بورتريه لـ Anna Dorothea Therbusch

أشهر 36 لوحات لـ Anna Dorothea Therbusch، كل واحدة منها فريدة من نوعها

تحديث أكتوبر 2026 · مُرتبة حسب مؤشر شعبيتنا (عمليات البحث، والزيارات، والطلبات لكل عمل فني) · 37 أعمال لـ Anna Dorothea Therbusch في كتالوجنا

باختصار

تُعد Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit (1763) اللوحة الأكثر جذباً للأنظار للفنان Anna Dorothea Therbusch؛ والنسخة الأصلية محفوظة في مجموعات بافاريا الحكومية للرسم، ميونخ. بعد ذلك، تتجه العين إلى Portrait of Prince Augustus Ferdinand of Prussia (1773) و A Scientist Seated at a Desk by Candlelight (1767). من بين 37 من أعمال Anna Dorothea Therbusch في كتالوجنا، تُعد هذه 36 الأعمال هي الأكثر شهرة، حيث تُعرض كل واحدة منها كعمل أصلي فريد مع سنة إنتاجها، والمتحف الذي تضمّه، والسبب وراء خلودها.

1721 – 1782, Berlin Rococo أكبر مجموعة أعمال: Gemäldegalerie

أفضل 10 لوحات لـ Anna Dorothea Therbusch، بعيون المعرض

1
Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit (1763) للفنان Anna Dorothea Therbusch

Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit

The air in the room feels heavy with the scent of old wood and expensive fabric as Elector Karl Theodor sits for his portrait. He is positioned slightly off-center, a choice that lends a sense of movement to his regal posture. The deep, royal blue of his velvet suit dominates the visual field, its texture so palpable that one can almost feel the plush weight of the cloth against the…

2
Portrait of Prince Augustus Ferdinand of Prussia (1773) للفنان Anna Dorothea Therbusch

Portrait of Prince Augustus Ferdinand of Prussia

1773 · Oil On Canvas · متحف الإرميتاج, سانت بطرسبرغ

The portrait presents Prince Augustus Ferdinand of Prussia in a formal, full-length stance, capturing the gravity of the Hohenzollern lineage. He is positioned in a three-quarter pose, his figure framed by the verticality of a classical column and the heavy, dark folds of a velvet cloak. This mantle, adorned with the white Maltese crosses of the Order of St. John, drapes heavily around him, anchoring the composition. A red waistcoat…

3
A Scientist Seated at a Desk by Candlelight (1767) للفنان Anna Dorothea Therbusch

A Scientist Seated at a Desk by Candlelight

1767 · Oil On Canvas · متحف كليفلاند للفنون, كليفلاند

The room is swallowed by a heavy, velvet darkness, leaving only a small circle of warmth around a solitary figure. A young man sits hunched over a desk, his attention entirely consumed by the task before him. A single candle flickers to the right, casting a sharp, golden glow that carves his features out of the gloom. This light catches the crisp white of a ruffled sleeve and the metallic…

4
Portrait of Alexander Friedrich von Woldeck (1781) للفنان Anna Dorothea Therbusch

Portrait of Alexander Friedrich von Woldeck

1781 · Oil · Alte Nationalgalerie, برلين

The Portrait of Alexander Friedrich von Woldeck presents a formal encounter with a man of high standing. Painted in 1781, this work captures the likeness of Alexander Friedrich von Woldeck through the practiced hand of Anna Dorothea Therbusch. The subject meets the viewer's gaze directly, his presence fixed within the frame as if caught in a moment of quiet, dignified repose.

6
Self Portrait (1740) للفنان Anna Dorothea Therbusch

Self Portrait

1740 · Oil On Canvas · Statens Museum For Kunst, كوبنهاغن

The artwork titled Self Portrait is a painting by the artist Anna Dorothea Therbusch. This specific work is a bust portrait of a young woman. The subject of the painting is a self-portrait, capturing the artist herself in a close-up view. The composition focuses on the head and shoulders of the subject.

