تسلسل الزوايا المزدوجة
إن العمل الفني المعروض في هذه الصفحة محمي بموجب قوانين حقوق الطبع والنشر، مما يعني أنه لا يحق لنا قانوناً إنشاء أو بيع نسخ مطابقة له. وتُطبق هذه الحماية بموجب الاتفاقيات الدولية مثل الـ اتفاقية برن ووفقاً للقوانين الوطنية، بما في ذلك تلك المنصوص عليها في قانون حقوق الطبع والنشر في الولايات المتحدة - الباب 17.
تتوافق هذه الطريقة تماماً مع لوائح حقوق النشر لأنها لا تتضمن نسخ أو تكرار العمل الفني المحمي، بل هي إعادة تفسير إبداعية؛ أي أنها لوحة جديدة مستوحاة من الأصل ولكنها ليست مطابقة له.
طباعة جيلي / مطبوعات فنية
طباعة جيكلي أو كانفاس بجودة المتاحف، مع سرعة في التنفيذ وخيارات متنوعة للتشطيب. ( اطلب نسخة مرسومة يدويًا
التحويل إلى الصورة الرقمية)
P118B E£10
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P805H E£10
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P919BZ E£10
P919G E£10
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P968JZ E£12
W106C E£8
W218G E£10
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W218Y E£10
W307PJ E£10
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W316PJ E£8
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W4111J E£10
W500HY E£15
W500JH E£15
W692G E£12
W849H E£8
W940BG E£15
W953PJ E£8
اختر من بين أحجامنا المُعدّة مسبقاً والتي تتوافق مع النسب الأصلية للعمل الفني.
أدخل العرض والارتفاع اللذين تحتاجهما، ليتناسب مع إطارك أو جدارك. يمكن قص المطبوعة فقط، ولا يمكن أبداً جعلها أكبر من الصورة الأصلية، لذا فإن أي مقاس بشكل مختلف سيؤدي إلى فقدان جزء من الصورة. سنرسل لك نموذجاً رقمياً تجريبياً لاعتماده قبل البدء في عملية الطباعة. الصورة المعروضة في هذه الصفحة لا توضح القص الفعلي — النموذج التجريبي فقط هو ما يظهر ذلك.
توصيل عالمي إلى خلال أسبوعين بدلاً من المدة القياسية البالغة 4/5 أسابيع. (28 أكتوبر)
شحن سريع ومجاني لجميع أنحاء العالم
قماش كتان فاخر
تأمين شامل على الشحن
ضمان استرداد الرسوم الجمركية
ضمان دقة مطابقة الألوان
سياسة الإرجاع خلال 100 يوم (في حالات العيوب فقط)
ضمان استرداد نقدي بنسبة 100%
عرض خصم الكميات
تسلسل الزوايا المزدوجة
طباعة جيلي / مطبوعات فنية
مقاس النسخة المطبوعة
-
إجمالي السعر
E£ 4167
Sequence of Dihedrals: A Dialogue Between Geometry and Movement
Sergio Prego’s “Sequence of Dihedrals” (Secuencia de diedros), conceived for the Guggenheim Museum Bilbao in 2007, isn't merely an architectural installation; it’s a carefully orchestrated choreography of materials and space—a testament to minimalist aesthetics infused with conceptual depth. The artwork confronts viewers with a stark black-and-white photograph capturing the museum’s interior, dominated by expansive glass walls punctuated by modular aluminum panels that execute a mesmerizing dance of shifting angles. This visual experience transcends simple observation, inviting contemplation on permanence versus impermanence and precision against disruption.Conceptual Framework: Exploring Spatial Relationships
Prego's artistic vision draws heavily from influences like Bruce Nauman and Andrei Tarkovsky—artists who championed the exploration of corporeality and cinematic storytelling—reflecting a fascination with how perception shapes reality. The core concept revolves around disrupting established rhythms and visual cues within the museum environment. Each aluminum panel, positioned atop glass slabs mirroring its dimensions, pivots at 10º or 15º angles, generating dihedrals – intersecting planes that create dynamic visual illusions. This movement isn’t random; it's governed by a pneumatic mechanism operating in timed intervals, ensuring panels align precisely to form a predetermined configuration—a deliberate challenge to passive viewing and an assertion of active spatial engagement.Technical Execution: Precision Meets Material Transformation
The execution of “Sequence of Dihedrals” exemplifies Prego’s mastery of material manipulation. Utilizing aluminum tubes and sheets alongside glass, he achieves remarkable stability while simultaneously conveying fluidity. The photograph meticulously documents the installation's construction—a lattice structure overlaid with orthogonal lines mirroring the existing glass wall’s oblique geometry. This layering emphasizes the interplay between static form (the glass) and dynamic movement (the panels), highlighting Prego’s commitment to transforming ordinary materials into instruments of artistic expression. The diffused lighting contributes to a grayscale palette, minimizing distractions and amplifying the sculptural impact of the installation itself.Symbolic Resonance: Embracing Impermanence
Beyond its formal qualities, “Sequence of Dihedrals” speaks to broader themes concerning time and change—concepts central to Tarkovsky’s cinematic explorations. The deliberate disruption of visual expectations mirrors the artist's preoccupation with capturing fleeting moments and conveying emotional resonance. The stark monochrome reinforces a sense of formality and precision, yet simultaneously underscores the artwork’s inherent vulnerability – its reliance on movement and its eventual transformation into an enduring image captured in photographic documentation.A Reflection of Bilbao’s Architectural Identity
Displayed prominently within the Guggenheim Museum Bilbao—a landmark building designed by Frank Gehry—the installation embodies Bilbao's ambition to position itself as a hub for contemporary art and innovation. It serves as a powerful reminder that even seemingly simple geometric forms can communicate complex ideas about space, perception, and artistic intention. “Sequence of Dihedrals” remains an unforgettable experience – a captivating dialogue between architectural grandeur and sculptural subtlety.الأسئلة والأجوبة
أين يمكنني العثور على إحصائيات حول "تسلسل الزوايا المزدوجة" للفنان Sergio Prego؟
تعرض صفحة الإحصائيات الخاصة بـ "تسلسل الزوايا المزدوجة" للفنان Sergio Prego إحصائيات الزيارات العامة: عدد الزيارات الشهرية لهذا العمل الفني، ومقارنةً مع أكثر أعمال الفنان مشاهدةً، بالإضافة إلى المناطق التي يأتي منها الزوار.
