更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 122 件 威廉·特吕布纳 作品收录于我们的目录中
简而言之
在画廊看来，威廉·特吕布纳 最著名的作品是 Portrait of Actor Josef Kainz (1879)，其原作现收藏于 不来梅 的 不来梅艺术馆。 Studio scene (1888) 与 Dog with Plate of Sausages (Caesar at the Rubicon) (1878) 共同构成了那组令人过目不忘的艺术三部曲。 在我们的目录中，威廉·特吕布纳 共有 122 件作品，画廊为您精选了以下 100 件最著名的原作，并详细列出了每件作品的创作年份、馆藏机构及其独特之处。
In this 1879 portrait, we encounter Josef Kainz not as a public figure of the stage, but as a man caught in a moment of quiet, internal gravity. The composition is a bust-length study where the subject is positioned slightly off-center, his gaze directed toward the right side of the frame. There is a profound stillness here. The lighting, which originates from the upper left, carves his features out of…
In this 1888 oil painting, we find ourselves pulled into the enclosed, cluttered atmosphere of an artist's workspace. The composition is dense, almost heavy with the weight of creative preparation. A male figure sits in the foreground, his back to us, acting as a silent witness to the scene unfolding before him. He faces a seated female model, whose white blouse catches the light, providing a sharp, luminous contrast to…
There is a certain stillness in this scene, a pause in time that captures a singular, domestic focus. A dog sits poised at a table, its gaze fixed upon a plate of sausages. The composition is intimate, drawing the viewer into a private, unhurried moment of hunger and expectation. A cloth covers the table, providing a soft, textured foundation for the subject. The dog’s presence is steady, its expression one…
The portrait titled Boy with ruff is a work by the German realist painter Wilhelm Trübner. Created in 1871, the oil on canvas captures a single human figure in a moment of quietude. The subject is a young boy, presented in a close-up view that focuses on the face and the upper shoulders.
Portrait of an Old Man by Wilhelm Trübner presents a monochromatic, realistic study of an elderly male figure. The composition is a close-up bust portrait, positioning the subject centrally within the frame. He is set against a dark, indistinct background that lacks specific detail, creating a shallow depth of field. This arrangement causes the figure to appear as if he is emerging from a dark, void-like space directly toward the…
The work titled Selbstbildnis is a Selfportrait by the German artist Wilhelm Trübner. It captures the artist's own likeness, a quiet confrontation between the creator and the gaze. This piece emerges from the life of a man born in Heidelberg, Germany, in 1851. The canvas holds a specific moment of a life that concluded in 1917.
In this bust-length portrait, titled Woman from Brussels with Blue Tie, Wilhelm Trübner presents a quiet, intimate study of a young woman. The subject is captured in a profile view, facing toward the right of the frame. Positioned slightly off-center, her presence is anchored by a direct, eye-level perspective that invites a sense of immediate, private observation. The composition relies on a careful balance of form and space, allowing the…
In Blondine with Hat and Fur, Wilhelm Trübner presents a bust-length portrait that invites a quiet, close observation. The subject is positioned slightly off-center, facing the viewer directly with a gaze that feels both immediate and distant. She is dressed in a hat and a garment trimmed with voluminous fur, textures that anchor her presence within the frame. This arrangement creates a sense of intimacy, as if we have interrupted…
Christ in the Tomb II is an oil painting by Wilhelm Trübner. Executed about 1874, the work emerged during a period of significant development for the German realist. Trübner, born in Heidelberg, Germany, brought a precision shaped by his early training as a goldsmith to this somber subject.
Landwehr Officer is an oil portrait executed by the German artist Wilhelm Trübner. The work dates to 1872. This painting depicts a military officer in a bust-length composition, presented in a realistic style that emphasizes the specific details of the subject's appearance and attire.
