معاينة الحجم الواقعي
إرسال
مشاركة
عرض التفاصيل
دليل الأعمال الفنية للطلاب
تحميل
قطع مشابهة
الأشعة السينية
عرض شرائح متتابع
الإحصائياتConstruction for Noble Ladies
Dada
1919
103.0 x 83.0 cm
متحف لوس أنجلس لمهرجان الفنون
اقرأ المزيد
طباعة جيلي / مطبوعات فنية
طباعة جيكلي أو كانفاس بجودة المتاحف، مع سرعة في التنفيذ وخيارات متنوعة للتشطيب. (
اطلب نسخة مرسومة يدويًا التحويل إلى الصورة الرقمية)
P118B E£10
P118H E£10
P118W E£10
P438Z E£10
P508JH E£12
P508YH E£12
P805H E£10
P805Z E£10
P919BZ E£10
P919G E£10
P919XJ E£10
P959ZH E£10
P968JZ E£12
W106C E£8
W218G E£10
W218JH E£8
W218Y E£10
W307PJ E£10
W316G E£10
W316PJ E£8
W316Y E£10
W398PJ E£8
W4111J E£10
W500HY E£15
W500JH E£15
W692G E£12
W849H E£8
W940BG E£15
W953PJ E£8
اختر من بين أحجامنا المُعدّة مسبقاً والتي تتوافق مع النسب الأصلية للعمل الفني.
أدخل العرض والارتفاع اللذين تحتاجهما، ليتناسب مع إطارك أو جدارك. يمكن قص المطبوعة فقط، ولا يمكن أبداً جعلها أكبر من الصورة الأصلية، لذا فإن أي مقاس بشكل مختلف سيؤدي إلى فقدان جزء من الصورة. سنرسل لك نموذجاً رقمياً تجريبياً لاعتماده قبل البدء في عملية الطباعة. الصورة المعروضة في هذه الصفحة لا توضح القص الفعلي — النموذج التجريبي فقط هو ما يظهر ذلك.
توصيل عالمي إلى خلال أسبوعين بدلاً من المدة القياسية البالغة 4/5 أسابيع. (27 أكتوبر)
شحن سريع ومجاني لجميع أنحاء العالم
قماش كتان فاخر
تأمين شامل على الشحن
ضمان استرداد الرسوم الجمركية
ضمان دقة مطابقة الألوان
سياسة الإرجاع خلال 100 يوم (في حالات العيوب فقط)
ضمان استرداد نقدي بنسبة 100%
عرض خصم الكميات
خيار الزجاج متاح فقط للمقاسات التي تقل عن 110 سم
Construction for Noble Ladies
طباعة جيلي / مطبوعات فنية
مقاس النسخة المطبوعة
-
إجمالي السعر
E£ 4165
نبذة عن الفنان
Kurt Schwitters: A Life in Merz
Early Life and Education
- Born: June 20, 1887, in Hanover, Germany.
- Schwitters was the only child of Eduard and Henriette Schwitters. His father co-owned a ladies' clothing shop.
- The family’s financial situation improved after selling the business in 1898, allowing them to live off rental income from properties they acquired.
- He studied art at the Dresden Academy from 1909-1915 alongside artists like Otto Dix and George Grosz, though he seemingly remained unaware of their work at the time.
- Schwitters suffered his first epileptic seizure in 1901, which later exempted him from military service for a period during World War I.
Artistic Development and the Birth of Merz
- Initially, Schwitters worked in a post-impressionist style. His early work reflected this influence.
- The devastation of World War I profoundly impacted his artistic direction. He felt traditional academic training was irrelevant in the face of societal collapse.
- “In the war, things were in terrible turmoil…everything had broken down and new things had to be made out of the fragments; and this is Merz.”
- Around 1918, he began creating abstract collages using found objects – scraps of paper, tickets, and other discarded materials.
- The term “Merz” itself came from a fragment of text (“Commerz und Privatbank”) cut from an advertisement and incorporated into one of his early works, *Das Merzbild* (1918-19).
Key Works and Artistic Styles
- Merz Pictures: These collages are arguably Schwitters’ most famous contribution. They represent a radical departure from traditional art, embracing chance and the aesthetics of everyday life.
- Merzbau: A monumental architectural construction within his home in Hanover, continuously evolving over decades. It was a three-dimensional embodiment of Merz principles – a labyrinthine space filled with niches, grottoes, and found objects.
- Assemblage & Installation Art: Schwitters pioneered these forms, blurring the boundaries between painting, sculpture, and architecture.
- He also worked in poetry, sound, graphic design, and typography, exploring a wide range of artistic media.
Influences and Connections
- Early influences included post-impressionism, but he quickly moved beyond these conventions.
- He came into contact with members of the Berlin avant-garde – Raoul Hausmann, Hannah Höch, and Hans Arp – through Herwarth Walden’s *Der Sturm* gallery.
- While associated with Dadaism, Schwitters maintained a distinct artistic identity. He was initially rejected by some Dadaists for his ties to expressionism.
Later Life and Legacy
- Facing increasing persecution under the Nazi regime due to his “degenerate art,” Schwitters fled Germany in 1937.
- He spent time in Norway and England, continuing to create Merz works despite challenging circumstances. He was briefly interned as an enemy alien during World War II.
- Died: January 8, 1948, in Ambleside, England.
- Kurt Schwitters’ work profoundly influenced subsequent generations of artists, particularly those involved in Pop Art, Minimalism, and Conceptual Art.
- His innovative use of found objects and his exploration of the relationship between art and everyday life continue to resonate with contemporary audiences.
Historical Significance
- Schwitters’ Merz aesthetic challenged traditional notions of artistic beauty and authorship.
- He expanded the definition of art by incorporating non-art materials and blurring the lines between different disciplines.
- His work remains a powerful testament to the creative potential of fragmentation, reconstruction, and the embrace of chance.
Kurt Schwitters
1887 - 1948
لمحة سريعة
- Name: Kurt Schwitters
- Movement:
- Dadaism
- Constructivism
- Surrealism
- Merz
- Birth Date: June 20, 1887
- Death Date: 1948
- Birth Place: Hanover, Germany
- Nationality: German
- Date Of Birth: 1887
- Date Of Death: 1948
- Notable Works:
- Merz pictures
- Merzbau
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