更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 37 件 Wilhelm Bendz 作品收录于我们的目录中
简而言之
在画廊看来，Wilhelm Bendz 最著名的作品是 The German Painter Marcus Johann Heaselich (1831)，其原作现收藏于 哥本哈根 的 斯泰恩斯博物馆艺术馆。 Countess Sophia Vilhelmine Moltke, née Levetzau (1831) 与 A Smoking Party (1828) 共同构成了那组令人过目不忘的艺术三部曲。 在我们的目录中，Wilhelm Bendz 共有 37 件作品，画廊为您精选了以下 37 件最著名的原作，并详细列出了每件作品的创作年份、馆藏机构及其独特之处。
The light catches the side of a man's face, pulling him out of a deep, shadowy background. He sits in a moment of stillness, his gaze drifting toward the left of the frame as if lost in a thought that has nothing to do with the viewer. This is Marcus Johann Heaselich, captured in a way that feels less like a formal sitting and more like a sudden, fleeting glimpse…
The gaze of Countess Sophia Vilhelmine Moltke, née Levetzau, meets the viewer from within this 1831 portrait by Wilhelm Bendz. She sits with a quiet, composed dignity that speaks of her high social standing and noble lineage. Every detail of her presence suggests a moment of stillness in a life of structured elegance. The subject remains poised, her expression carrying an air of calm authority that defines her character.
by Wilhelm Bendz offers a glimpse into a private social gathering within a Copenhagen home during the Golden Age. Created about 1828, the work functions as an all-male genre grouping of tobacco addicts with a musical bent. The scene captures a moment of leisure and conversation among a circle of friends.
In "The Visit of the Beggar to the Artist" by Wilhelm Bendz, we find ourselves observing a quiet, domestic interior from the early 19th century. The composition is vertically oriented, utilizing a doorway as a framing device to create a sense of depth and a transition between different spaces. This structural choice draws the eye toward the central narrative: an elderly woman and a young child entering a room, seemingly…
In the portrait of the painter Niels Peter Holbech, Wilhelm Bendz utilizes a vertical medium shot to position the subject slightly off-center to the left. The young man, characterized by wavy brown hair, leans against a desk within the quiet confines of an artist's studio. He is dressed in a black waistcoat worn over a voluminous white shirt and a dark necktie. To the right, an anatomical sculpture provides a…
The German Painter Heinrich Marr is a portrait by the Danish artist Wilhelm Bendz. This work captures the likeness of the German painter Heinrich Marr, a man whose presence is fixed within the frame. The artist, Wilhelm Bendz, rendered this image about 1832, a period marking the final chapter of his own creative life.
The composition is vertical and dynamic, organized around a pyramidal arrangement of figures that directs the eye from the fallen soldiers in the foreground toward a central protagonist. This central figure, King Christian IV, is positioned amidst a chaotic battle scene, his stature enhanced by a low-angle perspective. The scene depicts the naval and land-based turmoil of the Battle of Koldby Heath in 1644, specifically focusing on the King's presence…
In Portræt af jomfru Nissen, Wilhelm Bendz presents a formal and dignified oil portrait of an elderly woman. The composition is a centered, bust-length study that focuses entirely on the subject's presence. She is positioned against a dark, muted background, which allows the viewer to focus on the quiet strength of her features. The color palette is dominated by deep, desaturated tones, creating a somber and classical atmosphere that feels…
The painting titled The Life Class at the Royal Academy of Fine Arts was executed by the Danish artist Wilhelm Bendz in 1826. This work is an oil on canvas that captures an observational scene of art instruction. The subject matter focuses on a life drawing class held within the interior of the Royal Academy of Fine Arts.
This oil on canvas painting, titled Young Pan in a Grotto. Model, was executed by the Danish artist Wilhelm Bendz in 1825. It represents a significant moment in the artist's early development, created during a period when he was refining his command of classical and mythological themes. The work captures a specific, quiet moment of repose, moving away from the genre scenes for which he would later become widely recognized.