Portrait of a young man1872 · 巴伐利亚州绘画收藏馆
12
Self portrait1877 · 巴伐利亚州绘画收藏馆
13
Tirolian girl1876
14
Gustav Mohr1872 · Kurpfälzisches Museum
15
Liebespaar mit Hund1873 · Museum Folkwang
16
Maler Hafenmeister with Model (also known as Adam and Eve in Costume)1873 · Von der Heydt Museum
17
Dog with Sausages (also known as Hail Caesar, We Who are about to Die Salute You)1878 · 老国家美术馆
18
Pair of Centaurs by the Waterfall II1880 · 巴伐利亚州绘画收藏馆
19
Romeo and Juliet1879
20
Scene from Danté's Divine Comedy1880 · New Gallery
21
Der Kammersänger Theodor Reichmann1879
22
Pair of centaurs in a forest I.1880
23
Portrait of a Girl with Red hair1884 · 哈佛艺术博物馆
24
The Sculptor Rudolf Thiele1889 · 巴伐利亚州绘画收藏馆
25
Battle of the Titans1891
26
Portrait of the Brewer Eisenhart, called "Der Mächer"1890 · 卡尔斯鲁厄州立美术馆
27
Mars, Venus and the gods1891
28
Karl Trübner, the Artist's Brother1890 · 卡尔斯鲁厄州立美术馆
29
Leopard Skins1895 · 卡尔斯鲁厄州立美术馆
30
Portrait of an Unknown Lady1894 · Augustiner Museum
31
Salome1897 · Lentos Art Museum
32
Portrait of a man1900 · 华沙国家博物馆
33
Portrait of Fräulein Maria Wüsthoff1901 · 哈佛艺术博物馆
34
Bust of a Young Girl with Loose Red Hair1911
35
Dame in violettem Kleid (Lady in Violet Dress)1911 · 奥克兰美术馆 Toi o Tāmaki
36
Half-length Portrait of a Man in Armor1913 · Augustiner Museum
37
Seated Musician (The Old Fiddler)1874 · 巴伐利亚州绘画收藏馆
38
In the Church1869 · 卡尔斯鲁厄州立美术馆
39
Castle Grounds in Lichtenberg in Odenwald1900 · 提森·博爾涅米薩博物館
40
Forest Interior1900 · Augustinermuseum
41
Cellar Window in Heidelberg Schloß1871 · 伦巴赫美术馆
42
Lady in front of a Tapestry1870 · Kurpfälzisches Museum
43
Karl Haberstock1914 · Kunstsammlungen Und Museen Augsburg
44
Linden Tree on Herrenchiemsee1874 · 伦巴赫美术馆
45
Potato Field near Weßling in Upper Bavaria1876 · 伦巴赫美术馆
46
The Painter Carl Schuch1876 · 老国家美术馆
47
Economic Buildings on the Herreninsel in the Chiemsee II1874 · 巴伐利亚州绘画收藏馆
48
Forest Interior (Pines)1873 · 巴伐利亚州绘画收藏馆
49
At Wesslinger See, with Dogge1876 · 巴伐利亚州绘画收藏馆
50
Dismounted Cuirassiers1875
51
Buchenwald with Lovers1876
52
White Horse in Three-Quarter View1876 · 卡尔斯鲁厄州立美术馆
53
Stubble Field with Ascending Path near Wessling1876 · 施泰德美术馆
54
Sitting Great Dane1877 · 巴伐利亚州绘画收藏馆
55
Dog's Head1878
56
Building Site at Wesslingersee1876 · 汉堡美术馆
57
Birch trees on Herreninsel1874 · 卡尔斯鲁厄州立美术馆
58
Georgine Hoffmeister1873 · Kurpfälzisches Museum
59
In the Bath House1876
60
Moor Smoking1873 · 下萨克森州立博物馆
61
Girl with Folded Hands1878 · 德累斯顿国家艺术收藏馆
62
Gunner with Hand Mirror1875 · Kurpfälzisches Museum
63
Girl with Folded Hands1878
64
On the Sofa1872 · 老国家美术馆
65
Great Dane on Wessling Lake1876
66
Monastery on Herreninsel1874 · 老国家美术馆
67
In the Studio1872 · 巴伐利亚州绘画收藏馆
68
Moor with Peonies1873 · Kurpfälzisches Museum
69
Landing Stage on the Island Herreninsel in the Lake Chiemsee1874 · 卡尔斯鲁厄州立美术馆
70
Armor1880 · 巴伐利亚州绘画收藏馆
71
Caesar at the Rubicon1880 · 卡尔斯鲁厄州立美术馆
72
Ludgate Hill, London1884
73
Ludgate Hill1884 · 卡尔斯鲁厄州立美术馆
74
Graf Haupt zu Pappenheim1884 · Kurpfälzisches Museum
75
Landscape near Kloster Seeon with Telegraph Pole1891 · 卡尔斯鲁厄州立美术馆
76
A view of Frauenchiemsee1891 · 洛杉矶县立艺术博物馆
77
The Gorgon1891
78
Eagle1888 · Kurpfälzisches Museum
79
The Edge of the Woods at Obing1892
80
Mountain Stream in Prien1890
81
The Edge of the Woods1892 · Museum Bautzen
82
The Pub on Fraueninsel1891 · Oskar Reinhart Collection
83
Ermatingen1894 · 巴伐利亚州绘画收藏馆
84
At Lake Como1897 · 巴伐利亚州绘画收藏馆
