更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 26 件 威廉·阿什福德 作品收录于我们的目录中
简而言之
An Evening Landscape with Mercury and Argus (1777) 是 威廉·阿什福德 最受瞩目的画作；原作收藏于 Wimpole Hall。 随后，目光会移向 Dublin from Phoenix Park (1797) 和 Dublin Harbour from Howth (1797)。 在 威廉·阿什福德 的 26 件作品中，这 26 件最为闻名；每一件都是独一无二的原作，并附有创作年份、馆藏机构及其经久不衰的原因。
In An Evening Landscape with Mercury and Argus by William Ashford, a quiet moment unfolds within a sprawling, pastoral setting. A man sits beneath the shade of a tree, his gaze fixed upon the gentle movement of the water before him. Beside him, a dog rests in the stillness. Above this pair, a single bird cuts through the air, its flight adding a sense of life to the tranquil atmosphere.…
Dublin from Phoenix Park is an oil on canvas work by William Ashford. Executed in 1797, the painting measures 129 cm in height and 162.8 cm in width.
Dublin Harbour from Howth is an oil painting by William Ashford. Created in 1797, the work captures a serene landscape of the Irish coast. The scene rests upon a wide expanse of land where the quiet rhythms of rural life unfold under a cloudy sky. It is a moment of stillness caught in oil and canvas.
The oil on canvas titled Mount Kennedy, County Wicklow, Ireland, captures a specific slice of the Irish landscape. Painted in 1785 by William Ashford, the work presents a view of a country seat. This house, designed by James Wyatt, served as the home of Mrs. Hull and was formerly the residence of General Cunningham. The scene settles upon the architecture and the surrounding grounds of this Wicklow estate.
is a still life painting by the artist William Ashford. Created about 1766, the work captures a lush, diverse bouquet held within a golden pedestal vase. The arrangement rests upon a stone-like ledge, emerging from a dark, atmospheric void. This botanical subject matter focuses on the delicate textures of petals and the organic movement of stems.
In "The Thunderstorm" by William Ashford, a sense of impending movement pulls the eye across the canvas. A large, gnarled tree dominates the right side, its heavy branches leaning precariously over a central dirt path toward the left. This strong diagonal movement creates a tension that mirrors the atmospheric shift in the sky. Along this rugged path, a horse-drawn covered wagon makes its way through the landscape, accompanied by two…
An Idyllic Landscape is an oil on canvas by William Ashford. Created about 1778, this work represents a significant period in the artist's career as he established his presence within the Irish landscape tradition. The painting measures 110.8 x 151.7cm, offering a substantial view of the natural world that invites a closer, more quiet observation of its details.
The scene unfolds in 1785, capturing a quiet moment within the expansive grounds of Castle Ward in the United Kingdom. In A View of Castle Ward from the Doric Temple, the eye is immediately drawn to the architectural presence of a classical structure. This vantage point offers a sweeping look across the estate, where the land rolls toward the horizon under a soft, pale sky. The landscape breathes with the…
In this work, titled A Morning Landscape with a Triumphal Arch, the artist William Ashford presents a scene that invites a quiet contemplation of history and nature. Painted in 1777, the composition centers upon a triumphal arch, a structure defined by two prominent columns positioned on either side. The material of the arch, appearing to be crafted from stone or brick, lends a sense of permanence and weight to the…
A View of Killarney with the Passage to the Upper Lake is a landscape painting by the artist William Ashford. This work was executed in 1779. The composition focuses on the topographical features of the Killarney region, specifically the passage leading toward the Upper Lake.
