استشارة فنية مجانية
من نحن تواصل معنا
      معاينة الحجم الواقعي معاينة بالواقع المعزز اطلب نسخة مرسومة يدويًا التحويل إلى الصورة الرقمية إرسال
      عرض التفاصيل دليل الأعمال الفنية للطلاب أضف إلى المفضلة تحميل قطع مشابهة الأشعة السينية عرض شرائح متتابع الإحصائيات
      John Samuel Tunnard

      The Trial

      John Samuel Tunnard’s ‘The Trial,’ painted in 1944, delves into psychological exploration with layered perspectives and evocative motifs. Inspired by modernist fabric design and jazz, this artwork reflects a contemplative mood amidst the anxieties of WWII.
      اقرأ المزيد

      Discover John Samuel Tunnard (1900-1971): a key English modernist painter influenced by Surrealism. Explore his landscapes, portraits & textile designs at OriginalUniqueArt.
      اقرأ المزيد

      إن العمل الفني المعروض في هذه الصفحة محمي بموجب قوانين حقوق الطبع والنشر، مما يعني أنه لا يحق لنا قانوناً إنشاء أو بيع نسخ مطابقة له. وتُطبق هذه الحماية بموجب الاتفاقيات الدولية مثل الـ اتفاقية برن ووفقاً للقوانين الوطنية، بما في ذلك تلك المنصوص عليها في قانون حقوق الطبع والنشر في الولايات المتحدة - الباب 17.

      تتوافق هذه الطريقة تماماً مع لوائح حقوق النشر لأنها لا تتضمن نسخ أو تكرار العمل الفني المحمي، بل هي إعادة تفسير إبداعية؛ أي أنها لوحة جديدة مستوحاة من الأصل ولكنها ليست مطابقة له.

      اقرأ المزيد

      طباعة جيلي / مطبوعات فنية

      طباعة جيكلي أو كانفاس بجودة المتاحف، مع سرعة في التنفيذ وخيارات متنوعة للتشطيب. ( اطلب نسخة مرسومة يدويًا التحويل إلى الصورة الرقمية)

      اقرأ المزيد

      Corner sample of the P118B picture frame: بوليسترين مُشكّل, 5 cm wide and 3 cm thick
      P118B E£10
      Corner sample of the P118H picture frame: بوليسترين مُشكّل, 5 cm wide and 3 cm thick
      P118H E£10
      Corner sample of the P118W picture frame: بوليسترين مُشكّل, 5 cm wide and 3 cm thick
      P118W E£10
      Corner sample of the P438Z picture frame: بوليسترين مُشكّل, 5.5 cm wide and 3.5 cm thick
      P438Z E£10
      Corner sample of the P508JH picture frame: بوليسترين مُشكّل, 7 cm wide and 3.5 cm thick
      P508JH E£12
      Corner sample of the P508YH picture frame: بوليسترين مُشكّل, 7 cm wide and 3.5 cm thick
      P508YH E£12
      Corner sample of the P805H picture frame: بوليسترين مُشكّل, 5 cm wide and 3.5 cm thick
      P805H E£10
      Corner sample of the P805Z picture frame: بوليسترين مُشكّل, 5 cm wide and 3.5 cm thick
      P805Z E£10
      Corner sample of the P919BZ picture frame: بوليسترين مُشكّل, 7 cm wide and 3.5 cm thick
      P919BZ E£10
      Corner sample of the P919G picture frame: بوليسترين مُشكّل, 7 cm wide and 3.5 cm thick
      P919G E£10
      Corner sample of the P919XJ picture frame: بوليسترين مُشكّل, 7 cm wide and 3.5 cm thick
      P919XJ E£10
      Corner sample of the P959ZH picture frame: بوليسترين مُشكّل, 5 cm wide and 3 cm thick
      P959ZH E£10
      Corner sample of the P968JZ picture frame: بوليسترين مُشكّل, 6 cm wide and 4 cm thick
      P968JZ E£12
      Corner sample of the W106C picture frame: خشب طبيعي صلب, 5 cm wide and 3 cm thick
      W106C E£8
      Corner sample of the W218G picture frame: خشب طبيعي صلب, 5 cm wide and 3 cm thick
      W218G E£10
      Corner sample of the W218JH picture frame: خشب طبيعي صلب, 5 cm wide and 3 cm thick
      W218JH E£8
      Corner sample of the W218Y picture frame: خشب طبيعي صلب, 5 cm wide and 3 cm thick
      W218Y E£10
      Corner sample of the W307PJ picture frame: خشب طبيعي صلب, 6 cm wide and 3 cm thick
      W307PJ E£10
      Corner sample of the W316G picture frame: خشب طبيعي صلب, 6 cm wide and 3 cm thick
      W316G E£10
      Corner sample of the W316PJ picture frame: خشب طبيعي صلب, 6 cm wide and 3 cm thick
      W316PJ E£8
      Corner sample of the W316Y picture frame: خشب طبيعي صلب, 6 cm wide and 3 cm thick
      W316Y E£10
      Corner sample of the W398PJ picture frame: خشب طبيعي صلب, 5 cm wide and 3 cm thick
      W398PJ E£8
      Corner sample of the W4111J picture frame: خشب طبيعي صلب, 6.5 cm wide and 3.5 cm thick
      W4111J E£10
      Corner sample of the W500HY picture frame: خشب طبيعي صلب, 7 cm wide and 5 cm thick
      W500HY E£15
      Corner sample of the W500JH picture frame: خشب طبيعي صلب, 7 cm wide and 5 cm thick
      W500JH E£15
      Corner sample of the W692G picture frame: خشب طبيعي صلب, 8 cm wide and 4 cm thick
      W692G E£12
      Corner sample of the W849H picture frame: خشب طبيعي صلب, 5 cm wide and 3 cm thick
      W849H E£8
      Corner sample of the W940BG picture frame: خشب طبيعي صلب, 7.5 cm wide and 4.5 cm thick
      W940BG E£15
      Corner sample of the W953PJ picture frame: خشب طبيعي صلب, 6 cm wide and 3.5 cm thick
      W953PJ E£8