Male Model1824 · 斯泰恩斯博物馆艺术馆
12
Self-Portrait1825 · 斯泰恩斯博物馆艺术馆
13
The Raffenberg Family1830 · 斯泰恩斯博物馆艺术馆
14
Cathrine von Halle, née Nathanson1830 · 斯泰恩斯博物馆艺术馆
15
Dame med strikketøj. En af kunstnerens søstre (?)1827 · 斯泰恩斯博物馆艺术馆
16
Unknown Young Gentleman1831 · 斯泰恩斯博物馆艺术馆
17
Marie Raffenberg, the Artist's Betrothed1831 · 斯泰恩斯博物馆艺术馆
18
The Actor Christoffer Hvid1826 · 斯泰恩斯博物馆艺术馆
19
The German Painter Herman Kaufmann1831 · 斯泰恩斯博物馆艺术馆
20
A Sculptor in his Studio Working from the Life1827 · 斯泰恩斯博物馆艺术馆
21
Interior with women and children around a table.1827
22
Outside the Odense poorhouse.1831 · Hirschsprung Collection
23
Portrait of a young man with a Phrygian cap1825 · Ny Carlsberg Glyptotek
24
The painter Georg Heinrich Crola in his study.1832 · 老国家美术馆
25
Artists in Finck's Coffee House1832 · Thorvaldsen Museum
26
Portrait of the German Painter Wilhelm von Kaulbach1832 · 斯泰恩斯博物馆艺术馆
27
Portrait of a girl in a black dress sitting at table1837 · 斯泰恩斯博物馆艺术馆
28
Portrait of a ManFitzwilliam 学院
29
A Coach House. Partenkirchen1831 · 斯泰恩斯博物馆艺术馆
30
Parti ved Odense kanal1825 · 斯泰恩斯博物馆艺术馆
31
Mountain landscape1831 · Hirschsprung Collection
32
The Church of Ramsau1832 · 阿什莫利博物馆
33
Study of Light in a Vaulted Interior
34
Portrait of a WomanFitzwilliam 学院
35
A Young Artist (Ditlev Blunck) Examining a Sketch in a Mirror1826 · 斯泰恩斯博物馆艺术馆
36
Familien Waagepetersen1830 · 斯泰恩斯博物馆艺术馆
37
Interior from Amaliegade. Captain Carl Ludvig Bendz standing and Dr. Jacob Christian Bendz seated1829 · Hirschsprung Collection
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | Wilhelm Bendz 的作品 | 此列表中的画作 |
|---|---|---|---|
 斯泰恩斯博物馆艺术馆 |
哥本哈根 | 22 | The German Painter Marcus Johann Heaselich, The German Painter Heinrich Marr, Christian IV på "Trefoldigheden" i slaget på Koldberger Heide 1644 |
 Hirschsprung Collection |
哥本哈根 | 3 | Outside the Odense poorhouse., Mountain landscape, Interior from Amaliegade. Captain Carl Ludvig Bendz standing and Dr. Jacob Christian Bendz seated |
 Ny Carlsberg Glyptotek |
哥本哈根 | 2 | A Smoking Party, Portrait of a young man with a Phrygian cap |
 Fitzwilliam 学院 |
Cambridge | 2 | Portrait of a Man, Portrait of a Woman |
 国家博物馆 |
斯德哥尔摩 | 1 | Countess Sophia Vilhelmine Moltke, née Levetzau |
 Fuglsang Art Museum |
Guldborgsund | 1 | portrait of the painter Niels Peter Holbech |
 老国家美术馆 |
柏林 | 1 | The painter Georg Heinrich Crola in his study. |
 Thorvaldsen Museum |
哥本哈根 | 1 | Artists in Finck's Coffee House |
十载春秋，从 1824 到 1832，对 Wilhelm Bendz 而言已足够：画廊将这些岁月逐年呈现，一幅又一幅传世名作接踵而至。
选择年份以查看原作。
In the portrait of the painter Niels Peter Holbech, Wilhelm Bendz utilizes a vertical medium shot to position the subject slightly off-center to the left. The young man, characterized by wavy brown hair, leans against a desk within the quiet confines of an artist's studio. He is dressed in a black waistcoat worn over a voluminous white shirt and a dark necktie. To the right, an anatomical sculpture provides a…
更多来自 1824
In Portræt af jomfru Nissen, Wilhelm Bendz presents a formal and dignified oil portrait of an elderly woman. The composition is a centered, bust-length study that focuses entirely on the subject's presence. She is positioned against a dark, muted background, which allows the viewer to focus on the quiet strength of her features. The color palette is dominated by deep, desaturated tones, creating a somber and classical atmosphere that feels…
更多来自 1825
The painting titled The Life Class at the Royal Academy of Fine Arts was executed by the Danish artist Wilhelm Bendz in 1826. This work is an oil on canvas that captures an observational scene of art instruction. The subject matter focuses on a life drawing class held within the interior of the Royal Academy of Fine Arts.