7
A Man, Glass in Hand, Lit by a Candle (1750) للفنان Anna Dorothea Therbusch

A Man, Glass in Hand, Lit by a Candle

1750 · Oil

In A Man, Glass in Hand, Lit by a Candle by Anna Dorothea Therbusch, the world narrows to a single, solitary figure. The composition is tightly focused on a man caught in a moment of quiet contemplation or melancholy. He holds a glass, a small vessel of light amidst the surrounding gloom. A singular, directional light source emanates from a candle, partially obscured or hidden from view, carving the subject…

8
Giovanna Chichiniere von Verschaffelt, Gattin des Münchner Hofbildhauers Peter von Verschaffelt (1764) للفنان Anna Dorothea Therbusch

Giovanna Chichiniere von Verschaffelt, Gattin des Münchner Hofbildhauers Peter von Verschaffelt

Giovanna Chichiniere von Verschaffelt, Gattin des Münchner Hofbildhauers Peter von Verschaffelt is a portrait executed by Anna Dorothea Therbusch. Created about 1764, the work identifies the subject as the wife of the Munich court sculptor Peter von Verschaffelt.

9
Portrait of Anna von Wartensleben (1760) للفنان Anna Dorothea Therbusch

Portrait of Anna von Wartensleben

1760 · Oil On Canvas · المتحف الوطني في وارسو, وارسو

In the Portrait of Anna von Wartensleben by Anna Dorothea Therbusch, the sitter is captured in a three-quarter length view. She sits slightly off-center, a placement that lends a sense of poised dignity to her presence. Her expression remains calm and composed, meeting the viewer with a steady, quiet stillness. The composition holds her within an elegant interior, where the weight of the surroundings anchors her figure.

10
Portrait of Amalie Princess of Prussia (1723-1787) (1771) للفنان Anna Dorothea Therbusch

Portrait of Amalie Princess of Prussia (1723-1787)

1771 · Oil On Canvas · Gemäldegalerie, برلين

The air in the room feels heavy with the scent of fresh blooms and the quiet rustle of silk. Amalie, Princess of Prussia, sits poised in a plush green armchair, her presence commanding the space without a single word. She is draped in a voluminous gown of shimmering white and silver, a sea of satin and lace that catches the light with every subtle movement. Her pale skin glows against…

