更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 78 件 威廉·西德尼·芒特 作品收录于我们的目录中
简而言之
在 威廉·西德尼·芒特 留下的所有原作中，最著名的当属收藏于 Stony Brook Museums at Stony Brook 的《Loss and Gain (1848)》。 紧随其后的是 School Boys Quarreling (1830) 和 Bar-room Scene (1835)。 我们的目录收录了 威廉·西德尼·芒特 的 78 件作品；画廊完整保留了 76 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
To stand before William Sidney Mount's Loss and Gain is to step across the threshold of time and into a moment suspended by profound thought. This oil on canvas, dating from 1848, does more than merely depict a scene; it invites an intimate dialogue with the viewer regarding the delicate balance of human existence. The composition centers upon an elderly man seated quietly upon a log within the embrace of…
To stand before William Sidney Mount’s School Boys Quarreling is to be instantly transported back to the vibrant, unscripted moments of early nineteenth-century life. This oil on canvas, dating from 1830, is far more than a mere depiction of boys playing; it is a masterful study in human interaction, capturing the raw energy and complex emotional currents that define childhood itself. Mount, celebrated as a pioneer of American genre painting,…
Bar-room Scene is an oil on canvas work by William Sidney Mount, executed about 1835. The artist, born in 1807 in Long Island, United States, established himself as a pioneer of American genre painting. His focus remained largely on the rural landscapes and social interactions of his native region.
In Portrait of Laertes Chapin, William Sidney Mount employs a vertical bust-length composition to establish a sense of formal dignity. The sitter is positioned slightly off-center, facing forward with a subtle three-quarter turn that provides a sculptural quality to the subject's features. This arrangement directs the viewer's attention toward the interplay of light and shadow across the face and neck.
In the Portrait of Laura Colton Chapin by William Sidney Mount, the subject sits in a quiet three-quarter view, her gaze turned slightly toward the viewer. She is framed by hair styled into intricate, tight ringlets that trace the line of her forehead, all topped by a dark, decorative headpiece. The color palette remains dominated by deep, somber tones. Her dress appears as a heavy, smooth black, which contrasts against…
In this 1832 oil on canvas, the artist William Sidney Mount gazes out from the past, presenting a formal portrait of a young man. The subject looks directly at us, capturing a moment of quiet dignity. This work, titled Self Portrait, offers a rare glimpse into the early years of William Sidney Mount as he establishes his presence through the medium of paint. He presents himself with a sense of…
In the Portrait of Julia Ann Seabury by William Sidney Mount, the subject is presented in a bust-length composition. She is positioned slightly off-center, with her gaze directed toward the viewer's right. The color palette is dominated by warm, natural tones, including the creamy white of her chemise, the red of her shawl, and the soft pinks and ochres used for her skin and the surrounding environment. The background consists…
In the Portrait of Maria Seabury by William Sidney Mount, a young woman is captured in a bust-length view. She sits slightly off-center, her steady gaze meeting the viewer with a quiet dignity. A bright white chemise and a red shawl provide a sharp contrast against the muted tones of the environment. These colors anchor her presence within the frame, separating her from the hazy atmosphere behind her.
At the Well is a work by William Sidney Mount, executed about 1848. The artist, born in Long Island, United States, was a pioneer of American genre painting, focusing his attention on the rhythms of rural life rather than grand historical narratives.
The Banjo Player by William Sidney Mount presents a young Black boy positioned within a dimly lit interior. The subject is dressed in a striped cap, a vest, and a tie. He is captured in a moment of quietude, his gaze directed toward the right of the frame.
Portrait of Hannah Muncy Smith1852 · Rhode Island School of Design Museum of Art
12
Julia Parish Raymond1851 · 波士顿美术馆
13
After Dinner1834 · 耶鲁大学艺术馆
14
Martin Euclid Thompson1830 · 大都会艺术博物馆
15
The Painter's Triuimph (also known as Artist Showing His Own Work)1838 · 宾夕法尼亚美术学院
16
Dancing on the Barn Floor1831 · Museums at Stony Brook
17
The Long Story (also known as The Tough Story)1837 · 国家美术馆
18
Dance of the Haymakers1845 · Museums at Stony Brook
19
The Truant Gamblers (also known as Undutiful Boys)1835 · 纽约历史学会
20
Ringing the Pig (also known as Scene in a Long Island Farm-Yard)1842
21
Saul and the Witch of Endor1828 · 史密森尼美国艺术博物馆
22
Farmer Whetting His Sythe1848 · Museums at Stony Brook
23
Catching Rabbits1839 · Museums at Stony Brook
24
Caught Napping1848 · 布鲁克林博物馆
25
Great-Grand-Father's Tale of the Revolution—A Portrait of Reverend Zachariah Greene1852 · 大都会艺术博物馆
26
Crane Neck Across the Marsh1841 · Museums at Stony Brook
27
Gideon Tucker1830 · 大都会艺术博物馆
28
Self Portrait With Flute1828
29
Farmers Nooning1836 · Museums at Stony Brook
30
Portrait of Reuben Merrill1832
31
