Woutherus Mol 肖像

5 幅最著名的 Woutherus Mol 作品,画廊精选

更新于 November 2026 · 基于我们的流行度评分排名(每件作品的搜索量、访问量及订单量) · 5 件 Woutherus Mol 作品收录于我们的目录中

简而言之

在 Woutherus Mol 留下的所有原作中,最著名的当属收藏于 哈伦 Teylers Museum 的《Sleeping boy (1825)》。 紧随其后的是 Portrait of Paulus Joseph Gabriël, Woutherus Mol, c. 1818 (1818) 和 Academic Study of a Man and a Woman, Woutherus Mol, 1808 (1808)。 我们的目录收录了 Woutherus Mol 的 5 件作品;画廊完整保留了 5 件享誉世界的杰作,并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。

1785 – 1857, Haarlem 藏品最多:Teylers Museum

Woutherus Mol 的十大名画:画廊精选

收藏有 Woutherus Mol 原作的博物馆

收藏了本页中大部分画作的 2 家博物馆。

博物馆 城市 Woutherus Mol 的作品 此列表中的画作
Teylers Museum, 哈伦Teylers Museum 哈伦 2 Sleeping boy, The young artist
国家博物馆, 阿姆斯特丹国家博物馆 阿姆斯特丹 2 Portrait of Paulus Joseph Gabriël, Woutherus Mol, c. 1818, Academic Study of a Man and a Woman, Woutherus Mol, 1808

Woutherus Mol 的年代演变:定义每个时代的原创之作

各年代作品数量

选择一个年代,探索定义该时代的原创杰作。

藏家关于 Woutherus Mol 作品的常见问题

Woutherus Mol 最著名的作品是哪一件?揭晓答案

Sleeping boy (1825),Teylers Museum, 哈伦。紧随其后的是 Portrait of Paulus Joseph Gabriël, Woutherus Mol, c. 1818 (1818) 和 Academic Study of a Man and a Woman, Woutherus Mol, 1808 (1808)。

创作 Sleeping boy 时,Woutherus Mol 是多少岁?揭晓答案

40岁:Sleeping boy创作于1825年,Woutherus Mol出生于1785年。

Woutherus Mol 留下了多少幅画作?揭晓答案

我们的目录收录了 5 件 Woutherus Mol 的作品,创作年代从 1808 年至 1825 年。

Woutherus Mol 的杰作收藏在哪些博物馆中?揭晓答案

多见于 Teylers Museum (哈伦) 及 国家博物馆 (阿姆斯特丹)。上方的博物馆列表列出了所有相关机构。

Woutherus Mol 在哪些年份创作了最著名的作品?揭晓答案

在 1810s 期间:本页 5 件作品中有 2 件创作于该时期,其中包含 Portrait of Paulus Joseph Gabriël, Woutherus Mol, c. 1818 件作品。

Woutherus Mol 的首件与末件名作原件分别是哪几件?揭晓答案

在本页面中,最早的作品创作于 Academic Study of a Man and a Woman, Woutherus Mol, 1808 (1808),最晚的创作于 Sleeping boy (1825)。

哪些 Woutherus Mol 的作品在 Teylers Museum 展出?揭晓答案

Sleeping boy 及 The young artist:Teylers Museum, 哈伦收藏了本页中 2 件作品。

Woutherus Mol:生平与作品

Early Life and Training

  • Born: March 21, 1785, in Haarlem, Netherlands
  • Died: August 30, 1857, in Haarlem, Netherlands
  • Woutherus Mol received his initial artistic training under the tutelage of Hermanus van Brussel, a painter from Haarlem. This early guidance laid the foundation for his future career.
  • In 1802, he became a member of the "Tekengenootschap Kunstmin en Vlijt," the Haarlem drawing society, demonstrating an early commitment to artistic development and community engagement.

Parisian Period and Academic Influences

  • Around 1806, Mol traveled to Paris with his parents' permission, seeking further artistic refinement.
  • He studied floral painting under Gerard van Spaendonck at an institute in Paris.
  • Recognizing a greater interest in historical paintings, he then studied under Jacques-Louis David, the renowned historical painter.
  • In 1807, Mol was awarded the Dutch Prix de Rome and received a scholarship as "Hollandsch Kweekeling" (Hollandic pupil) to study and work in Paris, though he never formally visited Rome.
  • His artistic style during this period reflected the influence of classical masters like Raphael, evident in his submission to the Amsterdam art exhibition in 1810 – a painting of the Holy Family after Raphael.

Return to Haarlem and Recognition

  • After the restoration of the Netherlands in 1813, Mol returned to Haarlem.
  • He focused on studying Dutch masters and gained recognition with his submission "The Death of Prince William I" to the Amsterdam art exhibition in 1818. This work, based on a portrait by Christiaen Jansz van Bieselingen, was highly acclaimed and purchased for a significant sum.
  • This success led to him becoming an honorary member of the Royal Academy of Brussels.

Later Career and Decline

  • While initially celebrated, Mol's later works were considered less impressive, leading to a decline in public opinion.
  • He experienced a nervous breakdown and entered the "Rooms-Katholieke Wees- en armenhuis" (Catholic almshouse) in Haarlem in 1846, where he spent his final years without painting.
  • Despite this later period, Woutherus Mol remains significant as an artist who bridged early classical influences with Dutch artistic traditions.

Artistic Style and Legacy

  • Mol's work is characterized by a blend of academic training and genre scenes, often depicting interiors and portraits.
  • His earlier works demonstrate a strong influence from historical painting masters, while his later pieces reflect a more intimate focus on Dutch life.
  • He is remembered for his technical skill and ability to capture the nuances of human expression in his paintings.
  • The Teylers Museum in Haarlem holds one of his notable works, "Sleeping Boy," which exemplifies his talent for portraying quiet domestic scenes.