Landscape with Carriage and Horses1781
12
View of Kilarney1778
13
Landscape with Haymakers and a Distant View of a Georgian House1780 · 耶鲁英国艺术中心
14
The Royal Charter School, Clontarf, County Dublin1794 · 爱尔兰国家美术馆
15
Castle Ward: The Classical Front1786 · Castle Ward
16
Opening of the Ringsend Docks, Dublin, 23 April 1796, with Lord Camden Conferring Knighthood on Mr John Macartney1796 · 爱尔兰国家美术馆
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A View of Dublin from Chapelizod1796 · 爱尔兰国家美术馆
18
A View of Dublin from Clontarf1796 · 爱尔兰国家美术馆
19
The River in the Demesne at Charleville1801 · 爱尔兰国家美术馆
20
View in Mount Merrion Park (1804)1804 · Fitzwilliam Museum
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View in Mount Merrion Park1806 · Fitzwilliam Museum
22
View in Mount Merrion Park1806 · Fitzwilliam Museum
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View in Mount Merrion Park1806 · Fitzwilliam Museum
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View in Mount Merrion Park1806 · Fitzwilliam Museum
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View in Mount Merrion ParkFitzwilliam Museum
26
Landscape with a CastleGovernment Art Collection
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 7 家博物馆。
| 博物馆 | 城市 | 威廉·阿什福德 的作品 | 此列表中的画作 |
|---|---|---|---|
 爱尔兰国家美术馆 |
都柏林 | 7 | A Group of Flowers, An Idyllic Landscape, The Royal Charter School, Clontarf, County Dublin |
 Fitzwilliam Museum |
6 | View in Mount Merrion Park (1804), View in Mount Merrion Park, View in Mount Merrion Park | |
 Wimpole Hall |
2 | An Evening Landscape with Mercury and Argus, A Morning Landscape with a Triumphal Arch | |
 耶鲁英国艺术中心 |
纽黑文 | 2 | Mount Kennedy, County Wicklow, Ireland, Landscape with Haymakers and a Distant View of a Georgian House |
 Castle Ward |
2 | A View of Castle Ward from the Doric Temple, Castle Ward: The Classical Front | |
 伯明翰博物馆与美术馆 |
伯明翰 | 1 | The Thunderstorm |
 Government Art Collection |
伦敦 | 1 | Landscape with a Castle |
选择一个年代，探索定义该时代的原创杰作。
is a still life painting by the artist William Ashford. Created about 1766, the work captures a lush, diverse bouquet held within a golden pedestal vase. The arrangement rests upon a stone-like ledge, emerging from a dark, atmospheric void. This botanical subject matter focuses on the delicate textures of petals and the organic movement of stems.
In An Evening Landscape with Mercury and Argus by William Ashford, a quiet moment unfolds within a sprawling, pastoral setting. A man sits beneath the shade of a tree, his gaze fixed upon the gentle movement of the water before him. Beside him, a dog rests in the stillness. Above this pair, a single bird cuts through the air, its flight adding a sense of life to the tranquil atmosphere.…
The oil on canvas titled Mount Kennedy, County Wicklow, Ireland, captures a specific slice of the Irish landscape. Painted in 1785 by William Ashford, the work presents a view of a country seat. This house, designed by James Wyatt, served as the home of Mrs. Hull and was formerly the residence of General Cunningham. The scene settles upon the architecture and the surrounding grounds of this Wicklow estate.
Dublin from Phoenix Park is an oil on canvas work by William Ashford. Executed in 1797, the painting measures 129 cm in height and 162.8 cm in width.