更多来自 1826
A soft light spills from the upper left, catching the delicate curve of a young woman's profile as she sits in a moment of profound stillness. She is lost in the rhythmic, silent labor of her needles, her hands cradling a piece of white cloth that glows against the deep, light-absorbing velvet of her dress. There is a heavy, comforting weight to the fabric of her gown, a darkness that…
更多来自 1827
by Wilhelm Bendz offers a glimpse into a private social gathering within a Copenhagen home during the Golden Age. Created about 1828, the work functions as an all-male genre grouping of tobacco addicts with a musical bent. The scene captures a moment of leisure and conversation among a circle of friends.
更多来自 1828
In "The Visit of the Beggar to the Artist" by Wilhelm Bendz, we find ourselves observing a quiet, domestic interior from the early 19th century. The composition is vertically oriented, utilizing a doorway as a framing device to create a sense of depth and a transition between different spaces. This structural choice draws the eye toward the central narrative: an elderly woman and a young child entering a room, seemingly…
更多来自 1829
In this 1830 portrait, we find ourselves invited into a private, tranquil interior where the Raffenberg family is gathered. The composition is structured with a gentle, triangular stability, placing a standing woman at the center of the group, her presence anchoring the seated figures below. There is a profound sense of stillness here, the kind found in a room where the air is heavy with the scent of old wood…
更多来自 1830
The light catches the side of a man's face, pulling him out of a deep, shadowy background. He sits in a moment of stillness, his gaze drifting toward the left of the frame as if lost in a thought that has nothing to do with the viewer. This is Marcus Johann Heaselich, captured in a way that feels less like a formal sitting and more like a sudden, fleeting glimpse…
更多来自 1831
The German Painter Heinrich Marr is a portrait by the Danish artist Wilhelm Bendz. This work captures the likeness of the German painter Heinrich Marr, a man whose presence is fixed within the frame. The artist, Wilhelm Bendz, rendered this image about 1832, a period marking the final chapter of his own creative life.
更多来自 1832
The German Painter Marcus Johann Heaselich (1831)，斯泰恩斯博物馆艺术馆, 哥本哈根。紧随其后的是 Countess Sophia Vilhelmine Moltke, née Levetzau (1831) 和 A Smoking Party (1828)。
27岁：The German Painter Marcus Johann Heaselich创作于1831年，Wilhelm Bendz出生于1804年。
The German Painter Marcus Johann Heaselich, Countess Sophia Vilhelmine Moltke, née Levetzau, A Smoking Party, The Visit of the Beggar to the Artist, portrait of the painter Niels Peter Holbech, The German Painter Heinrich Marr, Christian IV på "Trefoldigheden" i slaget på Koldberger Heide 1644, Portræt af jomfru Nissen, The Life Class at the Royal Academy of Fine Arts 及 Young Pan in a Grotto. Model。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 37 件 Wilhelm Bendz 的作品，创作年代从 1824 年至 1832 年。
多见于 斯泰恩斯博物馆艺术馆 (哥本哈根), Hirschsprung Collection (哥本哈根) 及 Ny Carlsberg Glyptotek (哥本哈根)。上方的博物馆列表列出了所有相关机构。
在 1831 期间：本页 37 件作品中有 8 件创作于该时期，其中包含 The German Painter Marcus Johann Heaselich 件作品。
在本页面中，最早的作品创作于 portrait of the painter Niels Peter Holbech (1824)，最晚的创作于 The German Painter Heinrich Marr (1832)。
Man (14), Woman (12) 及 Portrait (10)，共计 37 件作品。
Oil On Canvas，共计 17 件（本页共有 37 件作品）。
根据本页面的原作，Danish golden age
The German Painter Marcus Johann Heaselich, The German Painter Heinrich Marr 及 Christian IV på "Trefoldigheden" i slaget på Koldberger Heide 1644：斯泰恩斯博物馆艺术馆, 哥本哈根收藏了本页中 22 件作品。
