更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 73 件 威廉·马尔雷迪 作品收录于我们的目录中
简而言之
Carghill and Touchwood (1831) 是 威廉·马尔雷迪 最受瞩目的画作；原作收藏于 纽黑文 的 耶鲁英国艺术中心。 随后，目光会移向 The Mall, Kensington Gravel Pits (1812) 和 The Rattle (1808)。 在 威廉·马尔雷迪 的 73 件作品中，这 73 件最为闻名；每一件都是独一无二的原作，并附有创作年份、馆藏机构及其经久不衰的原因。
The work before us is titled Carghill and Touchwood, a significant genre painting by the Irish artist William Mulready. Created in 1831, this oil on panel captures a specific moment of human interaction, moving away from the landscapes that occupied much of the artist's earlier output. It belongs to a period when Mulready was establishing his reputation within the Royal Academy, focusing his attention on the nuances of domestic and…
In "The Mall, Kensington Gravel Pits" by William Mulready, we find ourselves observing a quiet moment from an urban or suburban setting in the early 19th century. The composition is centered around a gravel pit area, a space that anchors the viewer's attention within the landscape. To the left, a cluster of buildings provides a sense of structure and habitation, while a fence runs along the left edge of the…
In a quiet corner of a domestic interior, a man and a young girl share a fleeting moment of connection. The air feels still, held in the soft light that pours through a large window in the background. This scene, titled The Rattle, captures a simple interaction between an adult and a child, a quiet slice of everyday life frozen in time. The man holds a bird, its presence adding…
The Wolf and the Lamb is an oil on canvas work by the Irish artist William Mulready. Created about 1819, this piece reflects the early development of a painter who would eventually become a central figure in Victorian genre painting. The work measures 60.0 x 51.1cm, a scale that allows for an intimate encounter with the scene it depicts.
The Convalescent from Waterloo is an oil painting on canvas by the artist William Mulready. This work was produced about 1822. The piece depicts a wounded soldier and his family in a field hospital setting following the Battle of Waterloo. The composition centers on the soldier, who is seated alongside a woman and a young child. Two additional children are positioned further in the background, tending to objects on the…
This oil painting, titled Study for 'The Careless Messenger Detected', offers a glimpse into the preparatory process of William Mulready. Created in 1821, the work captures a moment of intense human interaction. It reflects the artist's ability to translate social tension into a visual narrative, a skill that would define his reputation within the Victorian era.
In 1828, William Mulready painted The Interior of an English Cottage. The scene captures a solitary woman seated within the rustic confines of a cottage. She sits amidst a dense collection of domestic objects, her presence a quiet anchor within the cramped, lived-in space. Through a window, the sky offers a glimpse of light, contrasting with the heavy shadows of the room.
In John Sheepshanks (1787–1863), the artist William Mulready turns his gaze toward a single, quiet presence. The composition centers tightly on the head and shoulders of an older man, captured in profile. This is a portrait intended to represent an individual, stripping away the distractions of a wider world to focus on the weight of a life lived. The perspective remains shallow, offering a frontal view that provides minimal depth…
Interior with John Sheepshanks (1787–1863) by William Mulready depicts an intimate scene within a richly decorated room. The composition centers on the interaction between two figures: a gentleman and a young woman. The gentleman is dressed in attire that suggests wealth and high social status, while the woman wears simple clothing indicative of a lower social standing. This arrangement suggests a moment of service or patronage occurring within a private…
A woman leans into the quiet space of a child's world. She is a pillar of orange fabric against the deep, earthy browns of a wooded landscape. The light filters through a canopy of trees, casting a soft, diffused glow over the scene. It is a moment of instruction, caught in the stillness of a forest. A small dog rests nearby, its fur rendered with a tactile softness. The air…
The Sonnet1839 · 维多利亚和阿尔伯特博物馆
12
Ira Aldridge in the Role of Shakespeare1826 · 沃尔特斯艺术博物馆
13
A Gypsy Encampment1810 · 爱尔兰国家美术馆
14
Lock gate1810 · 耶鲁英国艺术中心
15
Hampstead Heath with Cows1806
16
Sketch for 'Punch'1812
17
An Old Cottage, St Albans1806
18
Near the Mall, Kensington Gravel Pits1812
19
Suffolk Landscape with Mill1810 · Government Art Collection
20
Hampstead Heath1806
21
The Rattle (study)1807
22
Landscape with Cottages1812
23
John Varley1814 · 国家肖像美术馆
24
Cottages on the Coast1806
25
The Wedding Morning1822
26
The Fight Interrupted1816
27
The Butt Shooting a Cherry1822
28
The Village Buffoon1816
29
The Watering Hole1825
30
An Old Gable1830 · 耶鲁英国艺术中心
31
Study for 'Interior of an English Cottage'1828
32
A Dog of Two Minds1830
33