لوحات Anna Dorothea Therbusch الشهيرة، من رقم 11 إلى 36

11Self-portrait (1773) للفنان Anna Dorothea TherbuschSelf-portrait1773 · Herzog Anton Ulrich Museum 12Portrait of Friederike Luise von Hessen-Darmstadt and her son Frederick William (1775) للفنان Anna Dorothea TherbuschPortrait of Friederike Luise von Hessen-Darmstadt and her son Frederick William1775 13Portrait of Frederick II of Prussia (1770) للفنان Anna Dorothea TherbuschPortrait of Frederick II of Prussia1770 14Double portrait of Johann Christian Samuel Gohl and his (future) mother-in-law, the painter Anna Dorothea Therbusch, 1764-1776 (1775) للفنان Anna Dorothea TherbuschDouble portrait of Johann Christian Samuel Gohl and his (future) mother-in-law, the painter Anna Dorothea Therbusch, 1764-17761775 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe 15Portrait of Anna Maria Boreel (1738-1781) (1770) للفنان Anna Dorothea TherbuschPortrait of Anna Maria Boreel (1738-1781)1770 16Portrait of an Unknown Man (1768) للفنان Anna Dorothea TherbuschPortrait of an Unknown Man1768 · Gemäldegalerie 17Portrait of Johann Julius von Vieth und Golßenau (1713-1784), Saxonian politician and art collector (1771) للفنان Anna Dorothea TherbuschPortrait of Johann Julius von Vieth und Golßenau (1713-1784), Saxonian politician and art collector1771 · Gemäldegalerie 18Diana mit Nymphen (1772) للفنان Anna Dorothea TherbuschDiana mit Nymphen1772 19Self-portrait with a monocle (1780) للفنان Anna Dorothea TherbuschSelf-portrait with a monocle1780 · Alte Nationalgalerie 20Portrait of a Princely family (family of Frederick William, Crown Prince of Prussia (1744–1797)). (1777) للفنان Anna Dorothea TherbuschPortrait of a Princely family (family of Frederick William, Crown Prince of Prussia (1744–1797)).1777 · المتحف الوطني في وارسو 21Self-Portrait (1782) للفنان Anna Dorothea TherbuschSelf-Portrait1782 · Germanisches Nationalmuseum 22Christian Andreas Cothenius (1777) للفنان Anna Dorothea TherbuschChristian Andreas Cothenius1777 · Gemäldegalerie 23Portrait of Jacob Philipp Hackert (1786) للفنان Anna Dorothea TherbuschPortrait of Jacob Philipp Hackert1786 · Academy of Fine Arts Vienna 24Portrait of Prince Friedrich Heinrich Ludwig of Prussia (1773) للفنان Anna Dorothea TherbuschPortrait of Prince Friedrich Heinrich Ludwig of Prussia1773 · متحف الإرميتاج 25Self-Portrait (1776) للفنان Anna Dorothea TherbuschSelf-Portrait1776 · Staatliche Museen zu Berlin 26Ernst friedrich therbusch للفنان Anna Dorothea TherbuschErnst friedrich therbusch 27Woman playing a lute للفنان Anna Dorothea TherbuschWoman playing a lute 28Friedrich II للفنان Anna Dorothea TherbuschFriedrich II 29Portrait of a sculptor للفنان Anna Dorothea TherbuschPortrait of a sculptor 30Jupiter and Antiope للفنان Anna Dorothea TherbuschJupiter and Antiope 31Young woman in a negligee للفنان Anna Dorothea TherbuschYoung woman in a negligeeGemäldegalerie 32Apotheosis of Prince Augustus Ferdinand of Prussia. للفنان Anna Dorothea TherbuschApotheosis of Prince Augustus Ferdinand of Prussia. 33Portrait of the Innkeeper Ernst Friedrich Therbusch, Husband of the Artist للفنان Anna Dorothea TherbuschPortrait of the Innkeeper Ernst Friedrich Therbusch, Husband of the Artist 34Portrait of Charles Theodore, Elector of Bavaria للفنان Anna Dorothea TherbuschPortrait of Charles Theodore, Elector of BavariaReiss-Engelhorn Museums 35Bildnis henriette herz للفنان Anna Dorothea TherbuschBildnis henriette herzAlte Nationalgalerie 36Wilhelmine Encke, Countess Lichtenau (1776) للفنان Anna Dorothea TherbuschWilhelmine Encke, Countess Lichtenau1776 · Neues Palais

لوحات Anna Dorothea Therbusch الشهيرة، حسب الفترات الزمنية

المواضيع التي استأثرت باهتمام Anna Dorothea Therbusch

المواضيع الأربعة التي تتكرر باستمرار في هذه الأعمال الأصلية، مع تقديم أروع مثال لكل منها.

المتاحف التي تحتفظ بالأعمال الأصلية لـ Anna Dorothea Therbusch

المتاحف الـ 8 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.

المتحف المدينة أعمال Anna Dorothea Therbusch لوحات من هذه القائمة
Gemäldegalerie, برلينGemäldegalerie برلين 5 Portrait of Amalie Princess of Prussia (1723-1787), Portrait of an Unknown Man, Portrait of Johann Julius von Vieth und Golßenau (1713-1784), Saxonian politician and art collector
متحف الإرميتاج, سانت بطرسبرغمتحف الإرميتاج سانت بطرسبرغ 3 Portrait of Prince Augustus Ferdinand of Prussia, Portrait of Anna Elizabeth Louise Ferdinanda of Prussia, Portrait of Prince Friedrich Heinrich Ludwig of Prussia
Alte Nationalgalerie, برلينAlte Nationalgalerie برلين 3 Portrait of Alexander Friedrich von Woldeck, Self-portrait with a monocle, Bildnis henriette herz
مجموعات بافاريا الحكومية للرسم, ميونخمجموعات بافاريا الحكومية للرسم ميونخ 2 Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit, Giovanna Chichiniere von Verschaffelt, Gattin des Münchner Hofbildhauers Peter von Verschaffelt
المتحف الوطني في وارسو, وارسوالمتحف الوطني في وارسو وارسو 2 Portrait of Anna von Wartensleben, Portrait of a Princely family (family of Frederick William, Crown Prince of Prussia (1744–1797)).
متحف كليفلاند للفنون, كليفلاندمتحف كليفلاند للفنون كليفلاند 1 A Scientist Seated at a Desk by Candlelight
Statens Museum For Kunst, كوبنهاغنStatens Museum For Kunst كوبنهاغن 1 Self Portrait
Herzog Anton Ulrich Museum, براونشفايغHerzog Anton Ulrich Museum براونشفايغ 1 Self-portrait

