更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 166 件 威廉·艾肯·沃克 (Wēi Lián · Ài Kěn · Wò Kè) 作品收录于我们的目录中
简而言之
Negro Couple in Cotton Field, Woman with Yellow Bonnet (1889) 是威廉·艾肯·沃克 (Wēi Lián · Ài Kěn · Wò Kè)最受瞩目的画作。 随后，目光会移向 View of Galveston Harbor (1874) 和 Louisiana Cabin Scene with Stretched Hide on Weatherboard and Stock Chimney Covered with Clay (1878)。 在 威廉·艾肯·沃克 (Wēi Lián · Ài Kěn · Wò Kè) 的 166 件作品中，这 100 件最为闻名；每一件都是独一无二的原作，并附有创作年份、馆藏机构及其经久不衰的原因。
A vast expanse of cotton stretches toward a heavy, clouded sky. In the center of this landscape, a man and a woman move through the stalks. The woman wears a yellow bonnet, a single point of color against the muted, earthy tones of the field. They are anchored to the soil, their bodies positioned amidst the white bolls and the rough, bristly texture of the plants. The light is diffused,…
The sea is a restless, dark expanse in the foreground, its surface broken by the rhythmic movement of choppy waves. Small boats and scattered figures navigate these waters, their forms etched against the shifting light. Beyond the immediate swell, a line of ships stretches across the midground, their masts rising like thin needles against the sky. These vessels, varying in scale and detail, suggest a harbor in constant motion, a…
In this 1878 oil painting, we find ourselves transported to a quiet, lived-in corner of Louisiana. The scene centers on a weathered wooden cabin, its structure defined by horizontal lines that suggest a sense of permanence amidst the shifting natural world. A large, sprawling tree arches over the composition, its branches heavy with hanging Spanish moss that frames the dwelling and adds a layer of atmospheric depth. The air feels…
The scene unfolds in "Picking Cotton," a work by the American artist William Aiken Walker. He captures a moment of labor within the fields, a subject that defines much of his artistic legacy. Walker was born in Charleston, South Carolina, in 1839, a place that remains deeply connected to his identity. He lived his life through the lens of genre painting, focusing his gaze on the everyday realities of the…
In "Sharecroppers Gathered in the Yard," the artist William Aiken Walker captures a quiet moment of communal life. Painted about 1895, this work brings us into a rural setting where the rhythms of daily existence unfold. The scene centers on a group of African American sharecroppers who have come together in a yard, finding a moment of social connection amidst their labors. They gather near a modest wooden cabin, their…
In this 1914 oil on canvas, we find ourselves in an intimate encounter with the artist himself. The composition is centered entirely on a single man, presented in a frontal view that invites a sense of immediate closeness. He wears a dark gray cap and a red necktie, attire that suggests a certain level of dignity and status. His face is framed by a meticulously rendered beard and mustache, textures…
Noon Day Pause in the Cotton Field is a painting by William Aiken Walker. The artist was born in Charleston, South Carolina, in 1839 and remained connected to this region throughout his life, eventually passing away in Charleston on January 3, 1921. His work is characterized by a focus on genre painting, capturing specific moments of daily existence.
In this work, titled Plantation Scene, we encounter a quiet moment of life from the American South. The artist, William Aiken Walker, captures a scene centered around a weathered wooden cabin with a red roof. Several people are gathered near the structure, some positioned in the foreground while others linger in the distance. The presence of chickens scattered throughout the yard and a dog in the background lends a sense…
Negro Man And Woman In Cotton Field With Cotton Baskets 1 is an oil painting by the American artist William Aiken Walker. The work captures a scene of agricultural labor from an earlier time period, focusing on the physical realities of the harvest. A man and a woman are positioned within a field of cotton plants, their presence anchoring the landscape.