The River in the Demesne at Charleville is a landscape painting by William Ashford, dating to about 1801. In this work, the artist captures a tranquil river scene framed by dense, verdant woodland. The composition draws the eye through a winding waterway, where a small figure in red and a dog provide a sense of scale against the vastness of the trees. It is a quiet moment of natural intimacy,…
An Evening Landscape with Mercury and Argus (1777)，Wimpole Hall。紧随其后的是 Dublin from Phoenix Park (1797) 和 Dublin Harbour from Howth (1797)。
31岁：An Evening Landscape with Mercury and Argus创作于1777年，威廉·阿什福德出生于1746年。
An Evening Landscape with Mercury and Argus, Dublin from Phoenix Park, Dublin Harbour from Howth, Mount Kennedy, County Wicklow, Ireland, A Group of Flowers, The Thunderstorm, An Idyllic Landscape, A View of Castle Ward from the Doric Temple, A Morning Landscape with a Triumphal Arch 及 A View of Killarney with the Passage to the Upper Lake。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 26 件 威廉·阿什福德 的作品，创作年代从 1766 年至 1806 年。
多见于 爱尔兰国家美术馆 (都柏林), Fitzwilliam Museum 及 Wimpole Hall。上方的博物馆列表列出了所有相关机构。
在 1780s 期间：本页 26 件作品中有 6 件创作于该时期，其中包含 Mount Kennedy, County Wicklow, Ireland 件作品。
在本页面中，最早的作品创作于 A Group of Flowers (1766)，最晚的创作于 View in Mount Merrion Park (1806)。
Sky (14), Landscape (11) 及 Tree (8)，共计 26 件作品。
Oil On Canvas，共计 14 件（本页共有 26 件作品）。
A Group of Flowers, An Idyllic Landscape 及 The Royal Charter School, Clontarf, County Dublin：爱尔兰国家美术馆, 都柏林收藏了本页中 7 件作品。
威廉·阿什福德 于1746年出生于英国伯明翰，并于同年5月20日在圣马丁教区教堂受洗。作为理查德·阿什福德之子，他的艺术生命在早年便已显露端倪。1764年，年仅十八岁的他离开故乡，远赴爱尔兰都柏林，开启了改变命运的旅程。在正式投身艺术殿堂之前，他曾于军械署任职，负责检查军备，这段严谨的职业经历或许在潜移默化中塑造了他对细节的敏锐观察力。
在艺术探索的初期，他的笔触聚焦于细腻的静物与花卉绘画，展现出对自然生命力的捕捉能力。大约在1775年，他组建了家庭，育有二子一女。从1767年左右开始，他便开始在威廉街的艺术家协会展出作品，逐渐在艺术界崭露头角，为日后成为景观画大师奠定了坚实的基础。
自1772年起，威廉·阿什福德开始向世人展示他的风景画作，并凭借其卓越的艺术造诣屡获都柏林皇家艺术学会的奖项。这一时期，他正式转型为一名职业风景画家，开启了艺术生涯的新篇章。1778年，随着托马斯·罗伯茨（Thomas Roberts）的逝世，威廉·阿什福德逐渐脱颖而出，成为了爱尔兰最具代表性的风景画大师。从1792年左右开始，他居住在由著名建筑师詹姆斯·甘登（James Gandon）设计的宅邸中，生活环境的优雅亦映照在其艺术追求之中。他的绘画风格深受克劳德·洛兰（Claude Lorraine）等大师的影响，并融合了理查德·威尔逊（Richard Wilson）的艺术精髓，其作品以温暖的欧陆色调为显著特征，展现出一种宁静而深邃的艺术魅力。
威廉·阿什福德在艺术史上的地位不仅体现在其精湛的画技中，更体现在他作为艺术领袖的卓越影响力。他在艺术界的领导地位日益凸显，于1813年当选为爱尔兰艺术家协会主席，并于1823年荣膺皇家爱尔兰皇家艺术学院的首任主席，这标志着他在爱尔兰艺术史上的巅峰成就。
他的创作生涯充满了受贵族青睐的荣耀时刻，例如在1806年左右，他为第四代菲茨威廉伯爵创作了一组关于蒙特梅里恩（Mount Merrion）及其周边地区的风景画，这些作品生动地记录了当时的庄园风貌。从1775年起，他的作品便频繁在伦敦皇家艺术学院展出，赢得了广泛的声誉。此外，他的艺术造诣也得到了多家权威机构的认可，包括爱尔兰艺术家协会、都柏林艺术家学院以及科克促进美术学会，这些展览进一步奠定了他作为时代杰出画家的崇高地位。
威廉·阿什福德的艺术创作深深植根于对地形景观的细腻描绘之中，他尤其擅长捕捉那些庄重而有序的乡间宅邸与修剪整齐的园林景观，将自然之美与人文秩序完美融合。在艺术风格的演进中，他的笔触深受古典大师的影响：他从克劳德·洛兰（Claude Lorraine）那里汲取了对光影流动与大气氛围的精妙掌控，并从 理查德·威尔逊 (Richard Wilson) 的作品中领悟了严谨的构图结构。这种融合赋予了他的作品一种独特的魅力，即通过 温暖的色调 来展现景观中的优雅与和谐。大约从1790年起，他还通过与 约翰·托马斯·塞雷斯 (John Thomas Serres) 的合作，巧妙地在风景画中融入了人物与 海洋绘画 的元素，极大地丰富了其艺术表现的维度。
威廉·阿什福德的艺术生命一直延续到1821年左右，在那段时光里，他依然笔耕不辍，将对自然景观的敏锐观察倾注于画布。1824年4月17日，这位伟大的艺术家在位于桑迪芒特（Sandymount）的家中安然辞世，留下了一段艺术史上的瑰宝。
他的艺术成就不仅体现在生前的声望，更通过其传世之作得以永恒。如今，他的杰作被珍藏于 爱尔兰国家美术馆 以及剑桥的 菲茨威廉博物馆 中，成为研究18世纪景观绘画不可或缺的瑰宝。
随着时代的变迁，人们对他的艺术价值有了全新的认识。2008年向爱尔兰遗产信托基金（Irish Heritage Trust）的捐赠行为，再次点燃了公众对威廉·阿什福德艺术风格的热情，引发了新一轮的学术与审美探索。作为景观绘画领域的先驱，他的艺术风格深刻地影响了后世的爱尔兰风景画家，例如詹姆斯·阿瑟·奥康纳（James Arthur O'Connor），其艺术精神在爱尔兰的土地上生生不息。