85
Ermatingen am Bodensee1894
86
Clouds1900 · Berlinische Galerie
87
In the Garden of Love1899
88
Hembsbach im Odenwald1905 · 波美拉尼亚州立博物馆
89
Kloster Amorbach, Landstraße1899
90
Ida Görz on Horseback1902
91
Marbachtal im Odenwald1902 · Anhaltische Genaldegalerie Dessau
92
Erna von Holzhausen1901 · Kurpfälzisches Museum
93
Mausbachtal bei Stift Neuburg1902 · Kurpfälzisches Museum
94
Einzug Friedrich des Siegreichen in Heidelberg1902 · Kurpfälzisches Museum
95
The Equestrienne Ida Görz1901
96
Donkey with Sack of Flower1905 · 卡尔斯鲁厄州立美术馆
97
Erna von Holzhausen on Horseback1901 · 巴伐利亚州绘画收藏馆
98
Schloss Hemsbach with Cannons1907 · 巴伐利亚州绘画收藏馆
99
Portrait of a Nun in a Summer Garden
100
Lake Starnberger1911 · 提森·博爾涅米薩博物館
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 威廉·特吕布纳 的作品 | 此列表中的画作 |
|---|---|---|---|
 巴伐利亚州绘画收藏馆 |
慕尼黑 | 17 | Blondine with Hat and Fur, Christ in the Tomb II, Portrait of a young man |
 卡尔斯鲁厄州立美术馆 |
卡尔斯鲁厄 | 13 | Portrait of the Brewer Eisenhart, called "Der Mächer", Karl Trübner, the Artist's Brother, Leopard Skins |
 Kurpfälzisches Museum |
海德堡 | 13 | Gustav Mohr, Lady in front of a Tapestry, Georgine Hoffmeister |
 伦巴赫美术馆 |
慕尼黑 | 4 | Woman from Brussels with Blue Tie, Cellar Window in Heidelberg Schloß, Linden Tree on Herrenchiemsee |
 老国家美术馆 |
柏林 | 4 | Dog with Sausages (also known as Hail Caesar, We Who are about to Die Salute You), The Painter Carl Schuch, On the Sofa |
 提森·博爾涅米薩博物館 |
馬德里 | 3 | Castle Grounds in Lichtenberg in Odenwald, Lake Starnberger |
 哈佛艺术博物馆 |
剑桥 | 2 | Portrait of a Girl with Red hair, Portrait of Fräulein Maria Wüsthoff |
 Augustiner Museum |
弗赖堡 | 2 | Portrait of an Unknown Lady, Half-length Portrait of a Man in Armor |
选择一个年代，探索定义该时代的原创杰作。
The oil painting In the Church emerges from the shadows, a quiet encounter between the viewer and two elderly figures caught in a moment of devotion. Wilhelm Trübner, a significant voice within German Realism, captures these subjects with a focus that feels immediate and heavy. The work dates to about 1869, a period when the artist's path was being shaped by the transition from the precision of a goldsmith's training…
In this 1879 portrait, we encounter Josef Kainz not as a public figure of the stage, but as a man caught in a moment of quiet, internal gravity. The composition is a bust-length study where the subject is positioned slightly off-center, his gaze directed toward the right side of the frame. There is a profound stillness here. The lighting, which originates from the upper left, carves his features out of…
In this 1888 oil painting, we find ourselves pulled into the enclosed, cluttered atmosphere of an artist's workspace. The composition is dense, almost heavy with the weight of creative preparation. A male figure sits in the foreground, his back to us, acting as a silent witness to the scene unfolding before him. He faces a seated female model, whose white blouse catches the light, providing a sharp, luminous contrast to…
In the 1891 work titled Battle of the Titans, the artist Wilhelm Trübner presents a scene of intense physical struggle. The subject matter focuses on a conflict between titans or gods, rendered through a series of muscular, nude figures. These figures are intertwined with horses amidst a backdrop of swirling clouds. The depiction centers on a struggle that suggests themes of power, conflict, and primordial chaos.