Cotton Picking in Front of the Quarters
12
Man on Dock LIghting Pipe1849
13
Dollarfish and Sheepshead1860 · 波士顿美术馆
14
Dog Head with Post and Chain1859
15
Confederate Encampment at Seven Pines (Fair Oaks) Virginia1862
16
Wolves Attacking Cattle1859
17
Negro Youth with Basket on Head (Cuba)1869
18
Newsboy Selling the Baltimore Sun1871
19
Ducks, Bobwhites, and Woodcocks1866
20
Vegetable Vendor at Charleston Market1870
21
Dollar Fish and Sheephead1866
22
St. Finebar's Church, Broad Street, Charleston1868
23
Horses in a Pasture1880
24
Squaring Off1880
25
Levee at New Orleans1883
26
Traveling by Ox Cart1884
27
Plantation Portrait1885
28
Card Players on the Steamboar1880
29
Ruffles and Rags1881
30
Cotton Plantation on the Mississippi1881
31
The Levee at New Orleans1883
32
Plantation Economy1881
33
Negro Man, Two Boys and Dog in Cotton Field1885
34
Dt. Diehl and Morgan Horse in Louisville Kentucky1879
35
Old Shoe with Mice1879
36
I'll Stick to Cotton as Long as It Sticks to Me1886
37
Palm Trees on the Beach at Fort Walton1892
38
On the Levee (New Orleans)1886
39
Wagon Scene1888
40
On the Road to Natchez1888
41
Smoked Ham at the Bonnie Crest Inn, North Carolina1886
42
Rabbit, Duck and Snipe1887
43
Ponce LIght House, Ponce Park, Florida1898
44
The Cove at Ponce Park1895
45
Ponce Park LIght House, Florida1895
46
North Carolina Homestead with Mountains and Field1897
47
Tobacco Field with Five Figures (North Carolina)1895
48
Cottage on Beach with Palm Trees (Florida)1899
49
Lighthouse at Ponce Park1904
50
T-plan Cabin with Porch1903
51
Crab1903
52
Negro Man with Cotton Basket on Head
53
Negro Man in Cotton Field with Basket of Cotton on Head
54
Negro Man in Cotton Field
55
Family Gathered by a Cabin
56
Bombardment Of Fort Sumter, Charleston Harbor, Charleston, South Carolina, 1863
57
Negro Man In Cotton Field With Basket Of Cotton 1
58
Mushrooms1910
59
North Carolina Cabin with Scalloped Trim on Roof and Wild Cannas
60
Washday1908
61
Scene near Arden, North Carolina1908
62
Runnymede on the Ashley River1907
63
Juvenile Angel Fish1907
64
Forest with Ferns and Mushrooms1910
65
Wooded Mountain Scene in North Carolina1908
66
Self Portrait1913
67
Woodland Scene with Red-Flowered Bush1914
68
River, Tree, City on Horizon1914
69
Forest Scene with Moss-Covered Trees and Bamboo1914
70
Ruins, Arden Park Lodge1919
71
Wooded Mountain Scene in North Carolina1918
72
Girl with Pigtails1918
73
Ruin of Luturne Cottage, Arden, North Carolina1918
74
Cotton Gin, Adams County, Mississippi1883
75
Still LIfe with Cheese, Bottle of Wine and Mouse1876
76
Cabin
77
Breakers In Florida
78
Noontime Break
79
Laundry Day
80
Plantation Scene 1
81
Cotton Picker
82
Florida Beach Scene with Sand Dunes, Sea Oats and Surf
83
Log Cabin with Stretched Hide on Wall
84
Ponce Park Light House, Florida 1
85
Sand Dunes and Clouds, Florida
86
Ocean Waves Breaking on Beach
87
Cabin Scene 3
88
An Old Time Fishing Village
89
Cuban Family
90
Negro Man in Cotton Field with Basket of Cotton
91
Cabin Scene 4
92
Negro Women in Cotton Field
93
Portland Headlight, Maine
94
Negro Cabin with Palm Tree
95
Board And Batten Northern South Carolina Cabin
96
Cotton Pickers 1
97
Drying the Wash
98
Old Negro Man with Basket of Cotton
99
Florida Seascape with Sand Dune, Palm Tree, and Yuccas
100
Sand Dunes, Palmetto (Sabal) and Steamboat
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 1 家博物馆。
| 博物馆 | 城市 | 威廉·艾肯·沃克 (Wēi Lián · Ài Kěn · Wò Kè) 的作品 | 此列表中的画作 |
|---|---|---|---|
 波士顿美术馆 |
波士顿 | 1 | Dollarfish and Sheepshead |
选择一个年代，探索定义该时代的原创杰作。