من الذي أبدع "تسلسل الزوايا المزدوجة" وفي أي عام؟
أبدع Sergio Prego لوحة "تسلسل الزوايا المزدوجة" في عام 2007.
ما هو المكان والغرض الموصى به لـ "تسلسل الزوايا المزدوجة"؟
يُقترح استخدام "تسلسل الزوايا المزدوجة" لـ لمسة لونية، والمساحة الموصى بها هي غرفة المعيشة.
نبذة عن الفنان
Sergio Prego: Sculpting Space and Embracing Impermanence
Sergio Prego is a Spanish artist born in Donostia/San Sebastián in 1969, deeply rooted in the Basque artistic landscape of the late 1990s. His formative years at the University of the Basque Country and subsequent studies at the School of Visual Arts in New York instilled in him a multidisciplinary approach that would become central to his distinctive artistic vision. Prego’s work transcends traditional sculptural conventions, prioritizing exploration of spatial relationships and embracing the transformative potential of ephemeral materials—primarily polyethylene tubes and aluminum—to create installations that challenge perceptions of form and movement.- Early Influences: Prego's artistic trajectory was significantly shaped by figures like Bruce Nauman and Andrei Tarkovsky, whose explorations of corporeality and cinematic storytelling resonated deeply with his conceptual framework. He drew inspiration from the radical architecture collectives of the 1960s—Ant Farm and Archigram—who envisioned new ideas of space and corporeality as a reaction to prevailing societal norms.
- Material Exploration: Prego’s fascination with pneumatic structures – inflatable membranes stabilized by compressed air – represents a pivotal element in his artistic practice. These constructions, often referred to as “poems in space,” are characterized by their delicate balance between rigidity and flexibility, mirroring the artist's preoccupation with capturing fleeting moments of transformation.
- Notable Exhibitions: Prego’s career has been marked by numerous prestigious exhibitions internationally, including the Guggenheim Museum Bilbao (2006), Museo Nacional Centro de Arte Reina Sofía (Madrid), Museo Contemporáneo Barcelona – MACBA (Barcelona), and Venice Biennale (2019). His collaborative project with Itziar Okariz at the Biennale garnered critical acclaim for its conceptual boldness and innovative use of materials.
Sculptural Methodology: Pneumatic Architecture and Kinetic Forms
Prego’s sculptural process is defined by a meticulous attention to detail and an unwavering commitment to experimentation. He employs tetrahedrons—triangular pyramids—arranged around a central axis as fundamental building blocks for his installations, creating modular structures that defy static categorization. These sculptures utilize polyethylene tubes and aluminum elements to generate movement and tension within the confines of space, mirroring Prego’s belief that sculpture should actively engage with its environment. As he articulates, “I have always been interested in inventing new modalities of apprehending the space or, even more, in inventing new spatial relations.”- Technique: The artist meticulously folds polyethylene sheets into tubes and secures them with aluminum supports, resulting in structures that appear to breathe—expanding and contracting subtly under pressure.
- Conceptual Framework: Prego’s approach aligns with the broader artistic movement of the 1960s, which championed performance art and experiential engagement as means of questioning established conventions and exploring alternative perspectives on reality.
Recognition and Legacy: Venice Biennale Collaboration
Sergio Prego achieved international recognition through his participation in the Spanish Pavilion at the Venice Biennale (2019), alongside Itziar Okariz, where they presented *Get Out of the Way*, an inflatable sculpture referencing the pioneering work of architects like Buckminster Fuller and Frei Otto. This project underscored Prego’s enduring fascination with pneumatic structures—a technique rooted in the utopian visions of the late 1960s—and solidified his position as a visionary artist who pushes the boundaries of sculptural practice. His contribution to the Biennale was lauded for its conceptual depth and innovative exploration of spatial dynamics, cementing his legacy as a pivotal figure in contemporary art.Sergio Prego
1969 - , Spain
لمحة سريعة
- Artistic Movement Or Style: Sculpture & Installations
- Artists Or Movements Influenced By This Artist:
- Juan Luis Moraza
- Ángel Bados
- Txomin Badiola
- Artists Who Influenced This Artist:
- Bruce Nauman
- J.G. Ballard
- Ant Farm
- Trisha Brown
- Date Of Birth: 1969
- Full Name: Sergio Prego
- Nationality: Spanish
- Notable Artworks:
- Sequence of Dihedrals
- Rose-colored Drift/To the Students
- Place Of Birth: San Sebastián, Spain

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