A quiet gravity fills the room as we encounter this bust-length portrait of a middle-aged man. He sits slightly off-center, his gaze drifting toward the left of the frame as if lost in a private thought. The air around him feels heavy, thick with the muted tones of dark browns, blacks, and deep ochres that define his world. A crisp white collar cuts through the darkness, providing a sharp point…
In "Bust of a Young Girl with Loose Red Hair" by Wilhelm Trübner, the viewer meets a single female figure in a close-up bust view. The composition centers her face within a heavy, undulating mass of flowing hair. This hair, rendered in deep auburn and chestnut tones, frames the subject and anchors the portrait. The perspective remains at eye-level, creating an intimate, direct encounter with the girl. She exists in…
Portrait of Actor Josef Kainz (1879)，不来梅艺术馆, 不来梅。紧随其后的是 Studio scene (1888) 和 Dog with Plate of Sausages (Caesar at the Rubicon) (1878)。
28岁：Portrait of Actor Josef Kainz创作于1879年，威廉·特吕布纳出生于1851年。
Portrait of Actor Josef Kainz, Studio scene, Dog with Plate of Sausages (Caesar at the Rubicon), Boy with ruff, Portrait of an Old Man, Selfportrait, Woman from Brussels with Blue Tie, Blondine with Hat and Fur, Christ in the Tomb II 及 Landwehr Officer。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 122 件 威廉·特吕布纳 的作品，创作年代从 1869 年至 1914 年。
多见于 巴伐利亚州绘画收藏馆 (慕尼黑), 卡尔斯鲁厄州立美术馆 (卡尔斯鲁厄) 及 Kurpfälzisches Museum (海德堡)。上方的博物馆列表列出了所有相关机构。
在 1870s 期间：本页 100 件作品中有 47 件创作于该时期，其中包含 Portrait of Actor Josef Kainz 件作品。
在本页面中，最早的作品创作于 In the Church (1869)，最晚的创作于 Karl Haberstock (1914)。
Man (20), Portrait (19) 及 Woman (13)，共计 100 件作品。
Oil On Canvas，共计 23 件（本页共有 100 件作品）。
根据本页面的原作，Realism
Blondine with Hat and Fur, Christ in the Tomb II 及 Portrait of a young man：巴伐利亚州绘画收藏馆, 慕尼黑收藏了本页中 17 件作品。
出生于海德堡，威廉·特吕布纳在德国现实主义艺术的版图中，逐渐成为一个深邃而有力的声音。他的艺术之旅并非始于画笔，而是始于金匠那严谨细致的工艺；在哈瑙开始学徒生涯后，他邂逅了古典主义画家安塞尔姆·费尔巴哈，正是对方的鼓励将他的志向引向了画布。这种早期手工艺与古典灵感的交汇，为他日后那以精湛技艺和对自然真理不懈追求为特征的职业生涯奠定了基石。随着他在卡尔斯鲁厄艺术学校以及随后的慕尼黑艺术学院深造，特吕布纳成为了欧洲绘画变革时代的一部分，这种变革既受到德国本土传统的熏陶，也受到来自法国激进创新浪潮的影响。
特吕布纳的艺术身份与莱布尔圈 (Leibl Circle) 紧密交织，这个艺术家团体中包含了汉斯·托马和卡尔·舒赫等重要人物。这一集体试图摆脱当时僵化且往往陈腐的学院派传统，转而追求一种不带感伤色彩的现实主义。古斯塔夫·库尔贝作品的影响力极大地催化了他的艺术成长，库尔贝那种alla prima（一次完成法）——即直接从自然中快速写生的创作方式——为摆脱过去那种繁琐的创作过程提供了解放性的选择。这种影响，结合他在巴黎旅行期间从马奈艺术中感悟到的那种既自发又克制的精神，使特吕布纳能够培养出一种既深植于现实，又具有细腻氛围感的独特风格。
特吕布纳作品的精髓在于他捕捉光影瞬息万变之美以及主体心理深度的能力。无论是描绘肖像画中那份静谧的尊严，还是展现林间景象的壮丽宏阔，他的技法都强调了阴影与光照之间的交织。在他的风景画中，例如那幅令人回味无穷的森林内部 (Forest Interior)，他采用了一种绘画性的处理方式，让色彩得以自由呼吸，在画布上创造出一种律动感。他对金黄色调、琥珀色和赭石色的运用，能让森林仿佛从内部散发出光芒，将单纯的植物写生升华为一场关于时间流逝与自然伟大的冥想体验。
他的肖像画在传达深沉的静谧感与内在反思方面同样卓越。在如卡尔·哈伯斯托克 (Karl Haberstock) 等作品中，特吕布纳捕捉的不只是容貌，更是一种存在状态。通过细腻的笔触和对质感的高超掌控，他邀请观众进入一个沉思的瞬间，而主体的存在本身便成为了构图的灵魂。这种在媒介的触觉丰富性与空灵的氛围超越感之间取得平衡的能力，是他最持久的成就，使他成为一位能在平凡中发现非凡之美的艺术大师。
在特吕布纳的一生中，他的作品充当了19世纪中叶严谨现实主义与随后更具流动性、表现主义运动之间的桥梁。他对莱布尔圈的贡献帮助巩固了一种特定的德国美学，这种美学重视诚实、质感以及对自然的直接观察。他的艺术遗产体现在：
特吕布纳的生活还因与艺术界的私人联系而显得意义非凡，尤其是他与德国艺术家爱丽丝·特吕布纳的婚姻。他们共同生活在一个充满活力的文化环境中，协助塑造了现代德国绘画的发展轨迹。他的作品至今仍是那个艺术探索密集时代的见证，在那个时代，“为艺术而艺术”的追求与对世界物质之美的深切尊重交相辉映。