      مقاس قياسي
      مخصص
      CM
      INCH

      اختر من بين أحجامنا المُعدّة مسبقاً والتي تتوافق مع النسب الأصلية للعمل الفني.

      العرض
      الارتفاع

      أدخل العرض والارتفاع اللذين تحتاجهما، ليتناسب مع إطارك أو جدارك. يمكن قص المطبوعة فقط، ولا يمكن أبداً جعلها أكبر من الصورة الأصلية، لذا فإن أي مقاس بشكل مختلف سيؤدي إلى فقدان جزء من الصورة. سنرسل لك نموذجاً رقمياً تجريبياً لاعتماده قبل البدء في عملية الطباعة. الصورة المعروضة في هذه الصفحة لا توضح القص الفعلي — النموذج التجريبي فقط هو ما يظهر ذلك.

      اقرأ المزيد

      اقرأ المزيد

      اقرأ المزيد

      توصيل عالمي إلى خلال أسبوعين بدلاً من المدة القياسية البالغة 4/5 أسابيع. (21 أكتوبر)

      اقرأ المزيد

      شحن سريع ومجاني لجميع أنحاء العالم
      قماش كتان فاخر
      تأمين شامل على الشحن
      ضمان استرداد الرسوم الجمركية
      ضمان دقة مطابقة الألوان
      سياسة الإرجاع خلال 100 يوم (في حالات العيوب فقط)
      ضمان استرداد نقدي بنسبة 100%
      عرض خصم الكميات
      اقرأ المزيد

      إجمالي السعر

      E£ 4131

      The Trial

      طباعة جيلي / مطبوعات فنية

      مقاس النسخة المطبوعة

      -

      إجمالي السعر

      E£ 4131

      حقائق سريعة

      • Notable elements or techniques: Perspective play; Void motifs; Ochre-yellow figure.
      • Artist: John Samuel Tunnard
      • Medium: Oil on Canvas
      • Influences: Marine life"; "Jazz music"; "Fabric design
      • Subject or theme: Psychological exploration; Dreamscape.
      • Title: The Trial

      اختبار المعلومات الفنية

      لكل سؤال إجابة صحيحة واحدة فقط.

