأصلية التي تركها إميل برنارد، تُعد Iron Bridges at Asnières (1887) هي الأشهر، وهي ضمن مجموعة متحف الفن الحديث (MoMA) في مدينة نيويورك. تأتي بعدهما مباشرة كل من Portrait of Marie Lemasson (1892) و Self-Portrait 1918 (1919). يضم كتالوجنا 201 من أعمال إميل برنارد؛ حيث احتفظ المعرض بـ 100 من أكثر الأعمال التي يعجب بها العالم، مع عرض كل منها مع تاريخها ومتحفها وقصتها.
The scene unfolds within the frame of Iron Bridges at Asnières, a work that captures a specific moment in the evolution of modern painting. Created in 1887, this piece emerges from the creative energy of the late nineteenth century. The artist, Émile Bernard, moves away from the fleeting light of earlier movements to find a new way of seeing the world. This Post-Impressionist work marks a departure from simple observation,…
Marie Lemasson sits before the viewer, a quiet presence anchored in a sea of teal and seafoam green. Her gaze is direct, meeting the eye with a stoic, unblinking calm. She wears a pale lavender-white blouse that catches the diffused light, a soft contrast to the deep burgundy of her skirt. The background is a rhythmic arrangement of vertical stripes, creating a shallow space that pushes her figure forward. There…
An intimate study of an aging artist, this oil on paper portrait captures a moment of profound introspection. The subject is positioned in a close-up view, his head and upper torso emerging from a deep, shadowed background. He holds a palette and brush, tools of his trade that anchor the composition in the act of creation. The lighting is highly directional, striking the face from the upper left and casting…
Buckwheat Harvesters at Pont Aven is an oil on canvas work by Émile Bernard, executed in 1888. The piece captures a scene of buckwheat harvesting within a rural landscape, focusing on the labor of women in the Brittany region. It is currently held at the Musée de Pont-Aven in Hastenparck.
In Après le bain (les nymphes), the artist Émile Bernard invites us into a quiet, secluded moment of repose. Three nude female figures occupy the scene, their bodies arranged in a way that suggests a lingering sense of intimacy. Based on the title, these women appear to be nymphs, mythical beings caught in a state of languid rest within a natural setting. The air feels still around them, as if…
The gaze of the subject meets the viewer in Portrait of a Black Woman, a work that captures a quiet, heavy stillness. Painted by Émile Bernard, this piece emerges from a period of intense creative exploration. It exists under the title Portrait of a Black Woman, though some records identify the work as Study Of A Mulatto Woman, 1895. This distinction offers a glimpse into how the subject is perceived…
The evening air feels heavy and alive in Night Festival, an oil painting by Émile Bernard. Created about 1888, this work captures a moment of communal celebration suspended in the dark. The scene pulls the viewer into a nocturnal gathering where the glow of light meets the deep shadows of the night. It is a piece that belongs firmly to the Post-Impressionist movement, marking a departure from the fleeting light…
Portrait du père Tanguy1887 · Kunstmuseum Basel
12
Victorine Lelopin1891 · متحف أكلاند للفنون
13
The Wave1892 · متحف أكلاند للفنون
14
The Salon1890 · متحف دالاس للفنون
15
Confirmand's Procession1891 · Davis Museum and Cultural Center
16
The Breton wrestlers1889
17
Portrait of Madeline, the Artist's Sister1889 · Art Museum at The University of Kentucky
18
Breton Girl with a Red Umbrella1888 · متحف الفنون الجميلة في هيوستن
19
Self-Portrait as a Troubadour1892 · المتحف الوطني للفن الغربي
20