Anna Dorothea Therbusch عبر العقود: لوحة أصلية فريدة لكل عقد

الأعمال حسب العقد

اختر عقداً لتشاهد العمل الأصلي الذي يجسده.

لوحات Anna Dorothea Therbusch: أسئلة حول المعرض

ما هو العمل الأكثر شهرة لـ Anna Dorothea Therbusch؟اكتشف الإجابة

Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit (1763)، مجموعات بافاريا الحكومية للرسم, ميونخ. ويليها Portrait of Prince Augustus Ferdinand of Prussia (1773) وA Scientist Seated at a Desk by Candlelight (1767).

في أي عمر أبدع Anna Dorothea Therbusch عمل Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit؟اكتشف الإجابة

عمر 42 عاماً: يعود تاريخ Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit إلى 1763، وقد وُلد Anna Dorothea Therbusch في 1721.

ما هي أشهر عشر لوحات للفنان Anna Dorothea Therbusch؟اكتشف الإجابة

Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit, Portrait of Prince Augustus Ferdinand of Prussia, A Scientist Seated at a Desk by Candlelight, Portrait of Alexander Friedrich von Woldeck, Portrait of Anna Elizabeth Louise Ferdinanda of Prussia, Self Portrait, A Man, Glass in Hand, Lit by a Candle, Giovanna Chichiniere von Verschaffelt, Gattin des Münchner Hofbildhauers Peter von Verschaffelt, Portrait of Anna von Wartensleben و Portrait of Amalie Princess of Prussia (1723-1787). يوضح التصنيف أعلاه سنة كل لوحة والمتحف التابعة له.

كم عدد الأعمال المعروفة لـ Anna Dorothea Therbusch؟اكتشف الإجابة

يضم كتالوجنا 37 من أعمال Anna Dorothea Therbusch، التي يعود تاريخها من 1740 إلى 1782.

أين يمكن مشاهدة الأعمال الأصلية الأكثر شهرة لـ Anna Dorothea Therbusch؟اكتشف الإجابة

توجد غالبيتها في Gemäldegalerie (برلين), متحف الإرميتاج (سانت بطرسبرغ) و Alte Nationalgalerie (برلين). يدرج جدول المتاحف أعلاه جميعها.

في أي فترة زمنية أبدع Anna Dorothea Therbusch أشهر لوحاته؟اكتشف الإجابة

في 1770s: تم إنجاز 15 من أصل 36 من الأعمال في هذه الصفحة خلال تلك الفترة، من بينها Portrait of Prince Augustus Ferdinand of Prussia.

ما هي أقدم لوحة فنية للفنان Anna Dorothea Therbusch، وما هي أحدثها؟اكتشف الإجابة

في هذه الصفحة، أقدم الأعمال يعود إلى Self Portrait (1740) وأحدثها يعود إلى Self-Portrait (1782).

ما هي الموضوعات التي كان Anna Dorothea Therbusch يفضلها؟اكتشف الإجابة

Woman (13), Man (12) و Lace (7)، عبر 36 من الأعمال في هذه الصفحة.

ما هي المواد التي استخدمها Anna Dorothea Therbusch في الرسم أكثر من غيرها؟اكتشف الإجابة

Oil On Canvas، لـ 21 من أصل 36 من الأعمال في هذه الصفحة.