      سؤال 1:
      What artistic movement is John Tunnard’s painting ‘The Trial’ primarily associated with?
      سؤال 2:
      Where was John Tunnard's early career exhibition showcasing his work held?
      سؤال 3:
      What is a prominent motif within Tunnard's painting 'The Trial', reflecting his broader artistic interests?
      سؤال 4:
      Which influential figure inspired Tunnard’s exploration of perspective and its impact on conveying mood in ‘The Trial’?
      سؤال 5:
      What was John Tunnard's role during World War II, contributing to his artistic inspiration?
      After studying textile design at the Royal College of Art, John Tunnard began his career as a designer and fabric-buyer for John Lewis in London. In the 1930’s, he moved with his wife to Cornwall, establishing a silk block-printing business. It was while he was in Cornwall that Tunnard turned towards painting. Identified as an English Surrealist, his paintings were shown alongside Yves Tanguy, Paul Nash, Graham Sutherland and John Piper. He was widely regarded and exhibited during his life, with an early career exhibition at Peggy Guggenheim’s ‘Guggenheim Jeune’ gallery in London, (open between 1938-9). He would produce two major works for the 1951 Festival of Britain – a painting, The Return (1951) and a mural for the Regatta Restaurant. Influences on his work include Modern fabric design, an interest in marine life, free-association music (Tunnard was a keen jazz player), and the natural world, (he also collected rare insects for the Natural History Museum while it was still a part of the British Museum).A play on perspective gives this painting its macabre ‘down the rabbit hole’ ambience. This painting leads its viewer into a world of multiple planes, lines and voids. Peering into its visual machine, one’s investigations are quickly interrupted by a disappearing line, or a strike that crosses one’s view or bends one’s vision along a new route. The viewer’s eye experiences a kind of paroxysm while looking at this painting. A darting effect is produced that leaves us confused as to the ‘real’ nature of the pattern itself. Whatever was first understood becomes distorted and we are left with such questions as: where is the front? where is at the back? what indeed, is happening here?A number of motifs within this work are common across Tunnard’s practice at this time. The ochre-yellow figure to the right recurs in the work Ghost painted in the same year, and the sharp base-point of tentatively poised shapes are present in other paintings at this time. Voids, doorways, red colour accents, white scores across the composition and generally a dark, nocturnal palate, are all present throughout a body of work that Tunnard painted across the final years of the Second World War.A conscientious objector, Tunnard spent most of the war as a coastguard on the Cornish coast. In this role, his regular view would have been towards occupied France and across an embattled mass of sky and sea. An active stage of war, this coastal strip was the southernmost ‘front’ of Great Britain. A distorted political space, The Channel, much like this painting, was ideologically abstracted by opposing forces that brawled across it.The sea meets the sky in this painting, which recasts an agitated and sombre character of war. As a critic of The Times was to later write about Tunnard’s work during this period, his:‘imagery seems to spring directly from the war, from a time when deserted airships beneath the moon and skies scored with the smoke-trails of aerial battles brought a sudden anticipatory glimpse of the space-age. Mr Tunnard’s obsession with the dynamics of flight, and his visions of an upper ether patterned and articulated by them were never… documentary records, but more like romantic pictorial science-fiction.’ © Gemma Sharp 20101. Imagery derived from War. Mr John Tunnard’s Paintings’. The Times, 7th December 1959. p14.

      الأسئلة والأجوبة

      إلى أي مرحلة من مراحل تطور John Samuel Tunnard ينتمي العمل "The Trial"؟

      "The Trial" represents the Mature Period of John Samuel Tunnard.

      هل تُحفظ "The Trial" للفنان John Samuel Tunnard في الموطن الأصلي للفنان؟

      لا - العمل الفني محفوظ خارج البلاد. تُعرض لوحة "The Trial" في المملكة المتحدة، بينما وُلد John Samuel Tunnard في United Kingdom.

      كيف يمكنني عرض "The Trial" للفنان John Samuel Tunnard كعرض شرائح؟

      يتوفر عرض متتابع للصور في صفحة عرض متتابع الخاصة بـ "The Trial" للفنان John Samuel Tunnard.

      نبذة عن الفنان

      John Samuel Tunnard: A Life in Modern British Art

      Early Life and Education

      John Samuel Tunnard (1900-1971) was an English modernist painter and designer. Born in Sandwich, Kent, he initially studied design at the Royal College of Art from 1919 to 1923. This foundational training would prove crucial throughout his artistic career, influencing both his painting style and his later ventures into textile design.

      Early Career & Textile Design

      During the 1920s, Tunnard worked in various textile design roles in Manchester. This period provided him with practical experience and an understanding of pattern, color, and form – elements that would later become prominent features of his paintings. In 1926, he married Mary May Robertson, a partnership that would significantly shape both their personal and professional lives.

      Artistic Development & Influences

      By 1928, Tunnard began to focus seriously on painting. He taught design at the Central School of Arts and Crafts in London from 1929 onwards, further solidifying his engagement with artistic principles and pedagogy. His work during this time demonstrates a growing interest in modernist aesthetics. Tunnard’s style was notably influenced by Surrealism, although he never formally joined the movement. He participated in several surrealist exhibitions throughout the 1930s, including one at the Gordon Fraser Gallery in Cambridge.