The Annunciation1890 · متحف ثيسين بورنيميزا
21
Inside a Shop in Pont-Aven1887 · متحف ثيسين بورنيميزا
22
The Artist's Grandmother1887 · متحف الفنون الجميلة
23
Woman Sitting in a Field: Brittany1890 · متحف فان جوخ
24
Symbolic Self-Portrait1891 · متحف أورسيه
25
Portrait of my sister Madeleine1888 · Musée Toulouse-Lautrec
26
Gaulish apple pickers1892
27
Portrait de Madame Lemasson1891
28
Death of the Knight (La Mort du cavalier)1892
29
Woman in Profile1895
30
Three Women on the Banks of a River1895
31
Fellah Women at the Bath1900 · Musée des Beaux-Arts
32
Bathing Men1904 · Musée d'Unterlinden
33
Breton Women in a Ferry Boat1900 · San Diego Museum of Art
34
Toilet of Venus1911 · Musée des Beaux-Arts
35
Woman's Head1920 · متاحف هارفارد للفنون
36
Melancholy1935 · Musee d'art Moderne de la Ville de Paris
37
Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941)1908 · متحف فان جوخ
38
Breton Women1940 · Musee d'art Moderne de la Ville de Paris
39
Self-Portrait1888 · مؤسسة بارنز
40
Board decorated with tendrils and flowers1906 · متحف فان جوخ
41
Landscape at Pont-Aven with Poplars1888 · Musée de Pont-Aven
42
Still life with flowers in a jug1904 · متحف فان جوخ
43
The Adoration of the Shepherds1889 · Musée de Pont-Aven
44
Study for The Buckwheat Harvesters1888 · Musée de Pont-Aven
45
Breton Women with Seaweedمتحف إنديانابوليس للفنون
46
Funeral palls 11885 · Musée des Beaux-Arts de Quimper
47
Funeral palls 21885 · Musée des Beaux-Arts de Quimper
48
Houses in Pont-Aven1890 · Wallraf-Richartz-Museum
49
Landscape, Saint-Briac1888 · Kelvingrove Art Gallery and Museum
50
Still Life with Fruit, Cup and Pitcher1888 · Des Moines Art Center
51
Two Breton women in a meadow1886 · متحف فان جوخ
52
Boy sitting in the grass1886 · متحف فان جوخ
53
Woman Walking on the Banks of the Aven1890 · متحف الفنون الجميلة في هيوستن
54
The Cliffs at Le Pouldu1887 · متحف ثيسين بورنيميزا
55
Still Life with Fruit1890 · معهد شيكاغو للفنون
56
House Among Trees: Pont-Aven1888 · متحف فان جوخ
57
Vase with Flowers and Cup1887 · متحف فان جوخ
58
Landscape at Pont-Aven1889 · متحف فان جوخ
59
Still Life with Flowers1887 · Norton Simon Museum
60
Brittany Landscape1888 · Norton Simon Museum
61
Still Life with Jug1890 · Gothenburg Museum of Art
62
Still Life with Teapot, Apples and Dishes1892
63
Still Life with Pears on a White Tablecloth1891
64
Catalogue for the Van Gogh Exhibition at Le Barc de Boutteville and Lottery Ticket1891
65
Springtime1892
66
Woman at Saint-Briac1886
67
Landscape, Saint Briac1889
68
Orchard at Pont Aven1886 · Musée des Beaux-Arts de Quimper
69
Still Life with Fruit and Pitcher1896
70
Still Life with Grapes1893
71
Spanish street musician and his family1897
72
Landscape, Aix-les-Bains1904 · Hood Museum of Art
73
View of Castle in Semur1905 · Tokyo Fuji Art Museum
74
Jeune Fille Sur La Colline1904 · متاحف الفنون الجميلة في سان فرانسيسكو
75
Parisian Womanالمتحف الوطني للفن الغربي
76
2 men .... sitting in a cellar
77
Woman standing
78
On the boulevard
79
Working bretones
80
Mercury and Two Women
81
Apple picking
82
Bretons with umbrellas
83
Annunciation
84
Woman Sewing
85
Bearing apple
86
Death
87
Banquet Scene
88
Breton Peasant Women in a field
89
Street Scene
90
La Dame au Manchon (Woman with a Muff)
91
Sleep
92
Madeleine at the tree of lovePortland Museum of Art
93
Study of bretons
94
Au bord de la Marne
95
Portrait of Paul Sérusier
96
The Archer
97
Christ Carrying the Cross with Saint Veronica near him
98
Bridge at Pont-Avenمتحف دالاس للفنون
99
Portrait of a painter in a red robe
100
Nude with a plate of cherries
المواضيع الأربعة التي تتكرر باستمرار في هذه الأعمال الأصلية، مع تقديم أروع مثال لكل منها.