A Sailing Match1831
34
Mary Wright, the Carpenter's Daughter1828
35
The Monopolist1843 · The Dick Institute
36
William Mulready1835 · 国家肖像美术馆
37
Brother and Sister1836
38
Teal1835
39
Giving a Bite1834
40
The Toy Seller1835
41
First Love1839
42
The First Voyage1833
43
Open Your Mouth and Shut Your Eyes1838
44
The Seven Ages of Man (from William Shakespeare's 'As You Like It', Act II, Scene 7)1838 · 维多利亚和阿尔伯特博物馆
45
Head of a Woman1840
46
The Intercepted Billet1844
47
An Interior1842
48
Blackheath Park1852
49
The Pool1850
50
The Lesson ('Just as the Twig Is Bent, the Tree's Inclined')1859
51
The Young Brother1857
52
The Artist's Father爱尔兰国家美术馆
53
A Squire in a Tavern爱尔兰国家美术馆
54
A Sea Shore
55
The Organ Grinder
56
Horses Baiting1816 · 惠特沃斯美术馆
57
The Farrier's Shop1820 · Fitzwilliam 学院
58
Crossing the FordNational Trust
59
Cupping the Bees爱尔兰国家美术馆
60
Joseph Pitt (1759–1842)
61
Farmhouse with a White Horse
62
The Cottage
63
The Dead Canary
64
Landscape A Cottage with Trees and Two Children
65
Landscape with Figures
66
Rustic Charity
67
See Saw
68
Bathers Surprised1852 · 爱尔兰国家美术馆
69
The Toy-seller1860 · 爱尔兰国家美术馆
70
Fair Time ('Returning from the Ale House')
71
The Last In1835
72
Choosing the Wedding Gown1845 · 维多利亚和阿尔伯特博物馆
73
The Ford ('Crossing the Ford')1842
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 威廉·马尔雷迪 的作品 | 此列表中的画作 |
|---|---|---|---|
 爱尔兰国家美术馆 |
都柏林 | 6 | A Gypsy Encampment, The Artist's Father, A Squire in a Tavern |
 耶鲁英国艺术中心 |
纽黑文 | 3 | Carghill and Touchwood, Lock gate, An Old Gable |
 维多利亚和阿尔伯特博物馆 |
伦敦 | 3 | The Sonnet, The Seven Ages of Man (from William Shakespeare's 'As You Like It', Act II, Scene 7), Choosing the Wedding Gown |
 皇家收藏馆 |
伦敦 | 2 | The Wolf and the Lamb, The Interior of an English Cottage |
 国家肖像美术馆 |
伦敦 | 2 | John Varley, William Mulready |
 沃尔特斯艺术博物馆 |
巴尔的摩 | 1 | Ira Aldridge in the Role of Shakespeare |
 Government Art Collection |
伦敦 | 1 | Suffolk Landscape with Mill |
 The Dick Institute |
基尔马诺克 | 1 | The Monopolist |
选择一个年代，探索定义该时代的原创杰作。
In a quiet corner of a domestic interior, a man and a young girl share a fleeting moment of connection. The air feels still, held in the soft light that pours through a large window in the background. This scene, titled The Rattle, captures a simple interaction between an adult and a child, a quiet slice of everyday life frozen in time. The man holds a bird, its presence adding…
In "The Mall, Kensington Gravel Pits" by William Mulready, we find ourselves observing a quiet moment from an urban or suburban setting in the early 19th century. The composition is centered around a gravel pit area, a space that anchors the viewer's attention within the landscape. To the left, a cluster of buildings provides a sense of structure and habitation, while a fence runs along the left edge of the…
The Convalescent from Waterloo is an oil painting on canvas by the artist William Mulready. This work was produced about 1822. The piece depicts a wounded soldier and his family in a field hospital setting following the Battle of Waterloo. The composition centers on the soldier, who is seated alongside a woman and a young child. Two additional children are positioned further in the background, tending to objects on the…
The work before us is titled Carghill and Touchwood, a significant genre painting by the Irish artist William Mulready. Created in 1831, this oil on panel captures a specific moment of human interaction, moving away from the landscapes that occupied much of the artist's earlier output. It belongs to a period when Mulready was establishing his reputation within the Royal Academy, focusing his attention on the nuances of domestic and…
A woman leans into the quiet space of a child's world. She is a pillar of orange fabric against the deep, earthy browns of a wooded landscape. The light filters through a canopy of trees, casting a soft, diffused glow over the scene. It is a moment of instruction, caught in the stillness of a forest. A small dog rests nearby, its fur rendered with a tactile softness. The air…
Carghill and Touchwood (1831)，耶鲁英国艺术中心, 纽黑文。紧随其后的是 The Mall, Kensington Gravel Pits (1812) 和 The Rattle (1808)。
45岁：Carghill and Touchwood创作于1831年，威廉·马尔雷迪出生于1786年。
Carghill and Touchwood, The Mall, Kensington Gravel Pits, The Rattle, The Wolf and the Lamb, The Convalescent from Waterloo, Study for 'The Careless Messenger Detected', The Interior of an English Cottage, John Sheepshanks (1787–1863), Interior with John Sheepshanks (1787–1863) 及 Instruct the Child。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 73 件 威廉·马尔雷迪 的作品，创作年代从 1806 年至 1860 年。
多见于 爱尔兰国家美术馆 (都柏林), 耶鲁英国艺术中心 (纽黑文) 及 维多利亚和阿尔伯特博物馆 (伦敦)。上方的博物馆列表列出了所有相关机构。
在 1830s 期间：本页 73 件作品中有 17 件创作于该时期，其中包含 Carghill and Touchwood 件作品。
在本页面中，最早的作品创作于 Hampstead Heath with Cows (1806)，最晚的创作于 The Toy-seller (1860)。
Landscape (6), Cottages (6) 及 Interior (4)，共计 73 件作品。
Oil On Canvas，共计 9 件（本页共有 73 件作品）。
根据本页面的原作，Romanticism 及 Victorian genre painting
A Gypsy Encampment, The Artist's Father 及 A Squire in a Tavern：爱尔兰国家美术馆, 都柏林收藏了本页中 6 件作品。
