تحديث أكتوبر 2026 · مُرتبة حسب مؤشر شعبيتنا (عمليات البحث، والزيارات، والطلبات لكل عمل فني) · 32 أعمال لـ غاسباري ترافرسي في كتالوجنا
باختصار
تُعد Self-portrait (1750) اللوحة الأكثر جذباً للأنظار للفنان غاسباري ترافرسي؛ والنسخة الأصلية محفوظة في Art Museum، Seattle. بعد ذلك، تتجه العين إلى The Seduction (1752) و Portrait of a cardinal (1750). من بين 32 من أعمال غاسباري ترافرسي في كتالوجنا، تُعد هذه 31 الأعمال هي الأكثر شهرة، حيث تُعرض كل واحدة منها كعمل أصلي فريد مع سنة إنتاجها، والمتحف الذي تضمّه، والسبب وراء خلودها.
This 1750 oil self-portrait presents a young man in a poised and contemplative stance, captured in a medium close-up from the waist up. Positioned slightly off-center to create a balanced yet dynamic feel, the subject is depicted as a creator, holding a quill pen and resting his hand upon a book or portfolio. This arrangement serves to symbolize both intellect and craft. The perspective is set at eye-level, establishing a…
The Seduction is an oil on canvas by the Italian Rococo painter Gaspare Traversi. This work emerged around 1752, a period when the artist was active in Naples and throughout the Italian peninsula. The physical presence of the painting is defined by its rectangular scale, measuring 88.1 x 107.5cm.
A single figure emerges from a deep, shadow-filled void. The cardinal, identified as Gian Giacomo Millo, occupies the center of the canvas with a quiet, heavy presence. He is caught in a moment of transition, his hand lifting a red biretta as if acknowledging a guest or preparing for prayer. The light falls from the upper left, catching the silvered texture of his hair and the delicate, translucent folds of…
is an oil painting on canvas by the Neapolitan artist Gaspare Traversi. Executed about 1747, the work belongs to the genre painting tradition of the Rococo era. Traversi, born in Naples to Genoese parents, developed a style characterized by psychological depth and a focus on the everyday lives of the bourgeois class.
The Portrait of cardinal Giovanni Giacomo Millo is an oil on canvas work by the Neapolitan painter Gaspare Traversi. Created about 1753, this portrait captures a man of significant ecclesiastical influence. The subject, Cardinal Gian Giacomo Millo, held the important position of trustee to Pope Benedict XIV. Traversi’s approach to this commission moves away from the rigid formality often expected of such high-ranking clerics, opting instead for a sense of…
is an oil on canvas by Gaspare Traversi, executed about 1752. The work emerged during the artist's period of activity in Naples, a city that shaped his dramatic approach to genre painting and social observation.
To stand before La Rixe is to be immediately drawn into the vibrant heart of human interaction—a moment suspended between jest and genuine discord. The title itself, translating simply as 'The Quarrel,' suggests a volatile energy barely contained within the canvas. Yet, what captivates the modern viewer is not merely the conflict, but the exquisite refinement with which it is rendered. This scene pulses with the characteristic spirit of the…
In the soft, amber glow of an eighteenth-century interior, a single moment of shared focus suspends time. Gaspare Traversi’s 1741 masterpiece, “Reading a Letter,” is far more than a mere genre painting; it is a window into the soul of the Rococo era, capturing a profound sense of domestic intimacy and intellectual curiosity. As we gaze upon the central figure—a woman draped in elegant blue, her eyes anchored to the…
An old beggar, lying down, his hand reaching out
12
A concert
13
Portrait of a lady, half-length, in a golden dress with a blue fur-lined wrap
14
Peasant womanNational Museum of Medieval and Modern Art of Basilicata
15
Le concert
16
La Dérision de Noé
17
Job mocked by his wife.المتحف الوطني في وارسو
18
LA SEANCE DE POSEمتحف اللوفر
19
The Sitting1754 · متحف اللوفر
20
Untitled (D2X8MC)1760 · متحف المتروبوليتان للفنون
21
The Drawing Lesson1750 · متحف نيلسون-أتكنز للفنون
22
Detected Love LetterJohn and Mable Ringling Museum of Art
23
Margherita da Cortona
24
the Fortune Teller
25
Salome with the Head of John the BaptistUniversity of Michigan Museum of Art
26
Portrait of Fra Raffaello da Lugagnano
27
Die Ermordung Amnons beim Gastmahl Absaloms
28
Old Man and a Childمتحف الفنون الجميلة
29
Gian Lorenzo Berti1750 · Musée des Beaux-Arts de Strasbourg
30
Saint Margaret of Cortona1758 · متحف المتروبوليتان للفنون
31
The concert 'A voce sola'
المواضيع الأربعة التي تتكرر باستمرار في هذه الأعمال الأصلية، مع تقديم أروع مثال لكل منها.