المتاحف الـ 8 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال إميل برنارد | لوحات من هذه القائمة |
|---|---|---|---|
 متحف فان جوخ |
أمستردام | 11 | Self-Portrait 1918, Woman Sitting in a Field: Brittany, Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941) |
 Musée de Pont-Aven |
هاستنبارك | 7 | Landscape at Pont-Aven with Poplars, The Adoration of the Shepherds, Study for The Buckwheat Harvesters |
 متحف ثيسين بورنيميزا |
مدريد | 4 | The Annunciation, Inside a Shop in Pont-Aven, The Cliffs at Le Pouldu |
 Musée des Beaux-Arts de Quimper |
Quimper | 4 | Funeral palls 1, Funeral palls 2, Orchard at Pont Aven |
 Wallraf-Richartz-Museum |
كولونيا | 3 | Loving Couple, Houses in Pont-Aven |
 متحف دالاس للفنون |
دالاس | 3 | The Salon, Bridge at Pont-Aven |
 Musée des Beaux-Arts |
رانس | 3 | Fellah Women at the Bath, Toilet of Venus |
 متحف أكلاند للفنون |
تشابل هيل | 2 | Victorine Lelopin, The Wave |
اختر عقداً لتشاهد العمل الأصلي الذي يجسده.
The scene unfolds within the frame of Iron Bridges at Asnières, a work that captures a specific moment in the evolution of modern painting. Created in 1887, this piece emerges from the creative energy of the late nineteenth century. The artist, Émile Bernard, moves away from the fleeting light of earlier movements to find a new way of seeing the world. This Post-Impressionist work marks a departure from simple observation,…
Marie Lemasson sits before the viewer, a quiet presence anchored in a sea of teal and seafoam green. Her gaze is direct, meeting the eye with a stoic, unblinking calm. She wears a pale lavender-white blouse that catches the diffused light, a soft contrast to the deep burgundy of her skirt. The background is a rhythmic arrangement of vertical stripes, creating a shallow space that pushes her figure forward. There…
An intimate study of an aging artist, this oil on paper portrait captures a moment of profound introspection. The subject is positioned in a close-up view, his head and upper torso emerging from a deep, shadowed background. He holds a palette and brush, tools of his trade that anchor the composition in the act of creation. The lighting is highly directional, striking the face from the upper left and casting…
Iron Bridges at Asnières (1887)، متحف الفن الحديث (MoMA), مدينة نيويورك. ويليها Portrait of Marie Lemasson (1892) وSelf-Portrait 1918 (1919).
عمر 19 عاماً: يعود تاريخ Iron Bridges at Asnières إلى 1887، وقد وُلد إميل برنارد في 1868.
Iron Bridges at Asnières, Portrait of Marie Lemasson, Self-Portrait 1918, Buckwheat Harvesters at Pont Aven, Après le bain (les nymphes), Portrait of a Black Woman, Night Festival, The Harvest, Loving Couple و The Harvest at Saint-Briac. يوضح التصنيف أعلاه سنة كل لوحة والمتحف التابعة له.
يضم كتالوجنا 201 من أعمال إميل برنارد، التي يعود تاريخها من 1885 إلى 1940.
توجد غالبيتها في متحف فان جوخ (أمستردام), Musée de Pont-Aven (هاستنبارك) و متحف ثيسين بورنيميزا (مدريد). يدرج جدول المتاحف أعلاه جميعها.
في 1880s: تم إنجاز 29 من أصل 100 من الأعمال في هذه الصفحة خلال تلك الفترة، من بينها Iron Bridges at Asnières.
في هذه الصفحة، أقدم الأعمال يعود إلى Funeral palls 1 (1885) وأحدثها يعود إلى Breton Women (1940).
Women (12), People (6) و Woman (4)، عبر 100 من الأعمال في هذه الصفحة.
Oil On Canvas، لـ 8 من أصل 100 من الأعمال في هذه الصفحة.
Post-impressionist synthetism، بناءً على الأعمال الأصلية في هذه الصفحة.
Self-Portrait 1918, Woman Sitting in a Field: Brittany و Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941): يضم متحف فان جوخ, أمستردام 10 من الأعمال المعروضة في هذه الصفحة.