      Cornwall and a New Artistic Direction

      In 1933, Tunnard and his wife moved to Cadgwith, Cornwall. There, they established a business producing printed silks, allowing them to combine their artistic talents with entrepreneurial endeavors. The Cornish landscape profoundly impacted Tunnard’s art, inspiring many of his later landscapes and providing a new source of visual motifs.

      Major Works & Artistic Style

      Tunnard's oeuvre encompasses both paintings – including notable landscapes and portraits – and textile designs. His painting style is characterized by its lyrical abstraction, dreamlike qualities, and vibrant color palettes. He often blended representational elements with abstract forms, creating a unique visual language that reflects his surrealist leanings.

      • His landscapes frequently depict the Cornish coastline, rendered in bold colors and fluid shapes.
      • His portraits explore psychological depth through expressive brushwork and unconventional compositions.
      • His textile designs showcase innovative patterns and color combinations, demonstrating his versatility as an artist.

      Exhibitions & Recognition

      Tunnard exhibited widely throughout his career. He showed work at the Royal Academy and with the London Group (which he joined in 1934). His participation in surrealist exhibitions further cemented his position within the British avant-garde.

      Legacy & Historical Significance

      John Samuel Tunnard is now considered one of the most important English modernist painters. His work represents a unique synthesis of Surrealism, abstraction, and landscape painting. Examples of his art can be found in prominent collections such as the National Galleries of Scotland. He contributed significantly to the development of modern British art, bridging the gap between traditional representation and abstract expression.

      John Samuel Tunnard

      John Samuel Tunnard

      1900 - 1971 , United Kingdom

      لمحة سريعة

      • Name: John Samuel Tunnard
      • Movement: Modernism, Surrealism
      • Birth Date: 1900
      • Death Date: 1971
      • Birth Place: Sandwich, United Kingdom
      • Nationality: British
      • Date Of Birth: 1900
      • Date Of Death: 1971
      • Influenced By: Surrealism
      • Notable Works: Landscapes, Portraits, Textile Designs
      • Place Of Birth: Sandwich, United Kingdom

      مقالات ذات صلة

      أفضل 25 لوحة لجون سينجر سارجنت: تحف فنية لتزيين منزلك بأسلوب راقي

      أفضل 25 لوحة لجون سينجر سارجنت: تحف فنية لتزيين منزلك بأسلوب راقي

      اكتشف أروع 25 لوحة لجون سينجر سارجنت، فنان البورتريه الأمريكي الأسطوري. انغمس في عالم الانطباعية والواقعية، واستلهم لديكور منزلك بألوان كلاسيكية و تحف فنية راقية. تسوق الآن على OriginalUniqueArt.com!

      استكشف المقال read article
      John Piper: A Spiritual Vision of British Landscape & Modernism's Embrace

      John Piper: A Spiritual Vision of British Landscape & Modernism's Embrace

      Explore the captivating world of John Piper, a celebrated British painter whose evocative landscapes & iconic church art captured the spirit of his time. Discover his legacy and find high-quality reproductions at OriginalUniqueArt.

      استكشف المقال read article
      أفضل 25 لوحة لجون كونستابل: روعة الطبيعة الإنجليزية في OriginalUniqueArt

      أفضل 25 لوحة لجون كونستابل: روعة الطبيعة الإنجليزية في OriginalUniqueArt

      اكتشف روعة الطبيعة الإنجليزية مع أفضل 25 لوحة لجون كونستابل. قصص فنية آسرة وتقنيات زيتية فريدة في OriginalUniqueArt.com. اشترِ نسخًا عالية الجودة وديكور منزلي فاخر. استكشف المجموعة الكاملة الآن!

      استكشف المقال read article
      John Hoppner: Portraiture, Patronage & British Identity in the Late Georgian Era

      John Hoppner: Portraiture, Patronage & British Identity in the Late Georgian Era

      Explore the life & work of John Hoppner, a leading Georgian portraitist. Discover his vibrant style, influential patrons, and lasting impact on British art history. Expert insights for collectors.

      استكشف المقال read article
      William Owen: A Poetic Vision of War & Landscape in British Modernism

      William Owen: A Poetic Vision of War & Landscape in British Modernism

      Explore the poignant war poetry of Wilfred Owen, a key figure in British Modernism. Discover his innovative style, themes of loss & camaraderie, and lasting impact on 20th-century literature. Analysis & historical context included.

      استكشف المقال read article