- الرئيسية
- نسخة زيتية مطابقة للأصل
- Frederick Etchells
- The Entry into Jerusalem
شراء نسخة مطبوعة شراء الصورة بدقة عالية
مشاركة
مشاركة
التفاصيل
أضف إلى المفضلة
تحميل الملف
قطع مشابهة
الأشعة السينية
عرض شرائح
The Entry into Jerusalem
1912
86.0 x 72.0 cm
Charleston
عرض المزيد
نسخة زيتية مصنوعة يدوياً
لوحة زيتية مرسومة يدوياً على الكانفاس بالمقاس والإطار الذي تفضله، تُنفذ حسب الطلب على أيدي فنانينا.
اختر من بين أحجامنا المُعدّة مسبقًا والتي تتطابق مع النسب الأصلية للعمل الفني.
يمكنك إدخال أبعادك الخاصة لتناسب إطارًا معينًا أو مساحة محددة. وإذا لم يتطابق الحجم الذي اخترته مع نسب الصورة الأصلية، فسنقوم إما بقص العمل الفني أو توسيع اللوحة بإضافة عناصر مرسومة يدويًا. سيتم إرسال نموذج رقمي إليك للموافقة عليه قبل بدء الإنتاج.
يرجى ملاحظة أن المعاينة على الشاشة لا تعكس عملية القص أو التوسيع الفعلية؛ حيث إن النموذج الرقمي وحده هو الذي سيوضح التكوين النهائي بدقة.
وعلى الرغم من توفر أحجام مخصصة، إلا أننا نوصي باختيار أبعاد من القائمة المحددة مسبقًا للحفاظ على النسب الأصلية للعمل الفني.
بعد إتمام الطلب، سيرسل فريق OriginalUniqueArt.com بريداً إلكترونياً للعميل لطلب التعليمات وتزويده بمعاينة تجريبية (mockup).
توصيل عالمي إلى خلال 3 إلى 4 أسابيع بدلاً من المدة المعتادة البالغة 5 أسابيع. (21 يوليو). جودة لا تهاون فيها.
شحن سريع ومجاني لجميع أنحاء العالم
قماش كتان عالي الجودة
تأمين شحن شامل
ضمان استرداد الرسوم الجمركية
ضمان مطابقة الألوان الحقيقية
سياسة الإرجاع خلال 60 يومًا (في حالات العيوب فقط)
ضمان استرداد نقدي بنسبة 100%
خصم عند طلب عدة قطع
خيار الزجاج متاح فقط للمقاسات التي تقل عن 110 سم
The Entry into Jerusalem
خامة إعادة الإنتاج
مقاس النسخة المطبوعة
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السعر الإجمالي النهائي
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السيرة الذاتية للفنان
Frederick Etchells (1886–1973): Pioneer of Vorticism and Modernist Architecture
Frederick Etchells, born September 14th, 1886, in Newcastle upon Tyne, England, was a multifaceted artist and architect whose career spanned from the early years of the twentieth century to his death in 1973. His artistic journey intertwined with pivotal movements like Vorticism and Modernist architecture, establishing him as a significant figure within British avant-garde art circles.Early Influences & Artistic Training
Etchells’s formative education began at Kensington School for Boys (later Royal College of Art), where he immersed himself in the architectural course under Professor Arthur Beresford Pite and two years with Professor Lethaby. This exposure to influential educators fostered a deep appreciation for Beaux-Arts principles alongside burgeoning explorations into abstraction, setting the stage for his distinctive artistic style. Notably, it connected him with the Bloomsbury Group, whose intellectual discussions profoundly impacted his worldview and creative sensibilities.The Vortex & Experimental Art
Etchells’s involvement with Omega Workshops marked an important turning point, propelling him into contact with fellow artists like Wyndham Lewis and initiating a breakaway that birthed the Rebel Art Centre and the vorticist movement. This movement, characterized by its dynamism and rejection of traditional artistic conventions—a reaction against Impressionism—saw Etchells actively participating in the creation of “The Vortex,” a manifesto that championed radical experimentation. While he personally abstained from signing it, his contribution to this influential publication solidified his position as a champion of avant-garde ideas. His illustrations appeared prominently in Blast magazine, a publication whose brief existence mirrored the turbulent spirit of Dadaism in Paris.Architectural Achievements: Shaping London’s Skyline
Beyond painting, Etchells distinguished himself as an architect, designing buildings that embodied the principles of Modernist aesthetics. Perhaps his most celebrated project was 232–4 High Holborn, London—commissioned by WS Crawford Ltd.—a groundbreaking office building completed between 1929 and 1930. Collaborating closely with Ashley Havinden, Crawford’s art director, Etchells skillfully executed the façade design, utilizing a minimalist aesthetic that contrasted sharply with interior spaces featuring integrated furniture and stainless steel accents. This edifice stands as London's first fully modernist office building, representing a triumph of architectural innovation.Legacy & Artistic Output
Etchells continued to refine his artistic vision throughout his life, producing evocative works like “On the Grass,” “The Dead Mole,” and “Hip Bath.” These paintings—characterized by their meticulous detail and exploration of form—demonstrate Etchells’s unwavering commitment to abstraction and his ability to convey complex emotions through visual language. Furthermore, his translation of Le Corbusier's *Vers une architecture* cemented his reputation as a scholar and interpreter of modernist thought. His enduring influence can be seen in the continuing appreciation for his pioneering contributions to both art and architectural design.- Notable Works: “On the Grass,” “The Dead Mole,” “Hip Bath”
- Influences: Arthur Beresford Pite, Lethaby, Bloomsbury Group
- Movement Affiliations: Vorticism, Omega Workshops
- Architectural Projects: 232 High Holborn
Frederick Etchells
1886 - 1973 , United Kingdom
حقائق سريعة
- Artistic Movement Or Style: Vorticism, Modernism
- Artists Or Movements Influenced By This Artist: ['Le Corbusier']
- Artists Who Influenced This Artist: ['Arthur Beresford Pite']
- Date Of Birth: September 14, 1886
- Date Of Death: August 16, 1973
- Full Name: Frederick Etchells
- Nationality: British
- Notable Artworks:
- The Dead Mole
- Hip Bath
- Place Of Birth: Newcastle upon Tyne, United Kingdom