المتاحف الـ 8 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال غاسباري ترافرسي | لوحات من هذه القائمة |
|---|---|---|---|
 متحف اللوفر |
باريس | 3 | LA RIXE, LA SEANCE DE POSE, The Sitting |
 متحف المتروبوليتان للفنون |
نيويورك | 2 | Untitled (D2X8MC), Saint Margaret of Cortona |
 Art Museum |
Seattle | 1 | Self-portrait |
 متحف بونسي للفنون |
بونسي | 1 | The Seduction |
 Labirinto della Masone |
Fontanellato | 1 | Portrait of a cardinal |
 Musée d'art et d'histoire de Narbonne |
Narbonne | 1 | Beggar curled up |
 متحف شرف الجند |
سان فرانسيسكو | 1 | The Merry Company |
 Staatsgalerie Stuttgart |
شتوتغارت | 1 | Die operation |
اختر عقداً لتشاهد العمل الأصلي الذي يجسده.
is an oil painting on canvas by the Neapolitan artist Gaspare Traversi. Executed about 1747, the work belongs to the genre painting tradition of the Rococo era. Traversi, born in Naples to Genoese parents, developed a style characterized by psychological depth and a focus on the everyday lives of the bourgeois class.
This 1750 oil self-portrait presents a young man in a poised and contemplative stance, captured in a medium close-up from the waist up. Positioned slightly off-center to create a balanced yet dynamic feel, the subject is depicted as a creator, holding a quill pen and resting his hand upon a book or portfolio. This arrangement serves to symbolize both intellect and craft. The perspective is set at eye-level, establishing a…
Self-portrait (1750)، Art Museum, Seattle. ويليها The Seduction (1752) وPortrait of a cardinal (1750).
عمر 28 عاماً: يعود تاريخ Self-portrait إلى 1750، وقد وُلد غاسباري ترافرسي في 1722.
Self-portrait, The Seduction, Portrait of a cardinal, Women lace-working, 8 figures, Portrait of cardinal Giovanni Giacomo Millo, Beggar curled up, The Merry Company, Die operation, LA RIXE و Reading a Letter. يوضح التصنيف أعلاه سنة كل لوحة والمتحف التابعة له.
يضم كتالوجنا 32 من أعمال غاسباري ترافرسي، التي يعود تاريخها من 1741 إلى 1760.
توجد غالبيتها في متحف اللوفر (باريس), متحف المتروبوليتان للفنون (نيويورك) و Art Museum (Seattle). يدرج جدول المتاحف أعلاه جميعها.
في 1750s: تم إنجاز 9 من أصل 31 من الأعمال في هذه الصفحة خلال تلك الفترة، من بينها Self-portrait.
في هذه الصفحة، أقدم الأعمال يعود إلى Reading a Letter (1741) وأحدثها يعود إلى The Merry Company (1760).
Man (6), Woman (4) و Social commentary (3)، عبر 31 من الأعمال في هذه الصفحة.
Oil On Canvas، لـ 10 من أصل 31 من الأعمال في هذه الصفحة.
Rococo و Baroque، بناءً على الأعمال الأصلية في هذه الصفحة.
LA RIXE, LA SEANCE DE POSE و The Sitting: يضم متحف اللوفر, باريس 3 من الأعمال المعروضة في هذه الصفحة.
