تحديث أكتوبر 2026 · مُرتبة حسب مؤشر شعبيتنا (عمليات البحث، والزيارات، والطلبات لكل عمل فني) · 7 أعمال لـ إدواردو فيانا في كتالوجنا
باختصار
من وجهة نظر المعرض، تُعد Interior - Tea set and toast (1914) أشهر لوحات إدواردو فيانا، والتي تُعرض لوحتها الأصلية في Soares dos Reis National Museum، Porto. Aspect of Olhão (1923) و Nude (1925) يكملان الثلاثية التي تدركها كل عين. من بين 7 من أعمال إدواردو فيانا في كتالوجنا، يعرض المعرض أدناه 7 من أشهرها، كل منها عمل أصلي مع سنة إنتاجه، والمتحف الذي يضمها، وما يجعلها فريدة من نوعها.
Interior - Tea set and toast is a work by Eduardo Viana, dating from 1914. This piece represents a significant moment in the artist's development, captured during a period of profound transition in the early twentieth century. The painting offers a quiet glimpse into a domestic scene, focusing on the arrangement of objects on a table.
In the sun-drenched coastal landscapes of Portugal, few images capture the rhythmic harmony between architecture and the Atlantic as profoundly as Eduardo Afonso Viana’s Aspect of Olhão. Painted in 1923, this masterpiece serves as a window into a world where the boundaries between man-made structures and the natural horizon dissolve into a singular, poetic vision. The composition presents a breathtaking arrangement of whitewashed houses, their cubic volumes and geometric rooftops…
The gaze meets Nude, a work that captures a quiet, heavy presence within the frame. Painted by Eduardo Viana in 1925, this piece invites a slow observation of the human form as it rests amidst the stillness of nature. The subject exists not merely as flesh, but as a central part of a larger, rhythmic arrangement of life and color.
In the vibrant tapestry of early twentieth-century Portuguese modernism, few works capture the quiet charm of domestic life as evocatively as Eduardo Afonso Viana’s Tableware from Barcelos. Painted in 1915, this exquisite still life serves as a window into a world where the mundane is elevated to the monumental. The composition centers around an unexpected and whimsical protagonist: a horse, nestled amidst an array of ceramic vessels, bowls, and bottles.…
In this aerial view of an aspect of Olhão the houses are cut in the space, forming a white mantle of walls and chimneys from the Algarve, interrupted by the terraces, that mark its presence thanks to the orange hue, extend until a wide, where human notes are registered. In a corner there is a brick chimney that breaks the sky and communicates with a dark mountain and dense grove.Eduardo…
المتاحف الـ 4 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال إدواردو فيانا | لوحات من هذه القائمة |
|---|---|---|---|
 Soares dos Reis National Museum |
Porto | 3 | Interior - Tea set and toast, Bridge of D. Maria, Tableware from Barcelos |
 Grão Vasco National Museum |
فيزيو | 2 | Aspect of Olhão, Another aspect of Olhão |
 المتحف الوطني للفن المعاصر - Museu do Chiado |
لشبونة | 1 | Nude |
 Museu do Caramulo |
كارامولو | 1 | The two sisters |
تمتد مسيرة إدواردو فيانا الفنية في هذه الصفحة على مدار 12 سنوات، من 1914 إلى 1925: حيث يظهر كل عام هنا مع أشهر أعماله الأصلية.
اختر سنة لعرض أعمالها الأصلية.
Interior - Tea set and toast is a work by Eduardo Viana, dating from 1914. This piece represents a significant moment in the artist's development, captured during a period of profound transition in the early twentieth century. The painting offers a quiet glimpse into a domestic scene, focusing on the arrangement of objects on a table.
المزيد من 1914
In the vibrant tapestry of early twentieth-century Portuguese modernism, few works capture the quiet charm of domestic life as evocatively as Eduardo Afonso Viana’s Tableware from Barcelos. Painted in 1915, this exquisite still life serves as a window into a world where the mundane is elevated to the monumental. The composition centers around an unexpected and whimsical protagonist: a horse, nestled amidst an array of ceramic vessels, bowls, and bottles.…
In the sun-drenched coastal landscapes of Portugal, few images capture the rhythmic harmony between architecture and the Atlantic as profoundly as Eduardo Afonso Viana’s Aspect of Olhão. Painted in 1923, this masterpiece serves as a window into a world where the boundaries between man-made structures and the natural horizon dissolve into a singular, poetic vision. The composition presents a breathtaking arrangement of whitewashed houses, their cubic volumes and geometric rooftops…
المزيد من 1923
The gaze meets Nude, a work that captures a quiet, heavy presence within the frame. Painted by Eduardo Viana in 1925, this piece invites a slow observation of the human form as it rests amidst the stillness of nature. The subject exists not merely as flesh, but as a central part of a larger, rhythmic arrangement of life and color.
المزيد من 1925
Interior - Tea set and toast (1914)، Soares dos Reis National Museum, Porto. ويليها Aspect of Olhão (1923) وNude (1925).
عمر 33 عاماً: يعود تاريخ Interior - Tea set and toast إلى 1914، وقد وُلد إدواردو فيانا في 1881.
يضم كتالوجنا 7 من أعمال إدواردو فيانا، التي يعود تاريخها من 1914 إلى 1925.
توجد غالبيتها في Soares dos Reis National Museum (Porto), Grão Vasco National Museum (فيزيو) و المتحف الوطني للفن المعاصر - Museu do Chiado (لشبونة). يدرج جدول المتاحف أعلاه جميعها.
في 1914: تم إنجاز 2 من أصل 7 من الأعمال في هذه الصفحة خلال تلك الفترة، من بينها Interior - Tea set and toast.
في هذه الصفحة، أقدم الأعمال يعود إلى Interior - Tea set and toast (1914) وأحدثها يعود إلى Nude (1925).
Oil، لـ 2 من أصل 7 من الأعمال في هذه الصفحة.
Post-impressionism، بناءً على الأعمال الأصلية في هذه الصفحة.
Interior - Tea set and toast, Bridge of D. Maria و Tableware from Barcelos: يضم Soares dos Reis National Museum, Porto 3 من الأعمال المعروضة في هذه الصفحة.