The sea is a restless, dark expanse in the foreground, its surface broken by the rhythmic movement of choppy waves. Small boats and scattered figures navigate these waters, their forms etched against the shifting light. Beyond the immediate swell, a line of ships stretches across the midground, their masts rising like thin needles against the sky. These vessels, varying in scale and detail, suggest a harbor in constant motion, a…
A vast expanse of cotton stretches toward a heavy, clouded sky. In the center of this landscape, a man and a woman move through the stalks. The woman wears a yellow bonnet, a single point of color against the muted, earthy tones of the field. They are anchored to the soil, their bodies positioned amidst the white bolls and the rough, bristly texture of the plants. The light is diffused,…
In "Sharecroppers Gathered in the Yard," the artist William Aiken Walker captures a quiet moment of communal life. Painted about 1895, this work brings us into a rural setting where the rhythms of daily existence unfold. The scene centers on a group of African American sharecroppers who have come together in a yard, finding a moment of social connection amidst their labors. They gather near a modest wooden cabin, their…
In this 1914 oil on canvas, we find ourselves in an intimate encounter with the artist himself. The composition is centered entirely on a single man, presented in a frontal view that invites a sense of immediate closeness. He wears a dark gray cap and a red necktie, attire that suggests a certain level of dignity and status. His face is framed by a meticulously rendered beard and mustache, textures…
Negro Couple in Cotton Field, Woman with Yellow Bonnet (1889)。紧随其后的是 View of Galveston Harbor (1874) 和 Louisiana Cabin Scene with Stretched Hide on Weatherboard and Stock Chimney Covered with Clay (1878)。
50岁：Negro Couple in Cotton Field, Woman with Yellow Bonnet创作于1889年，威廉·艾肯·沃克 (Wēi Lián · Ài Kěn · Wò Kè)出生于1839年。
Negro Couple in Cotton Field, Woman with Yellow Bonnet, View of Galveston Harbor, Louisiana Cabin Scene with Stretched Hide on Weatherboard and Stock Chimney Covered with Clay, Picking Cotton, Sharecroppers Gathered in the Yard, Self Portrait, Noon Day Pause in the Cotton Field, Plantation Scene, Negro Man And Woman In Cotton Field With Cotton Baskets 1 及 Negro Man And Woman In Cotton Field With Baskets Of Cotton 1。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 166 件 威廉·艾肯·沃克 (Wēi Lián · Ài Kěn · Wò Kè) 的作品，创作年代从 1849 年至 1919 年。
多见于 波士顿美术馆 (波士顿)。上方的博物馆列表列出了所有相关机构。
在 1880s 期间：本页 100 件作品中有 19 件创作于该时期，其中包含 Negro Couple in Cotton Field, Woman with Yellow Bonnet 件作品。
在本页面中，最早的作品创作于 Man on Dock LIghting Pipe (1849)，最晚的创作于 Ruins, Arden Park Lodge (1919)。
Cotton (11), Usa (11) 及 Scenes (8)，共计 100 件作品。
Oil，共计 5 件（本页共有 100 件作品）。
根据本页面的原作，Contemporary realism 及 Genre painting
威廉·艾肯·沃克（1839年3月11日 – 1921年1月3日）是一位美国艺术家，以其体裁绘画而闻名，特别是那些捕捉重建时期后南方非裔美国人生活的作品。他的作品为美国历史上的一个关键时期提供了深刻的见解。
沃克出生于南卡罗来纳州的查尔斯顿，父亲是一位爱尔兰新教徒，母亲则拥有深厚的南卡罗来纳社会根基。1842年父亲去世后，他的早期生活充满了搬迁。家人先搬到马里兰州巴尔的摩市，然后在1848年返回查尔斯顿。在不同环境中的经历很可能塑造了他的艺术视角。
沃克的艺术之旅始于正规训练，但细节鲜为人知。他主要是一位自学成才的艺术家。在美国内战期间，他加入了邦联军队，并在韦德·汉普顿将军麾下服役。1862年在七松岭战役中受伤后，他被分配到哨兵岗位，出乎意料地为他提供了绘画时间。
他因描绘日常生活而闻名，特别关注黑人佃农和劳动者的经历。他的画作以现实主义风格和对主题的同情性刻画为特征。他最著名的两幅作品——描绘南方农村生活的场景——被柯里尔和艾夫斯公司制成彩色版画，极大地扩大了其影响力。
沃克的作品以其对体裁绘画的关注而著称，这种风格描绘日常生活中的场景。他巧妙地捕捉了主题的尊严和韧性，为重建时期后南方社会提供了一个细致入微的视角。他的画作经常描绘非裔美国人面临的困境，同时也强调他们的力量和社区精神。
沃克的艺术作品为美国历史上一个复杂时期提供了宝贵的历史记录。他深入了解了内战后南方社会的社会、经济和种族动态，这些见解通常在更正式的历史叙述中缺失。他的画作作为那些经历过那个时代的人们的视觉证明。
他一直绘画到1921年1月3日在查尔斯顿去世，安葬在麦格诺利亚公墓的家族墓地。今天，他的作品可以在南卡罗来纳州查尔斯顿的吉布斯艺术博物馆等博物馆找到，确保了他的遗产继续激励和启发后代。
虽然具体的艺术影响没有得到广泛记录，但沃克的现实主义暗示了他对当代美国体裁画家的了解。他对社会评论的关注与19世纪艺术中一种更广泛的趋势相符，即解决阶级和不平等问题。