إلى أي مدرسة فنية ينتمي عمل Anna Dorothea Therbusch؟اكتشف الإجابة

Rococo، بناءً على الأعمال الأصلية في هذه الصفحة.

ما هي الأعمال الأصلية لـ Anna Dorothea Therbusch التي يمكنني رؤيتها في Gemäldegalerie؟اكتشف الإجابة

Portrait of Amalie Princess of Prussia (1723-1787), Portrait of an Unknown Man و Portrait of Johann Julius von Vieth und Golßenau (1713-1784), Saxonian politician and art collector: يضم Gemäldegalerie, برلين 5 من الأعمال المعروضة في هذه الصفحة.

Anna Dorothea Therbusch: صورة شخصية للفنان

Anna Dorothea Therbusch: A Pioneer of Female Artistic Expression

Anna Dorothea Therbusch (1721-1782) stands as a remarkable figure in the annals of Rococo art history—a woman artist who defied societal expectations and achieved considerable renown during the Enlightenment. Born into a family steeped in artistic tradition, her father, Georg Lisiewski, was himself a celebrated Berlin portrait painter, establishing a lineage dedicated to visual representation. This upbringing instilled in Anna Dorothea a profound appreciation for painting from an early age, fostering a talent that would blossom into one of Prussia’s most prolific and admired artists.
  • Early Life & Family: Anna Dorothea Lisiewski married Ernst Friedrich Therbusch, an innkeeper, forging a domestic life alongside her husband and raising five children. Despite the responsibilities of motherhood, she relentlessly pursued her artistic passions, demonstrating an unwavering commitment to her craft.
  • Training & Artistic Development: Her father recognized her exceptional abilities and actively encouraged her artistic pursuits, providing her with invaluable instruction in painting techniques. Notably, her elder sister Anna Rosina was equally gifted, earning the moniker “Wunderkinder” – child prodigy – cementing their family’s reputation for artistic excellence.

A Rococo Visionary: Style and Technique

Therbusch's artistic style epitomized the elegance and refinement characteristic of Rococo art—a movement that prioritized ornamentation, pastel hues, and graceful asymmetry. Her canvases frequently depicted mythological scenes infused with allegorical symbolism, reflecting the intellectual currents of her time. She skillfully employed delicate brushstrokes and meticulous attention to detail, capturing ethereal beauty and conveying nuanced emotions through expressive poses and gestures. Her masterful handling of light and shadow contributed significantly to the atmospheric depth of her paintings, creating immersive experiences for viewers.
  • Notable Works: Among her impressive oeuvre are iconic pieces like “Diana mit Nymphen,” a breathtaking depiction of the goddess Diana surrounded by nymphs—a testament to Therbusch’s ability to convey grandeur and serenity through visual artistry.

Recognition & Patronage: Parisian Influence

Therbusch's artistic journey took an extraordinary turn when she relocated to Paris in 1765, seeking opportunities for advancement within the vibrant artistic landscape of the French capital. Recognizing her talent and advocating for female artists—a radical stance at the time—Denis Diderot, a prominent philosopher and art critic, championed Therbusch’s cause, even posing nude for her portrait. Her acceptance into the Académie royale de peinture et de sculpture marked a pivotal moment in her career, affording her access to influential mentors and fostering collaborations with fellow artists like Philippe Hackert. Despite facing financial hardships and navigating the complexities of Parisian society, Therbusch persevered, producing some of her most celebrated works during this period—particularly those imbued with the spirit of Diderot’s intellectual fervor.

Legacy & Historical Significance

Anna Dorothea Therbusch's contribution to art history transcends mere stylistic innovation; she represents a courageous assertion of female autonomy within a patriarchal society. Her success as a painter challenged conventional notions of gender roles and paved the way for future generations of women artists. Today, her paintings reside in prestigious museums across Germany—including the Gemäldegalerie Berlin and Alte Nationalgalerie—serving as enduring reminders of Therbusch’s artistic brilliance and her unwavering determination to pursue her passion despite societal obstacles. She remains a symbol of perseverance, creativity, and the transformative power of artistic expression.