Catherine Adele Smith1846
32
The Trap is Sprung1844
33
The Card Players1847
34
The Novice1847
35
Mount’s trompe l’oeil painted music stand1855
36
Cradle of Harmony Violin1851
37
Quarter of Twelve1855
38
Portrait of William Vickham Mills Smith1849 · 底特律艺术学院
39
Setauket Military Band1855
40
Just in Tune1849 · Museums at Stony Brook
41
Cracking Nuts1856
42
Fruit Piece: Apples on Tin Cups1863
43
The Residence of the Honorable William H. Ludlow1859
44
The Picnic1856
45
Spring Bouquet1857
46
The Banjo Player1856
47
Thomas Strongs House, Setauket, Long Island1864
48
The Bone Player1856 · 波士顿美术馆
49
Right and Left1850 · Museums at Stony Brook
50
Rustic Dance After a Sleigh Ride1830 · 波士顿美术馆
51
The Stone Bridge1843 · 提森·博爾涅米薩博物館
52
Christ Raising the Daughter of Jairus1828 · Museums at Stony Brook
53
Long Island Farmhouses1862 · 大都会艺术博物馆
54
The Painter's Triumph1838
55
Courtship (also known as Winding Up)1836 · 圣奥尔斯博物馆艺术馆
56
Coming to the Point1854
57
Coming to the Point1854
58
Cider Making1841 · 大都会艺术博物馆
59
Dregs in the Cup (also known as Fortune Telling)1838
60
Fair Exchange, No Robbery1865 · Museums at Stony Brook
61
Eel Spearing at Setauket (also known as Recolections of Early Days - Fishing Along Shore'')''1845
62
Raffling for the Goose (also known as The Raffle)1837 · 大都会艺术博物馆
63
The Sportsman's Last Visit1835 · Museums at Stony Brook
64
Long Island Farmer Husking Corn1833 · Museums at Stony Brook
65
The Fence on the Hill波士顿美术馆
66
The Barn by the Pool波士顿美术馆
67
Mrs gideon tucker大都会艺术博物馆
68
The raffle大都会艺术博物馆
69
Long island farmhouses
70
Great grand fathers tale of the revolution
71
Catching Crabs
72
Self Portrait (also known as The Artist Sketching)哈佛艺术博物馆
73
Kitchen in the Mount House, Stony Brook
74
Catching the Tune1866 · Museums at Stony Brook
75
Cider Making1840 · 大都会艺术博物馆
76
The Power of Music1847 · 克利夫兰艺术博物馆
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 威廉·西德尼·芒特 的作品 | 此列表中的画作 |
|---|---|---|---|
 Museums at Stony Brook |
Stony Brook | 15 | Loss and Gain, School Boys Quarreling, Dancing on the Barn Floor |
 大都会艺术博物馆 |
纽约 | 9 | Martin Euclid Thompson, Great-Grand-Father's Tale of the Revolution—A Portrait of Reverend Zachariah Greene, Gideon Tucker |
 波士顿美术馆 |
波士顿 | 5 | Julia Parish Raymond, The Bone Player, Rustic Dance After a Sleigh Ride |
 High Museum of Art |
亚特兰大 | 2 | Portrait of Laertes Chapin, Portrait of Laura Colton Chapin |
 休斯顿美术馆 |
休斯顿 | 2 | Portrait of Julia Ann Seabury, Portrait of Maria Seabury |
 底特律艺术学院 |
底特律 | 2 | The Banjo Player, Portrait of William Vickham Mills Smith |
 芝加哥艺术学院 |
芝加哥 | 1 | Bar-room Scene |
 New Britain Museum of American Art |
新不伦瑞克 | 1 | At the Well |
选择一个年代，探索定义该时代的原创杰作。
In the dim, flickering light of a subterranean cavern, William Sidney Mount captures one of the most harrowing moments in biblical lore. Saul and the Witch of Endor is not merely a depiction of a historical or religious event; it is an immersive descent into the supernatural. Created in 1828, this oil on canvas masterpiece transports the viewer to a moment of profound spiritual desperation. As King Saul, disguised in…
To stand before William Sidney Mount’s School Boys Quarreling is to be instantly transported back to the vibrant, unscripted moments of early nineteenth-century life. This oil on canvas, dating from 1830, is far more than a mere depiction of boys playing; it is a masterful study in human interaction, capturing the raw energy and complex emotional currents that define childhood itself. Mount, celebrated as a pioneer of American genre painting,…
To stand before William Sidney Mount's Loss and Gain is to step across the threshold of time and into a moment suspended by profound thought. This oil on canvas, dating from 1848, does more than merely depict a scene; it invites an intimate dialogue with the viewer regarding the delicate balance of human existence. The composition centers upon an elderly man seated quietly upon a log within the embrace of…
The Banjo Player by William Sidney Mount presents a young Black boy positioned within a dimly lit interior. The subject is dressed in a striped cap, a vest, and a tie. He is captured in a moment of quietude, his gaze directed toward the right of the frame.
Loss and Gain (1848)，Museums at Stony Brook, Stony Brook。紧随其后的是 School Boys Quarreling (1830) 和 Bar-room Scene (1835)。
41岁：Loss and Gain创作于1848年，威廉·西德尼·芒特出生于1807年。
Loss and Gain, School Boys Quarreling, Bar-room Scene, Portrait of Laertes Chapin, Portrait of Laura Colton Chapin, Self Portrait, Portrait of Julia Ann Seabury, Portrait of Maria Seabury, At the Well 及 The Banjo Player。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 78 件 威廉·西德尼·芒特 的作品，创作年代从 1828 年至 1866 年。
多见于 Museums at Stony Brook (Stony Brook), 大都会艺术博物馆 (纽约) 及 波士顿美术馆 (波士顿)。上方的博物馆列表列出了所有相关机构。
在 1830s 期间：本页 76 件作品中有 22 件创作于该时期，其中包含 School Boys Quarreling 件作品。
在本页面中，最早的作品创作于 Saul and the Witch of Endor (1828)，最晚的创作于 Catching the Tune (1866)。
American art (9), Rural life (9) 及 19th century (6)，共计 76 件作品。
Oil On Canvas，共计 28 件（本页共有 76 件作品）。
根据本页面的原作，Genre painting
Loss and Gain, School Boys Quarreling 及 Dancing on the Barn Floor：Museums at Stony Brook, Stony Brook收藏了本页中 15 件作品。
